I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

 The movieization of Japanese comics has disappointed many people. What could be the cause? Maybe it's because it's not easy. Manga and Movies have different expressions.

 I don't know what these images would look like to anyone else who likes Dragon Ball series.

 I used a AI Model for realistic expression, and additionally used LoRA to help each character expression. and I asked the CHAT GPT to produce a fictional actor's name and very small miscellaneous letters written under the movie poster. After that, I worked on Photoshop to remove the flaws in the ai picture and make it look better.

FARAS-1947 : The Roswell Descendants and Their Message from 1947

Date: August 14, 1947

 This report synthesizes the extraterrestrial Descendants' narrative concerning the past, present, and future of human civilization, their own development, technological advancements, and the predicaments they face. Their revelations illuminate a startling trajectory of human evolution and transformation.

Historical Disclosure:

 The beings narrated a tale of humanity that stretches far beyond our current understanding. They spoke of a unified global government that, after a period of prosperity and crises, ushered humanity into a prolonged era of peace. During this period, humanity embarked on a path of self-evolution and cosmic colonization, spreading across the cosmos in pursuit of sustainable prosperity.

Stagnation and Despair:

Intervention in Time:

 In a bid to further advance their civilization, they came up with an audacious idea—to intervene in their past and direct their own evolution. While this idea seemed preposterous, they soon discovered that they had already intervened in their timeline, thousands of years in the past. In essence, they were set to undertake a mission they had already completed, and the effects of which they were already experiencing.

Acceptance and Persistence:

 Recognizing their inability to control the past, present, and future completely, they conceded to the inescapability of certain aspects of their existence. However, they remained active agents, carrying out their mission in line with several protocols. These included minimizing their exposure to beings of the past and ensuring the beneficial influence on their lives. The most critical protocol was the prohibition of disclosing future events to the past.

Current Scenario:

 The beings' revelations fundamentally challenge our understanding of time, free will, and our place in the cosmos. This information, though perplexing and disruptive, presents an opportunity to reassess our perspectives on life, existence, and the universe. The question of how we navigate this newfound knowledge is a complex task that requires a careful, interdisciplinary approach that balances scientific inquiry, philosophical understanding, and ethical considerations.

Quantum Blueprint of Universal Knowledge:

 The extraterrestrial entities, survivors of the Roswell crash, expressed a key motive for their mission - to pass on their consolidated knowledge of the universe to humanity. However, they did not intend to hand over this information readily. They presented a set of conditions before the disclosure of this knowledge. They have encrypted all the knowledge they intended to impart into a string of digital characters, a code, to be precise. This code could only be deciphered when humanity has successfully constructed a basic quantum computer and has navigated through several crises to form a united global government.

 They gave the officer in charge something like a compact disc that they had been making in advance, and the instructions that told him how to decrypt and operate it were elaborated directly on paper.

 The extraterrestrials underlined the significance of these conditions - they would inevitably lead to human unification and collaboration, steering clear of destructive wars. They confessed that they were already aware of the dazzling progress that humanity had made over the past centuries, thanks to this knowledge. However, they also admitted the disappointment and despair they faced when realizing there was nothing left to accomplish.

 Expressing regret over the inability to encounter other alien life forms and the laxity of their information security protocols as a consequence, the extraterrestrial beings started to deteriorate one by one. Their lifespan was limited by their bio-suits, and as the end neared, they accepted their fate with solemn grace.

 As they began to fade, they left behind the encrypted knowledge, a testament to their existence and a beacon for human advancement. Even in the face of death, their faith in humanity’s potential to grow and evolve was unwavering, their legacy and the mission of knowledge transfer was proof of this belief.

 The person who obtained this information, which was leaked during the digitization of the archives associated with the Apollo program, left some notes.  "If you look closely at the records leaked through PROMPTYPER ®, you can assume that somewhere underground in Area 51 is something like a little compact disc with this cosmic knowledge. But it's just an interesting inference. There's no telling if it's really there, or if it' There could be a few insignificant spaceships, a bio suit worn by aliens, and so on. Where the important disk is located seems to be classified as the most important information. The whereabouts of it are unknown."  "We are unable to disclose the full text of this report format document, so we have asked GPT for a summary. I hope you enjoyed reading it."

FAUAP : KR2-UFOLRG73

 This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.

 What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.

 Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.

 From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.

FAUAP : AV4-DFUFO6G95

 The image, captured by an aviator at a significant altitude, features a UAP bearing a characteristic flat disk shape. The most notable elements are the two light sources below the UAP, creating an impressive glow against the vast sky. Above the UAP, a spatial distortion manifests as a haze, adding an extra layer of intrigue to the scene.  Under the sunlight's illumination, the UAP exhibits a reflective quality, making it appear as if composed of smooth metal. This feature, along with the overall design, becomes strikingly clear in the high-quality picture, implying the possible existence of advanced technology.  This photograph remained hidden from public view until the data from the promptyper was leaked. The image, originally preserved as film, was printed for digital archiving by the promptyper, before being digitally scanned. The later leak of this data introduced this intriguing photograph into public knowledge, sparking speculation and excitement around its origins and implications.

FAUAP : KZ1-UFOM8B88

 The photograph, captured in the early evening over a small town in Kazakhstan, features a massive unidentified aerial phenomenon (UAP) suspended in the sky. The UAP, nearly the size of a mother ship and shaped like a flat rugby ball, has an enigmatic strip of detail, which the photographer described as an opening from which smaller objects emerged.  This UAP, according to the leaked reports, was completely invisible from beneath, leading to questions about potential advanced cloaking technology. The timing of the UAP's appearance, considering Kazakhstan's historical role as a nuclear power, instigates further speculation about its origins and purpose.  The photographer, known as Borat, was a chef at a local hotel situated amidst the high mountains. His hobby of capturing sunset scenes from high altitudes led to this unusual snapshot. However, instead of releasing this extraordinary photograph, Borat chose a different path.  With the promise of a significant monetary compensation, he agreed not to leak the photograph. The agreement included a clause that required Borat and his family to immigrate to Turkmenistan, another Turkic-speaking country. This move, while providing a significant lifestyle change for Borat and his family, also ensured the photograph remained classified for many years.  It was only when the related report leaked recently that the existence of this unique photograph came to light. This revelation stirred public interest, further adding layers of intrigue and speculation around this UAP and its untold narrative.

AI baby bunny :D

FAUAP : JP3-IRW-UFO9D9

 The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top.  There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 I think Bulma has shown a versatile and capable woman image in Dragon Ball series. The technologies she uses, such as miniature capsules (Hoi Poi Capsules) and Dragon Ball Tracker, were extraordinary, and it was a great pleasure to see them work in animation.

 And Bulma was one of the first characters to introduce me to the concept of "pretty woman" at the time. Let's stop discussing whether this is okay. We'll find out about this one day anyway and find it ourselves. Animation just moved it up a few months to a year. Ha Ha.

Ornithologist, Edward S. Gray (1935 ~ ?)

 Ornithologist Edward S. Gray, is known for his landmark discovery of the Solo Giant Feather Bird, known as "Monoptilornis Gigantipluma".

 His finding sent ripples through the world of ornithology; however, due to no subsequent sightings of this bird, his claim remains a subject of intrigue and skepticism within the scientific community.

a bird he claims to have discovered and studied ;

Monoptilornis Gigantipluma

 He later became famous for discovering Cyanophilus Twitterus, a new bird known as the "Twitter Bird."

Cyanophilus twitterus, is easily identifiable through its unique blue feathers and its constant tweeting sound. These birds typically chirp all day long, which can be associated with communication, alarm signals, or mating behaviors.

 Ornithologist Edward S. Gray discovered that these birds show a strong preference for all shades of blue. Dr. Gray found that these birds even prefer humans dressed in blue and do not shy away from approaching them.

 This discovery garnered high interest not only in the academic community but also among the general public. People amusingly referred to this bird as the Twitter bird, creating a buzz for a while.

 This bird made him famous by appearing in various bird documentaries, but he couldn't give up his dream. After going on an expedition alone to the jungles of South America to find and study Monoptilornis Gigantipluma again, he disappeared.

Monster The Movie : Kenzo Tenma

 I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.

 I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.  Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.

 Kenzo was portrayed as a good-natured person, and I thought he represented the general public. Peaceful times, the masses who usually live a normal life just trying to look good for their boss, but when they find out someone is plotting an evil plan, they go out of their way to smash it.

 Kenzo enlists the help of other populace around him, and he works to crush the great evil he is unable to counter. He is supported by the public like himself, and at the same time chased by the public like himself. All the while, Absolute Evil controls them all and quietly grows in power.  Actually, I'm not sure if I understood it well. :D...;