FAUAP : AV4-DFUFO6G95

FAUAP : JP3-IRW-UFO9D9

 The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top.  There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.

FARAS-1947 : 

Extraterrestrial Spacesuit Helmet Recovered from Roswell UFO

July 30, 1947

 This is a summary from the leaked FARAS-1947 document, which covers a different type of helmet than mentioned in the previous report.

 The helmet, distinctly larger and more streamlined than the previous one, is characterized by its robust, chalky white exterior. Unlike the previous helmet, which featured a large, transparent visor for easy observation of the surroundings, this helmet is equipped with a considerably narrower visor in the frontal area, suggesting a greater emphasis on functional attributes such as protection and internal heads-up display (HUD) capabilities.

Specification Analysis:

 This helmet's design and features could indicate that it was used for more specialized activities, potentially combat. The narrowed visor and the presence of the internal HUD suggest that it was built to prioritize user safety and information feed in high-risk situations.

 The connector terminal on the left side could be used for attaching various equipment or accessories, although without the actual components for examination, the specific purpose of this terminal remains speculative.

 Aliens appear to have tried to thoroughly destroy accessories connected to the helmet terminals and hide or dispose of helmets if possible to comply with their own technology leak prevention protocols.

Conclusion:

 The discovery of this advanced helmet adds another layer of complexity to the ongoing FARAS-1947 investigation. Its unique features hint at a more specialized use, possibly combat-related, underscoring the technological prowess of the extraterrestrial civilization that created it. Further studies and continued analysis are required to fully understand the nature and purpose of this artifact.

FARAS-1947 : 

Interaction with Extraterrestrial Lifeforms from the Roswell Incident

Date: August 7, 1947

 This report details the surprising interaction with the extraterrestrial beings who survived the FARAS-1947 crash. Remarkably, these beings showed not only an ability to understand and speak English but also demonstrated an array of behaviors similar to human characteristics.

 Upon discovery, these beings were compliant and cooperative. Their capability to communicate in English came via small micro-speakers embedded on the surface of their biological spacesuits. The sophistication of these micro-speakers led some scientists to initially suspect the use of telepathy.  The beings wore what appeared to be biological spacesuits but without helmets. They said they abandoned their helmets to comply with their security protocols. But at the same time they added that if we wanted to find the helmet, we could. Despite not wearing helmets, they showed no signs of respiratory distress. However, unlike humans, they did not appear to respire through a mouth or nose, but rather through an enclosed system provided by the suit, located beneath their necks.  Their eyes appeared to be largely black, akin to sunglasses. Upon closer observation, it was found that beneath this black exterior, they possessed eyes similar in form to human eyes. They described this aspect of their appearance as part of a biological containment system. When scientists illuminated their eyes, they could see tiny lights floating under their outer black eyes.

 While generally expressionless, these beings occasionally displayed human-like emotions, such as sadness, light-hearted laughter, and smiles. Their ability to converse in English led to a degree of skepticism among some observers, who questioned whether this could be an elaborate prank.

 They explained that they had deliberately crashed to bypass certain protocols of importance to them. Despite some suffering severe injuries during the process, they indicated they had foreknowledge of the outcomes before the incident occurred.  The beings suggested that their survival was limited to the lifespan permitted by their biological spacesuits. They proceeded to share specific pieces of information they wished to impart before their anticipated demise. However, due to the sensitive nature of these discussions, they cannot be disclosed in this document.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 Kuririn is known as the strongest Earthman. Nevertheless, I remember that it was painted as a human symbol of trying and overcoming despite clear limitations.

 I think Kuririn is the main character who preached the importance of effort to children. There are many natural geniuses like alien, Goku in the world, but they have shown that even with ordinary skills like Kuririn, they can stand shoulder to shoulder.

 above all else. He won the heart of Android 18, and married her. What does this say? Having a good wife, more than anything else, means a true winner in life.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 Frieza remains one of the most terrifying villain in my memory. I rarely saw Dragon Ball Z on the air to attend the academy on time, but I don't know if this Frieza, who appeared in his spare time, was a man or a woman, and I was really scared to see a huge force coming out of his fingers.

 And as we'll find out later, Frieza is obviously a villain, but he's quite gentle and funny. Decades later, many people were reevaluating Frieza (such as using honorifics for subordinates and enemies)  It is hoped that in order for today's growing children to be able to see Dragon Ball again, one day they will have to expand to other media or remake it.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 For us in our childhood, Vegeta was a terrible villain at first, but it became more and more like a symbol of 'Tsundere'. It was quite an impressive memory for me as a child.

 I thought that Saiyan's hairstyle would be very strange when imagined as a live action movie. But once I've tried it, it's within the bounds of recognizing it as an existential hairstyle.

 *To mention the meme It's over 9000, '8,000' is the official figure. (in japanese version.)

FAUAP : PH7-MUFO9F97

 The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation.  Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design.  The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance.  Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 When I remember Goku, the first thing that came to my mind was the disappointment of not being able to use Kamehameha.  The concept of a character that grows over time made Goku come to me as a really vivid being in my childhood.  I remember Goku before the Dragon Ball Z series was pretty funny, but after the Z series the atmosphere changed very scary, 'is this really a children's animation?' I also had this question. Dragon Ball Z was considered very violent, so even my parents thought it was a cautionary animation. But now that I think about it, what Goku has shown in Dragon Ball has had a tremendous impact on each of us growing up. Fighting to protect the Earth and friends, and enjoying the battle in the process, sometimes trying to endure and grow again even if can't enjoying it. And achieving growth and eventually achieving goals. These were things that we couldn't easily learn in school.

FARAS : Other Possibilities

 I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.

 Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.

 If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?

 How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.

 If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?

 Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?

 I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.

FAUAP : KR2-UFOLRG73

 This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.

 What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.

 Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.

 From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.