This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.
What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.
Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.
From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.
I chose a low angle to portray Big Daddy's menacing look, and a leak in progress to portray Rapture's precarious appearance. The expression of splashing water was added with Photoshop. LoRA seem to have worked and did almost everything. I like this Big Daddy design, which is a little taller than the previous original design, as it seems to be suitable for a live-action film.
If there was one problem, it was not easy to get the Little Sisters into the right places. I just composited her in photoshop. Composite quality doesn't seem very good. Still, I'll have to be content with this.
BioShock was a big turning point for me. I started with a surprise about computer graphics, and the twist at the end is really the best I can think of now. I hope this work will be made into a great live-action movie someday.
little 3D effect on it. :D
AI baby bunny :D
It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.
He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.
In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.
I also tried to depict their characters, situations, and symbols in the background of the poster.
I used Stable Diffusion to produce a comedy horror movie poster about ai home tutor robot.
In this fictional movie, a boy named Thomas gets into trouble until EDU-BOT is broken.
I didn't imagine the details. As individual human rights begin to be respected, on the contrary, teachers' rights are falling. We need to discuss this issue.
Original image
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.
Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
For us in our childhood, Vegeta was a terrible villain at first, but it became more and more like a symbol of 'Tsundere'. It was quite an impressive memory for me as a child.
I thought that Saiyan's hairstyle would be very strange when imagined as a live action movie. But once I've tried it, it's within the bounds of recognizing it as an existential hairstyle.
*To mention the meme It's over 9000, '8,000' is the official figure. (in japanese version.)
The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top. There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.
I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.
Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.
If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?
How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.
If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?
Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?
I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.
Date: 29th July 1948
The species is identified as 'MakHa', a name arising from the unique sound they produce during communication.
The MakHa are humanoid in form with tall, slender bodies and elongated limbs. They possess a distinctive elongated cranium, earning them the nickname "horse-head" among initial contact teams. Skin color varies from pale white to a more muted grey hue.
Unlike the Roswell aliens, they did not speak English. But one of them was able to use English, and the other learned quickly, so communication was soon possible.
MakHa society appears to treat all individuals equally, irrespective of their apparent age. Our observations suggest that this may not stem from moral or ideological concepts, but from the lack of significant functional and experiential differences between younger and older individuals.
The MakHa show clear signs of hostility towards the Roswell aliens, despite their likely shared origin. Our inquiries indicate that this antagonism is primarily due to pronounced ideological differences. The MakHa lean towards a more totalitarian and collectivist system compared to the Roswell one.
These MakHa were presumed to be artificially created creatures. They learned everything, but they felt mechanical, not by curiosity. Some officers taught them to play hide-and-seek, which they performed very well, but did not appear to have any pleasure or curiosity.
They didn't show much emotional change even after they understood that there was nothing they could change here. It's supposed to be because, in addition to their senses and nerves being different from modern humans, their view of time already has a good understanding of how these deterministic events work.
They just seemed content to understand and remember things around them. If they could have changed something, they would have acted as best they could, but they had already figured things out, so they didn't show much agitation or take any particular action in contact with some of the surviving Roswell aliens. Their behavior seemed very strange, but it wasn't that officers couldn't find their human side. They were fully communicative beings, and they wished their ancestors good luck.