FARAS-1947 : The Roswell Descendants And Their Message From 1947
FARAS-1947 : The Roswell Descendants and Their Message from 1947
Date: August 14, 1947
This report synthesizes the extraterrestrial Descendants' narrative concerning the past, present, and future of human civilization, their own development, technological advancements, and the predicaments they face. Their revelations illuminate a startling trajectory of human evolution and transformation.
Historical Disclosure:
The beings narrated a tale of humanity that stretches far beyond our current understanding. They spoke of a unified global government that, after a period of prosperity and crises, ushered humanity into a prolonged era of peace. During this period, humanity embarked on a path of self-evolution and cosmic colonization, spreading across the cosmos in pursuit of sustainable prosperity.
Stagnation and Despair:
Intervention in Time:
In a bid to further advance their civilization, they came up with an audacious idea—to intervene in their past and direct their own evolution. While this idea seemed preposterous, they soon discovered that they had already intervened in their timeline, thousands of years in the past. In essence, they were set to undertake a mission they had already completed, and the effects of which they were already experiencing.
Acceptance and Persistence:
Recognizing their inability to control the past, present, and future completely, they conceded to the inescapability of certain aspects of their existence. However, they remained active agents, carrying out their mission in line with several protocols. These included minimizing their exposure to beings of the past and ensuring the beneficial influence on their lives. The most critical protocol was the prohibition of disclosing future events to the past.
Current Scenario:
The beings' revelations fundamentally challenge our understanding of time, free will, and our place in the cosmos. This information, though perplexing and disruptive, presents an opportunity to reassess our perspectives on life, existence, and the universe. The question of how we navigate this newfound knowledge is a complex task that requires a careful, interdisciplinary approach that balances scientific inquiry, philosophical understanding, and ethical considerations.
Quantum Blueprint of Universal Knowledge:
The extraterrestrial entities, survivors of the Roswell crash, expressed a key motive for their mission - to pass on their consolidated knowledge of the universe to humanity. However, they did not intend to hand over this information readily. They presented a set of conditions before the disclosure of this knowledge. They have encrypted all the knowledge they intended to impart into a string of digital characters, a code, to be precise. This code could only be deciphered when humanity has successfully constructed a basic quantum computer and has navigated through several crises to form a united global government.
They gave the officer in charge something like a compact disc that they had been making in advance, and the instructions that told him how to decrypt and operate it were elaborated directly on paper.
The extraterrestrials underlined the significance of these conditions - they would inevitably lead to human unification and collaboration, steering clear of destructive wars. They confessed that they were already aware of the dazzling progress that humanity had made over the past centuries, thanks to this knowledge. However, they also admitted the disappointment and despair they faced when realizing there was nothing left to accomplish.
Expressing regret over the inability to encounter other alien life forms and the laxity of their information security protocols as a consequence, the extraterrestrial beings started to deteriorate one by one. Their lifespan was limited by their bio-suits, and as the end neared, they accepted their fate with solemn grace.
As they began to fade, they left behind the encrypted knowledge, a testament to their existence and a beacon for human advancement. Even in the face of death, their faith in humanity’s potential to grow and evolve was unwavering, their legacy and the mission of knowledge transfer was proof of this belief.
The person who obtained this information, which was leaked during the digitization of the archives associated with the Apollo program, left some notes. "If you look closely at the records leaked through PROMPTYPER ®, you can assume that somewhere underground in Area 51 is something like a little compact disc with this cosmic knowledge. But it's just an interesting inference. There's no telling if it's really there, or if it' There could be a few insignificant spaceships, a bio suit worn by aliens, and so on. Where the important disk is located seems to be classified as the most important information. The whereabouts of it are unknown." "We are unable to disclose the full text of this report format document, so we have asked GPT for a summary. I hope you enjoyed reading it."
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FARAS-1947 :
Extraterrestrial Spacesuit Recovered from Roswell UFO Incident Debris
July 28, 1947
Approximately four weeks following the UFO crash incident in Roswell in June 1947, a local farmer, Mac Politz, discovered what is presumed to be an extraterrestrial spacesuit on his property. FARAS-1947 report presents a detailed description and specification analysis of the discovered spacesuit.
The spacesuit appears to be made of a composite material, with a particularly noticeable rounded visor. On each side of the helmet, there are plugs, presumably for connecting auxiliary devices. These might have been used to expand the functionalities of the spacesuit or to operate individual equipment. On the interior hood of the visor, at the forehead section, there is a symbol that resembles a logo. This could potentially be an identification mark of the extraterrestrial civilization that manufactured the suit. On the front of the suit, symbols similar to the alphabets 'O' and 'X' are drawn. While these could potentially be interpreted as the language of the extraterrestrials. It is hoped that the meaning can be grasped through the interpretation of the semiotic structure found in spacesuits and other recovered items. Another notable aspect is the third sleeve emerging from the left side of the suit. This sleeve is presumed to be for an auxiliary arm, suggesting that the extraterrestrials could perform various tasks more efficiently.
Specification Analysis :
The visor shows signs of wear and tear, indicating that the extraterrestrials used this spacesuit for a considerable period of time. This evidences the superior durability of the suit and is representative of the advanced technological capabilities of the extraterrestrials.
The spacesuit itself provides basic protection, including thermal regulation and pressure maintenance. However, auxiliary components that would have been originally attached to the plugs on either side of the helmet are currently absent. It is inferred that these components would have performed a variety of functions, though it remains speculative without the actual components for examination.
The extraterrestrial spacesuit demonstrates not only high technological capabilities and sophisticated design but also offers a unique insight into our understanding of extraterrestrial life and its advanced civilization. Further studies are necessary to fully comprehend the potential implications of this discovery.
It has been treated as essential data for the design and establishment of the Apollo program and is believed to have been leaked through the PTAC(Promptyper Archive Company) involved during the planning period.
FARAS : Other Possibilities
I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.
Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.
If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?
How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.
If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?
Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?
I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.
I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.
FAUAP : KZ1-UFOM8B88
The photograph, captured in the early evening over a small town in Kazakhstan, features a massive unidentified aerial phenomenon (UAP) suspended in the sky. The UAP, nearly the size of a mother ship and shaped like a flat rugby ball, has an enigmatic strip of detail, which the photographer described as an opening from which smaller objects emerged. This UAP, according to the leaked reports, was completely invisible from beneath, leading to questions about potential advanced cloaking technology. The timing of the UAP's appearance, considering Kazakhstan's historical role as a nuclear power, instigates further speculation about its origins and purpose. The photographer, known as Borat, was a chef at a local hotel situated amidst the high mountains. His hobby of capturing sunset scenes from high altitudes led to this unusual snapshot. However, instead of releasing this extraordinary photograph, Borat chose a different path. With the promise of a significant monetary compensation, he agreed not to leak the photograph. The agreement included a clause that required Borat and his family to immigrate to Turkmenistan, another Turkic-speaking country. This move, while providing a significant lifestyle change for Borat and his family, also ensured the photograph remained classified for many years. It was only when the related report leaked recently that the existence of this unique photograph came to light. This revelation stirred public interest, further adding layers of intrigue and speculation around this UAP and its untold narrative.
FAUAP : AR5-ZEE-N959
This photograph, captured in September 1995, depicts a rural scene in northern Europe. Visible in the distance are several farm buildings. A small forest is present closer to the viewer, while mountains appear on either side of the scene. The picture was taken using a Kodak Ektar 100 film. What distinguishes this image from a typical landscape photograph is the presence of an unidentified aerial phenomenon (UAP) in the sky above the scene. The UAP appears stationary and is of a discernible, aerodynamic shape. It is set against a clear sky, with an array of light rays extending from or towards it. Some observers have speculated that the rays could be the result of a trick of the light or some form of photographic manipulation, such as the use of glass plates or paint. However, these theories are questionable given the properties of the photograph. The Kodak Ektar 100 film used is renowned for its fine grain and high-resolution output. Any form of manipulation would likely have caused inconsistencies in resolution, which are not evident in the image. Therefore, based on the evidence in the photograph, it appears that neither the UAP nor the mysterious light rays are the result of photographic trickery. This adds a level of mystery and intrigue to the photograph and invites further examination and interpretation.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
For us in our childhood, Vegeta was a terrible villain at first, but it became more and more like a symbol of 'Tsundere'. It was quite an impressive memory for me as a child.
I thought that Saiyan's hairstyle would be very strange when imagined as a live action movie. But once I've tried it, it's within the bounds of recognizing it as an existential hairstyle.
*To mention the meme It's over 9000, '8,000' is the official figure. (in japanese version.)
FARAS : Leaked MakHa Archived Images
Date: 29th July 1948
The species is identified as 'MakHa', a name arising from the unique sound they produce during communication.
The MakHa are humanoid in form with tall, slender bodies and elongated limbs. They possess a distinctive elongated cranium, earning them the nickname "horse-head" among initial contact teams. Skin color varies from pale white to a more muted grey hue.
Unlike the Roswell aliens, they did not speak English. But one of them was able to use English, and the other learned quickly, so communication was soon possible.
MakHa society appears to treat all individuals equally, irrespective of their apparent age. Our observations suggest that this may not stem from moral or ideological concepts, but from the lack of significant functional and experiential differences between younger and older individuals.
The MakHa show clear signs of hostility towards the Roswell aliens, despite their likely shared origin. Our inquiries indicate that this antagonism is primarily due to pronounced ideological differences. The MakHa lean towards a more totalitarian and collectivist system compared to the Roswell one.
These MakHa were presumed to be artificially created creatures. They learned everything, but they felt mechanical, not by curiosity. Some officers taught them to play hide-and-seek, which they performed very well, but did not appear to have any pleasure or curiosity.
They didn't show much emotional change even after they understood that there was nothing they could change here. It's supposed to be because, in addition to their senses and nerves being different from modern humans, their view of time already has a good understanding of how these deterministic events work.
They just seemed content to understand and remember things around them. If they could have changed something, they would have acted as best they could, but they had already figured things out, so they didn't show much agitation or take any particular action in contact with some of the surviving Roswell aliens. Their behavior seemed very strange, but it wasn't that officers couldn't find their human side. They were fully communicative beings, and they wished their ancestors good luck.
BioShock The Movie : Big Daddy Fan Poster
I chose a low angle to portray Big Daddy's menacing look, and a leak in progress to portray Rapture's precarious appearance. The expression of splashing water was added with Photoshop. LoRA seem to have worked and did almost everything. I like this Big Daddy design, which is a little taller than the previous original design, as it seems to be suitable for a live-action film.
If there was one problem, it was not easy to get the Little Sisters into the right places. I just composited her in photoshop. Composite quality doesn't seem very good. Still, I'll have to be content with this.
BioShock was a big turning point for me. I started with a surprise about computer graphics, and the twist at the end is really the best I can think of now. I hope this work will be made into a great live-action movie someday.
little 3D effect on it. :D
It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.
He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.
In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.
I also tried to depict their characters, situations, and symbols in the background of the poster.
Monster The Movie : Johan Liebert
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.
Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.
