Korean Bl - Blog Posts

Favourite Trope: meeting before canon plot starts.

BL dramas where the characters either met as children or before the show plot started. (Will include spoilers for each show).

- Time of Fever.

This drama was beautiful. It portrayed two childhood friends who were separated for two years to then reunite in their late teens.

The show explores how they struggle to adjust to the new people they have become while trying to pick up where their friendship has left off. The introduction of new feelings and the personal struggles each character goes through in relation to this was explored beautifully. There was a real sense of long pining and teen awkwardness that both the actors and the cinematography displayed with effect.

It was a beautiful show that had me clutching at my plushies at frustration over the chemistry between the main characters. You get a real sense of depth in their relationship. There are many layers and history between them that just gives the show a more poignant feel.

Available on KissKH.

- Minato’s Laundromat.

I have mentioned this drama before and I will probably do so again. This is one of my favourite comfort dramas. While a bit cliche and unrealistic and clearly based off a manga, it is still a fun and capturing watch.

This show tells the story of a jaded man in his late twenties and the peace he has found running a laundromat and the young man who is pursuing him. Their dynamic is flirty, teasing and fun. The characters going through their own growth and learning about each other before they get together.

The added reveal that the main character saved the male lead from drowning as a child adds depth to the male lead’s stubborn pursuit of the main character. What was a memorable but ultimately past moment for the main character was a life changing experience for the male lead. Their first meeting before the show really adds backstory for the show plot and adds another layer to their dynamic.

Available on Viki and KissKH.

- 4 Minutes.

This show was a whirlwind of second guessing plots. With plots layered on top of one and another the reveal that the main couple met as children, an event forgotten by both of them, served to be more of an Easter egg for the viewers rather than adding much to their story.

A Easter Egg that I and other viewers ate up. It was fun to watch their interactions as children and see them unknowingly play out similar interactions as adults. Since the majority of this drama plot involved the viewers having knowledge that the characters did not have themselves, the viewers having a omnipotent view of all the interacting events, this reveal into a bit of their childhood was a spoon of sugar to sweeten us for further angst.

Still, the scene was adorable to see and it only added another layer of ‘What if’ to the plot line.

Available on KissKH.

- We Best Love.

Instead of childhood friends to lovers, this is childhood enemies to lovers. Well, one sided enemies to lovers. That just means that their chemistry was that just bit more fiery than other dramas. And I love a good enemies to lovers dynamic. Especially one with lots of history as this one had.

Even in season 2, when they have gone from e-bikes to lovers to bitter exes back to lovers again, their chemistry has a passion to it that many dramas miss. The main couple love each other so much that it angers them. They simply cannot get over each other and even when fighting and manhandling, they are gentle and sweet. As a viewer you can really feel the history between them despite them not getting to know each other on a deeper level until university. The fact that they don’t truly learn about the other properly until they’re adults means that their relationship can develop further than it would have ever done as children. It was great fun to watch.

Available on KissKH and Bilibili.

- Mr Heart.

If you want one sided unrequited love between a silent admirer and someone who doesn’t know he exists, then Mr heart is for you. Adorable and sweet. The drama starts with Jinwon being properly introduced to Sangha and as it develops the viewer gets to see their backstory from both their points of view as the characters get tangled in their marathon careers and their backgrounds.

Well made with a sweet atmosphere despite the angsty parts, it is a wholesome drama with a lovely ending.

Available one Viki and KissKH.

- I became the main role in a BL drama.

This is a short Japanese bl, only 4 episodes. Yet it had such a funny and wholesome story. The character development between the MC and the ML is so sweet and perfectly explored despite the short run time. The side characters were fun and all of it was well acted.

The reveal that they met briefly when they were teenagers is the perfect backstory for the ML’s love and devotion to the MC. He accepted him for his differences and it left a lasting impression.

This show had me laughing.

Available on Bilibili and KissKH.

- Word of Honor.

While China made this a bromance, it’s still high quality gay (with all that flirting and long pining stares, how could it not be?). I love the slow burn and the mysteries that move the plot along.

Especially the mystery behind Wen Kexing’s past. That had me hooked for the majority of the show. The revelation that he and Zhou Zishu had met as children, that their lives were always meant to be tangled together was both lovely and bittersweet for me. Their lives both full of tragedy and trauma yet they still found each other. I did cry watching this show, more than once. Yet I still love it.

Available on Netflix and Viki.

- Kiseki: Dear to me.

While the main couple meet for the first time during the canon plot. The side couple are childhood friends to lover trope, but not without angst and separation and lots of drama.

In any other setting, with any other characters their dynamic would be toxic. It’s codependent and even with the separation, they are too obsessed and wrapped up in each other. They carry a history which is clear in all of their interactions and chemistry. Even though we don’t get to see know how they met, we know that their history is tangled and caught up emotions.

It’s safe to say that the second couple stole the show for me. I wish we got more of their backstory.

Available on Viki and KissKH.

- Old Fashion Cupcake.

Another excellent 4 episode drama from Japan. This show is the love story between a 39 year old office worker and his 29 year old coworker. Since the characters are adults there is a softness that is sometimes lacking in other dramas. They are independent and do not need each other. That makes the moments of vulnerability and affection between them that much sweeter.

Their shared history and the flashback of Nozue interviewing and hiring Togawa just add more history to their bond. I love their romance and their bond. One of my favourite comfort shows.

Available on Viki and KissKH.

This took far longer than I expected. Hope you like the recommendations.

Feel free to comment any trope recommendations you want next.

Time of Fever VS Unintentional Love Story

The Issues I had with the Plot and Characterisation.

(Will include spoilers for both dramas).

While both dramas were written by the same person, they each have different directors and as such, they have very different feels.

With Time of Fever being the prequel drama to Unintentional Love Story’s second couple, Donghee and Hotae. The short series/movie has many things that differ from the second drama. Some of which make sense and some which don’t.

These are my thoughts on the similarities and differences.

Plot line

While in Unintentional Love Story (which will be referred to from here on as ULS to save me typing too much) Donghee and Hotae are the second couple and therefore get much less screen time compared to the main couple, the viewers are still shown snapshots to their backstory that make their tangled and messy relationship have some sort of sense on screen.

In ULS we are introduced to Hotae by Donghee. It is clear from the get go that the pair have a tangled relationship.

As the show goes on we a granted glimpses of their past to explain why they have such a tangled relationship. It is show than Donghee was abused and kicked out of the house by his father. We are also informed that Hotae’s house is where he would go for refuge. His friendship with the slightly younger man having persisted through childhood. Donghee calls Hotae’s mother ‘Auntie’ in a way far more familiar than the other locals. Even without Time of Fever we know that they are closer than their first meeting would have us believe.

Yet despite the moments we are shown, it is unclear what happened between them to cause the rift between them. We know that something happened, probably something romantic that crossed the lines of their friendship, yet it is unclear in ULS and the pair do not have enough screen time to explore it further.

This is where Time Of Fever comes in, I assume.

Here Time Of Fever confuses the plot points we are already given.

The only way I can think of Time of Fever (TOF) matching the backstory scenes shown in ULS is if there is a time gap.

In the beginning of TOF Hotae is at his father’s funeral. The death of his father being the cause of his and his mother’s return to the sea side town they left two years before, and back to their old house. The same old house where Donghee seems to have been living in by himself for a while now. It is unclear precisely how long.

The fact that he is staying in Hotae’s childhood bedroom, with their belongings mixed together before Hotae has even moved back yet gives them a level of closeness beyond what was shown in their flashbacks in ULS.

The only way I can think of both shows fitting together is if the flashbacks in ULS were set when they were 15/16 and before Hotae moved to Seoul for two years. It would explain their closeness and also fit in Hotae’s absence and the affect is has on Donghee (which I will expand on later).

If Donghee was abused through most of his teen life for being gay and then kicked out of his home before Hotae moved away, then it must have been around his mid teens.

That means he was probably living in Hotae’s empty childhood bedroom for around two years by himself.

Which is just tragic to think about.

I can guess that Donghee had feelings for Hotae before he moved as well. Both shows mention them being childhood friends.

Then Hotae moves back and the events of TOF happen. Donghee’s feelings grow too much and he flees to Seoul, only to return years later. Hotae left behind with a broken heart and a bitterness at being abandoned. That would explain some of their troubles in ULS, especially if Donghee has only recently set up his coffee shop and Hotae was still adjusting to having him close. It would also explain the keepsakes of memories from their teens together that Donghee keeps in his cafe in ULS, which were not even mentioned or touched upon in TOF. (I wanted to see the part where Hotae wins him the watch again).

While both plots can fit together, they don’t fit together well. There are plot holes left unexplained and changes within the characters that do not make sense. That leads me onto the next section.

Characters

In the beginning of ULS Hotae is abrupt, almost angry with Donghee. We later discover that this is due to jealousy over Donghee’s friendship with Wonyoung. Once this is discovered he warms up and takes on almost a puppy-like devotion to Donghee, following him around like he is the light to his inner moth.

Hotae has this charming boyishness to him. He is impulsive, stubborn and a bit of a bad boy. He has tattoos and his relationships always seem to end with his girlfriends smacking him with their bags.

Between the two shows, his personality in fact does not change. He is the same in his twenties as he was in his teens. In fact, TOF portrays his start into serial dating very well. He dates out of a need to try and smother feelings for Donghee. He does not actively pursue these girls, in fact he drops them the second he has the chance to spend time with Donghee, but he goes along with their confessions and dates almost like a way to pass the time. He does not really care about them but more out of a need to conform. To maybe figure out within himself why he yearns for Donghee so bad.

TOF also explains why his character hasn’t changed. He felt abandoned by Donghee, someone he loved, less than a year since his dad died and he had to move again. While not as prevalent as the romantic main plot, TOF does a wonderful job of subtly building up this sense drowning within Hotae. Despite his cheerful persona he portrays to Donghee and his mother, the moments without Donghee are sullen and almost drained. He only smiles with Donghee.

He is a teenager, probably only around 17/18 who has had to deal with a lot of life changes very quickly. This is especially visible in the scene where he cries when he doesn’t win his first swimming match since he moved back. He is cheered up by Donghee and the plot moves on but his internal struggle with change is brought up again in episode 6. There he ruins the art room where he and Donghee would spend time. He destroys the room out of grief for being left behind and exclaims that he won’t change.

So he doesn’t and by the time we get to ULS he is still motor the same. With a few more tattoos and a motorbike, and a few part time jobs. Yet he didn’t go to college and he failed his last year of high school, which would have happened after Donghee left. He stays in the same seaside town and does what he has always done.

It is only with Donghee back in his life that we start to see him open up again. The more Donghee allows him back into his life, the more Hotae begins to change. He begins to learn Spanish and he grows to be friends with Wonyoung. This is a rather large change because in TOF it is clear that he has no close friends other than Donghee and in ULS it is unclear whether he had any friends prior to the start of the plot.

So when it comes to Hotae, TOF only expands on the character first portrayed in ULS. The viewers are given more of an understanding of his trauma and how much his love for Donghee drives him.

(It makes me want to give him a hug).

However, with Donghee TOF was not as clear.

In ULS Donghee is introduced as sassy, fiercely independent, stubborn and kindhearted. He seems to be the clingy, slightly annoying friend who would have your back in a heartbeat, judging by how he interacts with Taejoon. They have a banter that has a familiarity that must have taken years to achieve. (Especially with such a guarded introvert as Taejoon). It is truly a shame that we do not know the backstory of their friendship.

While Donghee is comedic yet a loveable friend character to the main couple in ULS, he is different with Hotae. He is also rude, bickering with him and pushing him away like a feral cat hissing and stretching at any sign of someone coming close. In ULS he avoids Hotae’s flirting and affection like it is the plague, actively cursing him out and telling him off.

So why in TOF is he so quiet?

That was the part that confused me the most. He went from apparently being a wallflower in TOF, who only studied and pined over Hotae, to an independent and confidant gay man in ULS. As a teen it seems he was filled with internalised homophobia and fear over his feelings for Hotae. So much so that he runs away to university in Seoul.

So what changed??

In the flashbacks in ULS, which I theorised earlier as happening before TOF canon, he is shown to be as confidant and verbally abrasive at any sign of affection as a teenager as he was as an adult. He talks back, he wrestles with Hotae and he plays around with him.

Yet in TOF he is quiet. He does nothing more than study and he barely touches Hotae first.

The only explanation I can guess to his abrupt character change would be due to the trauma of his abuse and the fear of his feelings for Hotae.

It would make sense if he retreated into himself when Hotae moved away. Two years can be a long time and that can explain why Hotae does not comment much on Donghee’s character change when he moves back. Other than a comment or two about how Donghee doesn’t smile anymore, he doesn’t seem to notice how Donghee seems to be too silent and submissive.

I can only theorise that his time at university allowed Donghee to connect with other lgbt people and deal with his internal homophobia and self hatred. That the years between TOF and ULS allowed him to grow up and return to the personality he had before.

Because if my plot theory is wrong then his characters in TOF and ULS seem more like two different people than the same person.

When Hotae kisses him in TOF Donghee avoids him for days and make him sleep on the couch. He barely says anything.

Yet when Hotae merely gets in his personal space in ULS, Donghee smacks his arm or pushes him away with a curse and a scolding.

It seems too much of an abrupt character change to me. I really hope my headcanon is right and that Donghee managed to regain some of his behaviours before he was abused. That would be happier, that he managed to rediscover himself despite the trauma.

Either way, I still love him.

I love both dramas and their dynamics in both.

If you have read this far then I apologise for rambling on for so long.

I love these dramas for both their differences and their similarities. I just wish the plots added up a bit more. Instead of answering my questions Time Of Fever only seemed to give me more.

I love Donghee and Hotae and I really need to see them have a happy ending. (Wishing for a third drama where they actually get together. ULS ended hopefully for them but I need more).

Feel free to comment if you agree with any other things I have noticed or theorised.

Favourite BLs with age gaps (4+ years).

Here’s some of my favourite bl dramas where the age gap between the couple is 4 or more years. I chose 4 or more years because there is always a different feel to those who are 4 or more years older. There’s a lot that can be done.

Anyway, here it is. Enjoy.

- Minato Shouji coin laundry.

This is one of my top favourite shows ever. It’s a comfort show for me, although I recall the age gap of characters being 9 years put me off at first. Still, I tried the show and I am so glad I did.

The main plot of this show is the age gap. The issues between the characters stem from the age gap. With Shin being 17 when they meet and Minato being 27. I felt that the drama handled the age gap very well.

With the character of Minato, he does not feel creepy for being with a teenager. His character finds Shin attractive and that is where it stops. He is very strict about nothing happening between them while Shin is underage despite all the flirting and seducing Shin tries. Minato absolutely refuses to see Shin in a sexual or romantic way until he is of age despite all the other characters choosing to see their relationship as romantic. Minato continues to treat Shin almost like a younger brother despite it all, even when he gets flustered.

I was very glad to find a show where despite being attracted to a younger person, the character kept to their morals and waited until the person was 18+. Even when Shin has turned 18, minato waits until he has graduated high school.

While I would normally hate a drama with such a big age gap for the usual sexualisation of a teenager, this show didn’t do that. Whenever it started to lean in that direction, minato shuts it down.

Even so the dynamics between the characters was gold and there was a real growth and development for them. (Less so in season2 but we don’t need to talk about that). Shin learned that although he wanted Minato, he grew to respect the boundaries Minato set. While Minato learned to let Shin dictate what he felt comfortable with while also maintaining though boundaries. Throughout all of this the show maintained a light and almost puppy love atmosphere, perhaps to offset such a large agar gap.

I won’t lie and say that there’s not negatives to this show. Such a large age gap between characters itself is problematic. But despite my initial misgivings I really loved this show. The ages and dynamics work well with their characters and the actors did a great job.

Available on Bilibili and KissKH.

- Old Fashion Cupcake

Despite this show only having five episodes, it has a unique atmosphere and really works well in terms of pacing and storyline. It is a comfort show with a simple but engaging plot and it explores a story normally overlooked in BL.

This show is about 39 Nozue who is a boss of a team in a company that he has been working in for over ten years. He is feeling his age and getting stuck into a rut. This frightens him as it is affecting his mental health. When lamenting about how carefree a couple of teenagers look to his coworker, Togawa, he mentions how he’s feeling. Togawa suggests doing things that teenage girls would do (basically as a metaphor of breaking out of their comfort zones and trying new things). This leads them to a series of dates with a lot of desserts and eventually to love.

This story was so enchanting and sweet. While the characters worked so well together. The fact that both were independent adults meant that the age gap never really came into play other than when Nozue was joking about his age. The antagonist being more Nozue’s fear of leaving his comfort zone than their age gap and work dynamics. Also, they had such great chemistry that you forget about all the negatives.

Available on KissKH and Viki.

- The Eighth Sense.

Another all time fave drama of mine.

This drama was beautiful. With a unique and indie filming style and story telling you got a real sense of the characters and the cinematic style really worked.

While the age gap between Jihyun (20) and Jaewon (24-26) being a minimum of about four years (they never explicitly state it but it is said that Jaewon is around four or more years older) the drama revolves around Jaewon’s mental health and how it affects him. The characters grow through their own personal growths and it is only with these changes that they can be together. Jihyun learns to find his confidence and grows to be a self assured young man who knows what he wants, while Jaewon learns to know when to be a people pleaser and when to set boundaries and fight for what he wants too.

The way mental health was portrayed in this drama was the part that drew me in the most. It was not glorified, or brought in for just some angst before being forgotten. It was a real and persistent problem to Jaewon and despite going to therapy, he had bad days and good. It fuelled decisions that he may not have made if he wasn’t feeling so self destructive and low. Even with the happy ending of the drama, his bad mental health does not go away. It remains something that he still deal with but with far more support and in a less toxic environment. It was a realistic portrayal of how things like trauma and depression can follow someone. It may not hang over their heads like a looming storm, but they persist like an annoying strand of hair. You may not notice it at first, then something can remind you and all of a sudden it’s there.

This portrayal of mental health and its effect on a character was raw. The romance interwoven between it was sweet and lovely to watch. This show really captures the viewer, though due to its unique style some may say that it feel disjointed.

Still, this show is unique.

Available on Viki and KissKH.

- Love Tractor.

A city boy goes to a countryside village to clear up his grandfather’s will and meet a young man who falls head one heals for him.

This drama is very cute and has a real ‘back to basics’ atmosphere. SeonYul (27 if I remember correctly) is a city boy through and through. At first this return to the countryside and all its old fashioned ways disgusts him, yet as time passes he begins to love the community and the peace it brings him. While YeChan (20-23 if I recall) is utterly smitten with this new face and takes great joy in helping him learn countryside life.

Is the plot complicated? No. Are there cliche tropes? Yes. Is YeChan a bit of a himbo? Definitely. (He’s more than just a himbo but he has his moments and we love him for it).

Either way this drama is cute and wholesome with two guys falling in love in the countryside. The age gap is barely ever mentioned other than a few stray comments. It’s not much of a plot point and doesn’t pose a problem between the characters.

In all, while simple, this drama was refreshing and an easy watch.

Available on KissKH and Bilibili.

- History 2: Right or Wrong.

Where Shi Yi Jie, a divorced teacher in his thirties with an eight year old daughter meets Fei Sheng Zhe, a college student in his early twenties. What starts as a simple child care job for Sheng Zhe becomes more as he slowly rebuilds and joins the little family.

I am not going to lie, at first this age gap and the power dynamics put me off. Yi Jie is a teacher at Sheng Zhe’s college, while not his lecturer for long (for one class which Sheng Zhe only had for a semester) the power dynamics that are involved put me off. Yet when I started watching this drama I found that despite Yi Jie being the older one, Sheng Zhe is the one who takes the lead in everything. Yi Jie is a bit of a wreck of a man before Sheng Zhe turns up.

He’s a workaholic with bad habits who often misjudges time and is late to collect his daughter. As the drama progresses Sheng Zhe convinces Yi Jie to take better care of himself and enables the father and daughter to bond more. What could have been a toxic mess turns into a wholesome found family with the pair raising the daughter together.

Any age gap toxicity was made null simply by their characters. Sheng Zhe being mature enough to handle the issues that could arise and Yi Jie allowing him to take the lead.

It is a sweet drama that does not shy away from the difficulties of maintaining a job while being a single parent with a messy divorce. Another great show by History.

Available on Viki or on Bilibili.

- History 3: Make Our Days Count (Second couple).

While the main couple of this show are both the same age. The second couple, Sun Bo (18) and Zhi Gang (26-30 though his age is never explicitly stated) have an age gap of around 8-10 years.

Again, much like other shows the romance between this pairing is mostly pursued by the younger.

Sun Bo works at his cousin’s gym part time where he develops a crush on regular and small time business owner and openly gay man Zhi Gang. He doggedly pursues the older, to which Zhi Gang refuses due to age gap issues. As a character, he is jaded by his past relationships and does not believe that a young man still in high school would want him. Eventually Sun Bo wears him down and they get together. (But not without a sex scene in the gym first. Which definitely surprised me on the first watch). However, despite all the angst between them, while the main couple end in tragedy (I still cry) these two make it into a lasting and healthy relationship. In history 4; Close to You (set around five years after MODC) they even make a cameo and get married.

For a couple that had the potential to be toxic and unhealthy, they actually surprised me and I grew to love their dynamic. Sun Bo is all enthusiasm and ‘follow your heart’ while Zhi Gang is a bit too restrained. He has experienced the downsides and consequences that following your heart can lead, especially when it comes to gay relationships and homophobia. The plot follows Sun Bo as he encourages Zhi Gang to take a chance on him.

Despite my misgivings it was lovely to see this couple get together and develop as characters. I loved both couples in this show and both couples made me cry at various points.

Available on Viki and KissKH.

- You Make Me Dance.

This drama, though short is sweet and adorable. There is a movie version of it available as well.

The plot covers Song Shi On (20-23), a university student studying contemporary dance, who is in debt. He has no family to depend on and no friends. Jin Hong Seok (27-30) works as a debt collector and has to go and collect money from Shi On. Instead of collecting money, he instead helps Shi On practise for an audition where he can get paid the money to repay his debt. While doing this, they fall in love.

Despite the age gap and power dynamics that could come to play in this show, the romance is equal and actually very sweet. It is two people, one who gave up on their dream and one who is fighting for his, bonding and living together. It’s a very short drama but ultimately about finding kindred spirits and the age gap doesn’t pose a problem. It’s actually very easy to forget the age gap between them as each of the character’s experiences mean that they are almost on equal footing.

Wholesome and sweet.

Available on Viki and KissKH.

These are all I can think of so far. May add to this list later. Hope you enjoy.

My top BL dramas with sex scenes.

Basically my fave sex scenes and why.

- Unknown.

Starting slow. Real slow burn found family drama but when they get together, the scenes are sexy. It’s all about consent, it’s between two people who love each other and it’s a real build up of what has been years of pining. Not a full sex scene, it almost gets there, but what we see is amazing.

The couple itself is really sweet and the plot is well paced and slow burn is burning. The drama as a whole was great and I loved how the characters grew and developed.

However, drama has violence, child homelessness, drug addiction, child abuse, gang violence, and kidnapping.

Available on Viki or KissKH.

- Blueming.

This drama was lovely. With a real lovely slow burn romance that builds to an artistically filmed sex scene. While you don’t see much, just silhouette, you know what they’re doing. It’s intimate and so loving and more of an art scene than just sex. That’s one of the things I love about this drama. There is a real sense of intimacy and love between the characters. If you want to film a sex scene that doesn’t detract from the plot, then this is how you do it. It fit so well and was so visually aesthetic that it was my favourite part of the drama.

Available on KissKH and Bilibili.

- The Eighth sense.

Another beautifully shot scene. This one was intimate and fun and loving. The two characters laughing and just enjoying being by themselves without any pressures. It establishes a real bond and love between them that persists through later struggles in the show.

The scene is filmed beautifully too. The camera placement and cinematography makes it more than just a sex scene. It ties it all in with the character development and the plot, giving it a real intimate and unique feel to it.

One of my fave shows of all time.

Available on Viki, and KissKH.

- Between Us.

The side story to Until We Meet Again but about the second couple from that show, Between is about Win and Team. The drama is more about overcoming ptsd and trauma with love and support. There is one sex scene that fades to black before the proper scene but there’s enough shown that I have included it in this list.

The filming of this drama was engaging and worked with the characters. The plot focused more on the developing relationship of the characters and their own personal growth in response to their relationship than it did on any physical aspect to it. It is a wholesome drama that can be watched without having watched the first drama.

I have rewatched this a few times.

Available on YouTube and Bilibili.

- Love in the air.

This drama is split in two. The first half is the main couple, a typical top and sub bottom type. The second half is a Dom bottom with a pleaser top. Both couples’ chemistry is on fire and their scenes are very sexy. (I was so surprised by their scenes the first time I watched it. I was not expecting them to be so explicit).

But other than the scenes the drama itself deals with some good character development. Especially with the second couple where it explores a character with SA trauma and his subsequent trust issues.

For a drama that at first looks seems cliche and full of tropes (which it is) it actually explores them while also making some of it quite easy to watch. It doesn’t lessen the darkness of some scenes but it doesn’t overly explore it either. The viewers know what goes on without having to see the scenes in full detail. I liked this style of filming though a few of the sex scenes were no necessary to the plot.

Available on Viki, YouTube (but censored) and KissKH.

- Only Friends.

I am building up to the messy dramas slowly.

This drama though. This one is for the ones who love soap operas. There’s cheating, betrayal, sex in weird places, recording and taping without consent, alcohol and drug abuse, fist fights, and manipulation.

Basically a group of friends get caught in the messiest drama ever. There’s lots of sex and lots of character development, not always for the better. There’s three main ‘couples’ and they are all involved with each other in a messy way.

Let’s just say that watching this weekly was like watching a bit of a train wreck and seeing who are the survivors.

Well acted, very well filmed but chaotic as hell. It will make you laugh, make you angry and might even make you cry.

In all of it the lesbians are the least dramatic characters.

Available on KissKH and Bilibili.

- 4 Minutes.

If you thought the drama above was messy, this was worse but in a different way.

This drama has you second guessing everything. With a complicated slightly sci-fi plot line, the sex scenes as used more to show power and influence and control between characters than they are to show romance.

There’s so much going on with the viewer guessing character motivations and plots that the sex scenes get pushed to the side quickly. They’re there, and very explicit (especially the first one) but plot wise they are nothing more than a basic shock or display factor.

Either way, those actors did a good job. I had trouble watching them cause they felt too explicit.

Also especially here for Bible having a bottom era.

The show was well filmed too, even if I was confused by everything half the time.

Despite the confusion and the ending with way too many unanswered questions, I did really enjoy the show and the sex scenes did make sense in the plot. They were also filmed really well and I loved the lighting.

Available on KissKH.

- Kinnporsche.

Came out before 4minutes but with Bible playing a top character this time (the duality of this man). This show I both love and hate. Open ending, too many side plots that weren’t explained, lots of unanswered questions. Every relationship was toxic in some way. Anyway, I loved it. Great lighting, well filmed and stylised. Amazing acting.

Though the sex scenes, especially between Kinn and Porsche, were too frequent and in too many weird places. (They’re exhibitionists. You gather that after the first time). They were well done scenes.

However, this drama is not for the faint of heart. There’s dubious consent, freaky kinks, kidnapping, bdsm (between Vegas and Pete and there was no communication during it but it was such a well filmed scene), manipulation, violence, death, torture, kidnapping, and abuse.

This drama was definitely for the depraved. (Me and others like me).

We’re never going to get a season 2 and I am so sad about that.

Available on Viki, and KissKH.

Here you go you depraved souls. I mostly watch dramas for the plot. I can’t help it when dramas like KP happen to have sex as their plot.

Oh well.

Enjoy.

My top ten bl dramas (with kissing scenes but no sex scenes)

Not in any particular order.

Sometimes I want a romance but I don’t need the sex scenes. Sometimes I just like the kissing and the plot. So here are my top ten.

- 2G ether. Season 1&2.

A adorable fake dating story with entertaining side couples and a well written plot. It is an easy watch with a comedic story line. Any problems in season 1 and any questions left unanswered are covered in season 2. The main couple have great chemistry and the side couples seem to match it well.

It is one of my favourites because it is such a chill drama to watch and rewatch. It is one I tend to go for when I’m tired or needing serotonin.

Available with English subtitles on YouTube.

- Minato Shouji coin laundry. Season 1.

A romantic comedy with a strangers to lovers trope. The plot revolves around a 17 yr old in love with a 27 yr old man. That put me off at first but the age gap is really well covered. The whole plot revolves around the age gap and how it affects them. It is both light hearted while dealing with the honest dynamic of their relationship. Both characters go through a wholesome journey of development, with Shin growing more mature and Akira learning to let himself be loved.

There is hints of a side couple but those characters go through development rather than have their relationship end romantically, which I really enjoyed.

The dialogue is very well written and the actors have really good chemistry together. Despite the age gap, it became one of my favourites in a very short amount of time. It is all so well done and they handled the dynamic wonderfully.

Though I did not like season 2 cause the writing was terrible. Still acted well but bad plot writing.

Available on Bilibili or dramacool.

- We Best Love, N1 for you & Fighting Mr second.

Ignoring the two different titles, this is season 1 and 2 of the same drama.

It is a enemies to lover dynamic in season 1 with a enemies to lovers dynamic once again in season 2.

While the plot is overly dramatic at times and cliche, it is very well acted and the actors really work with their lines and make the cliche parts fit so well. They have amazing chemistry (especially in season 2) and I love their dynamics. The side couples don’t get much screen time but they fit very well with the plot and the dynamics of the main characters.

When it comes to pure chemistry, this couple is one of my all time favourites. They speak so much with their actions. It’s a drama that will entertain throughout. I didn’t get bored at all.

Available on Bilibili and Dramacool.

- Semantic Error.

Another Enemies to lovers trope between two opposing characters. Opposites attract between a digital media student and a computing student. The plot is well paced and the actors spark off each other very well. The character development is explored well and the filming style adds such a tension and uniqueness to the scenes. One of the reasons why it is a favourite is how the filming style works with the characters and highlights their personalities. Everything just flows.

There are no side couples in this drama however the side characters are well portrayed and fully dimensional. I enjoyed how each character’s dynamics worked with those around them.

Available on Viki or Bilibili.

- Sotus The series.

A real slow burn between a new student and his head hazer. Although the hazing put me off at first the show went to explain all viewpoints really well. It explained why the Hazers continued the tradition of hazing as well as the students who were experiencing it. The relationship is a real slow burn but it’s done so well and scenes had me laughing and crying.

It includes other lgbt side characters and a straight side couple who are cute and go through their own personal growth.

An old bl (2016) but a good one. It was one of my first ones and I will never get over it.

Available on KissKH, Bilibili and YouTube.

- Takara’s Treasure.

A more recently released drama, this show was so wholesome and cute. It dealt with a character’s journey as he joins a university in Tokyo after living in a small town his whole life. His slow burn relationship with his senior is very cute and green flag.

I sort of wish that there were more kiss scenes but I did enjoy the ones we go.

Available on KissKH and Bilibili.

- Love for Love’s sake.

Another more recent drama. This one had me sobbing and giggling. For what seemed to be an intriguing plot about a boy seemingly playing out a video game where the goal is to make another boy happy turned into a really deep portrayal of depression and the loneliness of being lgbt. The romance and the relationships as they develop in this drama was all well paced and wholesome. The main character is iconic and he fights for what he wants which is great to watch. The drama itself was very well filmed. The cinematography didn’t distract too much from the plot but also made itself known and memorable. The pace was good though it could have done with maybe another episode towards the end, but with the time they had the pacing was pretty good.

This drama leads itself towards theory and not all the questions are answered but that is a good thing as an ending is provided but there is still enough to make one curious.

Available on Viki and KissKH.

- Why R U? (Korean version).

While I enjoyed the original Thai version, the Korean version out paced it for me. While the Thai one had many side couples and confusing plot lines the Korean one keeps it just to two main couples. It deletes the cheating element of the second couple and made it more wholesome rather than dramatic. The first couple actually starts as enemies to lovers and their dynamic is very funny. They fight all the time and swear at each other before slowly starting to admire and appreciate each other before falling for each other. The show was well paced and very lighthearted. The cinematography wasn’t bad but could have been more fun.

Though it’s from the same books as the Thai one, it feel almost like a completely different drama. This one had me laughing much more.

Available on KissKH and Bilibili.

- Stay With Me.

This is a Chinese drama based off a pervious BL drama called Addicted Heroin. Compared to the previous adaptation, the toxicity is taken out. Stay with me is mostly found family vibes between two step brothers, who don’t know that they’re stepbrothers for a long time, and how their relationship develops from friends to family. Whether this be family in a romantic sense between them or not, the show leaves that up to the viewer.

For a Chinese bl we do get kisses on the cheeks! Although I would like them to kiss properly. The show focuses on them growing as people and not just their relationship, which I enjoyed.

However, the show does end on a sob inducing cliffhanger and there has been no news about a season 2 yet. So watch at your peril. The show itself was well paced and very well acted.

Available on Viki and KissKH.

- Unintentional Love story.

This drama is of a young man who was wrongly fired from his job finding a reclusive ceramicist. He is told that if he can get the famous artist to sign with his old company, then he will get his job back. What follows is a slow burn romance with misunderstandings and great character development. Since the characters are all adults in their late twenties to early thirties, the show has a different feel compared to a lot of other shows where the characters are teenagers or young adults. These characters are running businesses and having to deal with issues such as money problems and loans. It’s nice to see such realistic things playing a big part in a character’s motivation. Yet they still have moments fuelled by their feelings and impulses. But they grow and learn and that’s what makes this drama really wholesome and lovely to watch.

The side couple in this is left unresolved but with a hopeful note. However there is a history between them that is not fully explained. There has been a movie based on their backstory that has come out recently, yet I do not know if it resolves their relationship in the show.

One of the things I love in this show is the costumes. As the sunshine character takes on more depth and grows as a person, his clothing colour palette gets darker. While for the grumpy character who learns to open himself up again, his palette gets lighter and by the end of the show their outfits have swapped colours. That is a detail which I loved when watching.

Available on Viki or Bilibili.

Here you go. These are my top ten dramas with no sex scenes. While some of them may have making out scenes that fade to black, they are not explicit and the drama plots focus more on the storylines or the character growth.

So for anyone who doesn’t like watching sex scenes, I recommend the dramas above.

Hope you enjoy.

Feel free to ask about anymore in the comments.

Korean dramas I love.

Light on me. On Viki and it is the best love triangle drama. Boy wants to have friends and falls in with the school council and their problems. Adorable and you can’t hate any of the protagonists.

Devil judge. Dystopian universe where a judge takes down powerful people through the media. I ship the male leads because they have great chemistry but it’s not canon. Great drama and amazing acting, rather dark themes.

Colour rush. A soulmate bond between two boys and how it develops. A boy lives in a black and white world and meets the boy who brings his colour. Dark themes of suicide and murder but happy ending.

Strong girl bong soon. Girl has super strength and her journey as a hero and finding romance. Amazing male leads. Has funny parts but explores ideas of femininity. On Viki and Netflix.

Sweet home. A apartment complex fights monsters as they deal with the end of the world. Horror filled, gory and has amazing action. The characters are well written and the drama is brilliantly filmed. High key recommend. On Netflix.

Strangers from hell. Slow thriller with gay undertones. Subtle creeping horror with murder and amazing acting. The build up is good. On Netflix.

The uncanny counter. Puppy dog protagonist and found family vibes. Boy searches for the person who killed his parents whilst banishing evil spirits. Supernatural. Really well done, the mc is so adorable. On Netflix.

Mr heart. Adorable tale of what love is and what it can mean to a person. Gay drama, there is a movie version too. Could be filmed better, but they had a small budget. On Viki.

The tasty Florida. Another short gay drama. Adorable and fluffy about a restaurant and romance between a chef and a new boy to the city. On Viki.

My sweet dear. Enemies to lovers. Rivalry between two chefs for a restaurant position. Short bl drama. The actors are beautiful. On Viki.

True beauty. Girl tries to find her idea of beauty through makeup and environment. Explores how girls can view their self worth. On Viki.

I am craving something that will consume my soul.

Preferably something gay and produced in an Asian country

I am completely not normal about Love for Love's sake.

It brought up so much pain, so much emotion and trauma that I'd buried deep inside for the sake of my sanity. It opened up this small chest of sadness I carry with me at all times, and all of the things I thought I had worked through spilled out. Tae Myung-ha is a character I relate to on such a visceral level, from his perpetual weariness to his self-destructive tendencies. I relate to feeling like you're older than everyone else around you, like you already know better, like there is no point in trying.

In the very first scene we already get the feeling that something is wrong with Myung-ha. That question from Sunbae - I swear to god, I've had people say the same thing to me, and I answered in the same dismissive and sarcastic tone. Yes, I am drinking like I want to die, but, unfortunately, it's not working. So I'll go on drinking like that to see how far I can go before I keel over.

When my girlfriend said she loved me for the first time, I held her and caressed her cheek but I was screaming internally. I was doing my best not to run away. I swear to god I could hear the error alarm going off in my head. I accepted the fact that her and I have very differing views on what love is, and I tried so hard to prove to her that she didn't actually love me, that it was just infatuation, that it was too soon, that she was yet to know the real me, so she couldn't love me, right? Then I realized that I was hurting her, because throwing someone else's feelings in their face is a cruel thing to do, especially to my girlfriend, who has issues with expressing her feelings.

I still don't believe her. And I am trying so hard to accept the fact that people love me in the way they do.

One of my friends once told me that I needed to rely on others, that she loved me and cared for me, and that I needed to accept that. Refusing to accept someone's love for you can be just as hurtful as not being loved at all. Other people love you, and it's important to show them you appreciate their love.

if i had a nickel for every time i watched love for love's sake while hungover i would have 2 nickels. it's not weird that it happened twice, i plan on having many more nickels

Just watched Love for Love's Sake in one sitting

Planning on going absolutely feral about this show during the upcoming week

Crying screaming throwing up

Spare Me Your Mercy, Love in the Big City, and the Trap of Pursuing Mainstream Popularity for Queer Art

I read this excellent post by @waitmyturtles yesterday tackling the frustrating failures of Spare Me Your Mercy, a show that was one of my most anticipated of the year, but that ended up so lost in its own confusing blend of sauces that I didn't even finish it. I appreciated her clarity that despite the show receiving strong ratings and finding popularity with the mainstream domestic audience, that doesn't actually make it a success as a piece of narrative storytelling. And if anything, its popularity underlines why it was a failure as a queer narrative, in particular.

Because here's the thing about great queer art—it's almost never popular with mainstream audiences, especially in socially conservative countries. High quality, well-executed, honest and authentic queer art is more likely to be protested than celebrated in places where real queer people are not safe to live free lives. For an illustration of this, look no further than another highly anticipated queer drama of this year in Love in the Big City. Easily the queerest show to ever get made and aired on Korean television, it drew major protests before it even started, forcing the production to release it quickly in one go to ensure it would reach audiences. And why were those conservative groups so afraid of this little old drama? Because even just in its trailer and promotional materials, it was clear this was no sanitized, G-rated drama created to make gay people seem more palatable to the masses (unlike the film version with the same name, which not coincidentally has been much more warmly received by the Korean media establishment). This show was real, and raw, and QUEER in a way that terrified those bigots, because they know one of the most important ways the oppressed can advocate for themselves is by demonstrating their humanity through art. 

Which brings me back to turtles’ post, and the importance of separating the concerns of art and commerce when discussing the different ways media can succeed. This is something I had some good dialogue about with @biochemjess @pharawee @clairedaring @flowerbeasblog and turtles (and even more of you in the tags) when I was still watching and posting about Spare Me Your Mercy. I originally posted to unpack why the show was flopping narratively, which turned into a discussion of the fact that it was getting good ratings from the domestic audience despite this. And while I appreciated understanding how the show is landing with its priority audience, for me, it’s very important to keep a distinction between these two different kinds of success. Especially in discussions of queer art, and especially for a show whose creators explicitly said they were intentionally downplaying the queer romance part of the queer romance ( @benkaben) to avoid “distracting” from their other messaging goals. 

The important thing to keep in mind is that for queer stories, when they are popular with a mainstream audience it’s often because they are stripping any authenticity from the representation of queer people. Turtles addressed this well in her review of 2gether when she posited that part of the reason it was such a phenomenon in conservative Asian countries (aside from the timing of its release in the early days of the global pandemic), was because its presentation of queerness was mostly unrecognizable to real queer people, stripped of any true notion of queer sexuality or the realities of homophobia. Compare the reception of The Miracle of Teddy Bear—a show that absolutely refused to make its central queer character palatable for a mainstream audience, because the fact that he wasn’t palatable was the point—to that of Spare Me Your Mercy, a show whose creators chose to censor their own story. The ugly truth is that when we’re talking about queer dramas, the best and most vital shows are pretty much anathema to mainstream ratings success.

The impulse to pursue mainstream popularity and commercial success for queer art inevitably leads to watering down queer stories ( @twig-tea) to make them more light, comfortable and familiar to a majority heterosexual and socially conservative audience. And yes, of course, some degree of commercial success is necessary for queer art to get made in the first place. This is how the Thai BL market took off, by recognizing that there was an audience beyond queer people who were open to watching stories about boys falling in love, as long as it didn’t get too real. But there is a careful line to walk here, and it’s so important not to confuse popularity with artistic merit. Queer people won’t win liberation by self-censoring queer media to make it more palatable for mainstream audiences. We win when we make queer art so good and so honest that the mainstream is forced to acknowledge it. We win by challenging the mainstream perspective on queer people and how they should behave, not by catering to it. As @bengiyo said in a completely different discourse, the question is not whether the audience can love queer characters whose actual queerness is suppressed for their comfort. That kind of respectability politics is old hat and it never fucking gets us anywhere. The real question he posed is this: “Do you love us when we’re ugly, when we’re sick, when we’re old, when we’re being mean or catty?”

Which is why a show like Love in the Big City ultimately won by being so excellent, and so true, and so undeniable, that it broke through with audiences around the world and achieved some measure of recognition in spite of how very unpalatable it was to its domestic audience. Unlike Spare Me Your Mercy, this show did not get amazing domestic ratings, but its message was heard far beyond those who watched it on Korean television. And that is the point. Making authentic art that advances the struggle of queer people and making nominally queer art that can achieve mainstream popularity are completely different pursuits, and we must keep that in mind when we discuss whether and how these shows succeeded or failed. And while both must exist in a healthy media ecosystem, one will always be more vital for the survival of queer people than the other. 

“relax.”

i really like you, hyung. i like you.

SEMANTIC ERROR - EPISODE 8

not so quick pitch 

Light on Me (2021 - Korea) 

Rating: 10/10

Foundational Romance Trope: friends to love triangle

There were some who thought this BL slow, and I get that, but really it’s just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, 

“now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” 

It was great, of course, but very refined and elegant which some found off putting. It made me think of something like this… 

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but… restrained. 

But that doesn’t make it any less gut wrenching to watch. In fact, it makes every subtle tentative movement of care that ShinWoo attempts that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful. 

It’s like that intense moment of focus on the hand flex in an Austen adaptation - we are awaiting every crack in the sugar sculpture with bated breath. 

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there was little visual noise, and the lighting was full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this series as if the show itself were TaeKyung: careful and clear and specific. 

This may come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. Lucky for us those actors served the lens beautifully. 

There is literally NOTHING distracting about this directing style. It’s like the camera was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after Light On Me (and we will get them now) are going to be unfavorably compared to this show. 

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pair they prefer. Korean BL never just throws in a trope without purpose - they calculate its impact on story structure. Basically, LoM used this technique to infect fans with Second Lead Syndrome. It’s SO GOOD.  

So yes, Light on Me was cleverly engineered, but it was also SPECIAL, and here’s why:

This show gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication styles, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too. 

This show felt very fair. Fair to its characters. Fair to its story. And fair to us, the watchers. 

For me this BL was classy, a real winner, not the least of which because they NAILED the landing, including the final kiss. Korea is DOMINATING 2021. Like seriously. What’s going on here?  

Full analysis of the love triangle trope under the context of the second half fo this BL here. 

Bravo, Korea.

(source)

Thank you for waiting for me. And for having such honest ears.

i can not tell you how happy i am these 2 are together they deserve all the cute and happiness 

#just boyfriend things 🥺

that finale was perfect.

i don't think any other drama has handled a love triangle as healthy and softly as light on me did. how each character grew and did what they said they were going to do: change for the better.

how the two "rivals" still managed to keep being friends and not hold their "grudges" or whatever against each other. still just vibing, like friends should.

HOW SHINWOO AND TAEKYUNG STILL MANAGED TO BE BOTH CUTE, AWKWARD AND STILL BICKERING LIKE THE FIRST TIME???? the only thing that changed was them now being allowed to be disgustingly cute as boyfriends WITH SO MUCH HANDHOLDING and not caring what other say.

light on me really did that with the budget that they had, twice a week, 16 eps and 20min run time. one of the best series of 2021. don't even try to change my mind.

Daon learned how to say no.

Taekyung learned how to have friends.

Shinwoo learned how to be more expressive with his feelings.

But not a single one of them learned how to throw a surprise party.

LIGHT ON ME (2021)

the symbolism in light on me

everyone's been talking about light on me displaying a whole lot of symbolisms to show the growth of the boys' relationships and the contrast between tae and daon and tae and shinwoo. im not gonna repeat them all, but here's the one i noticed today.

have u all stopped to think about the difference in purposedly forced things and fate-like accidents?

with daon, it all seems a little forced, like everything had to be done on purpose for it to happen. they met bc tae decided he wanted to make friends and purposely joined the student council. they becane friends because daon purposely forced encounters with tae to make him feel more at ease and open about people and friendships. they started liking each other for this exact reasons, bc they kept meeting through acts of help and kindness that were planned by them both.

with shinwoo its different. the first time shinwoo saw him was by accident when he saw tae helping the man carry the trash bags, and then accidentally saw him reject the hang out with those boys in class and the ONE time he tried to purposely force an encounter with him by bumping into his shoulder, it went wrong and nothing came out of if. still, fate seems to have brought them together by chance, by mere coincidences. like how they met, and how tae found out about shinwoo 's feelings purely accidentally bc he happened to want to get his phone fixed that day. also, the way tae accidentally found the keychain that had been bought for him in contrast to him purposely giving the bracelet to daon.

to me, all of this points that things that are meant to be are never forced, they come to you when u least expect them and they are often the most precious things that will happen to you in the end.

This is ✨ PEAK ✨ romance and no one can tell me otherwise.

Mr. Seo giving more gems of advice on a teachers salary.

Love Triangles & Tropes

I have to talk about love triangles for a moment and it is all Light on Me’s fault. 

Most BLs don’t employ true love triangles. Instead they throw in a faen fatal as a plot device who is obviously not a real threat to the main couple for various reasons: 

They’re an underdeveloped character with little back story. 

They’re the wrong gender. 

They enter late in the narrative and/or have very little screen time. 

They engage in no significant romance tropes with the lead. 

With a faen fatal we all know that our two boys will end up together. 

A love triangle is different. 

In a love triangle the audience actually believes the second lead has a good chance of winning over the main character. The second lead is given back story, is the correct gender to be competition, and has significant screen time. And, of course, tropes are used to make the burgeoning romance believable. 

Guess who is great on love triangles and even better at giving audiences bad cases of Second Lead Syndrome?

Why yes, that would be Korea.

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. I think this is one of the reasons they are so good at believable love triangles. 

But so far they haven’t given us a love triangle in BL… until NOW. 

Light on Me is the Perfect Love Triangle

For the purposes of argument (and because of various elements like the lingering gaze, romance narrative conceits, focus of the camera lens etc) I am going to go with the following:

TaeKyung = our POV or main character (uke*)

ShinWoo = Lead (seme) 

DaOn = Second Lead (seme)

* In addition to specializing in soft low heat BL, Korea likes a slow burn romance and a weak seme/uke dynamic. So we are going back to the original definition of uke: basically the character the others are pursuing and want to take care of. 

Light on Me is using heavy hitting BL tropes to weight TaeKyung’s options fairly. Almost every time the director doles out one significant trope to SinWoo they will then give the same trope to DaOn or vise versa. It’s so smart and fun to watch I started keeping score. 

Crash Into Me AKA Proximity Alert 

(Camera then shows ShinWoo watching this, when it’s a trope he already got to have with TaeKyung.) 

Messy Eater

(Camera then shows DaOn watching this, when it’s a trope he already got to have with TaeKyung.) 

Meet Me In The Library 

Head Touch

(Honestly I am Team ShinWoo solely based on this neck grab.) 

Wound Tending

Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pairing they prefer. Basically, this is how you infect fans with Second Lead Syndrome. It’s SO GOOD. 

Also, did you notice how they spaced this flip-flopping out at first, but then it got closer together? Crash into me with seme 1 then not with seme 2 until a few episodes later. But as the series progresses and the tension increases, the same trope for one seme comes closer in time to the same trope for the other seme, until finally at the end of episode 8, both semes want to wound tend TaeKyung in the same scene! Which mean’s this show is also pacing its tropes to amp up love triangle tension. 

This is clever enough to be mind boggling. I can’t even. 

On the other hand, they will dole out specific tropes to each seme (that the other one doesn’t get to have). So ShinWoo got to tie the shoelaces. But DaOn loaned the umbrella. SinWoo gets to grab and physically demonstrate interest. DaOn gets to flirt and verbally indicate interest. 

Partly this is because TaeKyung is on an enemies-to-lovers arc with SinWoo, but on a friends-to-lovers arc with DaOn (see True Beauty). But also it’s because the two semes are very different personalities. 

Similarly the narrative parcels out TaeKyung’s responses accordingly. 

So TaeKyung collar grab’s SinWoo. This is a trope that is always uke to seme in an agro relationship, because when an uke acts aggressively you know something is going down. It’s commonly used to give uke agency for the first kiss (see We Best Love). TaeKyung also rescues ShinWoo from bullies and gets hurt in the process, another aggressive move with relation to this particular seme and more common in enemies to lovers (see PeteKao in the Kiss series). 

Since DaOn is on a friends to lovers track, TaeKyung is a lot softer with him. 

In fact TaeKyung keeps trying to take care of DaOn, and even performs some seme acts of service (even though he’s the uke character), which is Korea being unbelievably clever with their love triangle. I mean how can we not root for them as a couple? 

Look, I’ve seen the seatbelt trope a million times but only PeteKao have ever flipped it so far as I can recall, and that’s just because Pete keeps getting beaten tf up. This is the kind of proprietary behavior (see also buckling on a safety helmet) only performed by seme on uke. 

Also TaeKyung took care of DaOn when he was sick, remotely, but still he used the umbrella to tell DaOn who was doing it. This is playing with the idea of mutual responsibility and partnership which is very unusual in BL, and makes me like them as a couple all the more because they act on an equal footing. Mutual care is adorable. (See Oxygen for more of this kind of exchange.) 

The interesting thing about DaOn as a second lead is that we know more about his back story than we do our mains. We know he is a neglected child, a people pleaser, and the ultimate caregiver. We watch him fall in love with TaeKyung because TaeKyung is the first person to give DaOn care back. Of course he wants to hold onto that. Also it makes DaOn very very VERY sympathetic to watchers. 

It got bad enough in episode 8 that I begin to wonder, despite all the many narrative clues, if DaOn actually might win TaeKyung in the end. 

See what I mean? 

Second Lead Syndrome! 

I know this has been a praise post, but flipping heck do I hate a love triangle. Because ARGH I want them both! 

Bravo, Korea. 

Taekyung's neurodivergance is actually central to the story that Light On Me is telling. If he weren't different, if he didn't miss social cues or misunderstand people's reactions, he wouldn't be pursuing this friendship with Shinwoo. If he didn't have a single-minded focus that nothing could shake, he wouldn't insist on their friendship. None of this would happen if Taekyung understood social cues or the way other people think. His different way of thinking drives the entire story, all his relationships and all the ways he's helping the people around him. The same things that kept him isolated are now winning over the people he's coming to care for and that's beautiful.

I can’t believe we get a drama where

The main character is queer

He’s neurodivergent-coded

And/or an introvert

BUT sticks up for himself, instead of being a pushover

❤️ A.C.E OST ❤️

Is released at the end of pride month 🌈

The other characters consist of a sweet himbo, a gentle himbo, and a mean-but-will-probably-soften boi

(Bonus points for a supportive adult figures)