@livyamel
You can write that fainting competition now where your opponent is Dante!
Passing out, or syncope, is a loss of consciousness that can play a pivotal role in storytelling, adding drama, suspense, or emotional weight to a scene. Whether it’s due to injury, fear, or exhaustion, the act of fainting can instantly shift the stakes in your story.
But how do you write it convincingly? How do you ensure it’s not overly dramatic or medically inaccurate? In this guide, I’ll walk you through the causes, stages, and aftermath of passing out. By the end, you’ll be able to craft a vivid, realistic fainting scene that enhances your narrative without feeling clichéd or contrived.
Characters faint for a variety of reasons, and understanding the common causes can help you decide when and why your character might lose consciousness. Below are the major categories that can lead to fainting, each with their own narrative implications.
Blood Loss: A sudden drop in blood volume from a wound can cause fainting as the body struggles to maintain circulation and oxygen delivery to the brain.
Dehydration: When the body doesn’t have enough fluids, blood pressure can plummet, leading to dizziness and fainting.
Low Blood Pressure (Hypotension): Characters with chronic low blood pressure may faint after standing up too quickly, due to insufficient blood reaching the brain.
Intense Pain: The body can shut down in response to severe pain, leading to fainting as a protective mechanism.
Heatstroke: Extreme heat can cause the body to overheat, resulting in dehydration and loss of consciousness.
Emotional Trauma or Shock: Intense fear, grief, or surprise can trigger a fainting episode, as the brain becomes overwhelmed.
Panic Attacks: The hyperventilation and increased heart rate associated with anxiety attacks can deprive the brain of oxygen, causing a character to faint.
Fear-Induced Fainting (Vasovagal Syncope): This occurs when a character is so afraid that their body’s fight-or-flight response leads to fainting.
Lack of Oxygen: Situations like suffocation, high altitudes, or enclosed spaces with poor ventilation can deprive the brain of oxygen and cause fainting.
Poisoning or Toxins: Certain chemicals or gasses (e.g., carbon monoxide) can interfere with the body’s ability to transport oxygen, leading to unconsciousness.
To write a realistic fainting scene, it’s important to understand the stages of syncope. Fainting is usually a process, and characters will likely experience several key warning signs before they fully lose consciousness.
Before losing consciousness, a character will typically go through a pre-syncope phase. This period can last anywhere from a few seconds to a couple of minutes, and it’s full of physical indicators that something is wrong.
Light-Headedness and Dizziness: A feeling that the world is spinning, which can be exacerbated by movement.
Blurred or Tunnel Vision: The character may notice their vision narrowing or going dark at the edges.
Ringing in the Ears: Often accompanied by a feeling of pressure or muffled hearing.
Weakness in Limbs: The character may feel unsteady, like their legs can’t support them.
Sweating and Nausea: A sudden onset of cold sweats, clamminess, and nausea is common.
Rapid Heartbeat (Tachycardia): The heart races as it tries to maintain blood flow to the brain.
When the character faints, the actual loss of consciousness happens quickly, often within seconds of the pre-syncope signs.
The Body Going Limp: The character will crumple to the ground, usually without the ability to break their fall.
Breathing: Breathing continues, but it may be shallow and rapid.
Pulse: While fainting, the heart rate can either slow down dramatically or remain rapid, depending on the cause.
Duration: Most fainting episodes last from a few seconds to a minute or two. Prolonged unconsciousness may indicate a more serious issue.
After a character regains consciousness, they’ll typically feel groggy and disoriented. This phase can last several minutes.
Disorientation: The character may not immediately remember where they are or what happened.
Lingering Dizziness: Standing up too quickly after fainting can trigger another fainting spell.
Nausea and Headache: After waking up, the character might feel sick or develop a headache.
Weakness: Even after regaining consciousness, the body might feel weak or shaky for several hours.
Fainting isn’t just about losing consciousness—there are physical consequences too. Depending on the circumstances, your character may suffer additional injuries from falling, especially if they hit something on the way down.
Falling Injuries: When someone faints, they usually drop straight to the ground, often hitting their head or body in the process. Characters may suffer cuts, bruises, or even broken bones.
Head Injuries: Falling and hitting their head on the floor or a nearby object can lead to concussions or more severe trauma.
Scrapes and Bruises: If your character faints on a rough surface or near furniture, they may sustain scrapes, bruises, or other minor injuries.
Uncontrolled Fall: The character’s body crumples or falls in a heap. Without the ability to brace themselves, they are at risk for further injuries.
Exposed While Unconscious: While fainted, the character is vulnerable to their surroundings. This could lead to danger in the form of attackers, environmental hazards, or secondary injuries from their immediate environment.
Shallow Breathing: The character's breathing will typically become shallow or irregular while they’re unconscious.
Pale or Flushed Skin: Depending on the cause of fainting, a character’s skin may become very pale or flushed.
Twitching or Muscle Spasms: In some cases, fainting can be accompanied by brief muscle spasms or jerking movements.
There are different types of fainting, and each can serve a distinct narrative purpose. The way a character faints can help enhance the scene's tension or emotion.
In this case, the character blacks out without any warning. This type of fainting is often caused by sudden physical trauma or exhaustion.
No Warning: The character simply drops, startling both themselves and those around them.
Used in High-Tension Scenes: For example, a character fighting in a battle may suddenly collapse from blood loss, raising the stakes instantly.
This happens when a character feels themselves fading, usually due to emotional stress or exhaustion.
Internal Monologue: The character might have time to realize something is wrong and reflect on what’s happening before they lose consciousness.
Adds Suspense: The reader is aware that the character is fading but may not know when they’ll drop.
Some stories call for a more theatrical faint, especially in genres like historical fiction or period dramas.
Exaggerated Swooning: A character might faint from shock or fear, clutching their chest or forehead before collapsing.
Evokes a Specific Tone: This type of fainting works well for dramatic, soap-opera-like scenes where the fainting is part of the tension.
When your character wakes up from fainting, they’re not going to bounce back immediately. There are often lingering effects that last for minutes—or even hours.
Dizziness and Nausea: Characters might feel off-balance or sick to their stomach when they first come around.
Headaches: A headache is a common symptom post-fainting, especially if the character hits their head.
Body Aches: Muscle weakness or stiffness may persist, especially if the character fainted for a long period or in an awkward position.
Confusion: The character may not remember why they fainted or what happened leading up to the event.
Embarrassment: Depending on the situation, fainting can be humiliating, especially if it happened in front of others.
Fear: Characters who faint from emotional shock might be afraid of fainting again or of the situation that caused it.
Foreshadow the Fainting: If your character is losing blood, suffering from dehydration, or undergoing extreme emotional stress, give subtle clues that they might pass out. Show their discomfort building before they collapse.
Avoid Overuse: Fainting should be reserved for moments of high stakes or significant plot shifts. Using it too often diminishes its impact.
Keep It Short: Fainting typically happens fast. Avoid dragging the loss of consciousness out for too long, as it can slow down the pacing of your story.
Don’t Always Save the Character in Time: In some cases, let the character hit the ground. This adds realism, especially if they’re fainting due to an injury or traumatic event.
Lingering Effects: Mention the character’s disorientation, dizziness, or confusion upon waking up. It’s rare for someone to bounce back immediately after fainting.
Reactions of Others: If other characters are present, how do they react? Are they alarmed? Do they rush to help, or are they unsure how to respond?
Stay Away from Clichés: Avoid having your character faint simply to be saved by a love interest. If there’s a romantic element, make sure it’s woven naturally into the plot rather than feeling forced.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
Original
What? I had to draw a happy post game where we save the Dreamers and Myla.
It was wayyyy too funny to portray Herrah and Lurien as disappointed parents. At least Little Knight got to eat sandwiches with Myla.
I want to go to Japan now just for this...
The dino benches are super cute. The angle is a little weird, though. And there's other seating if you're scared of dinosaurs. Looks like there's non-dino flat benches in the back on the right and a raised stone bench / retaining wall area on the left with grass and trees. I'm a little worried that there's no arm rests on any of the seating areas, though. It might be difficult for people with mobility issues to stand back up. Super cute for in front of a dino museum, though! And I totally want one.
Artfight Attack!
Mizuno belongs to @kanayamaryam999 while the Felis Cactus belongs to @livyamel.
Please go check them out!
This is @kanayamaryam999's DeviantArt: Here.
This is @LivyMel's DeviantArt: Here.
Why is this NOT viral yet? Troilus literal scorns love and 5 seconds later, Cupid jumps out of a bush to shoot him!
Troilus and Criseyde ...
There is something beautiful in that.
I will never love any interpretation of Ghost, Hollow and Hornet more than I love the interpretation of them being ultimately good, fighting for peace for everyone around them, caring deeply for Hallownest (or what remains of Hallownest at least) and caring deeply for each other and peace for their family at last.
I love kind Ghost.
Ghost who goes out of the way to gift flowers to lonely bugs.
Ghost who will rescue Zote whenever given the opportunity, without thanks or any form of reward.
Ghost who rescues grubs because they are trapped and crying to be freed.
Ghost who despite having limited ability of expression, will find some way to convey appreciation for others. (Sitting beside them. Listening to them talk or sing. Bowing out of respect.)
Ghost who is excited when in the company of good friends.
Ghost who spares the life of the nailsmith.
Ghost who mourns the loss of those fallen.
Ghost who eventually remembers their past, remembers being abandoned by their sibling, and still chooses to fight, to do everything that it takes, to free the hollow knight. To put an end to their suffering. To take Hollow's place, or to die.
There is no reward for this. There is nothing to gain. Ultimately Ghost is willing to suffer forever or to die in order to give others peace.
Ghost makes many many mistakes, and can make selfish or reckless decisions, but ultimately, Ghost is forgiving and loving.
I love Hollow who genuinely wants the people of Hallownest to be at peace. (Ironically just wanting that alone made it impossible for Hollow to grant them that peace.
But still, Hollow wants that.)
Hollow who loves Hallownest. Who loves their father and who loves his kingdom.
Hollow who is relentless in protecting it. Who would suffer for over a hundred years protecting whatever there is that can possibly be saved.
Hollow who has had the radiance influencing it all that time. The radiance who hates the king, who hates his people. Who tried to convince it to hate them to.
Hollow who loves them regardless.
Who feels empathy for everyone. Who understands their suffering more than anyone and wants nothing more than for them to have peace.
Hollow who, after finally being freed, chooses to live a kind life. To be understanding and gentle.
Who has every right to be bitter and angry and closed off, but who, after finally receiving the opportunity to live, to actually live, chooses to find everything good left in the world that they fought so hard for.
Hollow who learns to love openly and to no longer be afraid.
Hollow who is eventually excited to be able to express love in small ways.
Hollow is stalwart and just. But kind.
Hornet who, despite everything that she went through, despite losing so much, nearly everything, continues to stand and to fight for life because it still matters to her.
Hornet who fights to honor those that she lost, especially her mother.
Hornet who is hesitant to be hopeful, but is hopeful anyway.
Hornet who is hesitant to form any friendships out of fear that she will lose them, But who longs for friendship, for family..
Hornet who is proud of her siblings, who loves them despite not wanting to, who feels guilt knowing that the fate of the kingdom must rely on them.
Hornet who will rush in to assist her siblings in their final battle, knowing that she may very well die.
Hornet who, after given the opportunity to be with her siblings again, wants nothing more than to help them heal. For them all to heal.
Hornet who loves and is loved in return.
Ghost and Hollow who love, and are loved in return.
A little broken family that understands each other, understands that nothing that happened to any of them was fair, and who forgive each other, who love each other because after all this time..
They finally can.
Not one of them is without their (sometimes severe) flaws. Not one of them isn't damaged after everything that has happened.
And still they choose love.
This quote by Mary Shelley captures my interpretations of the siblings perfectly.~
"Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it”
Awesome job OP.
Please don't mind me asking I keep this for future reference.
Hollow Knight food concept art I’ve done this before, but I wanted to go into more depth on the processes and ingredients used
I’m slowly amassing the ingredients needed to bake a cake
BLURB:
Instead of Deepnest, the Knight went up through the City of Tears to escape. What would happen but being found and adopted by none other than the Watcher himself. But after the terrible discovery that the adopted has a twin in the White Palace, Lurien has only one desire-get HOME NOW.
SCRIPT: I have no clue how I left the Palace free, when I was shaking in my knees.
I hurried home, silently begging that my worst fears were not true. Certain members of our household would have preferred I was not so silent.
There, in all your imperfections and bedhair, you were perfectly fine. But Nothing was Perfectly Fine.
COVER:
https://www.tumblr.com/violetdawn001/738375072551682048/part-1-prologue?source=share
PREVIOUS CHAPTER:
https://www.tumblr.com/violetdawn001/739098346305781760/perfectly-not-fine-chapter-one?source=share
NEXT CHAPTER:
https://www.tumblr.com/violetdawn001/743988423774371840/perfectly-not-fine-chapter-3?source=share
Thank you all for reading and making it this far. Any form of support would be greatly appreciated.
Okay, okay, not for the reasons you think.
You see, Lurien is not like Herrah who gets fiery and hot when she gets angry. Oh no. It's the ice cold anger of a quiet man. Once he's truly mad, you're screwed.
Case in point, the two pictures below.
Or I had too much fun drawing Lurien as a Blue Morpho Butterfly and had to do it with Lurien's cloak on. And honestly, I'm too scared right now to ask Lurien who or what truly pissed him off and I'm the author/artist!