Roy Mustang Snaps His Fingers Accidentally (while Wearing His Gloves)

I like how MP100 fully sidesteps the "But Who Deserves Redemption?" question bc honestly it's a bad framing that gets extremely bogged down in philosophical debates about Good and Evil and who gets to make the call and becomes an awful quagmire and is also not necessary. the better questions are:

Is this person capable of change? (Answer: Yes, always.)

Are they actually going to change? (Answer: That's up to them.)

Do you want them in your life? (Answer: That's up to you.)

This is hell to upload

i am so late its not even funny but i couldnt live with myself if i didnt draw some finale art

im not sure if youve answered this before (ive been scrolling back in your blog but cant find anything?) but do you have any tips on how to write mob?

hmm i have not answered this before, so let me think… writing mob…

keep in mind that i have not written mob, but i have read a lot of mob… in canon.

don’t use verbs that imply very drastic action/expression (e.g. rather than “beamed,” use “smiled,” since mob almost never smiles with enough enthusiasm to qualify as beaming). keep mob’s actions and expressions low-key unless shit is really getting serious. (and actually, re: smiling in particular, remember that he rarely doles out smiles to anyone other than ritsu.)

remember that mob is quite passive– like, he usually isn’t actively engaged in his surroundings. he’s prone to zoning out, deep in thought or just deep in the absence of thought. even when things are relatively intense, he still may feel out of place and hesitate. basically, mob’s default state when things start happening is “not knowing what he should be doing.” when things aren’t happening, he tends to be content with idleness or inactivity.

about mob’s speech: his catchphrase, according to his profile, is “i don’t really get it.” from this, we can tell that he’s not afraid to acknowledge his own ignorance or inability. (iirc he is also wont to drop this line at inopportune times, like after someone gives him a detailed explanation or emotional speech.) he’s not stupid, but he’s not especially quick-witted either. he’s a good listener. if he doesn’t know what to say and isn’t forced to answer, he won’t say anything. he doesn’t crack wise or offer witty comebacks or snark; his words may have that kind of effect at times (e.g. “shut up and eat”), but only as the result of a mistake or failure to read the atmosphere. generally, he isn’t sarcastic. he will carry on a conversation, but generally, he isn’t very talkative unless there’s something on his mind.

when something is on his mind, he usually starts by dwelling on it while zoning out (possibly while doing other things, like eating dinner). 

when he does feel strongly about something, he doesn’t hide it, and he has been known to lecture people about their wrongdoings if he gets really riled up. despite that, don’t forget that he trusts in the goodness of people in general and has plenty of faith in his fellow humans. he strongly feels the importance of things he has learned, and as a result, he wants to make sure others understand what he understands. so like… when it comes to communication, his true strength is his benevolent sincerity.

he and ritsu are on better terms than ever lately, and they may come to each other for advice, but i think they both still prefer to think things over on their own if they can. so mob wouldn’t necessarily go directly to ritsu or reigen for help with something that’s bothering him. he’ll probably have a good long think about it first. pensive boy

he has no fashion sense. i would go ahead and credit any/all of his stylish outfits to ritsu or his parents.

he is Not sassy

he is not dramatic (except unintentionally)

he’s not good at reading other people’s emotional reactions if they don’t come right out and say how they’re feeling. or at least, it takes him a while to catch on if he doesn’t know them well

he calls ritsu “ritsu.” he calls tome “tome-san.” he calls mezato “mezato-san.” he calls reigen “master” or “master reigen.” he calls teru “hanazawa-kun.” he calls tsubomi “tsubomi-chan.” generally, everyone is a -san, -kun, or -senpai according to the typical rules. so don’t have him call anyone any weird nicknames or anything overly familiar unless they ask him to call them that (e.g. he calls tome by her first name because she introduced herself as tome-chan, and even then he changed it to -san). and for the record, i don’t think mob has directly spoken to or about shou, but seeing as how ritsu calls shou “suzuki,” mob would almost certainly call him “suzuki-kun.” 

remember that mob’s default neutral facial expression usually comes off as bored, cold, or distant. it’s hard to even tell when/whether he’s deep in thought or slightly upset. even ritsu, reigen, and teru can’t decipher him especially well. (so instead of reading mob’s face… ritsu asks if anything’s bothering him, teru asks what he’s thinking about, and reigen tries to decipher his face anyway and doesn’t ask anything unless/until it becomes Very clear that mob is having problems.)

note that these points apply specifically to non-100% mob

Ramblings about Separate Ways Arc

I am rewatching Mob Psycho 100 with my fiancée right now and wow, Separate Ways Arc was tough before but rewatching it was way harder.

I didn't really like Reigen much on the first watch through haha Until the end of season 2 that is. I was 100% with Ritsu. I thought "This guy is an asshole, how can he use someone like Mob like that?? Fuck him, I don't like him." I hate seeing a character get used by another—it reminds me too much of myself. So I had a weird satisfaction with Reigen digging his hole the first time I watched, like a character getting what was coming to them.

I was happy to see Reigen get dragged through the mud.

But then, I got to know Reigen's character more as the series went on. And after rewatching the start of the season and getting to this point, I was picking up so much more of Reigen's unsaid feelings, about himself, about Mob. I was seeing the little insecurities more, in different ways he was animated (even when over the top), in his dialogue, in just the framing of shots. God damn this show and all the little things it sprinkles in to add clarity and color to a character.

What I didn't expect on this rewatch, was feeling so sad watching these two episodes. All of his over the top antics, everything just made me...

really really sad.

Knowing that we're going to go from here...

to here...

God I just, I really get why people like him so much haha The separation arc rings so much more beautifully after I know where we end up. Reigen fucked up. Reigen said some bad shit. Reigen hurt the people he cares about, but in the end, Reigen cares so much, and his failure is like beautiful little vignette.

Shigeo is still my favorite character, and I love his arc above all else. But I am falling in love with Reigen's growth this second time around.

Even the monster of the week episode at the start of season 2, where he starts to really think about Mob and what his needs are, I felt myself being pulled into his character more than ever before. He had to be thinking about all that stuff when he says those awful things to Mob. Deep down he knew that Mob was struggling and trying to change, and he both wanted to embrace that because he knows it's right but also fears it because he is lonely.

God damnit Reigen. You and your...Reigen-ness. Making me feel shit.

ALSO I have been meaning to do little posts/thoughts as I rewatch with my partner. The Mogami Arc needs it's own post too, same with season 1 haha But maybe I can just start here, I dunno.

(I actually gave my partner a trigger warning before going into Mogami arc which I am glad I did that one was hard for him to watch)

Things I love about this exchange:

1. It’s really funny.

2. Reigen refers to being the bodyguard and right hand man of a megalomaniacal esper terrorist as “Serizawa’s last job” which is a perfect example of his attitude towards everything. “Yes I know you kidnapped the prime minister but have you, personally, got any customer service experience?”

3. It’s clear from this scene that Serizawa’s job interview was saving Reigen from a giant ball of psychic power and at no point did either of them discuss what he’d be doing there.

4. “Smack them with my umbrella.” Obviously this is a translated work and I don’t know if this nuance was in the original line at all, but I love the phrasing here. I don’t believe for a second Toichiro told him to “smack” people with his umbrella so much as "eliminate them without hesitation or mercy" and the fact that Serizawa would frame it in such an innocuous way speaks to the level of denial he was in.

5. Reigen, who recently had to knock out a client that pulled a knife on him: Yeah, things aren’t that different here.

The choice is yours.

a broadly applicable extended metaphor for the kageyama brothers: 

mob is round and ritsu is sharp. 

this applies to LOTS of things about both of them– least of all, but most noticeably, their hair.

mob is round. he’s blunt, socially dull, tangential to the lives of his peers. he’s like a firm ball of clay rolled between two hands. when he learns new things, it’s like, first he has to make them stick, then he has to re-roll himself back into shape without them falling out. ideally, the things he learns become a part of him. overall, it’s a clumsy process, so he’s not the best learner, but neither is he the worst. and he’s good when it comes to learning about (and improving) himself, because he can reshape himself, being clay. he is also relatively easily influenced by others, who may try to shape him to their own liking. still, roundness is the most comfortable shape for him, so he always returns to it. 

ritsu is sharp. sharp-tongued, sharp-eyed, sharp-witted. he’s like a mass of thorns or shards of glass. when he learns new things, they stick easily, becoming impaled on his jagged surface, and he understands them intimately, though they remain separate from his self. ritsu is a very good learner. but he’s not very good at learning about himself, because when he tries to delve deeper, he gets poked by his own spikes. he is also more brittle than mob, so it’s harder to improve himself; things need to break before they can change shape. likewise, ritsu is less easily influenced, being more solid and thus less permeable. he wishes he was a more organic shape, like his brother, despite the many clear advantages afforded to him by his sharpness.

mob’s psychic power is also based on roundness– his aura in the anime consists of overlapping circles. his power, tied directly to his emotions, is round like a coiled spring. as his explosion meter slowly ticks up, the spring is compressed bit by bit. when he hits 100%, it releases all that potential energy at once, then slowly collapses back to normal. 

ritsu’s psychic power is also based on sharpness– his aura in the anime looks like jagged shreds. where mob’s aura flows like ripples in a pond, ritsu’s cracks and crinkles along fault lines, like paper or tin foil that’s been folded before. the uneven structure means he can’t store emotions as psychic energy in the same way as his brother; emotions just create more faults and fissures, making it harder to direct his power anywhere else.

ritsu is certainly sharp by nature, but much of his jaggedness is a result of having parts of him shattered by trauma. i can’t help but wonder how different he would be had he never met ???%.

In the Separation Arc, we see Reigen tell a young Mob that is doesn't matter whether or not he has powers, all that matters is that he's a good person. This is immediately followed by our slightly older Mob returning that exact gift: telling Reigen it doesn't matter whether or not he has powers, all that matters is that he's a good person.

And they both desperately needed these assurances from each other. They saved each other from drowning in guilt and self-loathing. And they weren't wrong.

But they weren't exactly right either.

The Confession Arc exists because they both need to grow beyond that point. Confronting the fact that these things do matter—that they can't just ignore Mob's powers, or Reigen's lies. "Being a good person" does not unmake the part of yourself you wish wasn't there. Those parts of you still don't define you—that was right—but they still matter, and they still have to be faced.

Going to that next level is just... gah. This writing is so good.

👍

original: