In the Separation Arc, we see Reigen tell a young Mob that is doesn't matter whether or not he has powers, all that matters is that he's a good person. This is immediately followed by our slightly older Mob returning that exact gift: telling Reigen it doesn't matter whether or not he has powers, all that matters is that he's a good person.
And they both desperately needed these assurances from each other. They saved each other from drowning in guilt and self-loathing. And they weren't wrong.
But they weren't exactly right either.
The Confession Arc exists because they both need to grow beyond that point. Confronting the fact that these things do matter—that they can't just ignore Mob's powers, or Reigen's lies. "Being a good person" does not unmake the part of yourself you wish wasn't there. Those parts of you still don't define you—that was right—but they still matter, and they still have to be faced.
Going to that next level is just... gah. This writing is so good.
I've had this ageswap story in my head where as a kid Reigen jumps in the middle of the street to save a dog and he meets Mob when Mob shows up to save Reigen (and the doggo) from oncoming traffic. So Reigen stalks Mob to the office and he's genuinely a good kid because little Reigen thinks it's the coolest thing to help people with your powers and Mob acknowledges this and agrees to take him on as his student
This is not a fully formed thought but. Considering the ways in which one of the big tensions of Mob Psycho is "Do you see other people as people or do you see them as tools?" and how in World Domination it's revealed that despite building this huge organization Toichiro views everyone around him as literal power sources (and how the ground troops think he's doing everything for them and the Scars think 'Well *those* people are useless but he's doing it for *us*' and Shimazaki tells the Scars 'Well *you're* useless but the Super Five are *actually* important' and then manga Toichiro says that he only keeps the Super Five around as spare batteries), and conversely how in Divine Tree Dimple realizes that even though he's been using all these people as power sources it's not accomplishing what he wants because he's actually desperate for someone to see him as a person. And considering how Psycho Helmet is the purest and most terrifying incarnation of "people are only worth what power I can extract from them" because it was created from those predatory impulses and nothing else.
I made an analysis breaking down the S3 MP100 OP! Thank you @russenoire for the translation and guiding me with them, I can’t thank you enough.
Also, please keep in mind that I am in no way a professional at this, I’m just a kid who likes mob psycho. It’s around 15 pages long and includes insight into the lyrics and visuals, though it might be a bit messy.
But anyways, please enjoy! This was super fun to make.
confession for mobtober
As much as I loved Brotherhood’s version of this scene, there is this wonderful detail in the manga:
He took off his glove.
Grief is an interesting subject for depiction, because it isn't ever really just one feeling. It's a cluster of feelings, an array of very different, sometimes almost contradictory emotional states, which collectively we understand as expressions of that one underlying condition, which is grieving.
So how do you show that? How do you take that and make it visible to an audience? Many, many artists have tried, and their attempts are varied, fascinating, and very occasionally heartbreaking.
Let's take a little non-comprehensive walking tour of grief in art history, from the 1400s to the 2020s, from the religious to the cartoony, and get in our feelings a bit.
DO YOU REMEMBER WHEN HAVOC EXPLAINED FLAME ALCHEMY FOR THE AUDIENCE WAY BACK IN CHAPTER FOUR? IT WAS BECAUSE HE ACTUALLY KNOWS WHAT THE HELL WAS GOING ON.
Roy can transmute no matter what, but he can only start a spark if his gloves are dry. His gloves are wet, and they look screwed. But they’re not, they’re covered in water. And Roy’s just like jeeze, I’m totally underrated here, and he says I have unlimited resources. Havoc’s mind makes the jump in a matter of seconds. Roy has all the fuel he needs. Water is nothing more than two parts hydrogen to one part oxygen, and if he splits the molecules, he’ll have hydrogen gas which is highly explosive. So he needs a contained room to do it in, or else they’ll be dealing with a hydrogen fire explosion too.
Of course Roy can transmute water. He just needs something to light the fire, and Havoc tosses his lighter like a grenade into the room, and kaboom.
Don’t look so shocked. This is his field of alchemy. The only reason Roy doesn’t set fire to the rain is because doing so in a wide open space would set off a chain reaction of gas explosions and hydrogen fires that could potentially concussively kill/incinerate everyone in a nearby radius.
Roy is always holding back.
so for a while now i’ve been thinking about dialogue in the mob psycho 100 manga vs the anime. obviously it’s disappointing when something significant is changed or cut out, but in two specific cases, i couldn’t help but wonder if it was an actual dialogue change or just a mistranslation on the manga’s part, considering there’s basically only one online translation. one of the most important things to remember when it comes to consuming non-romance-language media is that our languages are fundamentally different in terms of structure and word meaning. there is never a true one-to-one translation and trying to do a literal translation is rarely a good idea. that means that in a lot of cases, the exact meaning can be up to interpretation. considering this, having only one translation means it’s only one person’s take. i find looking at these differences to be really interesting, so i went to reddit (i KNOW i know) to ask for help because i couldn’t find manga raws for these particular lines or any alternate translations (also i don’t know japanese lol). here’s what i found out (a HUGE thank you to reddit user NostalgiaWitch for all the info!):
scene 1: chapter 65.1/s2e5 - reigen and trust here’s a comparison:
pretty different, right? there’s a post from a little while ago i liked analyzing these differences; you can read it here. here’s what i found out on reddit:
so in this case, it’s really up to interpretation. the anime seems to go with the former, portraying reigen as disinterested in the situation, while the manga seems to frame it more as the latter, especially considering that later on, in the separation arc, reigen says that he doesn’t trust anyone but himself. personally i prefer the latter because it seems more in-character, but like i said, it’s up to interpretation.
scene 2: chapter 73/s2e7 - reigen and curiosity a side-by-side comparison:
these two translations are literal opposites. here’s what i found out on reddit:
in this case it’s definitely an error on the manga translator’s part (no shade to them though; they’ve done so much). in my opinion it has a huge impact on reigen’s whole mindset before starting his business. it wasn’t just boredom that drove him to make the change, it was that inner desire to be someone important bursting through.
- reigen arataka, 2008 over time, he fell into depression and lost that drive. however we still see moments of that curiosity coming through sometimes, like in the urban legends mini-arc, when he’s suddenly super excited about the dragger:
he also has an innate compulsion to find out the truth and often does extensive research to help his clients (learning about farming, running background checks, etc.), so we can see how even if it lay dormant, that desire to do well and follow through kept him going, even through his complacency and depression.
wow i got ranty. anyway like i said i just find this sort of thing really interesting because by hearing multiple opinions you get to form your own conclusions. i hope people see this and are also inspired to look into these differences! again, a huge thanks to reddit user NostalgiaWitch.
nora - she/her - yelling about other things in @extra-spicy-fire-noodles
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