Date: August 7, 1947
This report details the surprising interaction with the extraterrestrial beings who survived the FARAS-1947 crash. Remarkably, these beings showed not only an ability to understand and speak English but also demonstrated an array of behaviors similar to human characteristics.
Upon discovery, these beings were compliant and cooperative. Their capability to communicate in English came via small micro-speakers embedded on the surface of their biological spacesuits. The sophistication of these micro-speakers led some scientists to initially suspect the use of telepathy. The beings wore what appeared to be biological spacesuits but without helmets. They said they abandoned their helmets to comply with their security protocols. But at the same time they added that if we wanted to find the helmet, we could. Despite not wearing helmets, they showed no signs of respiratory distress. However, unlike humans, they did not appear to respire through a mouth or nose, but rather through an enclosed system provided by the suit, located beneath their necks. Their eyes appeared to be largely black, akin to sunglasses. Upon closer observation, it was found that beneath this black exterior, they possessed eyes similar in form to human eyes. They described this aspect of their appearance as part of a biological containment system. When scientists illuminated their eyes, they could see tiny lights floating under their outer black eyes.
While generally expressionless, these beings occasionally displayed human-like emotions, such as sadness, light-hearted laughter, and smiles. Their ability to converse in English led to a degree of skepticism among some observers, who questioned whether this could be an elaborate prank.
They explained that they had deliberately crashed to bypass certain protocols of importance to them. Despite some suffering severe injuries during the process, they indicated they had foreknowledge of the outcomes before the incident occurred. The beings suggested that their survival was limited to the lifespan permitted by their biological spacesuits. They proceeded to share specific pieces of information they wished to impart before their anticipated demise. However, due to the sensitive nature of these discussions, they cannot be disclosed in this document.
The movieization of Japanese comics has disappointed many people. What could be the cause? Maybe it's because it's not easy. Manga and Movies have different expressions.
I don't know what these images would look like to anyone else who likes Dragon Ball series.
I used a AI Model for realistic expression, and additionally used LoRA to help each character expression. and I asked the CHAT GPT to produce a fictional actor's name and very small miscellaneous letters written under the movie poster. After that, I worked on Photoshop to remove the flaws in the ai picture and make it look better.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
Frieza remains one of the most terrifying villain in my memory. I rarely saw Dragon Ball Z on the air to attend the academy on time, but I don't know if this Frieza, who appeared in his spare time, was a man or a woman, and I was really scared to see a huge force coming out of his fingers.
And as we'll find out later, Frieza is obviously a villain, but he's quite gentle and funny. Decades later, many people were reevaluating Frieza (such as using honorifics for subordinates and enemies) It is hoped that in order for today's growing children to be able to see Dragon Ball again, one day they will have to expand to other media or remake it.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.
I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.
The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation. Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design. The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance. Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
Kuririn is known as the strongest Earthman. Nevertheless, I remember that it was painted as a human symbol of trying and overcoming despite clear limitations.
I think Kuririn is the main character who preached the importance of effort to children. There are many natural geniuses like alien, Goku in the world, but they have shown that even with ordinary skills like Kuririn, they can stand shoulder to shoulder.
above all else. He won the heart of Android 18, and married her. What does this say? Having a good wife, more than anything else, means a true winner in life.
It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.
He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.
In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.
I also tried to depict their characters, situations, and symbols in the background of the poster.
This photograph, captured in September 1995, depicts a rural scene in northern Europe. Visible in the distance are several farm buildings. A small forest is present closer to the viewer, while mountains appear on either side of the scene. The picture was taken using a Kodak Ektar 100 film. What distinguishes this image from a typical landscape photograph is the presence of an unidentified aerial phenomenon (UAP) in the sky above the scene. The UAP appears stationary and is of a discernible, aerodynamic shape. It is set against a clear sky, with an array of light rays extending from or towards it. Some observers have speculated that the rays could be the result of a trick of the light or some form of photographic manipulation, such as the use of glass plates or paint. However, these theories are questionable given the properties of the photograph. The Kodak Ektar 100 film used is renowned for its fine grain and high-resolution output. Any form of manipulation would likely have caused inconsistencies in resolution, which are not evident in the image. Therefore, based on the evidence in the photograph, it appears that neither the UAP nor the mysterious light rays are the result of photographic trickery. This adds a level of mystery and intrigue to the photograph and invites further examination and interpretation.
The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top. There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
I think Bulma has shown a versatile and capable woman image in Dragon Ball series. The technologies she uses, such as miniature capsules (Hoi Poi Capsules) and Dragon Ball Tracker, were extraordinary, and it was a great pleasure to see them work in animation.
And Bulma was one of the first characters to introduce me to the concept of "pretty woman" at the time. Let's stop discussing whether this is okay. We'll find out about this one day anyway and find it ourselves. Animation just moved it up a few months to a year. Ha Ha.