So I’ve Scanned The Pages Of My Risographed Fashion Study Zine (you Can Buy That Here) And Have Got

Howdy! I’m still alive.

I’m fortunate, in that my day job is being done remotely, but it’s a very difficult change and I really don’t like it, so the stress has been getting to me. I was invited to be part of a really cool thing but it may have completely fallen through due to the stay at home order, I have no idea, so that kind of kneecapped my motivation, art-wise.

Hard copy version of my comics aren’t in my etsy store at the moment, as I’d been sneakily printing them on the printers at my office and I don’t have a printer at home. PDF versions are still up for sale.

At this time, I struggle to see the point of making art that doesn’t “do something.” Here are two tapestries I’ve made (I’m working on getting the edges even and reducing the amount of hour-glassing before I go totally nuts and invest in a rigid heddle loom) and some socks I darned for my boyfriend.

my unhinged-looking tapestry draft and a small test weaving

More warm up sketches

I could draw dancers foreverrrrrr

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I mean... WOULDN’T YOU??

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Pretty Alien

Ok, so this is going to be the first in a series of pieces. And it has a backstory.

I was working the night shift and it was totally dead and I was super bored and I got to thinking... technically speaking, Sailor Moon is an alien. She's from the moon. So why does she look like a human?

And then I thought, maybe her Sailor Scout uniform is actually what she looks like, but in attempting to describe Sailor Moon's alien physiology, eye-witness accounts were mistaken for a description of a costume, not an actual body.

So, Sailor Moon's pigtails, bangs, and the little whiskers that I've given her, aren't hair. They're sensory organs, like antennae. The red "gems" described in her uniform are actually poison glands, which are brightly colored to gain the attention of predators. When subject to pressure, they secrete a poisonous liquid, kinda like Cane Toads. The "collar" of the costume is actually a wattle that Usagi's species uses in mating displays. It's inflatable!

Kinda like this:

As for the bunny nose and upper lip... Well... her name is Usagi.

The kanji at the top of the image is bi (pretty) uchuu (extraterrestrial) jin (person) and the katakana at the bottom is the phonetic spelling of Sailor Moon.

I'm sure that Kyozuka sensei would be pleased to see that I'm keeping up my calligraphy skills, all these years after her classes.

If anyone with a better grasp of japanese than me has any corrections, I'm happy to hear them.

Nerd rant over.

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Practicing putting down color/shadow before putting down line – which is the exact opposite of how I normally work.

Not the worst thing I’ve ever drawn.

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trying not to have an anxiety attack with regard to... like... the world 

the cactus’ legs turned out a bit wonky, but I’m learning and experimenting

also, you can expect to see more dolls on here because uhhh... they're actually part of my master's thesis research.

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finally got around to finishing and scanning commissions

@redangusart‘s Ishmael, to accompany my earlier drawing of the Mick

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Just dropped these pieces of at The Factory for “Through the LooQing Glass”

I’ll be taking some comix over too!

Opening night is 6/13 and the Pride party is 6/27

https://www.facebook.com/events/380836725860305/

(Apologies for the lack of activity. I moved and still haven’t gotten internet set up.)

how do you feel about your bart/chris/bobby comic being low-key iconic in some circles? I just read it again and it really brings me totears

I'm glad you find the comic so meaningful.

On one hand, it's gratifying as an artist, to know that my work has resonated with so many people. Based on some of the messages I've gotten from people, the comic has been part of how they processed their own childhood experiences or part of what inspires them to start their own therapy. That's amazing! It's not like I set out with that being the goal of the comic or anything!

On the other hand, it's given me a small experience of "death of the author." I didn't conceive of the comic as a sweeping critique of the "nuclear family animated comedy" or depictions of violence, trauma, or abusive relationships in media. I have LOTS of complex and contradictory opinions on "difficult" subjects in art. I created the comic while taking a class on family and couples therapy, and was inspired by the class to explore how real family/relationship dynamics might occur if I approached these cartoons as real families. I think a lot of people get this backwards -- they see the comic as using a lens of psychology/counseling to critique popular media. My actual experience of thinking up the comic was using popular media to explore what I was learning about psychology/counseling.

That said, I recognize that once something is out in the world, I can't completely control how it's interpreted or used. The positive messages I've received greatly outweigh my ambivalence about how some people view/interpret the comic.