Aziraphale blinked rapidly. “One of…” he trailed off in realisation. “You—You made…? Before you…?”
The demon turned away. “Yup.” He popped the ‘p’ sound, shrugging. The light in his eyes shuttered a little, flickering behind something deep and aching. Aziraphale started to move his hand before he realised what he was doing, then pulled it back and let it fall into his lap.
“I could show you, if you like.” Crowley’s tone was flippant, but the tension in his posture was unmistakable.
“Show me…?” asked Aziraphale.
Crowley held up a hand, flexing his fingers in a jerky wave. “The nebula. If you wanted.”
Aziraphale’s eyes widened. “Oh. Oh.”
Crowley waited, hand help up in offer. Aziraphale’s heart hammered in his chest. He felt altogether too human, some unknown chasm gaping at his feet.
“…alright.”
- from ‘An Angel who did not so much Fall In Love as Settle Into It Gradually’ 7.5k words - on AO3 at works/19324027
I want to blame Crowley for the fact the batteries are running out in my fire alarm and keep chirping at me incessantly but we know Crowley would never permit lax fire safety. Not after a certain
Incident
fake dating
omniscient narrator who immediately contradicts the characters (“This is fine,” she said. It was, in no way, shape, or form, fine.)
deadpan jokes while swordfighting
the “I FUCKING LOVE MY WIFE” guy
oblivious pining that slowly escalates until A is going on page rants about how pretty B’s eyes are but still doesn’t seem to recognize they’re in love
Strong Leader Type having to physically fall down in order for the other characters to see how exhausted they are
funny villains who talk and make jokes with their heroes while they’re fighting them
the villains presented as the protagonists
*increasingly pulls out bigger and bigger weapons from more unlikely places*
“I said all of your weapons” *pulls out more*
“ALL OF THEM” *pulls out one last tiny dagger*
traumatized character using humor to cover up ptsd
characters going out for a break at a restaurant/movie/whatever and something bad happening
using the “*gasp* what’s that over there???” trick to avert the enemy’s attention and it working
a villain’s weakness being something totally random and nonsensical
a hero duo arguing over who’s the sidekick while fighting a villain
“don’t be silly, we don’t need [important thing]” “you lost it, didn’t you?” “yeah”
“what’s the one thing I told you not to do tonight?” “raise the dead” “and what did you do?” “raised the dead”
“I think that went pretty well” *explosion in the distance*
for @medhasree
“You killed him,” says one of Kaliya’s wives in a voice devoid of all feeling, even as her husband sinks deeper into the waters of the Yamuna. “He was poisoning our waters, and the very air we breathe,” Balarama says, even as his heart yearns after the greatest part of him lying coiled at the edge of the universe. Almost he could slip into the waters himself and, unaffected, slip his arms around his kinswomen to comfort them. Rama, on the banks, cleans his arrows and slips them into a quiver comically big for him, and says, “I killed him, as I kill all monsters who trouble my people.” “We are ourselves everywhere hunted by Garuda,”another wife protests. “If you retaliate by poisoning mortals, you turn from victims to villains yourself. Betake yourselves to Ramanaka Island, and live unharmed.”
“I would love nothing more,” Krishna reassures Surpanakha, “for I cannot remember when last I saw a woman so divinely lovely, bedecked in all the treasures the world can offer and yet needing none to add to her own beauty.” The rakshasi pauses, and the following smile has a distinct gleam of fangs. “You flatter masterfully, mortal, but I can hear a lie. You would love nothing more, yet surely you will find a reason to refuse me.” “I would love nothing more,” Krishna repeats, “but I have a wife already.” “An obstacle easily removed,” Surpanakha suggests, grinning wider than her slender face should allow. Lakshmana springs to his feet, outraged, but then sits again, arrow unnocked, at Krishna’s amused gesture. “But if you kill her I would mourn a hundred summers and scarcely be in a mood for love. You are far too intelligent to think otherwise.” “Since when do mortal men limit themselves to a single wife?” the rakshasi queries. Krishna grins back at her, sunny and careless. “My own father has three queens, and the jealousy of one has brought us to this forest. So I cannot take you for a wife unless you renounce your royal life and live with us as a mendicant, for to do otherwise would cause resentment in my wife. Yet I cannot ask you to sacrifice your life and all its many enjoyments to live with us as my wife does, for that would anger you. You see my dilemma?” “I… yes,” says Surpanakha. “I will have your brother then, if I cannot have you.” “You could marry him,” Krishna allows. “But he is sworn to celibacy, so I would not advise it for one so given to pleasure as you are, O sensuous one.”
“Of course we will fight for you, with all the might Dwaraka has,” Rama assures the Pandavas. “I could hardly do less when my kinsmen are offered insult, and one I have long called a sister.” “One might argue,” says Prince Satyajit, “that it was Yudhishtira who offered insult to our sister, by waging her as he might his slaves.” It is the position Panchal has been taking on the matter, Panchali not excepted, and even Yudhishtira has grown inured enough to offer no ,ore than a tired flinch. “If he were playing against an honourable man, such a wager would not have been accepted, any more than you would trust a drunkard with your beloved child,” Rama says. “It makes no matter; we go to war not for petty faults, but because of dharma and adharma.” “Then must we wait,” Draupadi asks, “while the world grows heavy with adharma? What keeps us from war this instant?” “A vow binds you,” Rama reminds her, gentle and inexorable as a god. “But it does not bind us,” Satyajit points out. Rama’s answering laugh lights up the day, shakes birds from the trees.
Krishna is the one who fetches his wife from the Asoka grove, swings her off her feet laughing, kisses the tears from her eyes, and tells her, “I know this will be difficult for you after all our years in seclusion, but we must do it for the army, and to stifle any rumours before they raise their heads.” In front of the army he embraces her again, this time a conquering hero and not a relieved husband, and says in the voice that massed regiments can hear in the din of battle, “Now is my life lit up again, with Janaka’s chaste daughter in my arms. All my war has been but for this, that I may have my wife by my side once more.”
Elizabeth rendering Darcy speechless
In the book Golden Girls was Crowley's favourite TV show. Is that also TV Crowley's favourite or does he have a current TV show that he prefers?
I think he’d love The Good Place.
why do we have butt cheeks i dont understand why did we evolve this way
what use do butt cheeks have
WOW.
That rabbit/hare post is messing me up. I’d thought they were synonyms. Their development and social behavior are all different. They can’t even interbreed. They don’t have the same number of chromosomes. Dogs, wolves, jackals, and coyotes can mate with each other and have fertile offspring but rabbits and hares cant even make infertile ones bc they just die in the womb. Wack.
I was taking with my friend about good omens and we were wondering how the hell aziraphale-as-crowley managed to get into that bath without getting his socks wet and so I drew this ‘helpful’ guide.
I like to imagine that all the demons had to just awkwardly stand around watching him clamber around getting into this bathtub… @neil-gaiman can you confirm?
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