Satsuriku No Tenshi Clear Files - Wonderland Version

This is gonna be so harsh but- Actually it isn't going to be harsh at all I thought this through a lot. It was gonna be harsh at first but ahn fuck it I'll still say it. Damn it really seems like everyone in Haruka's case was a bit negligent.

Like I'm still curious how he even got near the second kid to be honest since the details were scarce on that but this is mostly gushing about how good that video was and how it wrapped up mostly everything about this case.

Me reading the report on Haruka,

Born in 1997, in Nagaoka, Niigata. From an early age Haruka Sakurai developed more slowly than his peers. His overprotective parents would not accept that their child had developmental delays, and did not provide him with an educational environment suited to his needs. The gap in developmental achievements between him and his peers kept widening, so much so that when Haruka 15 years old, he could still not adequately read kanji.

It was around that time that his parents simply gave up, and they shift from overprotective to disinterest. From then forth, his parents acted as if Haruka did not exist. Haruka tried to regain his parents' attention by causing problems and disturbances, but his parents' attention was never directed at him again.

"Tell me, why are you drifting away from me? Tell me, why do you say it’s my fault?"

"Why is it breaking? Tell me why? Please don’t change."

Haruka starts to kill animals in secret from around that time. He killed insects, he killed mice, he killed stray cats and dogs.

"It’s fine, it’s all my fault right? It’s enough, I am a “disappointment”."

"You praised me by saying “You’re crazy.” Thank you, I’ll do my best. How many more times do I have to do this so I can be human?"

He felt relieved that there was life in the world that was inferior to him. Haruka's actions soon escalate, and he starts to kill pet dogs and cats as well.

The following day, as he witness the tormented screams of the people who had suddenly lost a life they so cherished, he has a deep emotional reaction where he feels for the very first time that he is indeed connected to the world. The neighborhood increased its security soon afterwards, and Haruka's unsophisticated crime soon came to light.

The police detained and questioned him harshly. Haruka experiences a heightened sense of excitement with all of this interest and attention directed at himself.

Haruka Metamorphosis of the Weak 2:55s,

"It felt so strange warden...! Warden-san, you forgave me so, so much, it felt like a whole lot of people had accepted me! Ahh... It was the first time I've ever felt something like that!"

When he saw the faces of his parents, who were called in for him and him alone, that heightened excitement reached a fever pitch, and he fainted.

The day he was released, Haruka committed murder. The victim was a small child, clearly much less powerful than himself. It was the day of the fireworks festival. He targeted the child who had strayed away from her parents.

Haruka weeps, as he clumsily hides the body,

"This child's life was probably much more valuable than my own." "A future much brighter than mine was probably awaiting this child."

Haruka Metamorphosis of the Weak 2:30s

"It is. I felt uneasy about it this whole time... Someone as worthless as me having killed someone to gain attention, and a person who surely had more worth and more of a future than me, at that..."

"Why did I end up like this?"

"Why was I born like this? Why does it hurt so much?"

Haruka cried, night after night after that, and repented.

He thinks about the future of the child he murdered, and claws at his chest. When he comes to, he was strangling the neck of a second child.

I really love the implication here that he wasn't cognizant of his attack on the second child.

When he comes to, he was strangling the neck of a second child.

As well as the report just saying he strangled the other kid. Yes this kid is still a victim but he was not murdered like the other girl. Milgram has been making it a note since the trial three commencement to not call anything outside of murder, murder. Something I really love with how ambiguity has been used over the course of the series to claim anything outside of murder can be murder if stretched far enough.

Not specifying murder with the attack of the second child like with the case of Shidou and Amane in contrast to Haruka and Mahiru's cases to me highlights that the second incident did not escalate to murder. Because if it did they would have added clarification which Milgram has been great at doing in other cases. So this is more than likely just assault and not even attempted murder because as the report states Haruka was not cognizant when he was doing this.

Outside of that- I'm about to say some shit that sounds like victim blaming but hear me out all the way it's not that I swear.

The first incident was also a byproduct of parental negligence. Certainly the report tries to blame the child for wandering off from her parents. Like ahn well she wandered off but like she was with another child and her parents brought her there to the event. I mean it is the responsibility of the parent(s) or guardian(s) to watch the child when at a crowded public event venue where one is not sure of the intentions of all parties present.

I'm sorry I feel bad for her parents and this truly was a traumatizing and life destroying event them losing their child. However, my father wouldn't let me as a child walk around a fireworks show alone or with friends without him like a little ways away. This was contributed to by gun issues in the US but at the same time, the size of crowds at those sort of events, and how easy it is to lose a child at big events or in crowds. Yeah no he was not letting go of my hand when I was seven to high school actually.

Hell Haruka's mom does that and we have documented proof of his parents negligence now.

However, I'm once again proposing that possibly the neighborhood Haruka grew up in/around was simply so gated and peaceful residents could not comprehend, imagine, or even anticipate anything like this happening within it.

Making this less willful negligence on the girls parents part and back on Haruka's parents.

Because they knew their child was just released for killing animals. Of course at this point Haruka was a grown man he was in his twenties. One could be excused for believing what he did was now beyond his parents control. However he was still to his own admission with no information claiming the contrary provided by Milgram in the report,

Q.07  Tell us your family structure.

Haruka: My father and my mother and me.

A dependent of and living with his parents. To take it further despite being an adult when taken to be questioned by the police- The authorities called his parents in. Even if Haruka was lying about still living with his family which I highly doubt. His parents were both called in, made aware of his behavior, and still continued to do nothing to intervene or seek help for him.

Furthermore, they neglected to warn anyone of the risk he posed to others in their community animal or person. Then the authorities released Haruka and instead of even attempting to better supervise him his parents to Milgram's admission continued on as though he did not exist,

Haruka tried to regain his parents' attention by causing problems and disturbances, but his parents' attention was never directed at him again.

This allowed him to just go out completely unsupervised by his parents or restrained by the law which led to a child's death. Now I'm not gonna blame the authorities they more than likely kept Haruka for as long as they could considering the severity of his crime. They even reprimanded him for his actions and informed his immediate family and guardians of his behavior. At best probably went,

"Sir and madam we are releasing your son back into your care after this horrendous incident please move forward with getting him proper help and treatment as not to repeat this."

The Sakurai parents in response to this information and possible reasonable request. No he can just wander outside alone still actually. He's a disappointment he'll never get it-

"Then what should have I done instead?! Tell me! Tell me so even I can understand!"/"I'm sorry!! I'm sorry!!! Making you waste your life on someone like me...!!"

Let's speak on his parents real quick.

Anyone else remember when the mom was just getting blamed for this and no one wanted to even take a crack at the internalized bigotry and ableism parents (and people in general) carry in them when it comes developmental delays and disorders.

It was just abuse and neglect not anyone going,

Let's discuss how parents in particular behave as though having any mental health difficulties or diagnoses is a death sentence. How they behave as personally ashamed that their child is experiencing these setbacks. As well as on some level have internalized that their children having these issues reflects poorly on them genetically and as parents.

How Haruka's parents felt this way so much about what Haruka having these delays and possible diagnoses would mean about them as parents/people and for Haruka and his future that they decided like a lot of parents do they were just not gonna think about it. No instead they were just going to pretend everything was fine, there was no problem, their son was fine and did not need any extra help or accommodations. He was just like every other child because he had to be because if he wasn't what did that mean about them.

If Haruka doesn't catch up that's a personal failing not something they could have prevented because he's fine, he just needs a little extra at home attention, he isn't having those sorts of serious problems. He's not a weakling he doesn't have weaknesses or delays when it comes to his growth and education. He's a good kid.

Love that they added this line to allude to the fact it was definitely his parents being like that,

His overprotective parents would not accept that their child had developmental delays, and did not provide him with an educational environment suited to his needs.

Like I love that they note they were overprotective at first here.

That the series even implies that it was Haruka's parents' overprotectiveness and possibly fear of having their kid labeled as one of those kids that led to them not getting him accommodations that would have allowed for him to thrive. Because that is usually what causes that. Many people who are ruining their kids futures due to deeply rooted and unchecked ableism think they're helping them. They do not get up and think I'm about to ruin my kids life for no reason.

They get up and they think what many people think,

"Oh no if it's that then my kid will get bullied, my kid won't be able to get a job, my kid will have to carry this stigmatizing label on them for the rest of their lives. I'm not going to do that to my kid. Because I know how people who are different get treated. We can just figure it out in the home. If I put in a little more work the problem should fix itself. They're just a little behind it's not that big of an issue. They just move at their own pace we can work through it at home."

People who think this way truly believe that they are making their child's life easier by having them be in the same classes as everyone else their age, that their making sure that their kids don't stand out negatively for being different, or actively being shown getting treated different.

Leading to the kid seeing that they can't keep up with their peers, falling behind, and internalizing that they were just born wrong. All the while the parents who know there's a problem but don't want to put a name to that or admit that become more and more frustrated going,

"If you just apply yourself then you can get this. I know that you're smarter than this. Are you really trying. You can do x just fine so why can't you do y? Are you just being lazy? Or do you just act like you don't know to get this extra attention from me. We've been over this a million times. It's not that difficult."

Then they just go cold they just distance themselves entirely. Because they begin to associate the child being bad at school as another form of attention seeking behavior and believe that if they stop coddling them like they have been up until that point they'll figure it out. Because the world isn't going to be easy on them so better to be tough now.

Also this all definitely puts a new spin on that trial one question and answer.

Q.14   What’s an event that’s stuck in your memory?

Haruka: Fireworks

Haruka cried, night after night after that, and repented. He thinks about the future of the child he murdered, and claws at his chest.

"I was wrong. Yes, it was me."

This also explains why Weakness was like that. He wasn't saying yes it was me to get more attention he was admitting that the reason this girl was missing or found dead was because of him. Something that only makes sense now given the tidbit about him hiding the body. He was literally confessing.

Haruka weeps, as he clumsily hides the body,

Just all around really good stuff in this report. That wraps everything up so well.

If you don't mind my asking, what is your outlining process like? Is it a bulleted list of scenes, or paragraphs describing what you want to happen? How thorough is it, and how much do you just figure out as you go? I'm about to attempt to write a truly longform fanfic for the first time, and I've been a fan of yours long enough that I feel you probably have some sage wisdom on the matter.

You know what, I get this question with some regularity, so instead of trying to remember how I explained it last time, I'll just drop one of my outlines so I can link this the next time someone asks. Here's my full outline for chapters 33/34/35. Copy/pasted from my plotting sessions in discord with my writing buddies.

This is in two parts. The first part is my actual outline, which I ALWAYS had open while actually writing the chapters—I recommend open my outline and the finish chapters side-by-side so you can see just how closely the chapter follows the outline. My outline is VERY LONG and VERY DETAILED, down to exactly what happens in the conversations; this is because I've found that, for me, "write out THE ENTIRE chapter WITH all actions & dialogue (but writing it super badly)" + "writing the chapter well (but not needing to think about actions & dialogue AT ALL") is much, much faster than "do a simple outline (but figure out the action, dialogue, and how to write it well all at once)".

And the second part is a bunch of snippets from other plotting sessions where I was figuring out how to fit the tooth fairy arc into the whole fic, so you can see how I work on overarching plot lines.

Anywhere there's a "####" divider is a separation between different plotting sessions on different days. Anywhere text is in "[brackets]" it's either a paraphrase of something one of my writing buddies said (I don't post direct quotes publicly) or some kind of note to myself.

####

[This part is my actual outline I used to write the chapters]

So! Stan's having breakfast. Bill comes into the kitchen, plops down, "gooood morning—" "go away."

"Haha funny. Anyway! I need you to take me to your dentist." "No. I took you to the mall, you almost made my niece cry, my brother left a Shopliftaholics Anonymous flier on my bed, and all I got out of is was a crummy ring. You wanna go anywhere, talk to Soos."

Nope, it's gotta be Stan. (he doesn't wanna hang out with that loser Soos anyway.) Bill's trying to get fillings, and Stan's dentist does them for free.

Which is true, but it's weird that Bill knows that. Stan's dentist is some weirdo operating out of a back alley, with a weird pay structure. He charges normal dentist rates for regular dental maintenance, but he does gold fillings for free, and he'll pay YOU if he needs to pull your teeth. He's great! Stan hasn't had to pay for dental care in thirty years! Stan also wears dentures now, but hey, at least they were free.

So, since it's Stan's dentist, he's the only one who can take Bill. Stan sees where Bill's coming from; but he says no, because he doesn't wanna.

Okay, bill's gonna try another tact.

Stan, Bill is a simple creature. A simple creature who's used to being coated tip to base in a thin layer of pure, lustrous, 24 karat gold. Having skin makes his skin crawl. He doesn't *need* any dental work done, his teeth are fine, but he'd really, *really* like to have just a *bit* of gold, *somewhere* on his body, so he feels a *little* more like himself in his final days. (you're losing my sympathy by the second, cipher.) ... And then once he's dead, he supposes he'll be leaving behind a corpse with a mouthful of free gold that whoever's disposing of his remains can do whatever they want with, do you catch his meaning Stanley?

That's absolutely *disgusting.* ... But okay, he's bribed! ...... They're not telling Ford about this, right? Right. They're shaking on it. Agreed. They'll take this to their graves. ... Or to Bill's grave, anyway.

Hey, it's free gold that Bill is offering him totally voluntarily. After all the trouble this demon's brought into their lives, the LEAST Stan can get in return is a little financial compensation.

Great! Deal made! Time to go get the cursed friendship bracelets and then they can head out—

Ohhh no, Stan isn't trusting a bit of colored lace and some mystical hocus-pocus to keep Bill contained. They're doing this PROPERLY. He's gonna MAKE SURE Bill can't escape. They're going to Soos and getting the REAL, METAL handcuffs from him. Try to get out of THAT! Now... to the car!

... Bill's right wrist is cuffed to Stan's left wrist. This puts Bill on Stan's left side. How are they gonna get Stan in the driver's seat.

... Does Stan want Bill to drive— NO, no, NOPE, he is NOT letting Bill drive, under ANY circumstances, NOT a chance. Okay fine so how are they doing this.

Cue Stan driving with Bill cuddled up against his right side and Bill's right arm stretched across Stan's chest. It's very intimate. Very romantic. You can practically hear Unchained Melody playing in the background They are both so very very uncomfortable.

[imagine a gif from Ghost]

Exactly like that but imagine them grimacing in disgust the whole time

Definitely one of the worst experiences Stan has ever had handcuffed in a car.

So after a VERY unpleasant drive they park, get out—and immediately cross paths with Sheriff Blubs and Deputy Durland. Stan's like ah great, last thing they need, police nearby while they're doing something weird. Well, if they don't make eye contact and go about their way—

Bill waves like HI DARRYL, HI EDWIN, HOW'S IT GOING? WORKING HARD OR HARDLY WORKING HAHA and they're like OH HEY GOLDIE HOW'VE YOU BEEN, DID YOU HAVE A NICE SUMMERWEEN and Stan is like "*Bill what do you think you're doing getting their attention, do you want them asking questions*" and Bill goes "🙂 I did not think this through 🙂"

Which is of course when they go "hey why are you handcuffed to Mr. Pines? You need some help there? I bet we've got a key that matches that handcuff model" and oh Stan BETS that Bill would LOVE to accept that offer and go traipsing off into town with the cops, so he goes "NOPE, that's fine, thank you officers, but we're keeping the handcuffs on. ... Because. They're necessary. ... For me. ... Because I'm old. ... It's to keep me from wandering into traffic."

Bill's a quick liar, he goes haha yep that's true!! This guy's cataracts are so bad, sometimes he asks us if he's dying because all he can see is a white light at the end of a dark tunnel. And the way his mind's going, woof—" "(all right you don't have to lay it on so thick)" "—he's so addled it's like he's completely forgotten the last century of transportation advancements, he'll just walk right off the curb and expect the horse-drawn carriages to stop for him—" "Hahaaa, but we won't bore you with my medical history! *C'mon,* Goldie, you're gonna make me *late* to my *heart doctor appointment.* You don't want my life on your hands, do you." "(You know, I think I kind of do.)"

The cops are like, you can't see? didn't we just see you get out of the driver's seat of your car? and they're like ......... Goldie's giving him directions. 😃

Oh! That makes sense. Okay. They'll let them get to their doctor's appointment. They wander off like y'know i think Goldie's a step up from that seeing-eye bear

They look at each other like, all right, good improv, you're not bad. They can respect each other for that. Stan thinks Bill wouldn't be bad to run a con with if he were literally anybody other than who he is. Okay, on to the dentist.

So the dentist's office is a little garden shed around back behind some other totally unrelated business. Whatever business I can think of that would be funniest. It's a ramshackle nightmare. The dentist, also, is a ramshackle nightmare.

[candy store]

He's surprised to see Stan there, on account of the fact that Stan has no teeth. Because the dentist pulled them all. ... he's not mad is he

No, no, the dentures are great! They're lower maintenance! Sort of. In a way. Anyway, he's here to refer a new customer! ... does he get any kind of referral bonus or

Yeah have a uhhh gold coin or something, here. Okay! New customer! What can he do you for?

Fillings! Okay, on which teeth? Whichever he thinks would look best with some! Dealer's choice! Bill's leaving it in his hands! All that matters is that currently Bill's teeth do *not* have any gold in them, and he'd like that to change by the time he leaves.

The dentist gives Stan a look like "is this freak serious" and Stan sorta shrug nods like "yeah he's serious" and the dentist is like okay!!! Super! This'll be fun! Let's see what he has to work with.

The dentist is amazed at Bill's teeth. Wow. So clean. Perfectly white. Did you just get these cleaned, where'd you get it done at? No? Well, looks amazing. And no wear at all, remarkable... Do you mind if he takes a few pictures? Have you ever considered having any of these pulled?

Stan's like yeesh, he forgot how creepy this guy is. He's like a serial killer crossed with a nerd with a tooth fetish.

Well, the dentist is sorry to say that all of these are pristine. Not a hint of cavities—not even plaque. It'd be a shame to drill them. You *sure* you don't want one pulled...?

Stan is 😬 but Bill is handling this like it's a totally normal question for him to be getting. Y'know what, just the fillings today—but who knows, maybe he'll feel naughty and be back in a couple of weeks haha. Just pick a couple of your least favorite teeth to drill into!

Okay, suit yourself. Let's gas you up and get drilling.

This is the first time Stan's had an opportunity to watch the dentist at work. Which is how he learns for the first time that he saves all the little tooth dust & shards off his drill in a tiny Petri dish. Yeesh. He's an even bigger creep than Stan thought.

Bill doesn't handle the gas well. It's not that it makes him sick or anything. He just forgets how to human. The dentist tells him to hold his mouth open and he holds his eyes open until they water. He keeps forgetting his mouth is occupied and talking to the dentist while he trying to drill. When he's let go, he heaves himself off the chair and immediately falls on the ground because he expected to float. Stan has to support him to the door and he keeps trying to walk sideways. Bill doesn't mind, he feels great! Waves at the dentist as they leave. Thanks for the gold, Atlantis is rising as we speak, you have seven years to prepare for the plague, tell the little lady he said hi! Byyye! Stan is desperately trying to drag him out the door, he turns to Stan like "I made up the bit about Atlantis" "okay now shut up and stop saying weird things"

But not the plague part

The fic *does* take place in 2013

They're driving home. Smushed together all intimate-like. You can almost hear Careless Whisper playing. Except this time Bill is loudly and terribly singing along. He keeps trying to take the steering wheel and turn it like a kid playing in a toy car and Stan has to keep swatting his hand away. Bill's like "I can't feel my tongue at all! I bet I can chew it off!" "Don't do that." "The last time my mouth was this numb, my girlfriend had just gotten done with me, haha. I was almost blind for the next hour from all the spores—" "I swear if you don't shut up—" "I just realized I haven't gotten any action since I died. Wow. This isn't a weird time to bring that up, is it?" "Bill if you say ONE MORE weird thing you're riding home on the roof of the car."

Bill is quiet for three seconds. "Your arm's really beefy! What's your favorite flavor of cancer?"

Mabel: "why are you on top of the car?"

Bill, eyes wide, hair disheveled, one arm hanging through the driver's door, sprawled out desperately clinging to the roof like his life depends on it: "I don't know, it's all a blur." (Note to self, mention Mabel and dipper are heading out for a sleepover or something)

Well, *that* was fun! 🙂 Bill thinks it was fun, anyway. Stan doesn't agree. Anyway, where's Soos? They need the key to the handcuffs.

Soos is having dinner with Melody's family this evening. They call him to ask where the key is. Haha, sorry dudes! He totally forgot he still had it. Yeah, it's on his keyring. Is that, like, gonna be a problem, or...

Well—pff—when are you gonna be back?? Uhhh he's not sure, kinda late maybe. Well, can he duck out and bring them the key? Uhhhh he WOULD but, he's REALLY worried about impressing Melody's parents, and the casserole's about to come out, and he thinks they might judge him if he leaves, and it would probably ruin dinner... Okay FINE, then what if they drive over to get the key? ("STAN CAN I DRIVE THIS TIME—" "ABSOLUTELY NOT") Oh sure, they can drive over if they want—anyway Melody's parents' place is in Portland.

Which is waaaay outside the barrier around Gravity Falls

Welp. That ain't happening. Looks like they're stuck.

... They could call Blubs and Durland—?

NOPE Stan is NOT calling the cops for help NUH UH, he'll WAIT ALL NIGHT if he has to. ... so. What do they do until then.

Cue them grumpily watching a game show together. Bill refuses to sit in the living room with Stan so Stan's on the couch and Bill's sitting in the entryway on the stairs and their handcuffs are strung through the doorway. Hey Stan, still glad you went with the handcuffs instead of the friendship bracelets? Shut up.

Bill's shouting out the answers to every question on the show almost sooner than they're displayed and eventually Stan is like, man, we'd clean up if we put you on this show. No one would ever figure out how you're cheating. And Bill's like HA, listen to you!! If you were Ford you'd be mad that I'm giving away all the answers before you can guess!! That's the great thing about you, Stan, you don't get irritated at Bill for stupid little reasons, you're more fun. HEY FORD DID YOU HEAR THAT, STAN'S THE FUN TWIN— And Stan's like shut up you idiot ford's in the basement he can't hear you. And what are you talking about, you irritate me all the time. I'm constantly infuriated by you. And Bill's like, oh, well, i guess i just don't care when you're irritated then lmao.

Stan's like what's with you anyway, why are you so obsessed with Stan's brother. And bill says SDFHFJF?? DSFKLGLJ??? FLKJFHGD???? EXCUSE M. EXCUSE ME?? OBSESSED??? MOI???? I DON'T KNOW WHAT YOU'RE TALKING ABOUT

Is it OBSESSION to SOMETIMES PAY ATTENTION to the one person in the house he HAPPENS to know best and to whom he HAPPENS to be a teacher and muse and friend— and Stan's like oh that's a load of bull, you're not ANY of those things to him. Friend?? Friend???? HE WANTS YOU DEAD and Bill's like WELL IF THAT'S *SO* then doesn't it also make plenty of sense to keep an eye on, you know, THE GUY THAT *KILLED* HIM, like there's nothing mysterious about why he'd focus a *little* on that person—

THAT'S IT, THAT'S JUST IT!!!! There are TWO people who killed Bill, remember? That was a two-man con he fell for! But he keeps treating Ford like he was the only one there! If Ford's in the room, he's the only person Bill talks to, and if he ISN'T in the room then Bill's yelling across the house for him, and Ford wants less to do with him than anyone else, what the heck, it's creepy—

Only *one* person killed Bill. Stan's not the man who killed him; he's just the place where Bill was killed.

And that baffles Stan into shutting up a second.

Bill's like, do you even remember what happened in your brain?? and Stan's like :/ so Bill's like LMAO!! We were both trapped in there when Ford fired the gun. Completely powerless. Stan was weeping and begging for a way out even, but there was nothing Bill could do by then— and Stan's like all right I KNOW that THAT didn't happen! so Bill's like fine fine okay all right you got me, we actually had this big psychic laser fight, imagining up all sorts of fantastical weapons. And Stan's like, ehhhh, all right, that sounds more like me. And bill says but it was all IMAGINARY, it was a vast illusion, at that point there was nothing I could do to you and nothing you could do to me. We were just two victims locked inside a burning house as it came down around us. YOU didn't kill me, you didn't have the POWER to kill me. And Stan just, gives him this discontented look. Hm.

Oh, oh wow, okay, Bill sees what's going on. Stan's jealous, isn't he. He thought offering up his body to be the scene of a murder finally made him a co-star instead of a sidekick. All their lives, Ford got more attention from daddy, more attention from the teachers, more attention from the WHOLE WORLD—and Stan finally thought he'd at least get a little attention from the big bad living nightmare. Just because he let his brother shoot him in the head. You weren't special enough for anyone else, why do you think you're special enough for Bill?

Oh yeah?? Well he bets he's special enough to break Bill's face— jerks him by the chain into the living room, fist raised; and Bill immediately pulls back as far as he can and tries to shield his face.

As a helpful reminder, Bill's death actually went like this: https://www.youtube.com/watch?v=0D3adyJQDqI so 1) he is VERY much lying to Stan, and 2) getting punched in the eye by Stan in the living room is still echoing in his nightmares.

So there's a split second where Bill is absolutely blind with terror, gets out a strangled "NO—!" and then they both freeze and stare at each other. Stan knows what just happened. And Bill knows Stan knows. And Stan knows Bill knows Stan knows.

Bill immediately plays it off, "come on, I just got all this dental work done, at least give me a couple days to enjoy it before you pound it in. Don't get me wrong, I wouldn't mine having a flatter face, all these bones and cartilage jutting out never did feel right—"

Stan feigns a punch. Bill flinches. Stan laughs at him.

And what's Bill gonna do? Fight him? He is not trained in 3D brawling. He tries, very hard, to explode Stan with his brain. This usually works on people who are annoying him. But alas. "If I had one billion-billionth of my power back I'd have already destroyed you—!" "But you DON'T, sucker!!" Bill screams in frustration and stomps off to go sulk somewhere

Aaand is immediately jerked back because of the handcuffs. Whoops.

"... Whatever I don't even care about your stupid aggressive mammal posturing. It's fine. It doesn't bother me. I'm calm. You're just making yourself look stupid. ... I wanna go to bed."

####

So!! Attempting plotting. When we left off, Bill wanted to go to bed. Which is a problem since he's still handcuffed to Stan

Cue Ford going "Bill. Why are you sleeping on the floor in front of my bedroom door."

Well you see, STAN got them handcuffed together until morning, and Bill tried to be accommodating, but Stan doesn't want to sleep in the attic and won't let Bill sleep in the guest room— (Stan yelling "and Mr. Accommodating here refuses to sleep in the living room") —so the best compromise they've got is sleeping on the floor with the handcuff chain strung under the guest room door, see. Does Ford want in? It'll take a little coordination to get the door open but they've done this once before—

Ford's not messing with this. He's sleeping in the basement. Good night.

At some point in this I've gotta establish that Mabel and Dipper are out of the house for the night. Maybe they're just leaving as Stan and Bill get home. Anyway the point is Bill and Stan are effectively at home alone for the night. Maybe Soos's grandma is still there, she's a little old lady, she wouldn't be much help in a fight

So. Somehow I've gotta get them from being asleep to getting woken up by the dentist being in the house, with the tooth fairy. There's some transitional material I'm missing that I've gotta fill in later.

Maybe Bill wakes up with the dentist's tools already in his mouth, ready to pull. Waking up at 2 am to invasive dental surgery. Bill's like, hello, very forward of you.

[horrified face]

That WOULD be a more appropriate reaction, if Bill weren't so weird.

Bangs on the door to wake up Stan, WE HAVE VISITORS, WAKE UP

Dentist realizes that Bill is stuck in place with the chain, pins him against the wall, and tries to go for his teeth. STAN SURE IS TAKING HIS TIME— Stan gets the door open just in time, Bill tumbles into the guest room, Stan goes wtf why is the dentist here?

The dentist goes uhhhh he just wanted to check on Bill's fillings, yeah, he thought one of them might be a little loose— Bill's like cut the crap, your boss put you up to this, what the heck does the little lady want with his mouth?

Stan's like what? What "little lady," this guy is self employed, what are you talking about— and Bill goes the TOOTH FAIRY, genius, why did you think your dentist pays YOU to pull your teeth! Who'd you think was funding him?! And, well, Stan can't say he ever put much thought into it. He just sort of took this whole thing at face value. But like the tooth fairy is fake right, like that's just stupid—

Which is when a fairy wearing baby teeth jewelry pops her head out of the dentist's bag. Stan's like oh well never mind, just one more crazy thing happening in this town. And Bill's like oh shit she's actually HERE, the situation just escalated significantly.

I've decided the tooth fairy's name is Pearl E. White.

Bill skips straight to addressing her by first name, which disconcerts everybody, not least of which is the tooth fairy herself. Lady, if you were toeing the line of your treaty any harder, you'd be tripping across it. What are you doing here and what do you want?

She's WELL within the bounds of the treaty, she hasn't laid a hand on Bill and she's not about to start, and she's been offering MORE than adequate financial compensation— Bill's like oh yeah I bet the queen would have something to say about you ordering your helper to rip out someone's teeth in the dead of night— and Stan's like hi, question, what the Fuck are you all talking about

Oh Bill can explain, Bill knows lots of things! So this fairy here has a *thing* for teeth. To the extent that she got into a habit of stealing them straight out of humans' mouths! And went so crazy over it that she actually dragged a fairy court into a war with humans over her teeth-stealing habits! Currently, she's only allowed to accept *already freed* teeth that are *voluntarily* offered to her by the owner, which is why she started bribing kids with money.

She starts getting into a gray area working with hired dentists—once a tooth has been handed over to a dentist, that dentist becomes its "owner," and can give that tooth to the tooth fairy—buuut the fact that he *extracted* the tooth puts it on shaky legal ground. Really, Bill thinks the only reason she's been getting away with THAT racket so long is because nobody's raised a legal challenge to it yet. Probably because most humans don't know it's even happening. And with the price of dental work being what it is, yeesh. But—by *any* reading of the treaty, hiring a human to nonconsensually rip out teeth on her behalf is beyond the pale. So she'd better have a good explanation for this!

Yeah, she does have a good explanation for this. SHE WANTS BILL'S TEETH! She'd do ANYTHING for one of his teeth! They're the most amazing teeth she's ever seen!!!

The dentist is like, holding her back from lunging at Bill's face

Okay, great! Fantastic! Bill's not above a little bargaining and he's not too attached to this body—so how much gold you got on you, kid?

Oh no, she's not bargaining. Bill already knows too much, she's NOT about to get blackmailed by a human, and she's not going back to fairy jail. So here's what she's gonna do: she's gonna have her guy rip out every one of Bill's teeth, and then rip his head apart to destroy the witness, and the only negotiating Bill gets to do is on whether or not her guy uses the local anesthetic. What's it gonna be?

Stan cuts in like hi, hey, listen, he'd love to see Bill's head get ripped apart, but—crazy thing—it turns out there's 50/50 odds that killing him will lead to the end of the world, so maybe let's talk this out—

Tooth fairy points at Stan like he's got nothing left of interest to me. He's a witness. Kill him too.

Right, cool cool cool, hey Stan you know that spell Ford's got on Bill? Well if Bill casts it on the dentist, can Stan handle things from there?

Yeah, Stan sees where Bill is going with this. The dentist & fairy don't expect Bill and Stan to lunge for them; Bill casts the can't-use-doors spell on the dentist, Stan drags Bill with him into the hallway, Stan slams shut the door, and now the fairy's bellowing OPEN THE DOOR YOU IDIOT and the dentist is yelling HOW????

They retreat to the entryway. From there they can go out the front door, into the kitchen, into the living room, or upstairs. I need to keep them from just going out the front door, I'll need to think up an excuse for that later. Something magic maybe idk. I also need to keep them out of the kitchen, but that's a likely dead end unless they feel like climbing over the kitchen table to break a window. Basically, I need them to be limited to the living room or upstairs.

The living room is the better option—it has a door to the gift shop, and the gift shop has a door straight outside, as well as doors to the mystery shack museum & the hidden elevator to the basement, lots of great options in there. But Bill drags them upstairs instead. Bill you idiot what are you doing, this is obviously the worse direction??

Shut up we're going this way and Bill doesn't care what Stan thinks about it.

Why are we going this way?? How the heck do you expect to get out of here from up in the attic?! Bill doesn't know, it just seemed like a better idea! There should be a ladder in the storage over the kids' room, maybe they can take that and get down out a window, come on

Meanwhile the fairy is hollering about how YOU DON'T DESERVE THOSE TEETH, THEY'RE TOO GOOD FOR YOU! They're the most beautiful, pristine, unblemished, perfect teeth she's ever seen in her life. (Bill's like "are they really that great?" and Stan's like "eh, a little asymmetrical, honestly.") She's NEVER seen adult teeth so pure and HE'S RUINING THEM by carving out chunks of PERFECT TOOTH to put in unnecessary fillings! He doesn't have the right to those teeth, she deserves them! ("Hey Bill so you knew my dentist was working for the tooth fairy?" "Yes." "And you knew she goes crazy for nice teeth." "Yes." "And it didn't occur to you that she'd be outraged by you carving up your new teeth." "It's in the past, Stanley, focus on the present.")

—and she doesn't even KNOW how he got MAGIC TEETH! Fully adult teeth in a fully adult mouth but SOMEHOW they're barely a month old! It's unbelievable! She couldn't believe it herself until she saw his mouth with her own two eyes! She MUST have those teeth, as soon as possible, so she can preserve them like this, who knows if she'll ever find such a novelty again— Ahhh, so THAT'S what's motivating her. Welp, nope, sorry, Bill didn't see that one coming at all.

... hey, she's been buzzing around shouting at them but they don't hear her trying to help her dentist OR coming after them directly, what's she up to? Stan leans out the door to look into the main attic.

Huh, weird. She's just flying in a circle with what looks like a container of veggies from the fridge?? He thinks it's the sliced portobello mushrooms

WHAT!! OH THAT LITTLE CHEATER IS MAKING A FAIRY RING, THAT'S NOT FAIR—

Aaand poof, the dentist appears in the ring. The fairy must have already made the matching ring downstairs.

The dentist still needs a dumb name

[Drilliam]

Dr. Illiam. It was william but the W fell off his sign

[any relation to dr acula]

Went to dental school together. Dr. Acula kept mislabeling teeth, he always thinks the canines should be longer

He switched career tracks and became a phlebotomist

and speaking of drills — Fairy yells GET THEM, the dentist reaches into his dental tool bag, and pulls out a drill. Not a dental drill. A drill.

They slam the door. The dentist goes AW, F— AGAIN??? The tooth fairy's like JUST BREAK THROUGH IT, YOU HAVE POWER TOOLS

Bill has an idea. Stan, open the window, Bill's tying bedsheets (from Dipper's bed) together. Bill doesn't expect them to climb out that window, does he? No, he expects the *fairy* to think they went out that way, and they can hide in the closet until the fairy and dentist are past them so they can run downstairs.

Stan doesn't like the idea of hiding like cowards instead of fighting. Bill's like I can see a dozen futures that end with our brains splattered across Mabel's dolls you do NOT want to fight against power tools now COME ON

So they hide in the closet. It's uncomfortable in here. They're trying to stay quiet and listening to the dentist mauling his way through the door. Okay smart guy now what? What'll they do when they get downstairs?

Whispering at each other, "Why that way? Why not the living room, it's a lot faster to get out through the gift shop." "... Yeah. Fine—" "What's the matter, Bill, you got a problem with the living room?" "What? No, I SAID fine. It's fine." "It took you a long time." "I was trying to figure out if that was the fastest way out—" "Oh, really??? You sure you aren't SCARED to go in there with me? You think I haven't noticed how you bolt out of the living room any time I come in? Or how you flinch every time I raise my hand?" "... I don't know what you're talking about." "Do you REALLY think I don't remember how you died." "..." "As if I could forget the best moment of my life. Watching you on your knees, begging for mercy, while I put my fist through your face like a cheap mirror—" "YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT!" "ADMIT IT! ADMIT THAT I KILLED YOU TOO! I PLAYED JUST AS MUCH A PART IN IT AS HE DID!" "YOU DID *NOT* KILL ME, YOU *COULDN'T* HAVE KILLED ME, I'M NOT *CAPABLE* OF BEING KILLED BY SOMEONE LIKE YOU!" "*THEN WHY ARE YOU AFRAID OF ME!*" "*I'M NOT AFRAID—*"

Unsurprisingly, the dentist puts a drill through the closet door.

####

For now though: Drilliam is drilling. Bill and Stan are screaming. Bill's shouting IS THIS WORTH IT?? WAS GETTING YOUR DENTAL SCHOOL LOANS PAID OFF WORTH THIS?? DO YOU WANNA BE A MURDERER MAN and he's sobbing I CAN'T STOP NOW, I'M IN TOO DEEP this man is having the worst night, like sure he's obeying the tooth fairy but it's clear she's the bloodthirsty one here

Okay count of three Stan and Bill are kicking the door open. Bill falls flat on his ass and has to scramble back up but they manage to wedge the dentist behind the door in a corner with his drill stuck in the door. Waving at their faces, menacingly. Stupid cordless magic-powered drill. The fairy's buzzing in their faces making them swat at her, the dentist starts to wiggle out, they give the door one last hard shove to knock him off balance and then run for the stairs.

And, of course, they continue the most important discussion as they go. "WHY DOES IT MATTER to you so much whether Ford killed you or Ford *and me* killed you? Why is it SO hard to admit that I threw a punch that took you down?!" "You DIDN'T kill me, you CAN'T have killed me because YOU DON'T MATTER. YOU AREN'T IMPORTANT." "Dsklfslkjf NOT IMPORTANT ENOUGH TO *KILL* YOU?! HOW DOES THAT EVEN MAKE SENSE?!"

And Bill senses he's found a weakness he can needle. "It's true! I've looked into countless universes and you just don't matter! No matter where you go or what you do, you just AREN'T IMPORTANT! If *anything*, all you ever do is make things *worse.* You know, I first tried to work with Ford in a universe where *you don't exist*? And I couldn't do it! He wouldn't give me a chance! Because YOU weren't there to ruin his life and make him desperate enough to turn to an alien, and YOU hadn't spent your whole childhood *training* him to put up with a manipulative con artist's lies—so he'd be *ready* when he met me. Isn't that funny, Stanley?"

Bill's dragged them to a stop now so he can rip into Stan: "You were stillborn in that universe. Your brother had to grow up without a twin watching over him—so he actually learned how to make friends. Your mother was DEVASTATED that she'd lost you—but you know what's funny? I think your family loved that dead baby you more than they EVER liked the disappointment you turned out to be—"

And That's When Stan Punches Bill As Hard As He Can

Bill goes DOWN. There is blood everywhere. Oh shit Stan didn't mean to do that much damage are you okay?

And THAT'S when Stan realizes that they're in the living room. Right where Bill died. Bill goaded him into it

And Bill holds up a tooth, like, thanks for the tooth fairy bait. (Staring Stan dead in the eye with this look like, SCARED OF YOU, AM I?? WHO'S SCARED NOW)

And Stan... Stan is really big on macho, "face your fears," "stand up for yourself," "fight back" displays of masculinity. Stan's figured out Bill isn't much of a physical fighter. He might never be able to throw a punch. He's got tiny little baby hands. But—but—if his response to "I think you're scared" is plunging himself directly into the situation he's scared of, making it as terrifying as possible, and taking it without flinching... Stan, grudgingly, has to respect that. He doesn't WANT to respect that. But it's the kind of thing he respects. [when it comes to fighting, he might be able to dish it; but he can take it]

So now he kinda sorta grudgingly respects Bill. ... But also kind of feels bad for Bill? for reasons he can't quite specify. (Because it's the kind of desperate-to-prove-himself stunt that a younger Stan would have pulled, when he was scared and alone and homeless and trying to earn his fortune and a macho mask was the ONLY thing he had going for him. And he's never seen Bill like that before—all he ever saw was Mr. Big Shot Triangle who always had everything under control up until he was tricked into dying. It's never occurred to him that Bill is scrambling too. That Bill might also be lost.)

(It doesn't escape Stan that, in Bill's efforts to get under Stan's skin, Bill slipped up and called *himself* a manipulative con artist.)

But no time to wax poetic, Stan's not an introspective guy. Tooth fairy bait! A whole entire tooth! What are they gonna do with it?

I still need to figure out this part. They've gotta set a trap to catch a fairy, they've gotta separate her from the dentist, and they've got to do it extremely fast, because being stuck behind a door in the attic isn't gonna hold the dentist for THAT long

What kinda stuff traps fairies. My initial thought was "salt rings" but no i think that's demons. Not sure that works on fairies too

[iron. Not a clothes iron]

idk, chucking an iron at a fairy's head...

Like that post that's like "i know traditionally it takes a wooden stake to the heart to kill a vampire, but i think we oughta give hitting them with a pickup a shot"

It'll probably be something in the gift shop, since they're getting corralled that way. Stan hears them coming and shoves Bill through the door and follows after him. This is a very baffling experience for Bill, as the door was previously closed, and Stan didn't open it, and yet Bill is going through it, and he does not understand enough about doors to make sense of this. (It's a swinging door, it doesn't lock or latch.) The dentist is coming at the door ready to drill it (he doesn't understand swinging doors either) and obviously if he tried to hit the door it'd just swing open which would be bad news for them so Stan is like HOLD IT, that door is LOAD BEARING, if you start hacking holes in it the WHOLE SHACK COULD COME DOWN ON US! And the dentist pauses like. Now that doesn't sound right, but i don't know enough about doors to dispute it.

A load bearing door. ... that swings.

The fairy's like WHAT ARE YOU STOPPING FOR YOU IDIOT, HE'S LYING, DOORS DON'T WORK LIKE THAT— and Bill's like HEY CHECK THIS OUT. Waving his tooth around. YOU WANT THIS???

She's so outraged, YOU KNOCKED IT OUT, what if you CHIPPED IT, she's zooming for it

And Bill chucks it in... something. Undecided. Maybe I'll decide what it is later and then cleverly find a way to foreshadow it earlier in the chapter. Anyway it's totally an effective fairy trap, possibly made out of iron.

BAM, now she's TRAPPED. The dentist is dropped down on the ground to peer through the gap under the door (there's like a three inch gap at the bottom of the door) and goes NO and pounds the door. It swings a few inches open. He stares in bafflement. It swings back and hits him in the forehead. At least Bill's no longer alone in his suffering re: the mystery of doors.

Right! Looks like they've got a proper hostage situation here, don't they! If Drilliam would please drop the power tools and back away from the door. Very good. Stan picks up his bag, holds the dentist at drill point, and tells him to get walking, he'll escort him outside. Stan doesn't trust Bill with power tools, so he can stand guard over the fairy.

... which means Bill is alone with the fairy.

*So*. Bill believes they were negotiating? 🙂

She's not negotiating ANYTHING with him. Look at what he did to this poor tooth. She's hugging it.

SHE'S obeyed the letter of her treaty, even if not the spirit, and when the fairy court hears tell of this they'll back her up and come free her, and oh, THEN Bill and Stan will be in trouble—

WAIT I JUST REALIZED. HOW CAN STAN LEAVE IF HE"S HANDCUFFED TO BILL.......................

See this is wh. This is why i outline. This is. The reason i do it. Invaluable process.

Maybe the handcuff broke when Stan punched Bill. Turned out it was a cheapo flimsy chain. Maybe they're still handcuffed together and I'm just gonna have to dial back how much Bill can say to the fairy because he knows Stan is listening.

I feel like separating Stan & Bill's cuffs would be a cop out, unless I can make it a really good moment

You know what, if bill had an opportunity to talk to the fairy alone, he would've tried to rope her into getting him some help that i do NOT know how to pay off. I was gonna have him promise a tooth off of his stone corpse in return for Assistance (As Yet Undecided), but i feel like giving Bill an in with some nebulous organization of fairies might be giving him too much power too soon?? Like, "what COULD he do with a huge favor from a fairy" versus "what do I want him to currently be ABLE to do" + "what do I want people to THINK he can do," a fairy favor might be too much??

I'll try rolling with them still being chained together, see how i like that. Okay so ignore what i just said, Bill is going WITH Stan to kick out the dentist—they just shove him out the gift shop door and he stands out there making sad puppy eyes at them—and then go back to negotiate with the fairy.

And her buddies are gonna be mad when they come to get her!

Bill's like, but that's assuming they come for her, which they might just not, once they hear where she is. IF they hear where she is. She DOES know where she is, right? (Sure she does, this is the Mystery Shack.) And she does know who owns it, right? (Sure she does, he's right there—) Who REALLY owns it? (...) Are you *sure* they'll come for you here?

It doesn't matter who owns this place, HE'S been gone for decades— Oh, has he? You sure about that? You didn't think it strange that an odd person with magical teeth and weird eyes—a real bonafide freak—happens to be in this shack, getting escorted around by handcuffs? That didn't make you ask any questions?

Stan puts a threatening hand on Bill's shoulder like *hey, easy how much you spill*—most people don't notice Bill doesn't look quite human until he points it out—and seeing *that* gesture terrifies the fairy more than anything else Bill said, like oh shit, he's not bluffing, she's been hunting somebody else's prisoner.

So how about this. If *she* promises to leave and never harass them again, *they* promise not to wake up the jailer and ask how he wants to deal with her. Because Bill just wants to be left alone, and he assumes Stan just wants to go back to bed—but *him,* oh, he wouldn't hesitate to pin her wings to a board. Sound fair?

Yes, yes, it's fair, she'll leave them alone! Just let her go!

Great. 🙂 Oh, and one more thing. His payment for that tooth?

She gives Bill a gold tooth. 😠 And they let her go. She's a fairy, her word's as good as law. If she promised not to bother them again then she won't. Can't lie.

... so. What was all that about the true owner of the shack?

Oh haha yeah! Fordsy's got a bit of a reputation around the town's paranormal community. He actually wasn't much more personable with the freaks he was studying than he was with the other humans in town—he had a tendency to catch, study, release. One or two times he *didn't* release. Rumors grow with time. And well, if it's useful to pretend to be one of his specimens...

The idea of keeping a person (a person!) prisoner to study does Not sit well with Stan. "You're *not* one of his specimens." "No? Has he been studying me?" "Of COURSE not" but now he's thinking about it.

... Well. Back to sleep? ("Are you gonna let me sleep in the guest room now?" "*No.*" "Aww, I thought we'd bonded a little!" "After all the horrible shit you said earlier??" "Haha you're too sensitive.")

......... WAS the horrible shit Bill said true? Or did he just say it to get a rise out of Stan.

Naaah, he just thought it would be funny to make Stan mad. He never saw a universe where Stan and Ford weren't inseparable as kids. But then he never dug that hard. It wasn't one of his priorities.

Stan doesn't think Bill's telling the truth now; but Stan doesn't think Bill was telling the truth earlier, either. Bill's not telling Stan what the multiverse is like; Bill's telling Stan how he wants Stan to feel. Bill *could* have said everything he'd said was true, but he didn't.

"You're not a half bad liar, Cipher. It's too bad you're a lousy dirtbag bent on world domination, or you could've made a decent partner-in-crime." "Yeah? Well, my schedule's clear, I'm bored, and running a two-man con sounds fun. Let me know." "Don't count on it."

The end.

Epilogue: next morning Ford goes "did you two sleep well?" (He's not actually asking Bill he's just asking Stan. He hopes Bill got an annoying crick in his neck that'll never go away.) "Oh yeah, no problem. Got comfortable and didn't move all night." "We barely even noticed the handcuffs. Slept like babies." Well, Ford's relieved nothing weird happened last night.

There's a knock at the door. He'll get that.

It's a very sad and bedraggled dentist. Can he please have his ability to open doors back? He had to sleep outside last night. 8,C

... only the person who cast the spell can lift it. Hey Bill, get in here. "Slept like babies," huh?

The end end

####

[everything after this is various points in other conversations where I was discussing the where & how the tooth fairy arc would fit with the overall story, to show you what kind of plotting-over-time I do for the big elements of a story.]

You know what I'm gonna go with a tooth fairy. The show's featured gnomes, mermaids, subterranean dinosaurs preserved in tree sap, and Cupid. A tooth fairy works.

A dentist who worships the tooth fairy. The fairy gets a glimpse of Bill and goes "WOW I've never had ALIEN TEETH before! *Bring them to me.*"

[hell yeah alien teeth]

####

And probably the chapter after that is gonna be Stan Takes Bill To The Dentist. Where Bill goes "you don't have to worry about me running off, we can use the friendship bracelets." "Oh ill friendship bracelet YOU. And I'll do it WITHOUT MAGIC." *slaps actual real handcuffs on himself and Bill. Loses the key.*

####

He played himself. I think I'm gonna have them be handcuffed through the ENTIRE tooth fairy arc. I think it would be really funny.

Ford like "Bill, why are you sitting in the hallway outside my guest room."

"Because SOMEBODY decided to HANDCUFF US TOGETHER and then LOST THE KEY so I have to SLEEP IN THE HALLWAY with the HANDCUFF CHAIN STRUNG UNDER THE DOOR. ISN'T THAT RIGHT, *STANLEY.*"

"Right. ... I'm going to sleep in my lab tonight."

####

Things going on:

- Stan unwillingly getting dragged into his "befriending the evil triangle" arc. Woe, friendship be upon ye.

- Bill copes with traumas by setting himself up to relive them until they stop hurting. Burning down your dimension devastated you? Become a serial arsonist, stare into the flames over and over again! Flinch every time the guy they punched you to death raises a fist? Goad him into following through, now it's not scary anymore!

####

Where I am right now: Mabel has just won Bill's loyalty forever. Where I need to get to: the next "episode," which is *probably* gonna be Stan taking Bill to the dentist and getting tangled up with the tooth fairy, unless I come up with another plot I think might be more appropriate to come first. I feel like I can't just hop straight into the next episode, because Mabel's JUST befriended Bill, so I need to spend a little time showing them BEING friends so that that convincingly sticks. And I can't "just" show them hanging out coloring pictures or whatever, I've gotta have something, like, *happen.*

####

Today's mission: figure out how to jigsaw in all the plot points I need to establish before the season one finale (when [SPOILERS SPOILERS SPOILERS SPOILERS].)

I've made a list of all the things I'm pretty sure need to happen:

- Bill makes progress on lucid dreaming 

- Stan emotionally invests in Bill

--- ( this will be the Tooth fairy arc)

- Ford decides Bill isn't gonna kill them

--- the eclipse

- Ford likes Bill a tiny bit

- Dipper decides Bill is harmless

--- (I'm planning a gag where bill gets accidentally locked in the bathroom all day, this'll achieve that)

- Dipper decides Bill might be useful

--- (The eclipse)

- Bill makes contact with cultists

--- (cultist visits shack looking for bill)

- Bill finds a way to sneak outside

- conversation with dipper about the third dimension

- Fiddleford finishes the gun

--- (this will probably necessitate another Fiddleford visit)

This isn't everything that COULD happen before the season 1 finale, but it's the BARE MINIMUM everything that needs to get done.

####

There's plenty of other things that could happen before or after this, but i might need a better idea of how I want to shape season 2 before I can decide what to put before and what to put after

Like, the monster truck plot. I'm toying with whether I want it before the s1 finale (which would mean Bill can use Gideon to make contact with his cultists) or after (which would mean [SPOILERS SPOILERS SPOILERS])

Somebody else put this together into a coherent plot arc for me o|-<

I keep pushing back writing the tooth fairy arc because i keep going "no wait, i thought of something else i need to do first—" and part of that is because, i feel like, once the tooth fairy arc happens, that kicks in gear Bill interacting with Gideon (because then he's got a gold tooth), which naturally leads to the monster truck arc, which is a big event, so anything that needs to happen "early" in the fic needs to happen before then—but if i do decide to push the monster truck arc to later on, that's less of a concern. Instead I could spend more time on foreshadowing Bill messing with Gideon.

[vote push it back]

you may have a point. The main thing is if i push it back, it would make the most sense to go in season 2 (when [SPOILERS SPOILERS]), BUT: one of the things I'd *like* to do with the finale is [SPOILERS SPOILERS x100] which needs Gideon. (Alternatively, I could make up some new, lower-key method for Bill to get Gideon under his thumb without meeting him at the monster truck rally—but I'd have to think up some Whole New Plot that's Interesting enough for that.)

####

Okay so i think my rough roadmap is. Tooth fairy plot -> Gideon chapter -> the axolotl eclipse -> the season finale. These four events contain most of my "MUST be done before the finale" events

####

I think the "makes progress on lucid dreaming" can be achieved during the Gideon chapter. I can bookend the chapter with a couple of his efforts, to show how he progresses over the chapter. *Maybe* I can shove one into the tooth fairy chapter, have a dream be interrupted by the dentist waking him

Yeah, there are two dreams I know I want to happen; a replay of Bill's mom dying where he "remembers"/admits that when he realized he hurt his mom, he *kept on pushing*; and a second replay where he seizes control of the dream and rewrites it so that it's like a big fun gory game (and thus re-burying the traumatic reality of what happened). I can put those at the beginning and end of Gideon's chapter.

####

Okay I think my current road map is:

tooth fairy -> bill figures out how to sneak out/dipper finds bill locked in the bathroom -> Gideon (+lucid dreaming) -> (Bill talks to Dipper about how he perceived the universe, leading to) The Eclipse -> Ford brings home a copy of Flatworld, letting the kids learn more about Bill's backstory/Fiddleford tells Ford the gun is ready, leading to -> the season one finale.

We're in the final stretch! No more random diversions, probably!

####

↳ Satsuriku no Tenshi + Text Post

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Personally I hope that no one begins to do a disservice to Haruka's characterization by fixating on one singular thing.

Such as the murder, parental neglect, the possible diagnoses and mental health struggles he had etc. Because fixating on that is no different than what his parents did. Fixating on the label of the issue more than the person with it. Doing this ignores that Haruka as a character was someone committed to changing for the better. So for once in his life he could do something to benefit the people in his life who he cared about and were there for him.

He constantly worked in order to not be a disappointment and died trying his best to repent and at least be useful to one person before he left this world. Regardless of if he was being used or not. He recognized that what he did was wrong. The report illustrates this again and again.

It highlights how he was tormented by his own actions,

Haruka weeps, as he clumsily hides the body, "This child's life was probably much more valuable than my own." "A future much brighter than mine was probably awaiting this child." "Why did I end up like this?" Haruka cried, night after night after that, and repented. He thinks about the future of the child he murdered, and claws at his chest. When he comes to, he was strangling the neck of a second child.

It showcases how he wasn't fully cognizant that he was repeating this pattern with the second child and his music videos display that as well. Going further to imply by not labeling this as a murder that once he recognizes what he was doing he stops himself.

Something alluding to in the series by the fact that Haruka states he's afraid to be near children. A fear more than likely brought about by the fact he did this with no awareness of it.

Haruka's First Voice Drama 4:25s

"A-Amane." What's wrong? "I-I'm not good with them. Children at that age. A-Amane is a good girl but she brings back b-bad memories." Are you alright? You're looking pale, you know?

That he warns people not to get close to him because bad things happen to those that get close to him,

Haruka's First Voice Drama 4:44s

"I shouldn't be too i-involved with people in the first place. Even with all the prisoners they might misunderstand. It's no good." Why is that? Just do as you please. The bonds we share with other people are the very thing that shows our human nature, that's what I believe. "It's something I can't even tell you, prison guard!" Even to me? "You shouldn't get so close to me. Bringing misfortune to people is the only thing I'm naturally good at."

The only thing I'm naturally good at./When he comes to, he was strangling the neck of a second child.

Haruka's First Voice Drama 5:15s

"The more you know about me, I'm sure I'll bring misfortune onto you as well, prison guard." Haruka. "Because! Because... Ah, I'm sorry... for just talking by myself." Continue. "It's happen sometimes. I... I... Even though I try to be normal, everything gets ruined. You, everyone, if you knew me... If you knew everything that I did... I'm gonna be abandoned, that's bound to happen."

Because I'm a selfish killer.

Doing that would ignore that Haruka consistently did things within Milgram to try to mitigate and work on the issues he's constantly faced throughout his life.

Focusing on just one thing ignores everything we saw Haruka's character try to do over the years that he was in Milgram and Milgram went on. Something that he died continuing to attempt to do. It ignores the fact that Haruka didn't think his actions or the murder was right.

It ignores the fact that he came here admitting fully he was wrong and was told actually no you're wrong about being wrong what you did here was okay.

Haruka Metamorphosis of the Weak 2:30s

"It is. I felt uneasy about it this whole time... Someone as worthless as me having killed someone to gain attention, and a person who surely had more worth and more of a future than me, at that..." ... "But it turns out that I did nothing wrong after all! It wasn't wrong of me to kill her. There was never anything for me to worry about...!" Oh...? "It felt so strange warden...! Warden-san, you forgave me so, so much, it felt like a whole lot of people had accepted me! Ahh... It was the first time I've ever felt something like that!"

To reduce all of that characterization down to mental health struggles, neglect, or one single issue at all is to miss what makes Haruka a great character entirely.

He is all of his flaws and successes.

Yet beyond all that in his dying moments he was someone who was trying his best to do right by someone and prove to the people that gave up on him that he wasn't a failure and he could be useful. He was a character that died crying out for a mother who abandoned him saying,

"I changed……I'm……useful now……Mommy."

Even if the only way he could be costed him his life.

Still none of that negates the fact that he was and will always be a murderer. That cut a child's life short. All of those things can be true at once. Because for a character to come of as human to be compelling is to hold space for the fact that like people they will be flawed, they will be pitiable, they will be undeniably wrong in some areas and justified in others and they won't be forever.

People will grow to like or hate them in equal measure and find reasons to justify those feelings just like with any person in real life. Yet at the end of the day beyond like and dislike, hate and ok- There's a complicated characterization there waiting to be appreciated for everything it is not just what's easy to enjoy or dislike about it.

Ok, so, aparentlly, if you open the game on the RPG Maker program, like to translate or change something, you can see alternate conversations and rooms that were made, but never used in the came.

When Rachel and Zack are on the elevator heading to B1, this was an alternate conversation:

This is interesting, so i wanted to show you.

An analysis of the funny lil gremlin:

Jevil is a pretty facinating character. He's gotten obviously overshadowed by characters like Spamton. Which is justified as Jevil played an admittedly insignificant role on the plot of chapter 1 and was more confined to his role as a "secret boss" than Spamton, who did play SOME role in the plot (even though he kinda barged into it) and had a much more fleshed out backstory than Jevil. Though the clown man does play a pretty important role in the bigger picture of the game by introducing the theme of freedom in characters other than Kris, and setting the predecent of future secret bosses exploring said themes of freedom.

Jevil's whole "I'm the only one free and everybody else is the one trapped" thing is kinda odd, but it starts to make sense when you really think about it. Gaster, or whoever it was that drove him to insanity most likely gave him some degree of knowledge of the nature of Deltarune. (Or at least a bit MORE knowledge, as even regular darkners seem to be a little aware that their world works on video game logic- ie. the tutorial puzzle guys- Lancer and his sign telling you not to take the darkfruit) This is a videogame. With main characters, npc's, and a set storyline everything is supposed to follow. Everybodies actions are dictated by the plot, the creators, (toby fox) and everything in this world isn't even for the darkners or the lightners. Everything is just for the convinience and enjoyment of some otherworldly being. (the player) Nobody can choose their own fate in this world. Nothing anybody does truly matters because the story will find SOME way to keep going. (take the weird route as a prime example of that)

This knowledge obviously broke Jevil, but his mind rationalized it in an extremely strange way. If nothing he does matters, than that means he could technically do anything. There are no consequences. At least to him. This is what he means by "being free." He is free from the limitations of society, responsibility, morality. This, of course, led to him doing whatever he did to get himself thrown into prison. A prison separated from even the ones in the normal basement.

Though, even faced with obvious consequences, Jevil was way too deep in his insanity. Being stuck in a prison alone defnitely didn't help his mental state either. That's part of what makes Jevil scary in my opinion. He's somebody with absolutely no restraints. He has absolutely nothing to lose and nothing to gain from fighting you. He just does it because he's desperate for SOMETHING to happen after probably years of being stuck and alone.

He represents the joker card (I mean it's pretty obvious, but is there anything actually confirming he's the joker card?) pretty well, with all that said. Obviously there's the whole thing of "being abandoned," as typically for most card games, (there are actually games that require the joker card) the joker is set aside without being used. And also to my knowledge, joker cards can be used for pretty much any purpose you want. They can replace a missing card on a deck, be used in magic tricks, be put in the bottom of the deck to prevent anybody from seeing the bottom card, or even be something like a "skip card," forcing a player to skip their turn. It's specifically because of their lack of functionality and adherence to the 4 suites of the deck that they are able to [I CAN DO ANYTHING!] I found that pretty cool.

I also find it interesting that Spamton seems to have the exact opposite mindset as Jevil. Jevil probably(?) didn't have to struggle too much to get his position as court Jester. Even before he went crazy, he most likely always was just a little goofball who just happened to get the attention of the king with his antics. In contrast, Spamton most defnitely struggled a lot to even keep himself afloat - Wondering why all the other addisons seem to be doing fine, when he was (probably) doing the exact same thing. (at least before gaster/the mysterious entity) He was most likely given the same knowledge the entity gave Jevil, and he absolutely hated it. He actively tried to fight against it, unlike Jevil who basically embraced the idea of a world where your choices don't matter and used it as an excuse to do whatever the hell he wants. Spamton didn't want to be confined to a story. This... game. He desperately wanted freedom, and he would do anything to get it. Even when he failed he would keep trying. After all, perseverence did let him become a big shot, even for a little while, so he just had to keep trying... right? Uhh... this wasn't supposed to be a Spamton analysis, but I just found that contrast cool.

All in all, Jevil and Spamton set a really interesting precedent for the future secret bosses and I'm excited to find out how toby fox handles the next one and how that boss will tie in to the whole freedom theme.

I do have thoughts on how the situation between Mu and Haruka is being discussed.

I believe it's a bit disingenuous to behave as though Mu didn't know Haruka was getting worse and I just want to lay out why it is I feel that way. To be frank it simply doesn't align with anything we heard from Mu in her second voice drama or the things she was displayed as saying and doing within the Portal Timeline. As I am a petty individual I would say it's a stretch of canon to say she did anything other than what she said she'd do.

Which was nothing but support Haruka in his choice as his friend,

Mu Queen B 13:16

"Isn't it exactly because he's my friend? isn't friendship about letting your friends do the stuff they want?"

Though let's go a bit further back for a second how do we know that Mu was aware Haruka was planning to do something that would end his life? Well because she told us and she told us a good while ago in fact,

Mu Queen B 12:36s,

"Ah, but if you don't forgive me Haruka-kun will die. So, I think it'd be best not to do that." ...! [bell tolls] So you've heard about that nonsense too? "Mhm. Haruka-kun told me."

Literally her saying that last thing should be the nail in the coffin for presenting this situation as something Mu wasn't aware of. Because she was told by Haruka himself that if she was voted Guilty he would do lethal harm to himself. This is the first reason why I believe anyone behaving as though there is any chance Mu did not know Haruka planned to do this is either acting dishonestly or simply has not been paying attention.

Well, Gunsli maybe she knew he planned to harm himself but she didn't know how he was going to do it. Haruka didn't even know himself yet he was still trying to figure it out. That's fair. However, Mu still could have told the other prisoners that Haruka planned to do harm to himself just to be safe if she didn't want him to do that or just told him she didn't want him to do that. I guess that's neither here or there though.

Let's just keep walking down this-

Wow; I literally can't even say this is a road, bridge or anything someone is meant to walk on... What the fuck is this? Alright. This imaginary pathway certain people insist on telling those around them really exists despite it not aligning with anything that has occurred thus far. Yeah, I'll believe for a second this is the case and Mu just didn't know even though Haruka told her he would end his life if she was guilty and she would be the first to know if she was guilty.

Not even touching on the landmine of how Haruka would find out she was guilty to begin with. It was possibly when they were restrained after the verdicts but he implies he knew earlier than that when they're talking in the timeline on his birthday in 2023.

Still forgetting all of that maybe Mu didn't know how Haruka would do it.

She still knew he had the intent to harm himself and what her verdict was to her own admission. Then did nothing to even try to dissuade him from harming himself over the course of the portal timeline,

Trial Three Website Voice Lines

2: "You said you’d forgive me. You told me that you would forgive me! Just changing what you think on a whim, you really are the worst." 4: "What are you going to do about this? Haruka-kun died. Hey, guard. You knew this would happen, right?""

"Ah, but if you don't forgive me Haruka-kun will die. So, I think it'd be best not to do that."

The first time she brought him food she even stated that he had to eat it properly meaning she recognized he was not eating and persisted in telling people she had it handled anyway and that he was fine,

23/06/22 (Haruka’s Birthday)

Mu: Haruka-kun, I brought your food. Are you still alive? Has any mould started growing? Haruka: ……ah, thank you very much. Mu-san. Sorry, um…… I…… Mu: You shouldn’t just lock yourself in your room all day. You have to eat your food properly. Hm, well…… I do understand why you’re feeling down. It feels bad. The atmosphere recently Haruka: Um, I’m totally fine…… Just a bit, I’m thinking, about how to do it. What to do, what to do, to…… fulfil my promise. For Mu-san’s sake……

So, even the fact that he was not eating properly was something she knew long before any of the other prisoners or even us as the audience knew.

Hell, in this timeline Haruka brings up that he's thinking about how to do it. How to end his own life to keep his promise to her and she says nothing to dissuade him from it. While knowing full and well what he's talking about because again she told us he told her.

"Mhm. Haruka-kun told me."

These are the facts from her own mouth.

This is the sequence of events. I do not believe this is a difficult set of circumstances to follow or look into but they are easy things for people to purposely misconstrue. In a way that I can only consider to be an attempt to make Mu sound more considerate than her actions and own words display her as being.

Hell I know for certain that some overzealous individual is going to get in their feelings and go,

"Well Jackalope said in the trial three commencement notice that Mu has trouble putting her emotions into words. He said 'She doesn’t know where or what her feelings are. She just lacks the skills to put them into words, but a human such as she, is quite complicated.'. Maybe this means Mu really did care about Haruka and just didn't know the proper way to express that or how to handle the situation."

One I'm not arguing against that.

I am however arguing what does that have to do with Haruka dying and the words she did say throughout the entire time he was slowly wasting away in his cell from starvation? Like I don't care about how she's feeling about it now when all is said and done. Because while Haruka was starving himself she was having people praise her for bringing him food she knew he wasn't eating?

Because again the first time she brought the food to him she verbally noted he was not eating properly. So the timeline and again Mu's own statements portray that she was aware Haruka was not eating from the onset.

Yet, continued to tell people things such as,

"I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me?" - [Milgram Portal Timeline-23/07/05 (Mu’s Birthday)] "I’ve been taking his food to him like this every day. Isn’t that great of me?" - [Milgram Portal Timeline- 24/06/22 (Haruka’s Birthday)]

However a lot of people want to spin it as though Mu went through something just as tragic as what Yuno went through.

That she spent months trying to do right by someone and help them get better just to have them die.

It's a pretty easy story to want to spin for Mu's character. Especially when the parties telling it have a vested interest in ignoring certain information. Simply because they want to see the best in someone to validate themselves regardless of how that someone has consistently behaved.

Even her saying you have to eat has been twisted around to say she was telling him to eat so she was really trying to help him and tell him not to do this through saying that. This was her showing concern for Haruka. When what it is- Is definitive proof that while no one else knew Haruka wasn't eating until they found him starved to death or near starved to death Mu did know.

How could she not have known.

She was bringing him food everyday. She saw him every day. Starvation isn't something that can go unnoticed. People will literally lose weight. They will get thinner. There's no way to starve gracefully. Heck it's not even that difficult to tell when someone isn't eating their food.

Definitely not in Mu's case because again it is something she noted he was not doing on June 22, 2023,

"You have to eat your food properly."

Mu Kusunoki to Haruka Sakurai on June 23, 2023 far long before he starved to death.

Now logistically what could she have done? It's not like she could have forced him to eat. What could she have done outside of saying hey you should eat properly?

Well you see there's this thing called an intervention. There's this thing called telling people there's a problem. There's this thing called when multiple people give someone the opportunity to tell them that something is going wrong and another person needs help far beyond what they can provide doing that.

Something Mu was given chances to do but decided to instead assure people that Haruka was fine and she was taking him his food every day. Stating and implying to them that he's being taken care of and eating properly through her statements. Because she's showing them the food, the plates, and saying this is what she's doing.

Why would they not believe her?

Now there's discussions around the fact that anyone within Milgram could have taken some time to go into Haruka's cell and check on them their selves. However, that takes us back to Mu as well because Futa and Shidou asked Mu if Haruka was alright because she was going there every day and they may not have wanted to barge into Haruka's space. This is just a polite thing to do. Since Mu assured them that he was in fact fine and look he's eating see I just took him this then possibly showed them an eaten plate of food-

What the fuck were they supposed to do? Go,

"LIAR- He's starving himself in there isn't he?!"

Shove Mu to the ground barge into Haruka's room and go,

"Haruka we're here to save you this is an intervention. You will have three meals a day like the rest of us and water. Then we will walk daily and start you on communications counseling because this isn't healthy physically or mentally. Kajiyama grab his legs we're taking him to the dining hall."

And force fed him like Curly is Mouthwashing. No, that would be wild. Just believe her. The fuck why would they not believe her? Fuck I would have believed her too. Like okay I believe you that's your friend. The fuck you gotta lie for. If you say you're taking him food then I believe you and I have other things to do but if this continues I'll go in there to check myself eventually.

At the end of the day she knew Haruka wasn't eating she noted that. All to then not get anyone to intervene or help in any way. In fact she assured people time and time again even after Haruka was probably dead that he was fine.

23/07/05 (Mu’s Birthday)

Futa: Oi, you. Is he ok? He’s not even left his room lately. Mu: You mean Haruka-kun? Hmm. Yeah, probably. I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me? Futa: Hah? Who the hell says that sort of thing about themself. ……ah, no, well, right now I understand a bit. When you’re feeling down, it’s nice to have someone who relies on you and accepts you. The rest of us can’t really understand you from where we’re standing. But well, if you’re Haruka’s “salvation” then I guess it really is great. Mu: Salvation……? I don’t know what you mean. Futa-kun, you don’t sound like yourself. Did you hit your head or something? Oh, wait, you actually did, didn’t you. Ahaha. Ah, putting that aside though, did you know it’s my birthday today?

24/06/22 (Haruka’s Birthday)

Shidou: ……I’m worried about Sakurai-kun. I haven’t seen him around in a while. You’ve been talking with him, right? Mu: He’s fine. Here, look. I’ve been taking his food to him like this every day. Isn’t that great of me? Shidou: Yes, very. I’m sorry I’ve been leaving it to you to look after him. Usually, that would be the job of us adults, and yet we’re leaving you with the burden. Mu: Don’t worry about it. After all, me and Haruka-kun are friends.

Something that goes straight back to what Mu said she would do in regards to Haruka threatening his own life. Again it's not Mu's fault he's dead I don't consider suicide murder and neither does Milgram. Haruka choose to take himself out and that's a choice I've gotta respect. Nobody forced him to make that threat or follow through on it.

Yet no one stopped him either. Milgram, Es, the audience or Mu. None of those things stopped him from doing that or even attempted to.

Mu's defenders can't have their cake and eat it too. They can't say it's the audience fault for not voting Mu innocent and stopping Haruka because Mu didn't stop Haruka either.

Like Mu said,

Mu Queen B 13:05s

You know about it and you're not trying to stop him? Haruka, that is?

"Why would I?"

"Haruka-kun says that's what he wants, so there's nothing I can do, right?" But you're calling him your friend.

Yeah Mu, you're right. That's what Haruka wanted to attach his life to and die for. Nothing we could've done about it. Es didn't make him threaten himself. The audience didn't either. We should just respect the choices he made to get himself to that conclusion.

Heck at least he got to choose how he went out. That's more than Shidou and Mahiru got.

The last timeline we see with him even supports this,

24/04/19 (Futa’s Birthday)

Futa: ––Hey, are you really ok with this? If you come with me, there’s a chance you can be saved too…… Haruka. Haruka: Yeah…… I’ve made my mind up. I have, something, that I have to do. Futa: Ah, is that right…… Haruka, you know, you’re an idiot. There’s no way…… that will save you…… Haruka: Yeah, thank you. I’m glad you came to talk to me, Futa. Um, thank you, for being so kind. Really. But, I’m sorry. This is all I’m able to do……

All those times she brought food and she never offered him a way out of that promise. She never said this is how you can get out of this. This is how you can move forward with me too. You're life doesn't have to end here. No the person who did that? Who was it again?

Was it the person that brought meals there everyday. That people are trying to jump through hoops to say couldn't notice someone starving right in front of them. Even though that someone was a person she'd been attached to at the hip prior. She could notice when he wasn't making eye contact or distracted by something,

22/06/22 (Haruka’s Birthday)

Mu: What’s wrong, Haruka-kun? Did something happen? You shouldn’t look away like that when you’re together with me. Haruka: Ah, s-sorry, Mu-san. Um…… No, it’s nothing. I just, suddenly got a feeling. That something is about to happen. Mu: Isn’t that because it’s your birthday? Or perhaps it’s a sign the guard is about to wake up again soon? Fufufu, I bet they’ll be really surprised at a lot of things. Haruka: That, might be true. But, I want the the guard to see. ……the new, me…….

But not a change in his weight. She's not observant enough to recognize the signs of starvation. Even though she went there every day with food. Alright, sure I believe you.

You know I'm not even mad at Mu because Haruka is dead. I'm mad at Mu because Haruka died for someone who no matter how much I comb through the facts did not give one fuck about him. To the point that the last notable thing Haruka did was not thank Mu for being kind to him didn't even thank her for that once if we're being honest but someone else.

Who even while going through the shit he did and saying he didn't have the luxury to bother being concerned about him. Was the first to ask if he was okay. Was the first to check in with the person he saw as being closest to Haruka to just check if he was alright. Then when the situation persisted went in there himself to check on his own birthday.

Just to be meet with what exactly. I was curious about what Futa saw that made him seem so panicked. Curious about how Haruka had done it. But now we know he went in there and saw a shell of person thin, starved, on the brink of death. Probably not too different from how Mikoto's trial three art looks at this point.

And he pleaded with Haruka to just leave be saved some other way. Like damn sure Amane's religion makes him vegan but at least he's eating. It's something I really can't let go it's not murder of course. Mu didn't kill Haruka with her barehands she didn't even kill him at all. But it's just the idea of going to same place every day with the thing that could save someone's life and knowing they're not taking it. All while again and again assuring people it's fine I'm taking him the thing.

"Isn’t that great of me?"

Just recently played through Homicipher - it was a good game. The whole mechanic of slowly piecing together the language was really fun, and the characters are simple- but pretty cool and interesting for having dialogue hindered by a language barrier and seemingly broken speech even when largely deciphered. Mr. Gap is probably my favorite at the moment.

Though I think it says a lot about me that I immediately thought of Zack when I saw Mr. Machete- and the fact that I’m now rapidly thinking of crossover scenarios…

If they did meet- to Mr. Machete, Zack would just be a smol human, an oddly respectable one that can stab and yell funny. And Ray would just be an even smaller human. Really boring though. Shame the funny man doesn’t seem to let him stab her.

Mr Crawling would immediately make it his goal to make Ray genuinely smile/have fun as soon as he sees the dead corpse energy she exudes. But he quickly realizes that that might not be as daunting as as task he originally assumed to be as Ray is morbid as all hell, and all he needs to do is trail her for a bit before she sees something in this horrid haunted place that piques her interest and he encourages her to have fun with it. (Zack watches with a disgusted look in the corner as Ray teaches Mr. Crawling to sew dolls with her)

Of course Ray would be the one actively making an effort to understand the language - and Zack would probably reluctantly pick up a few words here and there if only from the fact that he’s forced to overhear Ray and Mr. Crawling chatting it up all the time.

Zack would hate Mr. Gap specifically with all his heart- I can feel it in my bones.

How do you have the willpower to not consume content from any of your other fandoms? I always get pulled in and out of the same ones and it stops me from getting projects done but I get so bored! Teach me your ways!

So the downside of ADHD is that it takes a ridiculously high amount of effort to push yourself to do things—even things you want to do and like doing—unless you put even more effort upfront into making it convenient for yourself.

But the upside is, if you know this about yourself, and if there's media you want to not be consuming, you just...... don't do anything to make it convenient to consume.

I don't have Amazon Prime. All I have to do is not bother to get Amazon Prime (easy!!) and not bother to hunt out a way to watch Hazbin some other way (also easy!!) and bam, I've got a 100% success rate of not watching it.

Do you know how many Transformers series I'm currently behind on? I sure don't! Because I haven't put the effort into looking it up! I can't be assed! There's like, at least three I think! Don't tell me, I'm not currently interested in finding out!! It would take work for me to figure it out; I can just go "work?? Naaah. Not doing that."

You can resist temptation by just being too lazy to pursue it! Make that ADHD work for YOU!

Caution: if you can't get yourself to put effort into doing anything that brings you pleasure, that's either Pretty Serious Depression or it's gonna cause Pretty Serious Depression and it's not good. However. If you master the art of ADHD, you can save up the effort you didn't put into distractions, and use it to put effort into different activities that also make you happy.

Last year I picked up a podcast about cults. It's all right. But because I'm already listening to it and spotify keeps pushing it to the top of my screen, when I need a low-effort audio distraction, it's easier for me to default to putting on the podcast about cults than it would be for me to, say, dig up The Magnus Protocol to start it. And bam! Now I'm doing more research that'll help me write about a cult leader, for free, by listening to a podcast I'm not at risk of hyperfixating on!

Part of avoiding breaking your own hyperfixation is figuring out what media you enjoy, but don't hyperfixate on. Because you still need to, like, have fun. That's why you wanna watch The Things You Like, because it's fun. If you're not having fun you'll wanna go watch The Things You Like, and rightly so. So you've gotta make sure you're having enough fun with things you don't hyperfixate on.

Like, I know that when I watch Columbo or read Poirot, I find the detectives charming while I'm observing them, and then almost as soon as the mystery is over I stop thinking about them. They aren't the kind of characters that latch into my brain. I know they won't become blorbos. So I'm safe there. I know I enjoy horror movies but 99% of the time totally forget who the characters are, like if there's 2 white guys and 2 white girls it is guaranteed I won't be able to tell them apart, so they're safe to watch, I'm not gonna hyperfixate on them. I know that I enjoy nonfiction/educational books & podcasts, but I only hyperfixate on fiction, so it's safe for me to pick up nonfiction. If it's nonfiction that's somehow thematically relevant to whatever I'm currently hyperfixated on, it even helps feed the current hyperfixation.

And those are my "protect your hyperfixation" lifehacks.

On the other hand, if you, anon, don't personally have ADHD, then I can't help you. idk how people with executive function function.

Final advice: if you know you keep falling in and out of the same 3 or 4 fandoms, maybe try writing a crossover fic about all 3 or 4 fandoms at once. That way it won't matter which one you're currently into. You win no matter what. I've never actually tried this, don't trust this advice.