Ok, So, Aparentlly, If You Open The Game On The RPG Maker Program, Like To Translate Or Change Something,

Satsuriku no Tenshi NG World: Cafe

And the Cafe AU.

Rachel is a new cafe employee?!

In a certain city, there’s a cafe called aNGels of death. It has quite strange employees.

Rachel is a new recruit, having been brought in by Danny, the head waiter.

Will the “naive” Ray be able to properly perform her role at the cafe, working alongside the unique waitress and patisserie chef?

aNGels of death

A rookie employee brought in by Danny. Has some things she is inefficient at.

Ray’s senior waiter who was appointed to show Ray the ropes. Popular with customers.

The head waiter. He appears to do his work perfectly, but…

A pastry chef whose work is like artistry. Handles the entire menu on his own.

A senior waitress. Extremely efficient, but has some problems with money…!

The cafe’s manager. Settles problems among his troublesome staff.

Story

In a certain city, there’s a cafe called aNGels of death. It has quite strange employees.

Every Christmas, the cafe is decorated, and is quite popular with customers. The employees wait eagerly to hear what Gray’s plans are this year – but due to problems with the budget, he says there are none!? Whilst everyone is in shock, the newbie Rachel comes up with a proposal…?

idk if you've ever answered this before (probably, the answer is always probably) but is Bill, like... capable of empathy? Of sympathy? Of love (any kind) or compassion? I guess what I'm asking is how does he relate to other people? Are they all just tools and idle amusements, or does he develop any actual genuine (positive??) attachment to them?

Everything I know about him comes from 8+ year old memories of a cartoon I haven't rewatched since, and discourse I see through your blog, so I'm not sure what the canon consensus is but your word is god enough to me on at least your specific interpretation of Bill.

(I guess it would be moot to ask why he's so fucked up. Feel free to ignore any and all of this ask, it's 12 AM and I'm trawling the web before bed)

for my specific interpretation of Bill? Have this post about empathy and a couple of posts about romantic love. (Okay—three about romance.)

But now let's forget about my interpretation and talk canon.

Empathy! You can roughly split empathy into two categories: "I can logically identify and understand what you're feeling" empathy, and "when you're sad i feel sad and when you're happy I feel happy" empathy.

We absolutely know that Bill has "I understand what you're feeling" empathy, because he uses it again and again to manipulate his victims. He has VERY good emotional intelligence. He understands his victims' insecurities, their desires, how to make them feel happy, angry, ashamed, trustful, mistrustful; he knows when and how to manipulate them based on their mood to maximum effect; etc. We see it in how he manipulates Dipper & Mabel in the show; we see it in how he turns Ford against Fiddleford in Journal 3; we see it in TBOB and on thisisnotawebsitedotcom in the way he talks about how and why he manipulated Ford.

We have no evidence he experiences "I feel what you feel" empathy. That doesn't necessarily mean he DOESN'T, but there's no evidence for it. Never see him get excited just because someone else is excited, never see him cringe sympathetically when someone else is hurt. You could say "maybe on top of being a manipulation tactic, when Bill relates to Ford's estrangement from his family by talking about his destroyed universe, he's also feeling empathy for his situation," but you could also just as easily say "nah it's just manipulation."

Common sense would say well, if he feels other people's pain, it would be harder for him to manipulate, betray, and hurt people so blithely. But we're not talking about common sense, we're talking about canon evidence! It's possible for empathetic people to hurt other people; they can just... learn not to care about that person's feelings. Which is particularly easy to do if the target is someone the person sees as "less important" or dehumanizes them. Bill sees everyone as less important than him. We can't rule either way on whether or not he's got a capacity for emotional empathy we just never see. All we can say for sure is he doesn't appear to turn it on for anyone we see.

Though we see him come close. Although he doesn't feel with any of the Pines, we can see him relate to Ford (during Weirdmageddon, throughout TBOB), to Stan (on TINAWDC), and to Mabel (in TBOB and the Dipper & Mabel's Guide book) via projecting his struggles and beliefs on to them. But in a way this is sort of, reverse empathy?; it doesn't let him feel how they feel, but it makes him assume they feel the way he does.

Sympathy! The definitions of empathy vs sympathy vs compassion are contested so I'm gonna present the definitions I'm using for this post: empathy is "i [feel/understand] what you feel" and sympathy is "i care about how you feel." There's a couple of moments in his interactions with Ford in TBOB that are blatantly manipulative (when he shows Ford what's left of his dimension; to a lesser extent, when he "helps" Ford celebrate his birthday) that might also secondarily be fleeting displays of sympathy. It's ambiguous.

Compassion! Compassion is "i'm moved to help because of how you feel." There's a moment in TBOB when he gets so irritated at Puritan misogyny that he teaches a bunch of Puritan wives how to be witches and has a girls' night burning men at the stake with them. He apparently gets no benefits from this himself, aside from funsies. Is he motivated by compassion for the ladies or ONLY by irritation at how boring the men are? Again, ambiguous.

In TBOB when discussing his exploits in the Nightmare Realm, he mentions freeing patients from insane asylums and criminals from prisons. He also repeatedly mentions disliking captivity. He might be motivated by compassion derived from empathy for prisoners. He doesn't present his motives.

Love! He calls the Henchmaniacs his "family," repeatedly brings up their worries about being erased from reality, and says he takes his party hosting duties to them very seriously. We don't know whether he actually cared about them, or merely called them a family in recognition of their consistent loyalty and obedience. He's pretty disrespectful/violent toward them but that isn't incompatible with being emotionally invested in them beyond their utility. We don't have confirmation he cares for them, or confirmation he doesn't.

Hidden in TBOB and absolutely riddled through TINAWDC are references to his parents caring about him and tender quotes. When he's so blind drunk he doesn't know where he is, he tries to call his mom and asks her to make him a sandwich after school. We know he resents how they pathologized a mutation he was born with; beyond that we can't confirm whether or not he loved them; but just beneath the surface, he's unceasingly haunted by how they loved him.

Romantic love! I wrote a post about the evidence for/against romantic attraction in TBOB. He's confirmed to have at least two ex girlfriends; in the book, he mentions missing them both. He mentions having "seduced" galaxies; we don't know whether these seductions were sexual, sexual+romantic, or metaphorical. He denies having in the exes in the same book where he discusses them, and claims that love is the pupa for hate.

You can choose to interpret this multiple ways. To me it reads most strongly as "he's been in love but sucks at maintaining a relationship because he's an asshole, and he's got sour grapes about it"; but you could read it as "he wants love but his relationships fall apart because he can't feel it and he doesn't examine why" or "the relationships were based on something other than romantic love" and not technically be wrong based on the evidence we have. What we know for sure: he's had multiple relationships; he misses them; he tries to deny they happened; he claims love's dumb.

Genuine attachment to his tools! Bill claims torturing Ford was normal Henchmaniac hazing and he wanted him to join the gang. (Dubious evidence of emotional attachment.) He goes on a raging bender when Ford refuses to join him and escapes before Bill can torture him into joining. (Stronger evidence of emotional attachment.) In Weirdmageddon, seconds after Ford tried to murder Bill, he asks Ford to join him and then turns him into a statue he carries around everywhere when Ford refuses—and this is BEFORE he discovers Ford might still have a practical use for him.

On TINAWDC, he has an exchange that boils down to "Ford was just a tool?" "You say that like it's a bad thing!" "So you never cared about him?" "I didn't say that." He goes on to refer to Ford as his pet and henchman. Demeaning—but, people do feel positively toward their pets.

(It may be worth noting he also calls Teeth the Henchmaniacs' pet. Maybe this is a consistent element to how Bill relates to sentient people.)

There's evidence in TBOB that he felt similarly about his first human henchman, the shaman—at minimum, he's very bitter when the shaman turns on him and he says he's gonna find a "new best friend."

Summary: There's evidence that Bill develops facets of positive attachments to the people around him; but we don't have any evidence that any of these attachments ever added up to a positive & healthy relationship. In all the relationships we see in depth, the toxic aspects outweighed the positive ones.

Summary of the summary: Bill has the capacity for healthy relationships but is too big a douchebag to utilize it.

An analysis of the funny lil gremlin:

Jevil is a pretty facinating character. He's gotten obviously overshadowed by characters like Spamton. Which is justified as Jevil played an admittedly insignificant role on the plot of chapter 1 and was more confined to his role as a "secret boss" than Spamton, who did play SOME role in the plot (even though he kinda barged into it) and had a much more fleshed out backstory than Jevil. Though the clown man does play a pretty important role in the bigger picture of the game by introducing the theme of freedom in characters other than Kris, and setting the predecent of future secret bosses exploring said themes of freedom.

Jevil's whole "I'm the only one free and everybody else is the one trapped" thing is kinda odd, but it starts to make sense when you really think about it. Gaster, or whoever it was that drove him to insanity most likely gave him some degree of knowledge of the nature of Deltarune. (Or at least a bit MORE knowledge, as even regular darkners seem to be a little aware that their world works on video game logic- ie. the tutorial puzzle guys- Lancer and his sign telling you not to take the darkfruit) This is a videogame. With main characters, npc's, and a set storyline everything is supposed to follow. Everybodies actions are dictated by the plot, the creators, (toby fox) and everything in this world isn't even for the darkners or the lightners. Everything is just for the convinience and enjoyment of some otherworldly being. (the player) Nobody can choose their own fate in this world. Nothing anybody does truly matters because the story will find SOME way to keep going. (take the weird route as a prime example of that)

This knowledge obviously broke Jevil, but his mind rationalized it in an extremely strange way. If nothing he does matters, than that means he could technically do anything. There are no consequences. At least to him. This is what he means by "being free." He is free from the limitations of society, responsibility, morality. This, of course, led to him doing whatever he did to get himself thrown into prison. A prison separated from even the ones in the normal basement.

Though, even faced with obvious consequences, Jevil was way too deep in his insanity. Being stuck in a prison alone defnitely didn't help his mental state either. That's part of what makes Jevil scary in my opinion. He's somebody with absolutely no restraints. He has absolutely nothing to lose and nothing to gain from fighting you. He just does it because he's desperate for SOMETHING to happen after probably years of being stuck and alone.

He represents the joker card (I mean it's pretty obvious, but is there anything actually confirming he's the joker card?) pretty well, with all that said. Obviously there's the whole thing of "being abandoned," as typically for most card games, (there are actually games that require the joker card) the joker is set aside without being used. And also to my knowledge, joker cards can be used for pretty much any purpose you want. They can replace a missing card on a deck, be used in magic tricks, be put in the bottom of the deck to prevent anybody from seeing the bottom card, or even be something like a "skip card," forcing a player to skip their turn. It's specifically because of their lack of functionality and adherence to the 4 suites of the deck that they are able to [I CAN DO ANYTHING!] I found that pretty cool.

I also find it interesting that Spamton seems to have the exact opposite mindset as Jevil. Jevil probably(?) didn't have to struggle too much to get his position as court Jester. Even before he went crazy, he most likely always was just a little goofball who just happened to get the attention of the king with his antics. In contrast, Spamton most defnitely struggled a lot to even keep himself afloat - Wondering why all the other addisons seem to be doing fine, when he was (probably) doing the exact same thing. (at least before gaster/the mysterious entity) He was most likely given the same knowledge the entity gave Jevil, and he absolutely hated it. He actively tried to fight against it, unlike Jevil who basically embraced the idea of a world where your choices don't matter and used it as an excuse to do whatever the hell he wants. Spamton didn't want to be confined to a story. This... game. He desperately wanted freedom, and he would do anything to get it. Even when he failed he would keep trying. After all, perseverence did let him become a big shot, even for a little while, so he just had to keep trying... right? Uhh... this wasn't supposed to be a Spamton analysis, but I just found that contrast cool.

All in all, Jevil and Spamton set a really interesting precedent for the future secret bosses and I'm excited to find out how toby fox handles the next one and how that boss will tie in to the whole freedom theme.

Satsuriku no Tenshi Character Profiles

Ray, Zack, Cathy, Eddie, and Danny’s profiles are from Until Death Do Them Part (volume 1).

Gray’s profile is from Blessing in Disguise (volume 2).

Art by Negiyan.

Scans and translation by me.

I need to know: how you think bill would be in chat if he ever got the priviledge to get a phone or use a PC?What social networks would he use?

Types in all caps at all times. Punctuation optional. If someone asks him to turn off caps he instead doubles the font size. He can do this even on sites/apps that don't allow you to change the size. He won't say how.

Considering this is 2013? He's probably a pioneer in spreading misinformation and bullshit on twitter. He's one of those "MANIFEST LOVE and $$$ get your DREAM JOB through the POWER of the LAW OF ATTRACTION" cultish New Age grifters making money off a website selling self help PDFs. He's building an internet cult.

Anyone who knows him IRL gets to hear him laughing about how stupid his followers are. However it sounds like he kind of buys some of his own New Age BS to a degree that worries people.

He gets in stupid drama and then spends all night digging up something to cancel his opponent over and sic his followers on them, not because he thinks he's justified, but sheerly for the thrill of the hunt. It makes him feel powerful. His twitter has been banned four times. People run webpages dedicated to documenting his heinous bullshit. He reads them regularly.

He's waiting til 2014 when bitcoin prices drop to like $50, buying as much as he can, spending six years waiting, and selling them in 2020 for like $69,000. He runs a blog telling people to buy crypto. He can actually foresee when the prices are going to peak and fall. He doesn't share this info. He makes bank himself and gleefully ruins everyone else's finances with no regrets. (He would encourage Mabel to buy and tell her exactly what day to sell.) (He would not tell Dipper when to sell.)

He hangs out in doomsday prepper forums so that he can make up new conspiracies and see if he can make everyone even more paranoid.

He's got a youtube channel that's a mix of all of the above BS. New Age self-help buy-crypto buy-gold our-universe-isn't-real access-the-higher-planes doomsday conspiracy mishmash. You can imagine the viewers he attracts. He disdains them all and tries to make them worse on purpose. Never shows his face, every video is a slideshow of psychedelic & pseudo-religious art (mostly stolen) with a voiceover and mystical-sounding music.

Mabel gets him on tumblr, because if Mabel has any social media of course it'd be 2013 tumblr, and probably a deviantart. She's posting her art and really badly photoshopped gif edits of her favorite cartoons and musicians, and generally acts like a normal person online.

Bill's tumblr is completely divorced from all his other horrible online activity. All he posts is cryptic rhyming couplets and terrible local photos of things that fascinate him. The photos could be anything from a car with a really sweet flaming paint job to a stunningly beautiful double rainbow over pine-covered mountains to a literal pile of dog shit because he thought it was interesting how it was drying out unevenly. Once he gets investigated for arson because he posted a picture of the house in flames within three hours of the crime. (He was, in fact, guilty, but he wheedled an alibi out of friends before they knew what he was being investigated for.)

He has like eight followers. The only content he reblogs is Eye of Providence images and pyramid images, which he tags #LITERALLY ME and thinks he's hilarious for; and also every single thing Mabel posts without exception until the end of time.

New Listener's Guide to The Magnus Archives

Or, How To Stop Worrying And Learn To Love The Scares

A lot of people seem to be getting into TMA lately so I thought I’d offer some basic advice for anyone curious about it.

Useful Resources

A full list of transcripts

Content warnings 

Note: The creators have straight up stated that they’re not gonna include sexual violence or explicit pet deaths.

Character guide for keeping track of names

So what exactly is The Magnus Archives?

Fundamentally, it’s a horror anthology podcast. The central conceit is that our protagonist is an archivist and each episode he makes an audio recording of a written statement that someone has made about their encounter with the paranormal. This format means that the particular flavour of horror can vary wildly from episode to episode.

But what about The Plot?

It may not seem like it at first but there’s a lot going on. Don’t worry about it though, you don’t have to keep meticulous notes to understand things. The characters spend plenty of time trying to figure things out and you can just take that journey with them. However, if you’re into cork-boards and red string, then absolutely, this is a great podcast for that. But you’re not gonna have a worse experience if you just want to sit back and get spooked.

And Jonathan Sims?

That would be our protagonist, his voice actor, and the show’s writer. Yes, it gets confusing at times. It’s not set in stone but people often use Jon, John, Jonathan or the archivist to refer to the character while Jonny refers to the real person.

New Episodes?

Nope, it was planned to run for 5 seasons and then it ended. However, there is a prequel/sequel/”sidequel” in the form of The Magnus Protocol.

↳ Satsuriku no Tenshi + Text Post

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A lil sad Ray

I tried to play around a bit with shading and stuff on this one- the opacity bar is actually so amazing

Long time lurker, first time asker!

How do you keep different voices/characters in your fics so distinct? I'm writing my first longer than 2k word fic and it's... a time.

First, I'm going to link you the best essay I've ever read about How To Write Canon Character Voices—what's too much accent, what's too little, how to pay attention to word choice and the way they phrase things, etc. It's about Transformers but the skills are transferrable to other fandoms (or original writing). The original essay is down so all I can offer is the archive.org version, but it's worth it.

Second, I'm going to link you this post I wrote about how I study character voices. It's about Hazbin but it shows you the kinds of things I pay attention to when I'm learning a character voice.

Third, I'm going to offer you some extra general advice that isn't in the above posts:

Some people try to make characters sound like themselves by basically parroting their catch phrases or most common quotes. Do that and you're just gonna make your version of the character sound like a robot. (Note: if you're writing a character who only knows how to say a few quotes, that's okay lmao.) The readers already know what the characters said in canon, they're reading a fic to hear them say something new. Example: if you have Bill Cipher arrive on the scene and say "Did you miss me? Admit it, you missed me!" word-for-word, you don't sound like you're writing Bill, you sound like you're quoting Bill from That One Scene where He Said That Thing.

But... directly borrowing characters' quotes is kind of a stepping stone on the way toward figuring out how they speak. Think about things they've already said, but use those quotes as a guide for how to write them.

Example: from that quote above, we get that when Bill shows up around people who definitely did NOT miss him, he just... decides that they did and tells them so. This shows you a bit of his sense of humor (he makes jokes to annoy someone who hates him—it's not even a mean joke, just annoying), a bit of his ego (he knows he's clowning around, but even when he's clowning he's going to say something that makes himself sound popular rather than hated), his casual & familiar attitude with someone he barely knows, his tendency to just request people do what he wants (saying "admit it, you missed me" instead of something like "I know you missed me")... etc.

And I kinda already said this in the Hazbin post, but the most important thing you can do when you're struggling with a character voice is just rewatch their episodes and pay close attention to how they speak (or rewatch their movie scenes, or reread their chapters/comic issues—whatever you're writing about). If they're from a visual/audio medium (TV, movie, podcast, etc), then if need be, read transcripts to see how their voices look when written down. Type down the transcripts yourself if there aren't any—and that's also a good physical exercise to make you slow down and pay attention to how they speak. (You notice where they tend to pause in sentences when you're the one who has to decide where to put commas; you notice their accent when you're the one who has to decide whether that word sounds more like walking or walkin'.)

Pay attention to cadence, accent, interjections, sentence length, active voice, passive voice, preferred vocabulary, preferred slang, word choice, sentence length, sentence complexity, any phrases they're fond of (but again—don't overuse a phrase unless they overuse a phrase), how they tend to refer to the people around them (by first name, last name, any titles, any nicknames—and do they change in different contexts?)... Pay attention to anything you can think of. You want to be able to hear the character's voice clearly in your head—read everything you write in their voice, and if it doesn't sound like their voice in your head, change it.

Personally I hope that no one begins to do a disservice to Haruka's characterization by fixating on one singular thing.

Such as the murder, parental neglect, the possible diagnoses and mental health struggles he had etc. Because fixating on that is no different than what his parents did. Fixating on the label of the issue more than the person with it. Doing this ignores that Haruka as a character was someone committed to changing for the better. So for once in his life he could do something to benefit the people in his life who he cared about and were there for him.

He constantly worked in order to not be a disappointment and died trying his best to repent and at least be useful to one person before he left this world. Regardless of if he was being used or not. He recognized that what he did was wrong. The report illustrates this again and again.

It highlights how he was tormented by his own actions,

Haruka weeps, as he clumsily hides the body, "This child's life was probably much more valuable than my own." "A future much brighter than mine was probably awaiting this child." "Why did I end up like this?" Haruka cried, night after night after that, and repented. He thinks about the future of the child he murdered, and claws at his chest. When he comes to, he was strangling the neck of a second child.

It showcases how he wasn't fully cognizant that he was repeating this pattern with the second child and his music videos display that as well. Going further to imply by not labeling this as a murder that once he recognizes what he was doing he stops himself.

Something alluding to in the series by the fact that Haruka states he's afraid to be near children. A fear more than likely brought about by the fact he did this with no awareness of it.

Haruka's First Voice Drama 4:25s

"A-Amane." What's wrong? "I-I'm not good with them. Children at that age. A-Amane is a good girl but she brings back b-bad memories." Are you alright? You're looking pale, you know?

That he warns people not to get close to him because bad things happen to those that get close to him,

Haruka's First Voice Drama 4:44s

"I shouldn't be too i-involved with people in the first place. Even with all the prisoners they might misunderstand. It's no good." Why is that? Just do as you please. The bonds we share with other people are the very thing that shows our human nature, that's what I believe. "It's something I can't even tell you, prison guard!" Even to me? "You shouldn't get so close to me. Bringing misfortune to people is the only thing I'm naturally good at."

The only thing I'm naturally good at./When he comes to, he was strangling the neck of a second child.

Haruka's First Voice Drama 5:15s

"The more you know about me, I'm sure I'll bring misfortune onto you as well, prison guard." Haruka. "Because! Because... Ah, I'm sorry... for just talking by myself." Continue. "It's happen sometimes. I... I... Even though I try to be normal, everything gets ruined. You, everyone, if you knew me... If you knew everything that I did... I'm gonna be abandoned, that's bound to happen."

Because I'm a selfish killer.

Doing that would ignore that Haruka consistently did things within Milgram to try to mitigate and work on the issues he's constantly faced throughout his life.

Focusing on just one thing ignores everything we saw Haruka's character try to do over the years that he was in Milgram and Milgram went on. Something that he died continuing to attempt to do. It ignores the fact that Haruka didn't think his actions or the murder was right.

It ignores the fact that he came here admitting fully he was wrong and was told actually no you're wrong about being wrong what you did here was okay.

Haruka Metamorphosis of the Weak 2:30s

"It is. I felt uneasy about it this whole time... Someone as worthless as me having killed someone to gain attention, and a person who surely had more worth and more of a future than me, at that..." ... "But it turns out that I did nothing wrong after all! It wasn't wrong of me to kill her. There was never anything for me to worry about...!" Oh...? "It felt so strange warden...! Warden-san, you forgave me so, so much, it felt like a whole lot of people had accepted me! Ahh... It was the first time I've ever felt something like that!"

To reduce all of that characterization down to mental health struggles, neglect, or one single issue at all is to miss what makes Haruka a great character entirely.

He is all of his flaws and successes.

Yet beyond all that in his dying moments he was someone who was trying his best to do right by someone and prove to the people that gave up on him that he wasn't a failure and he could be useful. He was a character that died crying out for a mother who abandoned him saying,

"I changed……I'm……useful now……Mommy."

Even if the only way he could be costed him his life.

Still none of that negates the fact that he was and will always be a murderer. That cut a child's life short. All of those things can be true at once. Because for a character to come of as human to be compelling is to hold space for the fact that like people they will be flawed, they will be pitiable, they will be undeniably wrong in some areas and justified in others and they won't be forever.

People will grow to like or hate them in equal measure and find reasons to justify those feelings just like with any person in real life. Yet at the end of the day beyond like and dislike, hate and ok- There's a complicated characterization there waiting to be appreciated for everything it is not just what's easy to enjoy or dislike about it.