I Will Never Understand The Narrative That People Have To Stay The Same Throughout Their Life When It

Fiddauthor may be canon, let’s discuss

At first glance this relationship appears to be completely fanon, but when you dig into it there's actually a lot more to Stanford and Fiddleford’s relationship than meets the eye.

This is a compilation of evidence [And slight analysis] so if I have missed anything or if anything is wrong, please let me know.

Warning: Long post ahead

Setting

-As @ratsbanes mentions during Stanford and Fiddleford’s college years the aids crisis was going on, during this time there was a lot of misinformation and fear mongering as it was falsely thought that only queer men could be affected. This event is very significant in queer history and needs to be considered when looking at their relationship.

-Fiddleford came from a hog farm in Tennessee, a deeply religious state, and as he is told to be superstitious, crossing himself when walking over graves, it can be assumed he too is religious

Religions in the same circle as Christianity tend to hold homophobic views as was common during this time

This creates religious guilt for queer people

-Queer politics were becoming a hot topic and most of society was homophobic during this period, there is a chance it was still illegal to be queer whilst they were in college, depending on where they were

This led to a lot of violence against queer people and a very real fear of being outed as it could have dire consequences

There was even programs in the military dedicated to having ‘gay spies’ to act queer and attract gay men in the military so they could be punished or discharged

There was also the Vietnam war going on, causing political unrest and many protests, america being very unstable during this period

-Lavender marriages [Marriages between heterosexuals and homosexuals, often to conceal the latters sexuality] were still common

-Putting this altogether into Fiddleford’s character it could create a very real feeling of religious guilt and fear of being outed that could of led to him entering a lavender marriage instead of staying with Stanford. Fiddleford would have had to worry about violence against himself and his family’s view of him, which he would likely worry about as he has shown signs of anxiety [But this may just be because of trauma]

It appears Fiddleford and his wife got married quickly when he left college which makes it all the more suspicious, whilst it could be they were high school sweethearts or an out of wedlock situation, it is more likely it's his fear of being outed that led to such a quick decision. [I will talk for about him and Emma-May later]

-Stanford was also in a position not to pursue anything as it can be assumed Filbrick was not the best father due to him throwing a 17-year old Stanley onto the street with almost nothing, leaving him to the wolves after refusing to hear his side of the story, and not coming to Stanley’s funeral. Filbrick instead views Stanford as something to make him money with his talents which is why he's so angry at Stanley for ruining their chances.

This would put stress on Stanford as to not disappoint his father and be the perfect child and it can be assumed that Flibrick was homophobic as many were back then.

Deep bond

-They are close enough Stanford has a measuring system for Fiddleford’s restless legs, knee bounce per second, AKA KBPS

-Stanford knows Fiddleford’s favourite can of beans, and stocks them in the bunker

-Stanford calls Fiddleford his ‘friend’, ‘assistant’, ‘partner’, and ‘buddy’, putting him on the same level as himself, not putting him down until Bill manipulates him.

-Fiddleford could tell that something was wrong with Stanford, even the slightest movement when meditating clued him in as shown in one of the flashbacks.

This itself is further evidence of their bond as Stanford trusts him enough to let him into the worship room and meditates around him, which leaves Ford vulnerable to attacks

Even parallel Fiddleford knows this isn't his own, though that can be explained through an age difference.

-Fiddleford loves his banjos, having multiple collections of them such as the one in the Gideon Bot blueprint, but he uses them as a weapon to protect others, willing to break his most prized possession to help others. He does this twice for Stanford, once during Weirdmageddon and another time to save him directly from Krampus.

During this Krampus attack Fidds had just gotten back when he saved Stanford who was about to basically be murdered, all whilst Bill was nowhere to be found

-Fiddleford only really violates Stanford’s boundaries and trust after the memory gun and neglect of his mental health have come into the picture, he does this when he steals the book to create a thesis to try and help Ford, and when he used the memory gun on him [More on this later]

-Alex Hirsch refers to them as the kind of friends with the same kind of interests and humour

-After 30 years away there is a thought shown on the mind reading machine that just says ‘I’m sorry Fiddleford’, completely unprompted

-The ‘Sorry’ photo in general

-When they first met Ford saved Fiddleford from dropping out due to embarrassment

He stayed up 9 hours with a stranger to help him prove a theory

-Ford takes notice of Fiddleford’s reaction to the cubics cube and takes joy in messing with him, knowing he wont get angry at him

-Both recognize each other at weirdmageddon despite how long they have spent apart [Ford may have seen him in Dipper’s part of the journal, but Fidds, with brain damage, had no reason to recognize him]

-Despite disliking Fiddleford’s tobacco chewing habit Ford allows him to continue with it

-Fiddleford can read Stanley, who has similar mannerisms to Ford, like a book

This is after he has lost his memories, such as when he calls out Stan’s suspicious laughter

-When Fiddleford first arrives at Fords house he mentions being ‘overcome with emotion’ and is overjoyed to see him, going out of his way to buy him banjo strings and microchips

Despite having Bill he is very lonely and is very happy to see Fiddleford again, saying ‘the past few days have been the most energising I’ve had since I first came to this town!’

-Ford originally doesn't tell Fiddleford of Bill because he doesn't want Fiddleford to think he's insane or badly of him, as he knows his friend is superstitious

-Ford teaches Fiddleford to meditate to help with his anxiety

-Fiddleford chastises Ford for staying up too late and not getting enough sleep, to which Stanford is comfortable enough with him to make a retort

-Ford appears to look for Fiddleford after coming to his senses and is immediately remorseful

-Ford keeps comparing parallel Fiddleford to his own, showing how much he misses him

Obsessions

-Ford has an obsession with Bill and Work, worshipping both like gods

Despite this he takes time from work or Bill to spend with Fiddleford instead;

After the gremloblin incident Ford takes Fiddleford to a fair, he throws a christmas party for Fiddleford and when the shapeshifter attacks and ties up Fiddleford he immediately shuts all work he was doing with the shapeshifter down despite his obsession of learning about creatures [This could be because he nearly got his hands on the journals but he appears to have tried to get them before and this event was the catalyst]

-Fiddleford appears to be obsessed with Stanford and later the memory gun due to it

Fiddleford leaves his family very quickly to join someone he hasn't seen in over 6 years, which is the first sign, then he stays after being traumatised and put in near death situations.

This devotion is made obvious when he stays to help with the portal even after his thesis and ideas have been blown off and his safety ignored, only leaving after seeing the horrors beyond the portal. This leads into the memory gun.

Fiddleford creates this as a way to cope and be able to stay alongside Stanford and help him, because he starts using the memory gun instead of leaving this toxic situation after seeing the gremloblin he becomes addicted

The memory gun is symbolism for addiction and self-harm when it comes to Fiddleford, he is aware it might be doing damage later on but he cant stop using it, its implied he even used it after noticing he wasn't wearing a piece of clothing right, which may have been a side effect of the memory gun.

Unlike Stanford Fiddleford does not have anyone to help him realise how obsessed he is or stop him, so he only continues to spiral, making his anxiety and self-harm worse [His hair pulling is also self-harm, though less obvious]

His obsession with Stanford is what led to this sadly.

His obsessions lead to him stealing the book to create a thesis to try and help Ford, and using the memory gun on Stanford [He uses it on him for both unknown reasons and to stop him from remembering construction workers, as well as maybe witnessing him in the red cape using the gun on himself or others. Even then you have to remember Fiddleford had been using it on himself and was not in the right state of mind due to Ford’s neglect, as Fiddleford was repeatedly shown to be kind and have a big heart but as his mental state declined so did his morals] This is sad as it shows that Fiddleford knows its bad but is already showing signs of addiction when he first makes it.

This ultimately ends up with him breaking his own mind to a point where it scares and hurts BILL CIPHER, hurts him in a way he doesnt think is hilarious

Bill Cipher

-Both Bill and Fiddleford are obsessed with Stanford, though they go about it differently

Bill’s obsession destroys Stanford, Stanford’s obsession destroys Fiddleford and Fiddleford’s obsession destroys himself

Bill manipulates and guilt trips Ford into getting what he wants, often using flattery or a twisted form of it, feeding into Fords insecurities

Meanwhile at first Fiddleford is just doing whatever he can to help Stanford, only hurting him after the gremloblin incident that destroys his psyche

-Before Bill came along Ford admired Fiddleford for his ‘brilliant mind’, heart and trustworthiness, but Bill manipulated him into thinking lesser of those qualities of his, even then during the portal incident he calls Fiddleford ‘buddy’.

-Bill repeatedly tries to get rid of anything Fiddleford gets Ford

-Bill and Fiddleford have some similarities

For Stanford’s birthday Bill possessed a bunch of rats and used them to spell out his name [This is interesting due to both Ford and Bill having a tendency to mix up both love and fear, Ford not reacting properly to monsters when he should fear them but instead being fascinated], he then insists on taking Ford out for a drink, when Ford was not the most willing to [Contrasting to him willingly and even suggesting getting drunk with Fiddleford on Christmas after he saved him, drinking eggnog, despite not celebrating Christmas]

Meanwhile Fiddleford handmakes two gifts for Christmas for Ford, despite knowing Ford doesn't celebrate, which makes Ford very happy and makes him want to spend time with Fiddleford [Did Bill have this gift giving tradition beforehand or did he see a memory or dream of Fiddleford’s gift giving tendencies and copy it like he did with Ford’s love language of experiences? Or are they just that similar?]

Both are obsessed with Stanford; Bill using manipulation, flattery and guilt tripping to get what he wants from him, feeding into Ford’s insecurities and ego. Meanwhile Fiddleford is devoted to helping Stanford achieve his goals instead of his own like Bill is. Even when he uses the memory gun it's to help Stanford so he can continue working and so the construction workers can help the portal be built quicker.

Emma-May

-Emma-May and Fiddleford’s relationship appears to already be rocky when Ford calls him

Fiddleford is seen working out of the cluttered garage, instead of a building, this might show he isn't making much money which could cause strain as she would need to work more to help provide for her son

He is isolated from her in the garage and is seen playing his banjo in the garage instead of with his family around, he also appears to have made himself at home in the garage instead of inside his house

This could be seen as a mancave, which was often used by men who didn't love their wives and ‘needed time away from them’, this could be explained through Fiddleford just being neurodivergent though as he shows signs of being on the spectrum- and not every man with a mancave dislikes their wives

She was also rather quick to get divorced for the time when her husband is away getting money for them.

-There is also signs he might not have any romantic interest in Emma-May or women in general, and if he does it is far less than the feelings he has towards Stanford

He rather quickly leaves his wife to go after Stanford

He makes Stanford TWO Christmas gifts [One of which required 5 prototypes], but forgot to even buy her one [This could be because of the memory gun but as its not mentioned that he forgot to get his son anything it can be assumed he remembered his- and we know he loves Tate]

He makes a continued effort to get his son [and somewhat Stanford] back, the gobblewonker is implied to not be the only way he has tried to get Tate back as Tate seems very done with him, and Stanford and him reconnect as he easily forgives him despite everything. Yet he only seems to have tried to get his wife back once with the pterodactyl, the same amount of effort he gave his friend when he didn't come to his retirement party. In the end he isn't even shown trying to reconnect with her even in a friend or co-parent way after he’s regained his sanity.

The robot and raccoon wife can be explained through the same reason; Heteronormativity. In this context it could be seen as Fiddleford wanting to have a nuclear family and be ‘normal’ [AKA, not queer] or feeling pressured to, which might be why he married and had a child so young, seemingly right out of college. Raccoon wife and the robot could be seen as him trying to be ‘normal’ and disliking that its been taken from him, trying to get some semblance of his old life back.

Love language

-Someone on tumblr pointed out both Ford and Fiddleford’s love languages [I cannot find their post…]

-Ford’s love language is experiences

He invited Fiddleford to help him with portal in the first place

After the gremloblin incident Ford takes Fiddleford to a fair

The duo go hiking together to the spaceship

And the biggest one is the Christmas incident, he wants to spend time with Fiddleford after he gave him gifts but is unable to at the time and Bill tries to cheer him up with another experience… Only for Ford to be attacked by Krampus and saved by Fiddleford, he then decorates the portal room for a holiday he doesn't even celebrate and builds snowmen that resemble each other with him.

-Fiddleford’s love language is gift giving

He gives him a homemade snow globe [Which Ford accidentally breaks thanks to Bill]

He handmakes six-fingered gloves that required 5 prototypes [They later give Ford comfort]

He buys him a squash that looks like a face because it reminds him of Ford [Of which Ford wrote an entire page about before throwing out]

He gifts him an axolotl because it reminded him of his sideburns [Bill later manipulates him into getting rid of it after a lot of struggle from Ford]

Downright Suspicious

-When Fiddleford is called by Stanford he very quickly leaves his wife and son behind to travel to Gravity Falls and live alone with him in the woods without anyone living nearby for miles, somewhere nobody can see them work… Or interact

-Fiddleford designed the bunker with only one bed, one small bed for him and Ford to share

Several people have mentioned that they would have to be practically on top of eachother to fit on said bed

Fiddleford would not be aware that Stanford doesn't sleep, meaning they were planning on sleeping in the same bed together. This is furthered by the supplies for years into the future and having both of their belongings littered throughout the space, such as the shmez dispenser.

Stanford in the journal mentions losing Fiddleford’s shmez dispenser, this implies either he was moving stuff around or they were sharing it. And Fiddleford does not like people messing with his stuff, as shown with the cubics cube.

-In journal 3 at the end when Ford goes to see Fiddleford they sit by a furnace and Fiddleford plays on his banjo, Ford says he can practically see ‘the age lift off his face’.

A common thing in romance stories is thinking back on when the duo was younger together, this mimics that plot device.

-Ford draws Fiddleford more than once in journal 3

He usually only draws people once in the journal, but Fiddleford and his family get drawn more than once. This may mean he considers him as close as family

He also draws him from behind, obscuring his face as if Fiddleford doesnt know he is drawing him or if he feels guilty about doing so [Another common romance plot; drawing your crush without them knowing]

-Ford says Fiddleford has one of the biggest hearts he's ever seen, and says he used to hold him so dear

-Bill hates polyamory and calls Fiddleford a ‘third wheel’

Despite the Ford’s knowing each other longer

-Ford lets Fiddleford hug him during weirdmageddon and reciprocates despite disliking touch and only really being shown giving side hugs

Whether this is because he isnt used to Fiddleford full on hugging him or wasn't expecting to be forgiven and trusted so easily is up to debate, as the position leaves the back vulnerable to attack, showing how much Fiddleford trusts him.

They also shown in the ‘sorry’ photo in a side hug, hanging onto each other

-When Fiddleford brings up marriage Ford immediately shifts to him being thankful that Fiddleford is helping him.

-They stargazed together, one again a common romantic plot point

-In journal three there is a quote from when talking about the bunker's security system, ‘Sometimes I think how fortunate I am to be friends with F… because if this room is any indication, it would be terrifying to be his enemy’. This format is suspicious as the wording can make it seem joking, or make it seem like he is making an excuse for thinking this- and why would he feel weird for thinking this if there wasn't some sort of romantic undertones between them.

-In a livestream [‘Alex & Dana Charity Draw-A-Thon’ on TheMysteryofGF on youtube, at 45:48] When asked whether McGucket loves Ford, Alex says yes before expanding on that and calling them friends

At first I thought this was a way to get around Disney’s censors but later he confirms the deputy’s relationship

Story Importance

-Fiddleford is the only reason why Bill was able to be defeated

It took Ford around 30 years to build something able to destroy Bill, and it was a parallel Fiddleford that got him the final component to finish it, just looking at the weapon and knowing what it needed. Then the weapon that actually killed him was the memory gun, something that took Fiddleford under a year to create. [Maybe even in a couple of days whilst he wasn't in his right mind due to the gremloblin]

This combined with him and Ford's bond means Fiddleford is a real threat to Bill, as he keeps Ford grounded in reality and is smart enough to know something is wrong about what they are doing with the portal before anything happens, he even warns Ford, which makes him even more of a threat.

Bill attempts to manipulate Ford into distancing himself and thinking lowly of Fiddleford, and it works, for a period of time. It really shows how strong their bond is because while he is angry at Fiddleford leaving the event planted the seeds of doubt in his brain. Instead of continuing to trust Bill when he starts hearing things after years of being manipulated [Bill would even injure him! And Ford did not react like a person not being abused typically would in that situation], he realises Fiddleford was right and confronts Bill who likely realised that he could no longer manipulate him, as if he thought he could continue he would have, it would have been easier to reach his goal that way.

Fiddleford leaving is what caused Stanford to unravel as Fiddleford was the only one grounding him.

Stanford brushing off Fiddleford’s thesis and fears was the turning point as the ring the witch gave him turned black after this altercation

-Stanford has presumably been carrying the guilt of how he treated fiddleford for 30 years, this likely contributed to Stanford pushing others away and acting how he did towards his brother and family after leaving the portal, as he didn't have that someone that helped him trust others anymore, he's been alone for 30 years.

-Fiddleford was Ford’s first ever real friend outside his family

When he met Fiddleford he helped prove his theory and they finished it together and put both their names on it, this is important to the story as the reason Ford doesn't accept his thesis is because he is paranoid of somebody else stealing his theory. [Parallel Fiddleford and Ford even share a company together]

Furthering the previous point Ford was considering telling Fiddleford of his muse before finding out Fiddleford had created a thesis for him, a thesis where Fiddleford only credited Ford and based it off his work. Ford instead of taking this as Fiddleford wanting to help instead took it the wrong way due to his paranoia

Fiddleford didn't even notice Ford’s polydactyl when they first met and seems completely unbothered by it, basically brushing over it. Bill on the other hand makes a big deal of it, basically saying its why he can become one of Bill’s ‘freaks’, something he was called as a child.

Bill acts as if he is the only one to understand Ford and as if he is Ford’s first and only friend to manipulate him, despite Fiddleford understanding him so well he can tell something is wrong from the smallest movement when Mabel couldn't tell something was wrong with Dipper. 

It takes Bill a long time to drive the duo apart and change Ford’s views of Fiddleford into ‘he wouldnt understand’ as he knows Fiddleford could ruin his plans [Bill had been with Ford since the 2nd journal and had time to manipulate him before Fiddleford arrived, even with this considered his view of his friend is still positive once he sees him again. He may say he has no choice but to ask for help before seeing Fiddleford, yet he is very very happy upon Fiddleford arriving- this hints that Bill has already started manipulating his views]

Ford wants to be famous and Bill feeds into his ego on this, knowing Ford wants to prove himself. Fiddleford can't seem to understand this as he already sees Ford as normal, but he wants him to be happy, which is why he helps because if money makes him happy so be it. Fiddleford does not question it and reserves judgement.

-Thank you to @jellied-beans in the comments for pointing out something I missed! That being without Fiddleford they would not have been able to get in and rescue Ford and all the other civilians.

Jellied-beans points out that Stan did not want to go through with the plan to rescue Ford, but it was Fiddleford who took the lead despite only recently regaining and reliving the trauma Ford had put him through, and even after he and Ford's last interaction was cruel.

Fiddleford is also the only reason the Shack-A-Tron became a thing, as it was his engineering and planning that saw it become a reality. Without him it would have taken much longer to rescue Ford and everyone else

This situation also goes to prove Fiddleford does in fact have a big heart and is empathetic as he not only rescues the man whos hurt him and easily forgives him, but Stan mentions that he led a bunch refugees to the shack with him.

End note; I attempted to keep in any points I have found and tried not to leave any information out, as well as leaving in anything nuanced [Such as the Christmas gift situation maybe being caused by the memory gun]. I find this important as I’ve seen people arguing against the ship and calling it generally toxic, whilst leaving out crucial details such as Bill's manipulation, as well as people calling Fiddleford a bad person due to the whole memory gun thing and completely ignoring why he did it.

[As a side note Fiddauthor definitely toxic during the Bill era, but overall it's not, and unlike Billford they are able to mend their relationship as its built on understanding and genuine feelings, as shown by the parallel world where they were able to trust each other and repair their relationship]

I have not read the Book of Bill yet so this might be updated later, any BoB content on this is just what I have seen circulating around.

please stop associating the term neurodivergent with JUST autism and adhd. like please. there are so many ways to be neurodivergent and it’s not fair to assume that it’s just about autism adhd.

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Hello.I am Lubna. My family and I live in Gaza. Our lives have become more difficult than you can imagine. I am writing with the hope that you will hear my story.

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We lost 👉we lost security, comfort and family stability

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In case anyone is having a bad night:

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Here are some fun sites

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*tucks you in with fuzzy blanket* *pats your head*

You’ll be okay, friend <3

Growing up neurodivergent coupled with abuse (mainly emotional) definitely shaped the way I see myself gender wise and existing in general.

I felt like a frankenweenie of a person. A stitched up creature in the shape of a dog that wore a shirt and pants.

It felt like my main abuser, my creator, didn't want me to be a human. That for some reason other children were stitched up with love and fresh flesh in the shape of a human while I was stitched up and patched together with wooden screws and dead flesh in the shape of a dog. And when people asked what the smell was she always pointed to me as if I'd chosen to wear a rotten suit.

I sat stuffed with organs that didn't belong at the table with my creator and others like her and tried to pretend I was made up of the same stuff. Everyone tried to pretend too. But there's a difference between a human's company and a dog. My tail always hit the table in loud thumps until it fell off and I would crank my head to chew while everyone else ate normally. Something always ruined the already horrible disguise. And then the whole table would point out how truly horrible the disguise was. I would retreat to the ground with my ears folded in.

My creator wasn't afraid of telling me how the green mold and cracking of bones were becoming too much of a problem. Most days it felt like she had given up on even looking at me. She had a dog for a child and I knew myself that I was in no way better than a real child. I was a dog. No dog made up for a human. And no human wanted a dog for a child.

I see myself in the mirror and try to imagine a version of myself that's human. A womanly me, a manly me. But I still end up poking and shoving that dead flesh back into its stitch before I get dressed. I know I'm human. I know I'm human, but here's a disconnect between the words me and human.

(Most of my posts have been me talking about my experience with being neurodivergent and having cptsd since Tumblr for me is a place where a bunch of skrunkly humans join and be skrunkly humans for however long this site stands up so here's another post about that.)

Anyways, that's it for tonight I got to scroll all the way back through my last searched tag since my Tumble crashed.

It's a love hate relationship for me towards the fella, he was such a contradictory yet understandable person and as a neurodivergent person I found some serious similarities between him and people like me that fall under the category.

He wasn't some knight in shining armor but he is owed some due respect that I personally think The Great didn't do a good job at portraying even though they openly and I will admit pretty hilariously admit to not following the exact history as well as they could.

He had faults but it's important that people understand that neurodivergent people and royal who when where and whys have been demonized and negatively viewed throughout history. Especially to show favor and disfavor that would hopefully turn people's opinions willy nilly, Richard III of England is a good example of someone in history that was framed in bad light for political gain and what not.

We'll never really know because at the end of the day, he's dead and buried. But there's such an insane amount of assumptions around him that do more negative than positive when he himself didn't even want the title. There's always the annoying "They were a child" take but in his case, it's true. People's forget that most royals WERE young and if you haven't lived their life or a life similar you can't really understand the kind of damage someone takes going through some heavy weight like that and what all comes with it. He was orphaned too young and then brought up to be king of a country he didn't even want to commit to entirely. There's the theory that he was an age regressor and we can't really prove it but I think it has a fair standing. And if it isn't true, hey, adults can enjoy things people see as childish plenty.

It really sucks that in shows like The Great and so many more period dramas that the faces of historical figures are done such disservices by making them one dimensional people when there's too many dimensions to count. And besides, people sadly wouldn't be too interested in watching a show about a "Hideous" boy turned immature ruler along with his wife who was equally done as dirty as him and unprepared as him. Who's really good for a throne anyways?

Anyways, that's my rant and there's plenty I didn't cover and probably don't know anything about but it definitely rubbed me wrong that so many people don't actually look enough to scratch off the pure villain role he's been dealt.

Edited bit: He was a grown man yes again, there's no denying that. And I wouldn't even try to deny that.

Peter The Third of Russia, in my book, was somehow neurodiverse.

For the people who know him from the show ‘The Great,’ I do not like how that show portrayed him. From my research, he was less of an immature party boy, and more an awkward man who fully admitted he was not king material that happened to enjoy toys. Also, I could not find any reliable sources saying Peter abused animals, and, in fact, apparently some of the incidents described didn’t make a lot of sense when you look at the time period. (Pet bears were illegal in Russia when Peter supposedly shot his.)

Quick moral to the story: adults are allowed to own, collect, and play with toys, and still be mature people.

My second post about Beau is Afraid tonight an I have to say. It does an amazing job reminding you of all the things you went through with an emotionally abusive and or abusive in general parent and especially mother.

You sit in your seat thinking and thinking and then, the thinking stops. You'll go about your life forgetting it all again to protect yourself when you aren't protecting yourself at all. Because those habits are as rooted in you as the stains from the pumpkin smashed on gravel and left for weeks. You'll go back to a version of your mind before remembering and when someone asks about your childhood and your parents in particular you'll most likely say "I dunno." or brush it off in general. You can't take the time to remember right now and you don't know if you're actually remembering it right or if it's all true. You don't want to face the truth. If you're wrong you're accusing your parent of something you can't take back. Because your parent is your parent and you shouldn't feel that way because they did so much for you so bury it. Bury it deep or it'll come up and something bad will happen because it always does. A bit of a rant that went of the rails but yeah. Good job to everyone that worked on it y'all did bomb!

Beau is Afraid to me is a perfect representation of the abusive relationship between a parent and child.

The panic attacks and disassociation are no new story to the people watching it and at times it feels like it's happening exactly to you the way the movie draws you into the shoes of Beau himself.

The phone call between Beau and Mona is perfectly drawn out. The nerve in Beau's voice and the immediate disconnect between them emotionally are perfectly done. The silence tells you what you need to know, Beau is terrified of Mona and Mona has a hate for Beau that she can't even grasp herself. Disappointment not at the situation but at Beau. At Beau simply because he's her son and she's his mother.

When Beau hears Mona finally admit to hating Beau we see Beau snap. He loves his mother, he believes that she loves him even when he confesses his frustration and concerns in their relationship. He hears the person that practically controls his throughts, his emotions, his living situation, what stree he's on, the money he spends, and even the color shirt he wears hates him. He believes that Mona was protecting him from the outside world in some way he's finally understood that his mother wasn't protecting him. Mona wasn't helping him and she didn't even love him. He trusted her with his life and she hated him. He goes from kissing her legs begging to be forgiven to do anything to be forgiven to choking her.

When Beau is screaming for help from anyone, literally anyone. We see his eyes perfectly reflect the moment he knows no one will help him. He's trapped dying the death his mother planned for him with his feet stuck in the boards and not a single person believes that he's worthy of help or willing to help him. He's completely and utterly alone. Like the version of himself that was curled up crying on the forest ground because he searched for a home and comfort (interpreted family being comfort for him in general) in every corner of the world that the okay in his head could think of and it left him cold and hungry with just the hat on his head. Take this moment as a parallel to him sinking in the boat. He's searched in all the places his mother allowed him to search for some form of comfort from her and he's left without her love or her help in the end. Deprived of love, blamed by his mother for every emotion she felt raising him and accused of not caring at all. The masked woman telling him about his sins and guilts could be the voice in his head that agrees with his mother or the voice of his mother in general. Finally, we see him drowning and struggling under the pressure he's been convinced he created for himself and the story ends. And it's the perfect ending. It's so fucking horrible and perfect at the same time. My fucking God this movie was amazing.

Hell yeah! Transness is no one way street and it ain't clear as a blue sky.

Your transness is whatever you want it to be with no care or concern towards others because they don't hold your soul. You do.

If an individual trans man did transition as a trauma response to misogyny, or a trans woman did identify as such because it's tied to her kinks, both of them would still be valid. Every reason for being trans is valid. When transphobes bring out those canards, we act like those are hideous things to be when we should be treating them like reductive stereotypes that are one of ten million different reasons someone might identify the way they do. Neither inherently undermines other trans people.

When you say "how dare you accuse me of being a disgusting faker like that" you're playing by transphobic society's rules. Do not believe that you can convince them your masculinity is truly destiny built into you from birth, or that your femininity is squeaky clean.

This was forever ago but I watched a version of Beauty and the Beast on Amazon and they really amped up the character playing the beasts' disfigurement and I was pretty disappointed when they didn't really portray it better and gave him barely a quarter of his face's worth of a scar.

They had him wear a mask and everything and I feel it might really be because of the budget that it wasn't done better and the fact that disabilities for disabled people might seem worse to them than others since they're entitled to the way they feel towards it but they even had the cast act as if he was some horrid beast when he had barely any difference from before he was injured (like Nicholas Cage in Birdie, he couldn't even look at his face and it was suspected that it might not have been a major injury but it was amped up for him personally to the point he couldn't even show it).

I'm not good at wording this stuff but I wish people gave characters more than a single scar to signify a serious injury or even a small one like a piercing not healing well and causing keloids. That's all, that's the post.

I think people who add scars to character designs just to 'make them more interesting' need to stop being absolute cowards when it comes to keloids or actually realistic burns