This Potato Better Bring Me A Golden Potato.

Brokeback Mountain probably stole this. Or this stole this from Brokeback Mountain. Not sure, but one em has their pockets fuller than when they walked in.

Very late but that second to last paragraph is too relatable my gods. They really captured that dread and constant nerve of never actually being alone. Never having a single breath be without the anxiety of what could come if you fucked up or accidentally fell into the same room as a mind reader that somehow heard everything you were thinking and would relay it to whatever person you wanted to have hear it the least. This movie traumatized me in a good way.

Beau is Afraid is the movie I have been waiting for

!Spoilers Ahead! *LONG POST*

TW: Child Abuse, Gaslighting, Narcissistic Abuse, Strangulation, Discussions of Severe Anxiety

Like many people I knew Ari Aster as the guy who made Hereditary and Midsommar. Weird and trauma focused horror and that is definitely what Beau is Afraid is classified as, but it is nothing like his previous films.

To summarize, Beau is afraid starts off with Beau meeting his therapist (well it literally starts with Beau being born but i digress) and here we learn that Beau has a severe and crippling anxiety disorder. From the moment Beau starts talking about his mother I knew exactly what this movie was going to be about(though i don’t think anyone could guess the plot). We see that he is planning to visit his mother the next day because it’s the anniversary of his fathers death. Due to unforeseen circumstances Beau oversleeps and as he is rushing his keys get stolen out of his door along with his suitcase. Beau calls to tell his mom just wanting to tell her what’s happened and as she began to speak I got immediately triggered. You can see him sink into a shell of himself as she tries to make him feel guilty for thinking he should stay at home since someone has access to his apartment. She hangs up on him and Beau begins to lose it a little bit.

A lot of things domino fall and this leads to Beau getting locked out of his apartment (this also leads to the first time we see Beau experience something i’ve never seen so perfectly portrayed in a film. executive dysfunction. and it happens multiple times, he simply freezes in place even though he knows he should move. Part of it is definitely his anxiety as he is afraid to move because thats a decision and he doesn’t want the responsibility of what comes after a decision)and learning that his mother was killed by a falling chandelier. Then we see him get hit by a car. He ends up in the care of a family and long story short he has to run from them and ends up in the woods with a theatre troupe.

This is important because we learn that Beau’s biggest dream is to simply have a job and home of his own with a family that loves him. That’s his perfect future, but even as he’s seeing it playing out his kind can’t help but conjure up the worst case scenarios. We also see it repeated here that Beau can’t have kids because he can’t have sex because of a genetic heart murmur that killed his father. After Beau is separated from the theatre troupe he makes his way to his mothers house(though he should have been healing after being hit by a car and being stabbed his ONLY CONCERN was his mother not being humiliated by not being buried). When he sees her body he isn’t at peace yet but he lays down and gets his first night of good rest in days. When he wakes up he is greeted with his old friend Elaine who asked him to wait for her and he did. Long story short, Beau and her have sex. He is under the direct impression he is going to die when this happens.

But he doesn’t. However, Elaine does. He is rightfully terrified and cowers in fear until the music Elaine was playing suddenly shuts off and he looks up to find none other than his mother staring back at him. She faked her death to get him home and then tries to turn this on Beau saying he couldn’t wait for her to die, when Beau admits he knew she was alive because of the birthmark on the hands on the body. But she’s not done. Out of the shadows steps Beau’s therapist as his mother begins playing a recording of one of his sessions where Beau admits reluctantly that he felt his mothers love was conditional. Since he feels like he has nothing to lose he chooses to finally confront his mother about the dream he has where he sees an identical version of himself ask about his father because Beau isn’t brave enough and he asks where his father is.

His mother takes him to the attic from the dream and tells him to go up there telling him it wasn’t a dream, it was a memory. There Beau meets his twin brother and his father(it’s a lot more batshit than this but that’s the gist of it). He begs to go back down and his mother finally lets him and he LITERALLY KISSES HER LEGS telling her he’s sorry. But she’s still not done. She goes on a whole tirade about how her mother blamed her for her mothers mistakes completely missing how she’s doing the same to Beau. She continues to berate him until she finally says what she means. She hates Beau. And at that point Beau puts his hands around her throat, strangling her. He eventually comes to his senses and lets her go, shocked at his own actions, but the damage has been done, she collapses and dies.

Beau leaves the house the look of shock frozen on his face and he reaches a motorboat on his mothers private little beach. He starts the motor and begins to drive the boat towards a cavern. For the first time the whole movie Beau seems like he might no longer be afraid. Until the motor mysteriously sputters and here’s where shit gets VERY REAL. SERIOUSLY IF YOU HAVE NOT SEEN THE MOVIE GO WATCH IT BEFORE CONTINUING.

Beau is sitting in darkness for a few seconds and suddenly this cavern is flooded with light and he sees no, it’s not actually a cavern at all. It’s a stadium filled with people. They are all watching him. Through his (and the audiences) confusion a voice booms from a microphone. When Beau finds the source he is shocked to see that it is coming from a man on a mini stage high in the stadium sitting next to his mother. From a giant 4 sided jumbotron video plays of moments from Beau’s life dating back to when he was NINE. YEARS. OLD. All of of which is taken out of context. Beau’s only “defense” is a shitty lawyer who has yell because he wasn’t given a microphone and even when he is heard and things his lawyer says are reasonable his mothers lawyer simply writes it off and moves onto the next thing he’s “done wrong”. (To me this represents all of the times Beau tried to reason with his mother and make her see his side before he just had to succumb to her will for survival, because you can’t reason with a narcissist.) When his defense is literally thrown from his stage and dies on a steep rock Beau is left to defend himself. Through his anxiety and fear he still tries to make them see his side, but Beau is found to be guilty. He never really loved his mother, he was a manipulative child who took from her and never gave anything back.

As this is all coming to a close the motor on the boat begins to flame and the boat begins to sink. Beau is begging, pleading, screaming, for his mother as she watches him in distress. As the entire arena of people watches him struggling and does nothing. We can see the exact moment Beau succumbs to his fate, he says nothing and for the first time in the whole film his shoulders droop. All of his anxiety is gone. He knows his mother won’t help him, that no one will. And the look that crosses his face is one I understood so deeply. One of anger that he dedicated his life to this woman, one of realization that he couldn’t trust anyone, one of sadness that he was truly alone. And I relate to that so deeply.

I remember people talking about the relationship between Joy and Evelyn in Everything Everywhere All at Once and while I definitely relate to their story somewhat there was something missing and I didn’t know what it was until I saw Beau is Afraid.

On the one hand there’s the constant twisting of Beau’s actions that is particularly triggering to me. Him living in one of his mothers apartment buildings and using a card with her money is turned on him when for one thing the apartment is shitty and he is constantly in fear for his life. Number 2 the card was given to him by her to use, because Beau is literally agoraphobic because of HER ACTIONS. He can’t hold down a job even if he wanted to. His whole life is his therapist and his home. I find it so strange that mothers like this will stifle any interest their child has that falls outside of what they want for them and literally block them from opportunities to advance, but then get upset when their kids aren’t able to function on their own as adults.

But that’s not the main thing that stuck out to me and made me realize I had been carrying this massive weight with me I couldn’t explain.

This ever present fear I felt living with my mother that just never left. This feeling that she was always watching me even when I wasn’t with her and that I couldn’t trust anyone because they would turn them against me eventually. That I couldn’t say bad things about her because the words would find their way back to her. When I was actively going to therapy I would triple check my phone to make sure I didn’t accidentally dial her and she could every word I was saying. That’s how terrifying it feels and I’ve never seen that captured on screen. Tears were streaming down my face as I watched Beau’s cries be ignored and as people just let him die. In the silence of the theater I simply stared at the place Beau had been and thought “you have to leave, you have to get out.”

!End of Spoilers!

It’s a great movie and I think you should definitely go see it if you have 3 hours to spare. I’ve personally seen it twice and I relate so much to Beau it’s kinda scary. Sorry for this long post I wonder what anyone who saw it thinks though, i’d like to hear new perspectives. Now time to watch Queen Charlotte for something lighter 😭

My favorite dynamics firstly include lovers to friends except the relationship is stronger and or friendly and does not come in the way of any relationships they have after (points if they're aspec).

Secondly, people who decide to raise children together platonically biological, adopted, or so and so (points again if they have separate lives that do not interfere with each other, spend literally every waking moment together, or live the world's best and ideal romantic and sexual relationship would seem but aren't romantically involved).

Thirdly, "I have a car." "Cool, I've been wanting to leave this place since the moment I breathed the air here want to hop in and ditch?" "Yeah that works." (It's leaving home for bigger and better things, that's it).

Growing up neurodivergent coupled with abuse (mainly emotional) definitely shaped the way I see myself gender wise and existing in general.

I felt like a frankenweenie of a person. A stitched up creature in the shape of a dog that wore a shirt and pants.

It felt like my main abuser, my creator, didn't want me to be a human. That for some reason other children were stitched up with love and fresh flesh in the shape of a human while I was stitched up and patched together with wooden screws and dead flesh in the shape of a dog. And when people asked what the smell was she always pointed to me as if I'd chosen to wear a rotten suit.

I sat stuffed with organs that didn't belong at the table with my creator and others like her and tried to pretend I was made up of the same stuff. Everyone tried to pretend too. But there's a difference between a human's company and a dog. My tail always hit the table in loud thumps until it fell off and I would crank my head to chew while everyone else ate normally. Something always ruined the already horrible disguise. And then the whole table would point out how truly horrible the disguise was. I would retreat to the ground with my ears folded in.

My creator wasn't afraid of telling me how the green mold and cracking of bones were becoming too much of a problem. Most days it felt like she had given up on even looking at me. She had a dog for a child and I knew myself that I was in no way better than a real child. I was a dog. No dog made up for a human. And no human wanted a dog for a child.

I see myself in the mirror and try to imagine a version of myself that's human. A womanly me, a manly me. But I still end up poking and shoving that dead flesh back into its stitch before I get dressed. I know I'm human. I know I'm human, but here's a disconnect between the words me and human.

(Most of my posts have been me talking about my experience with being neurodivergent and having cptsd since Tumblr for me is a place where a bunch of skrunkly humans join and be skrunkly humans for however long this site stands up so here's another post about that.)

Anyways, that's it for tonight I got to scroll all the way back through my last searched tag since my Tumble crashed.

Save my father 😭💔

I'm Omar, my father

My friend, please save my father. It's on my deathbed, my father's bad condition. I can't do anything I hope you can help us, my friend. Please. 💔💔🥺☹️

I try to ask others for money, no one wants to help me. I'm so frustrated. I can't help my father from death 💔

I'm afraid to lose my parents, please help me 💔🍉

My father is now in the hospital, and we need money to be able to have my father's operations💔😞

We don't have enough money to do all this. I'm helpless, my friend, I'm afraid to lose my parents. Please help me and send me money so I can provide all this for my parents. Please, please. 💔💔☹️🍉

Please donate with your donation my father will save my friend I am afraid to lose my father please donate to us your donation contributes to saving my remaining father from the rest of my family 🙏💔

gofundme.com

Donate to Help Omar evacuate Gaza and help his family, organized by Samy Hammad

I am Omar Mazen Rabah Hammad, I am 18 years old and I live in Gaza. Before the… Samy Hammad needs your support for Help Omar evacuate Gaza a

Share my campaign 🙏

Verified : @90-ghost

Thank you all 🍉🇵🇸

Sometimes growing up is being given a large left boot all polished and pretty but nothing else and being told that "You'll grow into it someday." they've given you nothin' but a boot and expect you to hobble around barefoot until it fits.

So you stuff it in your drawer for that someday while walking around barefoot waiting for the day the shoe fits. It'll fit you someday. And you'll fit it back someday. Someday.

You open the drawer over and over again thinking "Maybe today is the day." but it isn't. You sit there wanting to cry because your feet are sore and tired with your skin begging to finally fall off the bone and you've been waiting for the damn shoe to fit all this time. To just fucking fit you. Fucking fit you because you were told it would and you've only those words to trust.

Years go by, and the shoe still don't fit. Either it's too big or too small for your foot. You've torn holes into it trying to force it to fit your foot and it's holding on by string and leather. It's far from the perfect boot it was when you first got it. And a whole lot closer to a single torn sole of a boot left in some small town backyard.

All you know is that it'll fit you. And you've had nothing but the focused pain in your scabbed feet to carry you around. It has to fit you. It has to. It has to or you've spent all this time waiting for it to fit and it never will. Then you focus on the never will part. Really, what if it never does? If it never does and you've spent all the time in pain waiting and waiting and waiting for nothing? Dese God you hope that's not it.

It's been decades and there's all kinds of shoe stores in your area with good boots looking real pretty in the windows. You hold out. You refuse to buy them because your boot WILL fit. It WILL. You go home and look in that drawer one last time. Dig the left boot out and put it on your begging left foot. There are two ways this can go although those two ways can lead to different things in the future. Way one, it doesn't fit. Again, it's too small or too big. You sit there frustrated because its been decades and you're not sure if the boot has decades more to go based on how worn it is. You're not sure if your feet have decades based on how worn they are. You're not sure if you have decades. Now what? Way two, it does fit. It finally fits. But, you only have a single left boot. You've waited all this time and there's no right boot to fit your worn and torn right foot. Now what?

Those two ways can lead to plenty of now whats. You waited decades for a single boot to fit you and for a single foot to fit it back. And it was all in vain. You have no shoe you can depend on now because it's all frilled leather and frayed lace that's one try on away from turning into dust. And it was all in vain. You wonder for the rest of your life about that boot. There'll be plenty of other boots and but they'll never be that boot. Solace is both found and not found.

That's it. Sometimes your childhood is a boot that you're waiting to fit so bad it becomes a religion and that's all you have to go off of. This is a 10:38 rant so yeah. Yeah that's it.

This was forever ago but I watched a version of Beauty and the Beast on Amazon and they really amped up the character playing the beasts' disfigurement and I was pretty disappointed when they didn't really portray it better and gave him barely a quarter of his face's worth of a scar.

They had him wear a mask and everything and I feel it might really be because of the budget that it wasn't done better and the fact that disabilities for disabled people might seem worse to them than others since they're entitled to the way they feel towards it but they even had the cast act as if he was some horrid beast when he had barely any difference from before he was injured (like Nicholas Cage in Birdie, he couldn't even look at his face and it was suspected that it might not have been a major injury but it was amped up for him personally to the point he couldn't even show it).

I'm not good at wording this stuff but I wish people gave characters more than a single scar to signify a serious injury or even a small one like a piercing not healing well and causing keloids. That's all, that's the post.

I think people who add scars to character designs just to 'make them more interesting' need to stop being absolute cowards when it comes to keloids or actually realistic burns

Fiddauthor may be canon, let’s discuss

At first glance this relationship appears to be completely fanon, but when you dig into it there's actually a lot more to Stanford and Fiddleford’s relationship than meets the eye.

This is a compilation of evidence [And slight analysis] so if I have missed anything or if anything is wrong, please let me know.

Warning: Long post ahead

Setting

-As @ratsbanes mentions during Stanford and Fiddleford’s college years the aids crisis was going on, during this time there was a lot of misinformation and fear mongering as it was falsely thought that only queer men could be affected. This event is very significant in queer history and needs to be considered when looking at their relationship.

-Fiddleford came from a hog farm in Tennessee, a deeply religious state, and as he is told to be superstitious, crossing himself when walking over graves, it can be assumed he too is religious

Religions in the same circle as Christianity tend to hold homophobic views as was common during this time

This creates religious guilt for queer people

-Queer politics were becoming a hot topic and most of society was homophobic during this period, there is a chance it was still illegal to be queer whilst they were in college, depending on where they were

This led to a lot of violence against queer people and a very real fear of being outed as it could have dire consequences

There was even programs in the military dedicated to having ‘gay spies’ to act queer and attract gay men in the military so they could be punished or discharged

There was also the Vietnam war going on, causing political unrest and many protests, america being very unstable during this period

-Lavender marriages [Marriages between heterosexuals and homosexuals, often to conceal the latters sexuality] were still common

-Putting this altogether into Fiddleford’s character it could create a very real feeling of religious guilt and fear of being outed that could of led to him entering a lavender marriage instead of staying with Stanford. Fiddleford would have had to worry about violence against himself and his family’s view of him, which he would likely worry about as he has shown signs of anxiety [But this may just be because of trauma]

It appears Fiddleford and his wife got married quickly when he left college which makes it all the more suspicious, whilst it could be they were high school sweethearts or an out of wedlock situation, it is more likely it's his fear of being outed that led to such a quick decision. [I will talk for about him and Emma-May later]

-Stanford was also in a position not to pursue anything as it can be assumed Filbrick was not the best father due to him throwing a 17-year old Stanley onto the street with almost nothing, leaving him to the wolves after refusing to hear his side of the story, and not coming to Stanley’s funeral. Filbrick instead views Stanford as something to make him money with his talents which is why he's so angry at Stanley for ruining their chances.

This would put stress on Stanford as to not disappoint his father and be the perfect child and it can be assumed that Flibrick was homophobic as many were back then.

Deep bond

-They are close enough Stanford has a measuring system for Fiddleford’s restless legs, knee bounce per second, AKA KBPS

-Stanford knows Fiddleford’s favourite can of beans, and stocks them in the bunker

-Stanford calls Fiddleford his ‘friend’, ‘assistant’, ‘partner’, and ‘buddy’, putting him on the same level as himself, not putting him down until Bill manipulates him.

-Fiddleford could tell that something was wrong with Stanford, even the slightest movement when meditating clued him in as shown in one of the flashbacks.

This itself is further evidence of their bond as Stanford trusts him enough to let him into the worship room and meditates around him, which leaves Ford vulnerable to attacks

Even parallel Fiddleford knows this isn't his own, though that can be explained through an age difference.

-Fiddleford loves his banjos, having multiple collections of them such as the one in the Gideon Bot blueprint, but he uses them as a weapon to protect others, willing to break his most prized possession to help others. He does this twice for Stanford, once during Weirdmageddon and another time to save him directly from Krampus.

During this Krampus attack Fidds had just gotten back when he saved Stanford who was about to basically be murdered, all whilst Bill was nowhere to be found

-Fiddleford only really violates Stanford’s boundaries and trust after the memory gun and neglect of his mental health have come into the picture, he does this when he steals the book to create a thesis to try and help Ford, and when he used the memory gun on him [More on this later]

-Alex Hirsch refers to them as the kind of friends with the same kind of interests and humour

-After 30 years away there is a thought shown on the mind reading machine that just says ‘I’m sorry Fiddleford’, completely unprompted

-The ‘Sorry’ photo in general

-When they first met Ford saved Fiddleford from dropping out due to embarrassment

He stayed up 9 hours with a stranger to help him prove a theory

-Ford takes notice of Fiddleford’s reaction to the cubics cube and takes joy in messing with him, knowing he wont get angry at him

-Both recognize each other at weirdmageddon despite how long they have spent apart [Ford may have seen him in Dipper’s part of the journal, but Fidds, with brain damage, had no reason to recognize him]

-Despite disliking Fiddleford’s tobacco chewing habit Ford allows him to continue with it

-Fiddleford can read Stanley, who has similar mannerisms to Ford, like a book

This is after he has lost his memories, such as when he calls out Stan’s suspicious laughter

-When Fiddleford first arrives at Fords house he mentions being ‘overcome with emotion’ and is overjoyed to see him, going out of his way to buy him banjo strings and microchips

Despite having Bill he is very lonely and is very happy to see Fiddleford again, saying ‘the past few days have been the most energising I’ve had since I first came to this town!’

-Ford originally doesn't tell Fiddleford of Bill because he doesn't want Fiddleford to think he's insane or badly of him, as he knows his friend is superstitious

-Ford teaches Fiddleford to meditate to help with his anxiety

-Fiddleford chastises Ford for staying up too late and not getting enough sleep, to which Stanford is comfortable enough with him to make a retort

-Ford appears to look for Fiddleford after coming to his senses and is immediately remorseful

-Ford keeps comparing parallel Fiddleford to his own, showing how much he misses him

Obsessions

-Ford has an obsession with Bill and Work, worshipping both like gods

Despite this he takes time from work or Bill to spend with Fiddleford instead;

After the gremloblin incident Ford takes Fiddleford to a fair, he throws a christmas party for Fiddleford and when the shapeshifter attacks and ties up Fiddleford he immediately shuts all work he was doing with the shapeshifter down despite his obsession of learning about creatures [This could be because he nearly got his hands on the journals but he appears to have tried to get them before and this event was the catalyst]

-Fiddleford appears to be obsessed with Stanford and later the memory gun due to it

Fiddleford leaves his family very quickly to join someone he hasn't seen in over 6 years, which is the first sign, then he stays after being traumatised and put in near death situations.

This devotion is made obvious when he stays to help with the portal even after his thesis and ideas have been blown off and his safety ignored, only leaving after seeing the horrors beyond the portal. This leads into the memory gun.

Fiddleford creates this as a way to cope and be able to stay alongside Stanford and help him, because he starts using the memory gun instead of leaving this toxic situation after seeing the gremloblin he becomes addicted

The memory gun is symbolism for addiction and self-harm when it comes to Fiddleford, he is aware it might be doing damage later on but he cant stop using it, its implied he even used it after noticing he wasn't wearing a piece of clothing right, which may have been a side effect of the memory gun.

Unlike Stanford Fiddleford does not have anyone to help him realise how obsessed he is or stop him, so he only continues to spiral, making his anxiety and self-harm worse [His hair pulling is also self-harm, though less obvious]

His obsession with Stanford is what led to this sadly.

His obsessions lead to him stealing the book to create a thesis to try and help Ford, and using the memory gun on Stanford [He uses it on him for both unknown reasons and to stop him from remembering construction workers, as well as maybe witnessing him in the red cape using the gun on himself or others. Even then you have to remember Fiddleford had been using it on himself and was not in the right state of mind due to Ford’s neglect, as Fiddleford was repeatedly shown to be kind and have a big heart but as his mental state declined so did his morals] This is sad as it shows that Fiddleford knows its bad but is already showing signs of addiction when he first makes it.

This ultimately ends up with him breaking his own mind to a point where it scares and hurts BILL CIPHER, hurts him in a way he doesnt think is hilarious

Bill Cipher

-Both Bill and Fiddleford are obsessed with Stanford, though they go about it differently

Bill’s obsession destroys Stanford, Stanford’s obsession destroys Fiddleford and Fiddleford’s obsession destroys himself

Bill manipulates and guilt trips Ford into getting what he wants, often using flattery or a twisted form of it, feeding into Fords insecurities

Meanwhile at first Fiddleford is just doing whatever he can to help Stanford, only hurting him after the gremloblin incident that destroys his psyche

-Before Bill came along Ford admired Fiddleford for his ‘brilliant mind’, heart and trustworthiness, but Bill manipulated him into thinking lesser of those qualities of his, even then during the portal incident he calls Fiddleford ‘buddy’.

-Bill repeatedly tries to get rid of anything Fiddleford gets Ford

-Bill and Fiddleford have some similarities

For Stanford’s birthday Bill possessed a bunch of rats and used them to spell out his name [This is interesting due to both Ford and Bill having a tendency to mix up both love and fear, Ford not reacting properly to monsters when he should fear them but instead being fascinated], he then insists on taking Ford out for a drink, when Ford was not the most willing to [Contrasting to him willingly and even suggesting getting drunk with Fiddleford on Christmas after he saved him, drinking eggnog, despite not celebrating Christmas]

Meanwhile Fiddleford handmakes two gifts for Christmas for Ford, despite knowing Ford doesn't celebrate, which makes Ford very happy and makes him want to spend time with Fiddleford [Did Bill have this gift giving tradition beforehand or did he see a memory or dream of Fiddleford’s gift giving tendencies and copy it like he did with Ford’s love language of experiences? Or are they just that similar?]

Both are obsessed with Stanford; Bill using manipulation, flattery and guilt tripping to get what he wants from him, feeding into Ford’s insecurities and ego. Meanwhile Fiddleford is devoted to helping Stanford achieve his goals instead of his own like Bill is. Even when he uses the memory gun it's to help Stanford so he can continue working and so the construction workers can help the portal be built quicker.

Emma-May

-Emma-May and Fiddleford’s relationship appears to already be rocky when Ford calls him

Fiddleford is seen working out of the cluttered garage, instead of a building, this might show he isn't making much money which could cause strain as she would need to work more to help provide for her son

He is isolated from her in the garage and is seen playing his banjo in the garage instead of with his family around, he also appears to have made himself at home in the garage instead of inside his house

This could be seen as a mancave, which was often used by men who didn't love their wives and ‘needed time away from them’, this could be explained through Fiddleford just being neurodivergent though as he shows signs of being on the spectrum- and not every man with a mancave dislikes their wives

She was also rather quick to get divorced for the time when her husband is away getting money for them.

-There is also signs he might not have any romantic interest in Emma-May or women in general, and if he does it is far less than the feelings he has towards Stanford

He rather quickly leaves his wife to go after Stanford

He makes Stanford TWO Christmas gifts [One of which required 5 prototypes], but forgot to even buy her one [This could be because of the memory gun but as its not mentioned that he forgot to get his son anything it can be assumed he remembered his- and we know he loves Tate]

He makes a continued effort to get his son [and somewhat Stanford] back, the gobblewonker is implied to not be the only way he has tried to get Tate back as Tate seems very done with him, and Stanford and him reconnect as he easily forgives him despite everything. Yet he only seems to have tried to get his wife back once with the pterodactyl, the same amount of effort he gave his friend when he didn't come to his retirement party. In the end he isn't even shown trying to reconnect with her even in a friend or co-parent way after he’s regained his sanity.

The robot and raccoon wife can be explained through the same reason; Heteronormativity. In this context it could be seen as Fiddleford wanting to have a nuclear family and be ‘normal’ [AKA, not queer] or feeling pressured to, which might be why he married and had a child so young, seemingly right out of college. Raccoon wife and the robot could be seen as him trying to be ‘normal’ and disliking that its been taken from him, trying to get some semblance of his old life back.

Love language

-Someone on tumblr pointed out both Ford and Fiddleford’s love languages [I cannot find their post…]

-Ford’s love language is experiences

He invited Fiddleford to help him with portal in the first place

After the gremloblin incident Ford takes Fiddleford to a fair

The duo go hiking together to the spaceship

And the biggest one is the Christmas incident, he wants to spend time with Fiddleford after he gave him gifts but is unable to at the time and Bill tries to cheer him up with another experience… Only for Ford to be attacked by Krampus and saved by Fiddleford, he then decorates the portal room for a holiday he doesn't even celebrate and builds snowmen that resemble each other with him.

-Fiddleford’s love language is gift giving

He gives him a homemade snow globe [Which Ford accidentally breaks thanks to Bill]

He handmakes six-fingered gloves that required 5 prototypes [They later give Ford comfort]

He buys him a squash that looks like a face because it reminds him of Ford [Of which Ford wrote an entire page about before throwing out]

He gifts him an axolotl because it reminded him of his sideburns [Bill later manipulates him into getting rid of it after a lot of struggle from Ford]

Downright Suspicious

-When Fiddleford is called by Stanford he very quickly leaves his wife and son behind to travel to Gravity Falls and live alone with him in the woods without anyone living nearby for miles, somewhere nobody can see them work… Or interact

-Fiddleford designed the bunker with only one bed, one small bed for him and Ford to share

Several people have mentioned that they would have to be practically on top of eachother to fit on said bed

Fiddleford would not be aware that Stanford doesn't sleep, meaning they were planning on sleeping in the same bed together. This is furthered by the supplies for years into the future and having both of their belongings littered throughout the space, such as the shmez dispenser.

Stanford in the journal mentions losing Fiddleford’s shmez dispenser, this implies either he was moving stuff around or they were sharing it. And Fiddleford does not like people messing with his stuff, as shown with the cubics cube.

-In journal 3 at the end when Ford goes to see Fiddleford they sit by a furnace and Fiddleford plays on his banjo, Ford says he can practically see ‘the age lift off his face’.

A common thing in romance stories is thinking back on when the duo was younger together, this mimics that plot device.

-Ford draws Fiddleford more than once in journal 3

He usually only draws people once in the journal, but Fiddleford and his family get drawn more than once. This may mean he considers him as close as family

He also draws him from behind, obscuring his face as if Fiddleford doesnt know he is drawing him or if he feels guilty about doing so [Another common romance plot; drawing your crush without them knowing]

-Ford says Fiddleford has one of the biggest hearts he's ever seen, and says he used to hold him so dear

-Bill hates polyamory and calls Fiddleford a ‘third wheel’

Despite the Ford’s knowing each other longer

-Ford lets Fiddleford hug him during weirdmageddon and reciprocates despite disliking touch and only really being shown giving side hugs

Whether this is because he isnt used to Fiddleford full on hugging him or wasn't expecting to be forgiven and trusted so easily is up to debate, as the position leaves the back vulnerable to attack, showing how much Fiddleford trusts him.

They also shown in the ‘sorry’ photo in a side hug, hanging onto each other

-When Fiddleford brings up marriage Ford immediately shifts to him being thankful that Fiddleford is helping him.

-They stargazed together, one again a common romantic plot point

-In journal three there is a quote from when talking about the bunker's security system, ‘Sometimes I think how fortunate I am to be friends with F… because if this room is any indication, it would be terrifying to be his enemy’. This format is suspicious as the wording can make it seem joking, or make it seem like he is making an excuse for thinking this- and why would he feel weird for thinking this if there wasn't some sort of romantic undertones between them.

-In a livestream [‘Alex & Dana Charity Draw-A-Thon’ on TheMysteryofGF on youtube, at 45:48] When asked whether McGucket loves Ford, Alex says yes before expanding on that and calling them friends

At first I thought this was a way to get around Disney’s censors but later he confirms the deputy’s relationship

Story Importance

-Fiddleford is the only reason why Bill was able to be defeated

It took Ford around 30 years to build something able to destroy Bill, and it was a parallel Fiddleford that got him the final component to finish it, just looking at the weapon and knowing what it needed. Then the weapon that actually killed him was the memory gun, something that took Fiddleford under a year to create. [Maybe even in a couple of days whilst he wasn't in his right mind due to the gremloblin]

This combined with him and Ford's bond means Fiddleford is a real threat to Bill, as he keeps Ford grounded in reality and is smart enough to know something is wrong about what they are doing with the portal before anything happens, he even warns Ford, which makes him even more of a threat.

Bill attempts to manipulate Ford into distancing himself and thinking lowly of Fiddleford, and it works, for a period of time. It really shows how strong their bond is because while he is angry at Fiddleford leaving the event planted the seeds of doubt in his brain. Instead of continuing to trust Bill when he starts hearing things after years of being manipulated [Bill would even injure him! And Ford did not react like a person not being abused typically would in that situation], he realises Fiddleford was right and confronts Bill who likely realised that he could no longer manipulate him, as if he thought he could continue he would have, it would have been easier to reach his goal that way.

Fiddleford leaving is what caused Stanford to unravel as Fiddleford was the only one grounding him.

Stanford brushing off Fiddleford’s thesis and fears was the turning point as the ring the witch gave him turned black after this altercation

-Stanford has presumably been carrying the guilt of how he treated fiddleford for 30 years, this likely contributed to Stanford pushing others away and acting how he did towards his brother and family after leaving the portal, as he didn't have that someone that helped him trust others anymore, he's been alone for 30 years.

-Fiddleford was Ford’s first ever real friend outside his family

When he met Fiddleford he helped prove his theory and they finished it together and put both their names on it, this is important to the story as the reason Ford doesn't accept his thesis is because he is paranoid of somebody else stealing his theory. [Parallel Fiddleford and Ford even share a company together]

Furthering the previous point Ford was considering telling Fiddleford of his muse before finding out Fiddleford had created a thesis for him, a thesis where Fiddleford only credited Ford and based it off his work. Ford instead of taking this as Fiddleford wanting to help instead took it the wrong way due to his paranoia

Fiddleford didn't even notice Ford’s polydactyl when they first met and seems completely unbothered by it, basically brushing over it. Bill on the other hand makes a big deal of it, basically saying its why he can become one of Bill’s ‘freaks’, something he was called as a child.

Bill acts as if he is the only one to understand Ford and as if he is Ford’s first and only friend to manipulate him, despite Fiddleford understanding him so well he can tell something is wrong from the smallest movement when Mabel couldn't tell something was wrong with Dipper. 

It takes Bill a long time to drive the duo apart and change Ford’s views of Fiddleford into ‘he wouldnt understand’ as he knows Fiddleford could ruin his plans [Bill had been with Ford since the 2nd journal and had time to manipulate him before Fiddleford arrived, even with this considered his view of his friend is still positive once he sees him again. He may say he has no choice but to ask for help before seeing Fiddleford, yet he is very very happy upon Fiddleford arriving- this hints that Bill has already started manipulating his views]

Ford wants to be famous and Bill feeds into his ego on this, knowing Ford wants to prove himself. Fiddleford can't seem to understand this as he already sees Ford as normal, but he wants him to be happy, which is why he helps because if money makes him happy so be it. Fiddleford does not question it and reserves judgement.

-Thank you to @jellied-beans in the comments for pointing out something I missed! That being without Fiddleford they would not have been able to get in and rescue Ford and all the other civilians.

Jellied-beans points out that Stan did not want to go through with the plan to rescue Ford, but it was Fiddleford who took the lead despite only recently regaining and reliving the trauma Ford had put him through, and even after he and Ford's last interaction was cruel.

Fiddleford is also the only reason the Shack-A-Tron became a thing, as it was his engineering and planning that saw it become a reality. Without him it would have taken much longer to rescue Ford and everyone else

This situation also goes to prove Fiddleford does in fact have a big heart and is empathetic as he not only rescues the man whos hurt him and easily forgives him, but Stan mentions that he led a bunch refugees to the shack with him.

End note; I attempted to keep in any points I have found and tried not to leave any information out, as well as leaving in anything nuanced [Such as the Christmas gift situation maybe being caused by the memory gun]. I find this important as I’ve seen people arguing against the ship and calling it generally toxic, whilst leaving out crucial details such as Bill's manipulation, as well as people calling Fiddleford a bad person due to the whole memory gun thing and completely ignoring why he did it.

[As a side note Fiddauthor definitely toxic during the Bill era, but overall it's not, and unlike Billford they are able to mend their relationship as its built on understanding and genuine feelings, as shown by the parallel world where they were able to trust each other and repair their relationship]

I have not read the Book of Bill yet so this might be updated later, any BoB content on this is just what I have seen circulating around.

This was posted 2 years about but this is my exact process when going through books and information, it all ends up in a dump in some notes app or sticky note annotation.

happy 2nd anniversary to one of the weirdest online experiences I've ever had

do you love the color of the christmas eve fat danton? dec. 24 2021 - dec. 24 2023