Funny enough, Mjolnir was actually connected with smithing, not carpentry. Ever hear about “Thor beating on his anvil?”
Despite having a hammer with him so often, you rarely see Thor doing any carpentry
Shock collar hooked up to a neuroactivity sensor so it shocks you if you start to think too hard.
The START of your story - how fucked up flawed is your premise/character at the start? what do they have to change? why are they HERE?
The END of your story - How do you want your main character/theme/universe to change after your story? Does it get better or worse? THIS SETS UP THE TONE DRASTICALLY.
What you want to happen IN BETWEEN - the MEAT of it. What made you start writing this WIP in the first place. Don't be ashamed to indulge, it's where the BRAIN JUICE comes from. You want a deep dive into worldbuilding and complex systems? Then your start and end should be rooted in some fundamental, unique rule of your universe (what made you obsess over it?). Want to write unabashed ship content? Make sure your start and end are so compelling you'll never run out of smut scenarios to shove in between scenes (what relationship dynamics made you ship it in the first place?).
The ANTE - the GRAVITY of your story. How high are the stakes? Writing a blurb or interaction? start with a small day-in-the-life so you can focus on shorter timelines and hourly minutiae that can easily get overlooked in more complicated epics. Or you can go ham on it and plot out your whole universe's timeline from conception to demise. Remember: the larger the scale, the less attached your story may get. How quickly time flies in your story typically correlates with the ante (not a hard rule, ofc, but most epics span years of time within a few pages, while a romance novel usually charts out the events of a few months over a whole manuscript.)
Everything else follows….?
People don't like to admit it bcs cringe or w/e but Homestuck really did revolutionize the webcomic as a storytelling medium and I am endlessly frustrated that before webcomic artists could really stretch our legs fucking webtoonz swooped in, set a new, more restrictive standard, and then monetized and monopolized the ever living fuck out of the concept of The Webcomic until it drove away anyone who couldn't be a professional quality manga artist for free, and now the only webcomics that actually feel like spiritual successors to Homestuck are so obscure they're basically cult classics that you have to beg people to read.
Like it's just so wild to be in high school and see Homestuck be like "we're using like fifteen different artistic mediums to tell this story bcs we can" and be really fucking inspired by that, only to grow up and see basically every webcomic ever have to conform to One Single Standard or fucking perish.
You weren't the one I thought was joking, it was the guy above you who thought there wasn’t a union. Just felt like reminding people of the chapters.
He actually cried for like 3 hours after this
real time with pause is really the worst of all worlds
Lots of thoughts recently. Everything feels plastic.
I could go on and on about why all that AI "art" is bad. I could mention theft, lack of creativity, it's impact on the work field and environment, but countless people have already said all that. I wanted to touch on something that to me is the most utterly wrong about all of it.
Art is more than just something pretty to look at or listen to. It's therapeutic. It's a form of communication. A tool for human connection. It's a pure, human need.
Support real artists ☀️
In battle, that is!
If you like this stuff, please consider supporting me on Patreon, where you’ll find bonus content, tutorials and art references!
This is super cool, but I feel like the names for the cleric and paladin should be swapped. The term paragon makes me think of character like Captain America and Superman, who I feel would be translated as paladins. Martyr however feels very religious to me, and since clerics are more religion themed than paladins are, I feel that martyr fits better there. But this is awesome art, and I really love that the fighter is a draugr.
core classes as undead :)
Are the dwarves in Tolkien's works actually anti-Semitic or is that another thing that comes from Norse myths? I don’t know how much of The Hobbit was based on Norse stuff (the premise and size of Thorin’s company come from Beowulf), but two of the famous dwarves from Norse myth are famous for their greed, Andvari and Fafnir. Andvari had a lot of gold and a cursed ring, and then when Fafnir got the ring, his greed was so great that he became a dragon (probably where the concept of dragon sickness comes from), and his presence is sometimes said to have poisoned the land.
Either way, modern dwarves seem to have mostly grown past the anti-Semitic stuff.
thoughts on goblins in the DRG universe?
(I don't really like goblins as a concept bc of antisemitic story behind them)
But would be cool to see other sentient little creatures in DRG that are not dwarves
He better not come back next season. It’d be like Ultron in Avengers Assemble all over again. And by that I mean annoying.