A Journey Through Music And Illusion

"No one can dispute the beautifully androgynous Mana's strong influence on Lolita fashion from the very beginning, partially evidenced by the fact that a photo shoot with the musician and designer has been in every issue of Gothic & Lolita Bible since the first.

Many became familiar with Mana, who created both the terms Elegant Gothic Lolita (EGA) and Elegant Gothic Lolita (EGL), when he was creating memorably flam Boyant costumes for his Gothic band MM, dressing himselt in Gothic Lolita and the other members in Aristocratic styles for their extravagant music videos and artistically inspired performance.

Since the music group's disbandment in 2001, Mana has remained focused on both music and fashion. He runs his own record label, Midi Nette, performs with his current band, Moi dix Mois, and acts as both designer and model for his clothing line, Moi-même-Moitié

We were pleased when this multitalented Lolita icon agreed to take time from his busy creative schedule to answer questions about his past, present, and future projects for our Western readers."

Mana

"When I receive letters from fans, it makes me feel saved. I live each day in fear, trembling as I go about my life."

The symbolic mark that represents the keyword "transparent spiral" could indeed be seen on stage. Now that I think about it, hasn't Malice already incorporated similarly enigmatic and symbolic elements in the past? I feel like that might be the case.

"It’s true that we’ve lightly dabbled in that before," said Mana.

The mystery, left as a mystery being able to enjoy asking, "What could it possibly mean?" feels like a test of the audience's sensibilities. The abundant mysteries in their expressions are a significant part of their charm and exploring them is an enjoyable experience.

It isn’t necessarily anything overly occult or niche. The ability to enjoy a sense of mystery is something many people naturally possess. That’s precisely why they’ve managed to gather so many fans and captivate them. After all even someone with no prior knowledge simply seeing their photos would undoubtedly find them quite mysterious. One could even say they are overwhelmingly enigmatic.

At that point whether someone leaves it at “Oh, so there are people like this” or becomes curious enough to dive into their expressions saying “I want to hear and see more,” depends on the individual’s disposition. The fact that so many people are willing to explore further is what’s driving their growing popularity. In other words, it’s proof that the number of people capable of enjoying a sense of mystery is immeasurable.

However, I’d like to delve a bit deeper into the keyword “transparent spiral.” A spiral… a spiral staircase, perhaps?

"I think many people might say 'spiral staircase,' but that’s not it," said Közi.

Then perhaps it relates to genetics, DNA…?

"Oh, that’s sharp of you. It’s somewhat along those lines, like something intertwined. But I think it’s better to leave it up to individual interpretation from here on out," said Mana. He then added the following:

"The concept for incorporating dance into the opening stage revolves around the theme of a spiral that aligns with the first song, Je te veux."

This song, Je te veux, is a new track included on the album merveilles, set to release on March 18. The music was composed by Közi. According to him:

"It has a kind of ’80s new romantic vibe (lol)."

It’s a danceable song, but by listening to it and reading the lyrics, one might catch a glimpse of the concept of the spiral.

Ah, I mustn’t forget, Mana’s mention of the opening dance. Közi had previously said:

"We decided to make it like something MAX-level (a reference to a Japanese dance group), so we practiced a ton."

But what exactly is Mana’s concept?

"An image of a B-grade idol from space in the 1980s. Probably not something most people know about (lol)."

Speaking of which, around 1981, there was talk about idols said to have come from space...

Vol. 2: Canned Coffee Edition

This is the "MAX Coffee" sold in Ibaraki, my birthplace and Chiba among other places. I've been drinking it since I was a child. The color and design have changed about four times evolving into its current form.

The taste can be summed up as 'sweet'!! Think of it more like a sweet coffee milk rather than a traditional canned coffee. When I moved to Tokyo, I naturally tried to buy MAX Coffee only to find... it wasn't available!

I wondered why and investigated, discovering that it seems to be sold only in Ibaraki and Chiba. When I mentioned this, I heard various rumors that it was sold in other places as well. This is why I instructed fans in the "Vicious" music magazine's Malice corner to investigate. According to fan reports (or investigators, as I like to call them), it’s primarily sold in Ibaraki, Chiba, and Tochigi. One excellent investigator even called the consumer consultation center to find out, which was great. Other information from investigators confirmed its presence outside these three prefectures, including Shizuoka, Kuki City in Saitama, and around Odaiba in Tokyo (closer to Chiba).

Come to think of it I remember seeing and drinking it about four years ago in a remote area of Saitama. I think it might be a regional exclusive so it could be stocked and sold in various places.

I also saw it being sold at Koiwa (Tokyo) and the neighboring Ichikawa (Chiba) stations. This coffee is quite something--don’t underestimate it... The "MAX" might refer to the amount of sugar being maxed out.

If anyone knows more details, please send me another report. I recall that when I was in middle and high school, there was just the regular MAX Coffee and also a MAX half-can with a slightly lighter taste. Then Georgia acquired it and it became Georgia MAX Coffee. At that time the design was quite amusing 1/4 Georgia and 3/4 MAX Coffee... so simple!

I don't know if it’s still sold, but there was a juice called "Hi-C" and I have a can of its tomato flavor stored at my family home. Also, though I’ve never seen it elsewhere, Georgia’s "Cafe au Lait" was sold in Osaka.

See you again...

"I feel like we're searching for something beyond that."

In the end, it's about the greatest pleasure in this world— the joy, anger, sorrow, and all emotions.

Music itself comes from the flow of religion, right? Religion itself started from human sin, and I think it was built to overcome it and bring it to zero. Regardless of whether one believes in religion or not the desire to overcome sin is something that every human being has, right? What we do isn’t religious activity, but if there are expressions that seem religious, we won’t deliberately deny them. It’s a matter of how different people interpret it.

In live shows and albums, the emotions of joy, anger, sorrow, and pleasure of humans are included. If someone perceives something religious within that, it's a matter of their sensitivity. We don’t deny or affirm it.

Let's change the approach of the question regarding the term "religious." What if Malice Mizer’s fans, in the future, became the type of people who believe only in Malice Mizer, who have no other support but Malice Mizer?

"There are so many people and so much music, so it's hard to imagine a situation where it's only Malice Mizer. I don’t feel that way on stage," said Gackt.

Mana continued: "I rely on the audience more than they rely on me. I live every day in fear, and when I get letters from the fans, I feel saved."

Hmm? "Fearful..."?

"Yes, that's right. I can't say it directly, but there are hints. Please watch my segment in the TV special about Malice Mizer (those who recorded the video) and also look at the various drawings I make; it’s hidden there."

Mana has once again given a mystery, but Közi also agrees: "Like Mana-chan, I find healing in fan letters every day. Since our major debut, the pace of life has become incredibly fast." It seems that all the members get some form of power from fan letters.

Can the passionate feelings of the fans also be felt from the stage?

"On stage, I enter an unrealistic world, so sometimes when I look at the audience, my mood drops, so I don't consciously focus on it," said Kami.

Yu~ki added: "In the end, I feel like we’re searching for something beyond the greatest pleasure or feeling, something that encompasses all emotions— joy, anger, sorrow, and pleasure. It's like we're trying to find it together."

Gackt continued: "I think the meaning of standing on stage is different for each person, but for us, and for those who come to see us, we are mirrors. When we send out waves, they don’t just go one way, they come back. In that way, both sides discover and grow. Looking in the mirror means that I’m looking at myself. Sometimes, I see a better version of myself, someone who can do even more."

They send out waves from the stage, and the audience receives them.

It comes back around. That way we discover and grow together. We are also a mirror, and so are the people who come to watch. When you send out a signal, it doesn’t become one way.

The live tour "Ville de merveilles - Transparent Spiral" by MALICE MIZER at the end of last year had many surprising aspects. Among them fans who had previously associated them with a medieval image were amazed by the futuristic stage set and costumes, as well as the band's new side and the wide range of their concepts.

In this page we focus on the first half of the live show featuring a photo session with the debut of the futuristic costumes and move on to discussions about their vision of the near future from the live performance.

From the opening the two songs featuring synchronized dance by all the members were eye catching. Gackt, Mana and Közi stepped in a regular pattern while Kami and Yu~ki played the percussion wildly behind them.

Kami and Yu~ki joked, “We can do anything so it’s okay.”

It was a moment that reaffirmed that they are a group that can use any means of expression. First let’s discuss the concept behind each of their costumes.

Mana: “It was designed with the awareness of a near future era with something easy to move in.”

Közi: “Surreal and inorganic. I added a slit on the side to make it easier to move.”

Yu~ki: “I tried to incorporate my previous image with the top hat and tailcoat while adding a more inorganic feel.”

Kami: “...I forgot.”

Gackt: “I wanted to make sure it didn’t reflect too much light and liked the color scheme so i chose that material. I aimed for something androgynous that isn’t distinctly male or female and that’s how it turned out.”

Next, we’ll introduce their individual visions of the near future, not just as a band.

Gackt: “When asked what I would be like in 10 years i always give the same answer. It’s too bright to see. Some people might see it as positive others negative but in any case it’s too bright to see.”

Mana: “It’s a fine line between rosy and worst case scenarios.”

Közi: “I’ll swim. While scattering salt in the sulfur.”

Kami: “I’ll spread my wings. The end.”

Yu~ki: “I haven’t thought about it. I want to feel my current self and the thoughts of people so i want to live without worrying about it.”

Now, let’s talk about the concept of the stage. Mana explains:

“The stage set was a little different from the initial design. 'Ville de merveilles' means a mysterious city. To put it concretely, it’s a futuristic and mysterious city. The transparent spiral is a keyword. You remember the mark that was projected onto the stage at the opening, right? There’s a mystery hidden in that, but I can’t tell you its meaning. Actually there is an 'aha' moment.”

MALICE MIZER

APRÈS MIDI

Live at On Air West '96.1.6

PHOTOGRAPHY: MOTOKO SASHII

REPORT: TOMONORI NAGASAWA

Invitation to a Lovely Masquerade

With the new vocalist Gackt joining them Malice Mizer made a comeback on October 10 of the previous year, performing a one man live show at On Air West. Everyone who witnessed the stage was shocked by Malice Mizer's transformed appearance.

Yes in expressing the world within their music they refused to limit themselves even to the traditional "band" format. Whether it meant mastering electronic programming, performing without instruments, or fully dedicating themselves to theatrical acts they were ready to challenge every possibility. If using their own bodies to express could bring them closer to the essence of their music’s world, then they would wholeheartedly embrace it.

SHOXX 118

I did a little translation on Mana's personal interview. Corrections are very welcome! Thank you so much in advance!

The dark-themed works that were released in the early days. I was captivated by these eerie and unsettling creations, which were far from being considered suitable for children.

I had the opportunity to have a discussion with the person in charge of producing that series of dark games.

All of those games were illustrated by a single designer. That designer had an aura about him and would immerse himself in work for about a month, isolated, to complete the projects. The resulting works had a unique sense of fear, and I was told they even went to Asakusa Shrine for a purification ritual before the games were released. I heard various behind-the-scenes stories like that.

Another memorable discussion was with Konami’s director, Yakushiji. I’ve always been a big fan of the "Castlevania" series since the Famicom days, and I had completed all the previous versions, including the Disk System and PC Engine versions. Our discussion took place around the release of the N64 version, "Castlevania: Legacy of Darkness."

"Legacy of Darkness" was the first 3D installment, breaking away from the traditional side-scrolling action format of the series. Yakushiji asked me, "Did you feel any discomfort with the transition to 3D?" I remember getting quite passionate and responding, "I was deeply moved by the experience of navigating the 3D space in that iconic Castlevania world, which was originally in 2D!"

A landmark encounter that marked the final installment: A conversation with Koichi Sugiyama.

The final interview in this series brought me to visit the home of Koichi Sugiyama, a pioneer of game music. Sugiyama is also a collector of game hardware, and he showed me various rare consoles like the "Intellivision," which surprised me. His collection room was truly a treasure trove for me.

Including the previous interview with Eno-san, my column for "Jugemu" brought me many valuable encounters. Sugiyama, who integrated classical music into game soundtracks and revolutionized game music, had a dramatic and theatrical approach to sound. It’s no exaggeration to say he sparked a revolution in game music. As a musician who also incorporates classical elements into my work, we had many conversations about music. I learned a lot that benefited my own musical activities, and I remember how educational the discussions were.

The world I express in my work was born from the inspiration I received from various games. Though it was only a short period of a year, the experiences I had talking to people involved in game development have become a great treasure to me.

QUARTER MAZE

Beauty Hair Encyclopedia

MANA (G)

(Malice Mizer)

Favorite Products

Shampoo & Conditioner: Pantene

Treatment: Split-end treatment from the hair salon (Wella)

Styling Products: Finesse mousse

- How long have you been growing your hair?

About 5 years, I think? During that time, I’ve cut it a little.

-How often and where do you get your hair cut?

About once every three years. I have wavy hair, so I don’t get perms. I'm currently in the process of growing it out, so if I think the ends are looking a bit messy, I go get a trim. Any hair salon is fine. I just find a stylish, modern salon while walking around town.

-What do you do after washing your hair?

Basically, because my hair is long, it’s tough to dry (laughs), so I let it air dry. But it tangles quite a bit, so sometimes I do dry it properly with a hairdryer, making it about half and half.

-Do you usually tie your hair up or leave it down?

I tie it back in a ponytail.

-If you dye your hair, what do you use?

Powder hair rinse. The colors I use are blue or platinum.

-Advice for your stage hairstyle.

The way I curl my hair for the stage is something I’ve developed on my own. There’s a trick to the way I curl it so if you want to try practice it. Master your own curling method! The key is to use a curling iron. You definitely can’t do it with curlers (laughs).

-Hair Care Message

Hair is a long-time friend. For a woman, hair is life (laughs). Hair that smells good is the best!!

YU~KI (B)

(Malice Mizer)

Favorite Products

Shampoo & Conditioner: LUX Super Rich

Treatment: V05 Wave Hair Treatment

Styling Products: Anything. I use what I get.

-How long have you been growing your hair?

About 4 to 5 years, I guess? But I sometimes cut my bangs and the sides myself.

-How often and where do you get your hair cut?

I go to the salon when I get a perm, but otherwise, I do everything myself. I cut it whenever it starts to bother me.

-Reason for getting a perm.

I didn’t want to use spray to make my hair stand up, so I got a perm.

-What do you do after washing your hair?

I towel dry it well and try not to use the hairdryer too much. It damages the hair you know. Then I just apply some light mousse and that’s it.

-Do you usually tie your hair up or leave it down?

I tie it up because I have a lot of work. On my days off i leave it down though.After all you shouldn't tighten your hair (laughs)!

-If you dye your hair what do you use?

I bleach it and drop it to blonde before using hair dye. A long time ago, I used to put in red, but as I dyed it black over time, it naturally turned into the right shade...

- Advice for your stage hairstyle.

If you grow your hair and get a perm, you’ll get my hairstyle.

- Hair Care Message

Hair is a woman’s life. No matter how beautiful your face is, if your hair is damaged, I can’t handle it (laughs). Having beautiful hair is a pretty high point for me (laughs)!!

THE END

MALICE MIZER LIVE merveilles The End and Fate in NIPPON BUDOKAN 1998.4.1

Photograph: Hiroyuki Yoshihama

Report: Aya Yokomori

I had heard that Malice Mizer’s live performances were amazing. I had also seen the video recording of their live show at Ikenoya Public Hall on April 1, 1997.

But still, nothing could have prepared me for what I witnessed at their Budokan live show. It far exceeded anything I had imagined based on prior knowledge.

The moment I stepped into Budokan, my eyes widened in shock. The stage set was like a vast, two-story palace chamber, painted in pristine white. And to top it off, classical music was playing throughout the venue.

Where am I?!

That’s how I felt.

Everywhere I looked, fans were dressed in Malice Mizer cosplay, their faces painted with elaborate makeup. At exactly 7:18 PM, the lights dimmed, and the palace set was illuminated, making it look even more like a real mansion.

That alone was enough to make my heart race—but then, the way they made their entrance took it to another level. They rose dramatically onto the stage.

So cool!!

The extravagant, theatrical entrance sent a rush of adrenaline through me. As if that weren’t enough, the performance opened with real violinists playing live on stage. The pure sound of the strings filled the air, and the audience gasped in admiration.

Throughout the show, the visuals were breathtaking—images of Malice Mizer’s aesthetic world were projected onto the white walls of the stage, red and blue lights flashed, confetti flew through the air…

In "Kioku to Kage", the lighting shifted to a serene turquoise blue, transforming the atmosphere from one moment to the next. The power of the stage, the elaborate set, and the overall production were overwhelming.

Gackt’s performance was mesmerizing. At times, he contorted his face in anguish, clutching his head. Other times, he seemed to pray, as if offering his soul to the divine. He poured his entire being into his vocals, drawing the audience into his world. I was completely captivated.

And then, Gackt treated the audience to his signature piano solo, filling the vast Budokan with his hauntingly beautiful sound… At one point, the sound of Gackt’s piano filled the air with a heartbreaking melody.

That sound… it felt as if I were gazing out of a window into a deep, endless ocean. I don’t know why, but a scene from the movie Titanic suddenly came to mind— the image of a beautiful noblewoman’s lifeless body drifting underwater.

Then, as Kami’s drumming kicked in, the intensity of the performance escalated. But what makes Malice Mizer truly incredible is that their appeal goes beyond just gothic aesthetics and dramatic beauty. As the band switched into silver-themed outfits, the mood shifted completely.

They performed upbeat songs like Je te veux and Shûto Uwuburu, bringing a playful, almost pop-like energy to the stage. Mana, of all things, was running around the stage clutching a white teddy bear.

And then, Gackt, who had been so serious just moments before, suddenly transformed into a comedic character! In the first half of the show, he had said something profound:

"This stage may become a place that connects with your hearts." Yet later, dressed in his silver outfit, he was joking around: "Man, this outfit is seriously hot! I'm sweating like crazy!"

Then he went off on a completely bizarre tangent, he started talking about a lonely cat that wouldn’t cuddle with him.

"I thought, 'Fine, be that way! I won’t pet you anymore!'"

But then, the cat suddenly climbed onto his stomach, and he couldn’t resist exclaiming, "Ahh, it’s so cute! I love it!!"

The audience was in hysterics. Then, the atmosphere shifted again. The next performance had a distinctly gypsy-inspired rhythm, and Mana and Kozi focused on an intense theatrical performance.

They captured women dressed in white and brown, forced them into chairs, and enacted a scene that was almost chilling. The sparks from the stage effects were flying everywhere—it was surreal to witness.

After that, the band members reappeared in black, creating a completely different mood. The dramatic, intense performance that followed was mind-blowing. The sound, the movements—it felt like the entire stage was engulfed in a frenzy.

By the final moments, the entire band had gone wild. Kami threw his cymbals into the air. The bassist swung his instrument around so wildly that you could hear it colliding with the stage. The guitarist sent his guitar flying. The stage was pure chaos.

Then, a wave of "Encore!" chants erupted from the audience. Some fans even began clapping in rhythm, trying to start an encore call, but their voices were drowned out by the sheer excitement and emotion filling the venue.

That’s the power of Malice Mizer.

They don’t just put on a show—they pull raw emotion from the audience. One moment, you’re mesmerized by breathtaking beauty. The next, you’re laughing. Then, you’re in tears.

Every single emotion is drawn out and experienced through their performance. By the end, my heart was shaken to its core. I can’t even begin to describe the final scene.

All I can say is… when it ended, it truly felt like my soul had been carried away.

M (Mana): I really want to wear blue jeans, a T-shirt and no makeup but the other members don’t allow it so i have no choice but to dress like this.

T (Tetsu): That’s awful~ (laughs). But I think it suits the songs. Since we’re playing a European sound you have to dress accordingly. I’m casual but i try to give off a noble vibe...

Y (Yuki): I try to express as much individuality as I can, but there’s a limit to makeup and clothes so that’s my biggest concern right now.

K (Közi): For me it’s divine inspiration.

T: Apparently it arrives in the mail while he’s sleeping. “Wear this today!!” (laughs).

K&T: “From God!!” (laughs).

– Future goals?

T: I want to improve my expressive abilities during live shows. Also, I want to get better and write more songs.

M: Let’s speak seriously! Through the sound we create, I want to bring sorrow to as many people as possible.

T: To all of humanity, with this sound...

M:We’ll move people through music.

K: Feel the craziness of the song and dance with drunkenness! (laughs).

– What is your ideal as Malice Mizer?

M: To pursue music that moves everyone!!

K: And wait for the day we become gods!! (laughs).

– Regarding the fans, what’s the demographic like?

T: A lot of them seem really young, don’t they?

M: As for me, I’d like people from kindergarten to grandmothers to listen widely.

K: Men and women of all ages!!

M: Our music has no age limit, whether you’re young or old, it can move you. That’s the kind of music we aim to create, and I want all kinds of people to come to our shows.

– What do you expect from your fans?

M: Listen to our music!! Right now, come back to this thrilling sound (laughs).

T: Yeah, I’d like them to stick with us and not get tired of the current state because things will keep changing.

M: Ladies, listen with your whole body. Gentlemen, come to our live shows first and listen to our music. And then copy us by ear!

K: Don’t look at the fretboard during the live shows. Don’t copy by sight (laughs).

T: Listen with your ears... You see, we were rock kids ourselves (laughs). When guys come to the shows, I’d like to win them over with sound, not looks.

M: One day, I’d like them to form a cover band.

T: The other day when we went to Osaka, there was a survey where someone said they wanted to start a band like Malice Mizer (laughs).

Y: Fans crushing each other!!

– What do you want fans to stop doing?

K: Ah, it seems like there are cliques.

M: Everyone, please get along.

T: Please stop taking photos during the afterparties. If we’re photographed during the afterparty, we’re done for.