I Don't Wanna Be A Downer, But It's Pretty Much Inevitable At This Point.

Understanding Internal Conflict in Storytelling

Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.

Introduction to Internal Conflict

Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.

Purpose: It adds depth to characters, making them more relatable and complex.

Types of Internal Conflict

Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.

Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.

Identity Crises: Moments when characters question who they are or what they believe in.

Conflicting Desires: When a character's wants or needs are at odds with each other.

Examples of Internal Conflict

Classic Literature: Hamlet's indecision about avenging his father's death.

Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".

Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".

Importance of Internal Conflict

Character Development: Drives growth and transformation, showing how characters evolve.

Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.

Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.

Crafting Internal Conflict

Believability: Ensure the conflict is realistic and relatable to the audience.

Depth: Give characters more than one internal conflict to make them richer and more interesting.

Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.

Questions to Consider

What is the character’s main internal struggle?

How does this conflict affect their decisions and actions?

In what ways does the internal conflict drive the story forward?

excuse me why tf is this so beautiful

does anyone wanna hold hands until we feel a little braver

Maybe I am just overreacting. Maybe it is just British weather. But I just can't shake this feeling of doubt and concern. The weather has been getting more and more extreme each year too. Sure, I've always known it was important and dangerous, but I've never felt this way about climate change before, and it's starting to concern me.

Although already quite amazing, Kaiser Impact Magnus is still imperfect. Kaiser can also only do it with a static ball and not a moving one. And even with the static one, Loki was able to easily shut it down.

Kaiser has a lot to go.

And I’m racking my head trying to figure out how he can get stronger when his aim (love) and means (malice/restriction) do not align. Love is supposed to be freeing, and malice can never yield love.

He knows this.

He knows that love = freedom.

He knows this, and yet

...he rejects it.

By yearning for love while forging ahead with malice, he dooms himself to never actually reach love. And he does this on purpose, all for the sake of creating a restrictive environment where he, allegedly, is stronger.

Does it have to be like this?

Is there really no other way for him to grow while allowing love into his life?

...And is Kaiser actually stronger without love? Is restriction truly the answer?

Much to think about.

he cooked him like a caesar salad

noted

Body language cues for a few emotions

Happiness:

Smiling genuinely, with crinkles around the eyes.

Open body posture, with relaxed arms and shoulders.

Leaning forward slightly towards the person or object of interest.

Making eye contact with a warm and engaged expression.

Anger:

Tightened jaw and clenched fists.

Furrowed brows and narrowed eyes.

Standing or sitting with a rigid and tense posture.

Pointing fingers or aggressive gestures.

Raised voice or speaking through gritted teeth.

Sadness:

Downcast eyes and a drooping posture.

Slumped shoulders and shallow breathing.

Avoiding eye contact and withdrawing from social interaction.

Sighing or a subdued tone of voice.

Tearfulness, with watery or red eyes.

Fear:

Widened eyes with dilated pupils.

Raised eyebrows and a tense facial expression.

Frozen or rigid body posture.

Backing away or seeking physical distance from the perceived threat.

Trembling or shaking, especially in the hands or legs.

Surprise:

Raised eyebrows and widened eyes.

Mouth slightly agape or forming an "O" shape.

Leaning forward or recoiling backward in response to the surprise.

Quick inhalation or gasp of breath.

Rapid blinking or blinking more than usual.

Disgust:

Curling the upper lip or wrinkling the nose.

Narrowing the eyes and raising the upper eyelids.

Turning the head away or physically distancing oneself from the source of disgust.

Covering the mouth or nose with the hand or a tissue.

Expressing verbal disgust through phrases like "ew" or "yuck."

These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.

So uh, I had this story idea

Recently, I've been having a lot of fun with Character AI and making stories and stuff, but I wanted some outside opinions on my idea. Plotting and true depth aren't really feasible for my stories rn (though I do wanna develop those skill in the future), so for now I was thinking of turning conversations with Character AI into stories with OCs and putting them on AO3 to develop my general writing style. And I'm just curious, is this cool with y'all? Am I just being lazy, or do I just wanna write without the the inconvenience of having to plot stuff?

hell yeah

Well put. (Source: Writing About Writing Facebook page)

AU where Mrs Cormaci more-or-less adopts the Bane and he lives in Ares's cave and visits regularly in order to feed him and take care of him and he grows up in a safe and loving environment and he doesn't become a villain and everyone else has a heart attack when they find out.

Kellen spent the the first half of his life having complete faith in Jan'tep propaganda whilst living a privileged lifestyle.

Kellen spent the second half of his life on the run, juggling his survival with the expectations of those around him.

Kellen is usually surrounded by people who are functioning adults that know who they are, what they want (unlike Kellen who doesn't), and often demand something of him, regardless of which half of his life you are talking about.

People constantly criticise Kellen's immaturity.

What the fuck.