Maybe I am just overreacting. Maybe it is just British weather. But I just can't shake this feeling of doubt and concern. The weather has been getting more and more extreme each year too. Sure, I've always known it was important and dangerous, but I've never felt this way about climate change before, and it's starting to concern me.
@transit-fag
WHAT THE FUCK IS HAPPENING WHAT THE FUCK
The Underland Chronicles, and everything is the same except people refer to the Underland as "down under", and everyone from the Underland has really strong Australia accents.
Gregor: *Falls into the Underland*
Multiple 5ft cockroaches: G'day mate!
Gregor: *Terrified screaming*
WHAT THE FUCK IS HAPPENING WHAT THE FUCK
I swear to god, if I wasn't a procrastinator, and also fixed all my mental problems, y'all would be drowning in cringe-ass fics I've been daydreaming about since I was like 11.5
I'm not running out of HCs or silly scenarios, Just the energy it takes to blog them.
I love you all and I love this fandom I swear, I still think about it 24/7 I'm not going anywhere.
There's something called a KOSA Bill in the US. It's a project planning to cut off internet access to ALL CHILDREN WORLDWIDE. This means they are banning Chai/C.AI, Wattpad, AO3, Discord, Tumblr, Tiktok, etc.
To make matters worse, parents will have access to their children's internet activity, meaning chats, websites visited, apps opened, etc. Giving them NO privacy whatsoever. Esp. children who are LGBTQIA+, because in the US, it is deemed "inappropriate".
There is a solution to this, however only to people who have Tiktok, there is a user named omarsbigsister, if you check their profile, you can see in their bio it says "STOP KOSA!! ⬇️⬇️"
Below the text, there's a link. Now before you click on the link, there's a video you need to see, giving you instructions on what to do.
Tags: @randomweebhub @blankdemslate @raymett @donkeybro @corvid-steven @pookie-pie-12 @ipostmyhyperfixationsnshit @ask-the-anonymous-army @fandomsandwriting1 @myclutteredmess-but-reblogs PLS BOOST!!
Part 5
Part 1
Gasp! Oh no. Dare come yet more writing advice burning adverbs at the stake? Vindictively, gleefully, manically dancing in the ashes?
No.
This is not about whether or not you should use them, but their frequency and obvious places to replace them. Most bad adverbs are the common ones that could be replaced by verbs we all know.
“She ran quickly” // “She sprinted”
“He said angrily” // “He snapped” “He chided” “He chastised”
vs.
“He ate voraciously”
“She swayed solemnly”
“She laughed sadly”
Bonus if you can add in some alliteration like ‘swayed solemnly’
If you can come up with an obvious verb to replace your verb + adverb combo, do so. If it would take more words or the closest applicable verb doesn’t hit the same vibe, then leave it. Adverbs should enhance the verb, not be redundant. Verbs shouldn’t be pretentious just to avoid them.
“She smiled happily” — most smiles are happy. Happily is redundant.
“He ran quickly” —a run is, by nature, quick
vs.
“She smiled sourly”
“He ran erratically”
Also!
The adverb need not always be after the verb.
“C accepted gladly” // “C gladly accepted”
But also
“Glad, C accepted”
“A shook their head resolutely” // “Resolute, A shook their head”
“The child skipped excitedly away.” // “Excited, the child skipped away.” // “The child skipped away, excited.”
English is flexible like that.
Which is what I mean with managing your adverb frequency. As most end in the -ly, too many in succession, on top of the repeat syntax of Subject - Verb - Adverb looks boring and dull (and so does beginning every sentence with the subject). It helps with your cadence and flow if you don’t have entire paragraphs at a time all starting with “He [verb]” or “She [verb]” or “They [verb].” We don't speak like this in natural conversation.
But at the end of the day, there are some juicy adverbs that have no equal without busting out the thesaurus for some obscure lexical nugget that no one would understand anyway.
Have created a new novel-writing approach for myself that I am calling Very Gentle Writing. Very Gentle Writing is an approach for people who live nearly every waking second in self-castigation and actually need peaceful slowness to unleash their creativity.
Very Gentle Writing does not set staggering word count goals and then feel bad about it. No! Very Gentle Writing for me sets an extremely low word count and then feels magnificently productive when the low bar is exceeded (which is easy…it’s a low bar, I mean really low).
Very Gentle Writing is about saying hey yo maybe I just want to listen to a chill playlist for a while and feel one sentence spill out. Go me!
Very Gentle Writing is kind of about realizing I have a really limited amount of time to write in between work, and adulting, and taking care of a thousand life responsibilities, and trying to heal&deal from trauma in 2020. So I want that writing time to be….just…..nice.
Very Gentle Writing means I have a goal of enjoying every single time I sit down to write. Really. I use all the fun words first.
Very Gentle Writing came to me as an idea when I started to think about how as someone actively trying to recover from a lot of lifelong trauma, the usual word harder!! Work harder!! mantras in the world of “people doing hard things” didn’t motivate me at all, they only hurt me. I truly need a voice saying work less hard, personally.
Ares isn't an incel. He's just a sigma male (or just straight up depressed.)
WE ARE SO BACK! In tomorrow’s episode of Return to Regalia, Oona and Nate analyze the first three chapters of The Prophecy of Bane, in which Boots gets kidnapped by cockroaches.
*Taking notes*
Euphonics is all about how the words "feel". By incorporating certain sounds, you can influence the mood of the passage.
Mood: Foreboding
use words with 'ow', 'oh', 'ou', 'oo' sonds. These are good for building tension before the fight.
moor, growl, slow, wound, soon, show, show, grow, tow, loom, howl, cower, mound.
Mood: Spooky
use words with 's' sounds, combined with an 'i' sound.
hiss, sizzle, crisp, sister, whisper, sinister, glisten, stick.
Mood: Acute Fear
use word with 'ee/ea' sounds, with a few 's' sounds.
squeal, scream, squeeze, creak, steal, fear, clear, sheer, stream
Mood: Fighting Action
use short words iwth 't', 'p' and 'k' sounds.
cut, block, top, shoot, tackle, trick, kick, grip, grab, grope, punch, drop, pound, poke, cop, chop.
Mood: Speed
use short words with 'r' sounds
run, race, riot, rage, red, roll, rip, hurry, thrust, scurry, ring, crack
Mood: Trouble
use words with 'tr' sounds to signal trouble
trouble, trap, trip, trough, treat, trick, treasure, atroscious, attract, petrol, trance, try, traitor
Mood: Macho Power
If you wan to emphasize the fighters' masculinity, use 'p' sounds.
pole, power, police, cop, pry, pile, post, prong, push, pass, punch, crop, crap, trap, pack, point, part
Mood: Punishment
If your fight involves an element of punishment use 'str' sounds
strict, astride, strike, stripe, stray, strident, stroke, strip, instruct, castrate strive
Mood: Defeat
use 'd' sonds
despari, depressed, dump, dig, dank, damp, darkness, drag, ditch, drop, dead, deep, dark, dull
Mood: Victory
use 'j' and 'ch' sounds
joy, cheer, jubilant, jeer, chuck, chariot, choose, chip, jest, jamboree, jig, jazz, jive, rejoice, rejoin
In print, the effectiveness of such euphonics will be very subtle, and it can only serve as an embellishment to what you already have.
Don't use or replace words for the sake of achieving euphonic effects, but this can be something to keep in mind when you are editing your draft!
─── ・ 。゚☆: *.☽ .* . ───
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