Literally Hes Just A Little Guy And He Has Nothing To Apologize For

im not even christian i sound insane. but the real ones get it and im right

good omens fans are cowards they're all like "ooh teehee my gay bible fanfic" meanwhile it is an entirely made up angel and demon. they are bible ocs. REAL bible fujoshis watch jcs. and ship the real actual canon judas and jesus. from the bible

they make me insane

Judas, must you betray me with a kiss?

Jesus Christ and Judas in Jesus Christ Superstar: Live Arena Tour

every waking moment i think of my boy

it's been a hot minute (three years)

they so dumb and i think its one of their best qualities.

Dan and Phil being on YouTube for 15+ years and still having no idea how to connect a camera is so fucking funny lmao

Today, i'm thinking about Hadestown and the celebration of a doomed narrative. I'm always a sucker for a doomed narrative, but for Hadestown, it's different because of course it's heartbreaking, its devestating and unfair and they're so close, but also because it's seen as a triumph. Because the very first song it tells you what this story is. Even if you dont know the story of orpheus and eurydice, it tells you the basics going in. It's an old song, it's a love song, and most of all it's a sad song. It's a tragedy. And then the rest of the musical is spent falling in love with the characters. The whole story is spent making you forget that first song. And it works. You're rooting for them, you want them to succeed. They're walking out of hell theyre gonna make it and they can be happy and orpheus turns around. And it feels like a betrayal, because it's so heartbreaking because how did you forget? It's made more so by the Road to Hell reprise, when Hermes retells yoy everything he already said. When he stops singing and tells you what you forgot. It's a tragedy. It feels almost like a beratement, because of course he turns around, that's how it goes. Why would this time be any different? It feels like a cruel reminder of our own stupidity.

And yet...it's not. Hermes says it himself. There's power in knowing how it ends and singing it again anyway. It's a celebration of that stubborness to see them get a happy ending. A celebration of the fact that we're all just little kids demanding the story be told again and to get it right this time Because they deserve their happy ending, they deserve to get out, even if we know it's impossible. It's triumphant because in the face of gods and death and hell itself, we are here demanding it be done again and again because they have to get it right eventually. And its true, because I listen to the soundtrack over and over and each time I get to the end my heart is ripped out of my chest because I thought it was going to end differently this time. And when it doesn't, I listen to it again. It's a blessing from hermes to be defiant in the face of cosmic forces for the simple fact that they were in love and they should get to be in love. A celebration of not the tragedy, but the refusal of it.

15 being kind and caring to 14 was very sweet after years of the doctor hating themselves when they meet up, HOWEVER it is extremely funny that he was like 'bestie beloved babe you are SO traumatized you need to take a break...' as if he doesn't have. the exact same trauma fsdhkshdjfksd I feel like in his head he was like get AWAY from me you sad bitch if I'M repressing my feelings and YOU'RE repressing your feelings then WHO'S FLYING THE TARDIS

The Mavity thing is godsent honestly because it's such a good counter argument for future drama. "This story was too silly" on the Mavity show? "This episode went so drastically against canon" an episode of the Mavity show? "That made no sense" on the show where they retconned gravity? "They race-swapped Isaac Newton but he was a real person who was white" you mean the same episode that also renamed the real life concept of gravity?

Peak character development is the angel spending enough time on earth (with his disaster husband) to become That Guy