"Razor's Edge" By W. Somerset Maugham

not gonna lie, every wes anderson movie gives me exactly this vibe

I do wholeheartedly believe Wes Anderson is a sick sick freak. I like his movies but I definitely think this guy has like a hidden room in his spacious french apartment that he slips into quietly each night and it is just filled with tiny little doll replicas of all the actors he's ever used in any of his movies and he puppets them around and mimicks their voices and shit. and sometimes he'll text Owen Wilson pictures of his little doll with a comb or something from an untraceable number and pair it with like "see how I take care of you Owen?" and then the following day Owen Wilson will find him at the service table and go, "Geez Wes look at this," and Wes will pretend to be all concerned and horrified but there is this calculating almost eager look in his eyes that unsettles Owen Wilson. and the next time Wes is having a little soiree with all his actors, his beloved beloved actors, maybe Owen Wilson will accidentally get lost on his way to the beautiful bathroom and find that little room and see all those dolls and his throat will hitch with horror. And before he can call Bill Murray or Adrian Brody to look a dark silhouette will appear in the doorway and Wes looks sort of resigned when he says, "I see you finally found my secret, Owen," and Owen Wilson will try and pretend that he's fine with it but they both know better. and Wes will go (the look in his eyes back again) "We both know this can't get out, right?" and he'll grin very suddenly and Owen Wilson will laugh along very nervously and leave the room and eat some brioche and when the evening is over he will rush over to his Prius and frantically click his keys but over the cobbles on the beautiful beautiful street there is the sound of footsteps. and tears are running down Owen Wilson's cheeks but he can't say a word and Wes, emerging from the shadows, will gently touch him on the shoulder and say, "look, I'll drive you to the airport, huh?" and Owen Wilson will try to refuse but they both know it's futile. and, halfway through the drive, Wes Anderson will smile and say, "I'll miss working with you" and then perfectly jump and roll out of the car, wiping off his corduroy pants, while Owen Wilson's Prius swerves into a local patisserie, bursting into flames

We’re so married.

I don't care about canon, I want The Gay TM

"that ship isn't canon! that character isn't gay!" well thats not what the voices told me

There was no space left on the couch. It was Maura's couch, in Maura's house, and it was Sunday night and most of the Rizzolis were over - even Lydia and TJ - and most of the Martins were over as well, Cailin and Hope clustered around Angela, the three Rizzoli siblings on the couch, watching the game.

It was Maura's house, and there was nowhere for her to sit.

Years ago she'd have probably left, even though it was her house, not expecting anyone to notice, but Jane looked up and caught Maura's eye, brow furrowed, and Maura walked over and sat in Jane's lap.

Tommy and Frankie looked over for a moment, but there was a yell from the tv that had the Rizzoli siblings distracted immediately. Maura wondered if Jane had even noticed, but Jane's hand rested on her back to steady Maura when Jane leaned forward to grab her beer, pulled Maura closer whenever someone scored. Maura heard a slap, then a whine from Tommy.

"I wasn't gonna say nothin'," he complained, and Jane chuckled lowly.

When Maura looked up, Hope and Angela were staring at them they way they'd been staring at TJ all night - like they were witnessing something precious.

This is such an important take on the "Dead To Me" ending! Yeah, I know. The series is a dramedy and bad things are supposed to happen but I don't feel the final 3rd season really gives credit enough to Judy. Of course, good people die in horrific ways every day. Sometimes it seems that the better and purer a person, the more bad luck they have in life (yeah, I'm talking about reality here - sadly, this has been my experience too often by now). But this story about a very special friendship, a very close bond between two complex, layered female characters really did not deserve this ending. And to me, this whole "bury your guys" and "heteronormative happy ending the billionth" DOES seem kinda problematic. It's like there is no actual desire to commit to the bit and make room for true diversity in TV. It's like, in the ending, the female lead still has to find her happy-ever-after in a male protagonist, and there is this whole emphasis on a heteronormative, "traditional" family life. The bond between Jen and Judy was strong and wonderful and ran deep. There was literally no point in just killing her off. It maddens me that it seems that especially queer women in the media that are not "everybody's darling" always seem to have to pay some kind of price - it's the same with Marla Grayson in "I Care A Lot" - how often do male, heteronormative protagonists get away with atricious deeds?! Yeah, Marla is defo NOT a good person, but there seems to be a whole double-standard-thing going on. And I think the problem can be rooted to the simple fact that the whole entertainment business consists of people and in people in this society, there still is ingrained a whole bunch of problematic, toxic belief systems and stereotypes. I do hope that by raising our voices and questioning such storylines, there will be more happy endings for LGBTQIA+ characters. We deserve them as a community <3

Judy was a queer character in a queerplatonic relationship in which, after years of suffering, frustration and anxiety, she could have gotten to fulfill her dreams, having a family, raising three children, one of them from the very beginning, side by side with her partner.

I don't really care how neatly killing her fits into the bury your gays trope, but the truth is we could have gotten a beautiful, original, queerplatonic found-family ending in a show that entirely revolves around the unlikely but infinitely loving relationship of these two women, and instead we got heteronormative ending number 93837637373738338 and dead queer number 827266262727117.

It looks like true partnership between women, be it romantic or platonic, can never survive heteronormativity. One or both will die, one or both will marry a man and leave.

Truly unoriginal and disappointing. What was even the point of making Jen pregnant if they were never going to raise that child together. What was even the point of giving Judy cancer, just to further traumatize Jen after the death of her mother and husband, just to further traumatize the boys after the death of their dad.

Killing one of the main characters is always an easy way out, I know, it packs an emotional punch and fits the fact that the series is ending because it's the literal ending of the character, but jesus, isn't it the laziest most overused trope in the world. More so if they are women, more so if they are partners, more so if they are queer. Really didn't expect this show to end on such a disappointing note.

Judy deserved so much better. So did Jen and the boys. So did the whole narrative and so did the viewers who where invested in this series. What a total trainwreck.

"Thin Frames" - a Cabenson Fanfic full of suspense, sexiness and sweet moments!

Title of Fic: "Thin Frames"

Author: DAxilla (rest in peace <3 Your works of (fan)fiction have touched so many hearts and continue to do so!)

Fandom/Pairing: "Law and Order: Special Victims Unit", Olivia Benson/Alexandra Cabot

Synopsis: Not an alternative universe here - in this story, Olivia is working as the dedicated detective she is while Alex is exactly the passionate and ambitious ADA we've all come to love on the show! However, DAxilla gives us just what our hearts need: a beautiful, very well written, emotional love story between these two beauties. She manages to convey their thoughts and feelings with depth and never strays Out of Character, but at the same time, the fic is not your typical slow burn - however, there are still some major bump in the road to domestic bliss and hapiness because Alex is scared of letting Olivia in while Olivia has a hard time figuring the younger woman out. All of this is settled into the crime plot of the fic that really would make a great SVU episode! While the Cabenson moments in this fic are priceless (and the main reason we've all read it, c'mon!), the storyline based around the brutal mutilation and murder of upper-class business woman Samantha Wainscott, who also happens to be the daughter of Judge Wainscott, is such a creative one and composed with so much care, knowledge and detail that it left me awestruck more than once!

It's not as slow-paced as your typical slow-burn but at 31 chapters long, I can guarantee you that it makes for an compelling story that will have you go through aaaalll kinds of emotions.

I can't even express my gratitude that such brilliant pieces of FanFiction exist - and this fic is also the one that truly makes me yearn for a show that openly portrays the relationship between a strong, caring, badass detective and her beautiful, intelligent, sophisticated, no-nonsense blonde ADA girlfriend!

Rating: M

Dear Lord, watching season 1 episode 6 of Rizzoli and Isles is reaaally a lot to stomach for my little lesbian heart 😳 I mean, Maura and Jane basically being flirty and wifey all.the.time and going undercover together in a lesbian bar where Jane is just casually fake-dating WOMEN?! And I mean, that'sJane with her husky voice and overall gay demeanor - like gaaah how shall I be expected to cope?!

'kay, so I said "There cannot possibly exist a gayer episode of Rizzles than the undercover in a lesbian bar one" and then this one has Maura going all protective over Jane and wanting to learn how to handle a gun to keep her safe?!?! And asking her "Jane...do I look badass?"?!?! C'mon, kiss already, pleeeaaazzzee

"The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion." – Albert Camus

I wish this was how Capitalism actually worked

for anyone who needs to hear this!