She’s In Her Dostoyevsky Era.

it’s a little too late where I am to gather all my thoughts on this tonight, but Reigen is such a tragic character. I’m talking Shakespearean, “road to hell paved in good intentions” type of tragic. fatal flaw and all.

he’s so earnest and he has such a beautiful heart, but the tragedy is that it is often not enough. if you’ve read the manga you probably have a better idea of what i mean.

Every character in Mob Psycho is so lonely at the beginning of the series, but they all express it in different ways so they don’t realize they’re all dealing with the same problem!

Mob makes himself small and quiet and blends in and does his best to never make a scene and never ask for anything and never think about what he wants. Reigen makes himself big and loud boisterous and takes up as much space as possible–but it’s all show, it’s all slight-of-hand, it’s a magic trick so everyone looks where he wants them to and he doesn’t have to risk anyone seeing through him. Ritsu makes himself perfect and dutiful and studious and pours himself into the mold of A Good Son, A Good Student, A Good Brother, and thinks that if he buries himself deep enough no one can touch him. Teru makes himself sharp and brilliant and frightening and puts himself at the top of the pyramid and convinces himself that it’s a feature that no one can get close to him. Dimple does the same thing–makes himself into a god and a monster, someone who only sees humans as pawns. Never equals. Never friends.

Everyone has walled themselves off from genuine connection, convinced themselves that there’s an important reason they’re alone that isn’t just that they’re afraid, and the series is about all of those walls being torn down, bit by bit. There are a million ways to be lonely, but the solution to all of them, every time, is vulnerability and kindness.

so like basically in the REIGEN manga tome tries so desperately to throw herself into the center of this literal Superhuman world she sees and play the role of the eager young protagonist and its so endearing but in the end reigen has to come clean and she can’t keep using the spiritual premise as a crutch. not because she was wrong to have her whimsical interests, but because the fantasy of specialness can often be an escape from the isolation a person feels due to being unable to live up to societal ideals of normalcy, and yet in the end the fantasy can itself end up feeding directly into the isolation by obscuring your view of the other people in your life. you cannot prioritize the idea of being unique or special alone and that is the reason that the power structures in the story (as represented by roshuuto in REIGEN) so frequently fail short; because actually EVERYONE is a Pathetic Freak Weirdo Nerd Loser, from the handsome, popular rich boy, to the pretentious Dark!Reigen foil who takes himself too seriously, to all of the mundane teenage girls who the audience is initially tricked into dismissing as shallow, but also by the same token EVERYONE deserves to be loved and feel supported. 

because actually bonds with other people are the most important thing, and centrally this is also why REIGEN relies so heavily on bonds with others as something to create horror. the evil spirit mimics the voices of the ones you love and lures you in and when you’re at your most lost and scared and in need, that’s when you turn around and the face of the person you trust betrays you. tome only contracts the fatal curse in the first place because she cared about reigen and went back to make amends with him. because that’s the most horrifying, most terrifying thing, the thing that renders you absolutely helpless, isn’t it? it’s letting yourself rely on others and trust them to the point that it leaves you vulnerable, isn’t it? but you have to do it, if you want to achieve true connection then you can’t continue keeping up a veneer of Specialness and posturing as someone you’re not no matter how afraid you are of being seen as your true self. that’s the idea that really connects tome and reigen above all else. you have to be who you really are and you have to trust that you’ll be loved for it. and that’s horrifying! that’s an unimaginable, Forbidden terror! but it’s necessary. 

and also I think it’s so clever how REIGEN conveys this by only bringing in shigeo kageyama, the protagonist and most recognizable character who the reader has so many preconceived notions of, in at the last moment as a terrifying ghost who is impersonating him. I mean also it’s partially because shigeo can easily be made to look scary lol, because let’s be real, he can be pretty goddamn scary /hj BUT MOSTLY it’s to have him in his uniform, in his most recognizable and iconic form that the reader will cling to, and then have it be blown away by the post-canon shigeo, the real shigeo, the shigeo who has grown and changed and is no longer stuck in the role he once was. because to be vulnerable with others you have to grow and change and do away with old pretenses and dynamics that you’ve become dependent on. it can be scary to stop playing roles after you’ve grown use to them for so long, but you don’t need them - your most honest self will be the most loved. and also I love how just like tome could tell that it was the real reigen bcause he immediately ran into a spiderweb and yelled, you can tell that it’s the real shigeo because he’s immediately rude as fuck and he and reigen literally instantly go into their mean pithy little affectionate banter lol ok sorry anyway.

and also because you cannot really be any more or less special than anyone else and you need bonds with others, it’s true both that you have to rely on other people, but also that you owe it to them to be kind. reigen is literally a normal person working in the spirit business, so he has to rely on other people with the necessary abilities, such as dimple the spirit and serizawa the psychic, yes, but he also does his part to take care of the people who matter to him. roshuuto is so focused on appearances and power - as shown by how he goes on and on about connections - but when it comes down to it, he was not willing to save others (leaving hoshido in Reliance), and so nobody bothered trying to save him in turn. he only abandoned, and was abandoned. this is shown most acutely in the end by how roshuuto “has no other option” but to pass his curse on to someone else to save himself, while reigen “has no other option” to take on a curse to save someone else. reigen and serizawa accepting their responsibility as adults to protect the children around them is an extension of the idea that you are equal to everyone and are obligated to be kind to your loved ones and recieve kindness in turn. anyway mutual trust and communication is all that matters and tome kurata is The protagonist of all time Sorry,

I swear I just wanted to talk about how much I love Tsubomi and then it turned into a 4,000+ word dissertation on her, Mob and why I think Tsubomi is so important to mp100’s narrative despite, or maybe because of, being a very minor character.

I haven’t counted, but I think Tsubomi shows up in less than 30 pages throughout the entire comic, plus a single omake. That’s really not much, especially considering half of those appearances are just to point out that she’s present in the given scene.

In other words we never get to know much about her and she has no character development to speak of (unless you want to call her remembering that Mob exists character development). Normally that would annoy me to no end - Love interests that only exist to be love interests and the “guy gets the girl in the end (as a reward)” trope is boring at best and offensive at worst.

I was apprehensive while first reading through the comic because right off the bat it looks like mp100 sets itself up to follow the “guy gets the girl” narrative. However, ONE did a pretty clever thing with the trope by both taking advantage of the expectations we have for it and completely discarding them.

“Middle school boy tries to impress the girl he’s in love with” isn’t exactly an adequate description of mp100’s plot. Anyone can see from very early on that that isn’t what the story is about at all. But to Mob? To Mob that’s exactly what it’s about. Everything Mob does that doesn’t involve people being in immediate danger, everything Mob wants to change about himself, is to some degree motivated by Tsubomi. In his mind Tsubomi is the end goal and he’s doing his best to make his life a “guy gets the girl” kind of story.

But, by thinking like that, even after years of never actually talking to her, he has put her on a pedestal where she has become an ideal and no longer a person. Mob never really talks about Tsubomi or gives any explanation as to why he likes her so much, and I guess because she’s the school idol and lots of boys are interested in her, no one really questions it either. Of course he would like Tsubomi, right? Everyone likes Tsubomi.

Tsubomi gets to stay on her pedestal, silent and with almost no sign of a personality, for almost the entire comic. It isn’t until chapter 94 that we get to see her as an actual person, because that’s when Mob, for the first time within the comic’s timeframe, treats her as an actual person by doing something as mundane as handing her a paper tissue because she sneezed. Even Takane Tsubomi sneezes you know.

Keep reading

Train ride.

Bonus:

minor MP100 brainrot relapse!

summer = campfire = ghost stories = S&S company outing

hey, i think i just Got it. 

Reigen not really understanding what Mob is going thru (him not being a psychic) is the perfect parent/teen child analogy. Like, he kinda pretends to get it, but he doesn’t really know – until the end. and he says, “I didn’t know! Is that what you’ve been going through? something this big?” That line just cuts me to my core and it’s because… isn’t that what we all wanted to hear from our parents when we were 14 and at the mercy of our uncontrollable emotions? to be seen, to be validated in that way? wow

the clickbait title: Amazing! This manga has the power to heal your childhood trauma!

march by Mary Oliver

- “Thank you,  I guess .. I’ll finally be able to sleep at night”

i like manga reigen's coloring because it feels more natural but anime reigen's somehow better fits his personality

Honestly both colors fit their respective personalities.

Manga!Reigen is a loooot more toned down. The bombastic antics (that he’s known for in the anime) are reserved for when he’s trying to put on a show, frustrated, or super afraid. Even his Reigen Roast ™ is tame in comparison. He looks more ugly-frustrated with the group’s inability to understand, rather than actively looking to drag them like his anime counter part.

When he’s not doing those motions, the rest of time Manga!Reig is just kind of an apathetic, depressed, regular pathetic, and average kinda guy. Which! fits one of the major themes of mob psycho 100 anyways: Congrats! You’re one of the masses just like everyone else! The brown hair and black tie fit better for this interpretation. Duller colors bring out his more mundane, pensive, wistful side.

Anime!Reigen brings out waaaaaaaaaay more of his showmanship, and this is also a fun angle! For a media based largely in visual movement, this was a great decision. Gold hair for valuing intellect (since hair is above ur brain), gray suit bc he’s morally gray bdum tss, and pink tie to show that he’s got some heart in the midst of it all. These are all very great color choices that showcase other facets of Reigen’s character.

And the anime gives him equal moments to look cool, and to look like a damn fool.

This color design is honestly more memorable and marketable as well. Plus the character designer said they gave him a pink tie since it makes him look more “shady” and I can get behind that.

Congrats this is the end of the rant! Both are good!If some of you were expecting a ‘that’s why this version is better’ conclusion I aint sorry though. They’re just two designs that emphasize different sides of the same character. 

This means for my stuff where I draw somber/weighted things, Manga!Reigen’s colors fit better. But for things that are more energetic and fun, Anime!Reig’s colors are more suited.