So Like Basically In The REIGEN Manga Tome Tries So Desperately To Throw Herself Into The Center Of This

so like basically in the REIGEN manga tome tries so desperately to throw herself into the center of this literal Superhuman world she sees and play the role of the eager young protagonist and its so endearing but in the end reigen has to come clean and she can’t keep using the spiritual premise as a crutch. not because she was wrong to have her whimsical interests, but because the fantasy of specialness can often be an escape from the isolation a person feels due to being unable to live up to societal ideals of normalcy, and yet in the end the fantasy can itself end up feeding directly into the isolation by obscuring your view of the other people in your life. you cannot prioritize the idea of being unique or special alone and that is the reason that the power structures in the story (as represented by roshuuto in REIGEN) so frequently fail short; because actually EVERYONE is a Pathetic Freak Weirdo Nerd Loser, from the handsome, popular rich boy, to the pretentious Dark!Reigen foil who takes himself too seriously, to all of the mundane teenage girls who the audience is initially tricked into dismissing as shallow, but also by the same token EVERYONE deserves to be loved and feel supported. 

because actually bonds with other people are the most important thing, and centrally this is also why REIGEN relies so heavily on bonds with others as something to create horror. the evil spirit mimics the voices of the ones you love and lures you in and when you’re at your most lost and scared and in need, that’s when you turn around and the face of the person you trust betrays you. tome only contracts the fatal curse in the first place because she cared about reigen and went back to make amends with him. because that’s the most horrifying, most terrifying thing, the thing that renders you absolutely helpless, isn’t it? it’s letting yourself rely on others and trust them to the point that it leaves you vulnerable, isn’t it? but you have to do it, if you want to achieve true connection then you can’t continue keeping up a veneer of Specialness and posturing as someone you’re not no matter how afraid you are of being seen as your true self. that’s the idea that really connects tome and reigen above all else. you have to be who you really are and you have to trust that you’ll be loved for it. and that’s horrifying! that’s an unimaginable, Forbidden terror! but it’s necessary. 

and also I think it’s so clever how REIGEN conveys this by only bringing in shigeo kageyama, the protagonist and most recognizable character who the reader has so many preconceived notions of, in at the last moment as a terrifying ghost who is impersonating him. I mean also it’s partially because shigeo can easily be made to look scary lol, because let’s be real, he can be pretty goddamn scary /hj BUT MOSTLY it’s to have him in his uniform, in his most recognizable and iconic form that the reader will cling to, and then have it be blown away by the post-canon shigeo, the real shigeo, the shigeo who has grown and changed and is no longer stuck in the role he once was. because to be vulnerable with others you have to grow and change and do away with old pretenses and dynamics that you’ve become dependent on. it can be scary to stop playing roles after you’ve grown use to them for so long, but you don’t need them - your most honest self will be the most loved. and also I love how just like tome could tell that it was the real reigen bcause he immediately ran into a spiderweb and yelled, you can tell that it’s the real shigeo because he’s immediately rude as fuck and he and reigen literally instantly go into their mean pithy little affectionate banter lol ok sorry anyway.

and also because you cannot really be any more or less special than anyone else and you need bonds with others, it’s true both that you have to rely on other people, but also that you owe it to them to be kind. reigen is literally a normal person working in the spirit business, so he has to rely on other people with the necessary abilities, such as dimple the spirit and serizawa the psychic, yes, but he also does his part to take care of the people who matter to him. roshuuto is so focused on appearances and power - as shown by how he goes on and on about connections - but when it comes down to it, he was not willing to save others (leaving hoshido in Reliance), and so nobody bothered trying to save him in turn. he only abandoned, and was abandoned. this is shown most acutely in the end by how roshuuto “has no other option” but to pass his curse on to someone else to save himself, while reigen “has no other option” to take on a curse to save someone else. reigen and serizawa accepting their responsibility as adults to protect the children around them is an extension of the idea that you are equal to everyone and are obligated to be kind to your loved ones and recieve kindness in turn. anyway mutual trust and communication is all that matters and tome kurata is The protagonist of all time Sorry,

More Posts from The-strangest-thing-happened and Others

Me: Goes To The Fullmetal Alchemist Exhibition Once Also Me: (shhh, I Know This Scene Could Never Have

Me: goes to the Fullmetal Alchemist exhibition once Also me: (shhh, I know this scene could never have happened. It’s a metaphor)

I swear I just wanted to talk about how much I love Tsubomi and then it turned into a 4,000+ word dissertation on her, Mob and why I think Tsubomi is so important to mp100’s narrative despite, or maybe because of, being a very minor character.

I haven’t counted, but I think Tsubomi shows up in less than 30 pages throughout the entire comic, plus a single omake. That’s really not much, especially considering half of those appearances are just to point out that she’s present in the given scene.

In other words we never get to know much about her and she has no character development to speak of (unless you want to call her remembering that Mob exists character development). Normally that would annoy me to no end - Love interests that only exist to be love interests and the “guy gets the girl in the end (as a reward)” trope is boring at best and offensive at worst.

I was apprehensive while first reading through the comic because right off the bat it looks like mp100 sets itself up to follow the “guy gets the girl” narrative. However, ONE did a pretty clever thing with the trope by both taking advantage of the expectations we have for it and completely discarding them.

I Swear I Just Wanted To Talk About How Much I Love Tsubomi And Then It Turned Into A 4,000+ Word Dissertation

“Middle school boy tries to impress the girl he’s in love with” isn’t exactly an adequate description of mp100’s plot. Anyone can see from very early on that that isn’t what the story is about at all. But to Mob? To Mob that’s exactly what it’s about. Everything Mob does that doesn’t involve people being in immediate danger, everything Mob wants to change about himself, is to some degree motivated by Tsubomi. In his mind Tsubomi is the end goal and he’s doing his best to make his life a “guy gets the girl” kind of story.

But, by thinking like that, even after years of never actually talking to her, he has put her on a pedestal where she has become an ideal and no longer a person. Mob never really talks about Tsubomi or gives any explanation as to why he likes her so much, and I guess because she’s the school idol and lots of boys are interested in her, no one really questions it either. Of course he would like Tsubomi, right? Everyone likes Tsubomi.

Tsubomi gets to stay on her pedestal, silent and with almost no sign of a personality, for almost the entire comic. It isn’t until chapter 94 that we get to see her as an actual person, because that’s when Mob, for the first time within the comic’s timeframe, treats her as an actual person by doing something as mundane as handing her a paper tissue because she sneezed. Even Takane Tsubomi sneezes you know.

I Swear I Just Wanted To Talk About How Much I Love Tsubomi And Then It Turned Into A 4,000+ Word Dissertation

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Minor MP100 Brainrot Relapse!

minor MP100 brainrot relapse!

summer = campfire = ghost stories = S&S company outing


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id: a manga panel showing and extreme close up of Tome's face which comically fills the entire panel. her expression is deadpan, and she says "hi every one." end id.

Start your day right with my favorite shot of Tome Kurata from the Reigen manga.


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Idea: Takenaka Is Using His Powers In This Scene. He Notices Reigen Staring At Him, And Decides To Listen

Idea: Takenaka is using his powers in this scene. He notices Reigen staring at him, and decides to listen to Reigen’s thoughts to see what’s up. But what Takenaka realizes in that process is that the man is also reading him like an open book – this telepath can hear Reigen breaking down every miniscule aspect of his current presentation, and the conclusions he’s drawing are so uncannily accurate that he might as well be a telepath himself. Being read like this is a new experience for Takenaka since he’s always been on the other side up to now, and this is honestly really unnerving for him.


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it’s a little too late where I am to gather all my thoughts on this tonight, but Reigen is such a tragic character. I’m talking Shakespearean, “road to hell paved in good intentions” type of tragic. fatal flaw and all.

he’s so earnest and he has such a beautiful heart, but the tragedy is that it is often not enough. if you’ve read the manga you probably have a better idea of what i mean.


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Thanks To @jellyana For Posting Some Of Teru’s Dialogue

thanks to @jellyana for posting some of teru’s dialogue


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Watching The Emi Episode Makes Me Kick And Giggle My Feet
Watching The Emi Episode Makes Me Kick And Giggle My Feet
Watching The Emi Episode Makes Me Kick And Giggle My Feet

watching the emi episode makes me kick and giggle my feet

Versions Without Glasses&color Under The Cut

Versions without glasses&color under the cut

Versions Without Glasses&color Under The Cut
Versions Without Glasses&color Under The Cut
Versions Without Glasses&color Under The Cut

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the-strangest-thing-happened - it's brute force!
it's brute force!

nora - she/her - yelling about other things in @extra-spicy-fire-noodles

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