Roy and Riza's journey in Fullmetal Alchemist is the struggle of the naive idealism of youth against the cynical realism of adulthood. At the core of their characters there is a tenet: that Alchemy — or rather power — should be used for the benefit of the people. Like many things in FMA there is an irony in this. This belief that's so crucial to their characters is something they inherited from someone who, in a way, represents the antithesis of this idea.
Berthold Hawkeye.
The Manga goes out of its way to tell us this is something Behold believed in and passed on to them. First when Roy uses it to justify why he joined the military, and then when Riza admits that she believed in her father's words.
The thing is that there is a dissonance between Berthold's teachings and his character's actions. Berthold is a recluse living away from the people his hoarded knowledge is supposed to help. Roy and Riza know this, and they call him out on it.
They both fervently believe in Berthold's teaching, and they don't understand why he's so adamantly against putting it to practice. When they join the military they don't do so to spite him, they do so because they believe in what he preaches, so much so that they want to prove his cynicism wrong.
The problem is that Berthold is right.
He's sooo freaking right.
Their government is corrupt. All that talk about protecting their people is pure propaganda. His cynicism is the pain of someone who was burned too much by the world's cruelty. Berthold is an idealist that has given up, much like Hohenheim before Trisha. He is someone that once wished to help people, and probably came to the same painful realization that Roy and Riza eventually had in Ishval. The path to hell can be paved with good intentions, and sometimes you're completely powerless to do anything about it.
Now, what makes Riza and Roy such great characters, is the fact that instead of falling into despair and secluding themselves like Berthold did, they decide to fight back and continue clawing at the world with their own — no longer so naive — idealism. They have seen where defeat leads to, and they refuse to walk that path.
My favorite example of Roy's acceptance of both Berthold's teaching, as well as his rejection of Berthold's character, is his conversation with Hughes in Ishval.
This conversation is such a beautiful call back to Berthold telling Roy that alchemists die when they cease to think. This is Roy doubling down, acknowledging that yes he was naive — the world is a much more complicated and painful place than he realized — but still he refuses to give up on the face of reality like Berthold did. Where Berthold accepted his fate, as a man who was already dead inside, Roy and Riza continue to struggle to survive.
Berthold might have taught Roy and Riza that power should be used for good, but his biggest lesson to them was perhaps serving as an example of what happens when you allow your dreams and hope to die.
Ps. This thematic of children following on their parent/mentor footsteps and surpassing them is constant on FMA. Winry being a mechanic like her grandma and deciding to be like her parents by forgiving Scar. Ed and Al becoming alchemist like Hohenheim, but also embracing their familiar bonds and continue to help people despite their trauma. Ling Yao becoming emperor and dismantling the infighting his father had promoted. Scar embracing his brother's alchemy and dream. It is then fitting that Roy and Riza also inherited something from Berthold and then surpassed him.
*whispers* I,,,, ll o ve….. y ooo uuu u
[Image ID: A page from the Reigen manga. Panel 1: Reigen stands in a forest looking exhausted. He says, “At least I bought bug spray this time …” Panel 2: He sprays himself down. Panel 3: A closeup of his face. He’s dripping with sweat and his eyes are sunken. He says, “Preparations complete.” Panel 4: Reigen loosens his tie as he staggers towards the viewer. His face is sweaty and he has a haggard expression. He says, “All right then …” End ID.]
Okay listen it’s been a month since i read this and i CANNOT stop thinking about “At least I bought bug spray this time…” It’s just. It’s so Reigen.
This man is dying. He is being eaten alive by a curse that will kill him in less than 3 hours–probably closer to 2 by this point because this place is pretty far outside of Seasoning City. Since Serizawa couldn’t destroy the curse, he knows that Mob is the only person who could get rid of it–and he doesn’t think that he’ll get there in time, if he comes at all. Reigen’s last-ditch plan is to try to trudge into the most haunted forbidden evil woods he knows about in the hope that he can make the curse that’s killing him fight a different, worse curse, and if that doesn’t work at least he’ll die in a place far away from other people and the curse will be prevented from victimizing anyone else.
And what does he say when he arrives at the Evil Death Woods? “At least I brought bug spray.”
One of the things that makes Reigen’s character work is that he is Just Some Guy. A deeply bewildering, paradoxical guy who lies for a living, but still just a guy. Different characters in MP100 are trying to exist in slightly different genres, and for all his absurdity Reigen is the character who is the most grounded in the real world. He worries about his fire insurance during a psychic terrorist attack. He’s the one who goes “Hey, this is illegal?” and “Kids should not be dealing with this” and “You’re supposed to be adults, what is your PROBLEM?” when he’s introduced to the shonen-anime-villain Scars.
And he’s the sort of person who thinks, yeah, dying of a horrible curse in the woods would be bad, but you know what would be worse? That and bug bites. And he’s not … wrong, but it’s not something that anyone else in the series is going to think of. It’s such a normal worry in such an abnormal situation. It’s so grounded.
And it’s also … weirdly hopeful? I feel like a lot of people talk about this part of the manga like Reigen’s given up and is just marching to his death, but he really isn’t. Yes, he was willing to take on the curse to save Tome, and he’s well aware that he might die, but he’s still trying to get out of it with everything he’s got. He doesn’t have powers, but he’s really clever! He goes into a place with a time distortion effect in the hope that it will buy him more time! He manipulates the curse into turning around so that it gets attacked by the Mimic spirit but he doesn’t! If it had been a more even match between them like he’d hoped, he might have been able to get out of the woods even without Mob coming to save him.
He’s aware of the danger and how much the odds are stacked against him, but he hasn’t given up! And the bug spray feels indicative of this. He thinks he might succeed in getting rid of the curse. He thinks he might need to get out of the woods on his own. And if that happens, he’s going to be so happy about not getting covered in bug bites this time.
I really love how Teruki’s hair acts as a barometer to his personal development. It’s so true-to-life for teenagers (guilty of this).
His hair drastically changes whenever something big happens that affects his outlook on life or his sense of self, and it’s exactly the same as when your friend would show up to school one day with an extremely different hairstyle, maybe even dyed a different color, and you’d think like, “Something must have fundamentally changed in your life’s trajectory and your personal understanding of it”. (Honestly, being a teenager is just a series of these moments strung together by homework and video games.)
And every single time his hair changes, it’s against his will. Sure, he usually chooses how to style it afterwards, but both of the Kageyama Scalping Incidents, Sakurai’s hair chop, etc. were against his will. But without fail, it always happens at a major emotional turning point in Teruki’s life. Him being snapped out of his superiority complex (mostly), him being influenced by Reigen’s 1000% and finding a passion for teaching, Mob breaking his own pedestal with the Confession accident, etc.
Teru’s gonna walk into a room at some point in the future with a totally different hairstyle that he chose for no real reason at all, just to shake it up, and everyone’s going to be like Oh My God Teru What Happened and he’s gonna be like, “????? Does it look that bad???? 🥺”
am i just supposed to accept someone’s hatred?
I’ve been screaming about this for a whole hour he really was just going to beat the fuck out of roy for no reason
In the Separation Arc, we see Reigen tell a young Mob that is doesn't matter whether or not he has powers, all that matters is that he's a good person. This is immediately followed by our slightly older Mob returning that exact gift: telling Reigen it doesn't matter whether or not he has powers, all that matters is that he's a good person.
And they both desperately needed these assurances from each other. They saved each other from drowning in guilt and self-loathing. And they weren't wrong.
But they weren't exactly right either.
The Confession Arc exists because they both need to grow beyond that point. Confronting the fact that these things do matter—that they can't just ignore Mob's powers, or Reigen's lies. "Being a good person" does not unmake the part of yourself you wish wasn't there. Those parts of you still don't define you—that was right—but they still matter, and they still have to be faced.
Going to that next level is just... gah. This writing is so good.
my predictions for mob’s haircut, if he gets one
Lower your weapon
Every character in Mob Psycho is so lonely at the beginning of the series, but they all express it in different ways so they don’t realize they’re all dealing with the same problem!
Mob makes himself small and quiet and blends in and does his best to never make a scene and never ask for anything and never think about what he wants. Reigen makes himself big and loud boisterous and takes up as much space as possible–but it’s all show, it’s all slight-of-hand, it’s a magic trick so everyone looks where he wants them to and he doesn’t have to risk anyone seeing through him. Ritsu makes himself perfect and dutiful and studious and pours himself into the mold of A Good Son, A Good Student, A Good Brother, and thinks that if he buries himself deep enough no one can touch him. Teru makes himself sharp and brilliant and frightening and puts himself at the top of the pyramid and convinces himself that it’s a feature that no one can get close to him. Dimple does the same thing–makes himself into a god and a monster, someone who only sees humans as pawns. Never equals. Never friends.
Everyone has walled themselves off from genuine connection, convinced themselves that there’s an important reason they’re alone that isn’t just that they’re afraid, and the series is about all of those walls being torn down, bit by bit. There are a million ways to be lonely, but the solution to all of them, every time, is vulnerability and kindness.
nora - she/her - yelling about other things in @extra-spicy-fire-noodles
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