Will Du: Can't, Or Can? (Redux)

Reblogging from myself to add an update: Upon recent rewatch, Kim offers to help Bonnie, Bonnie doesn't even ask, certainly doesn't force her to.

Then Kim leaves on a mission with Wade, forcing Ron to set up the Meet the Queen event to find Bonnie a new boyfriend, a job he didn't want at all, which leaves me with all kinds of conflicted feelings.

When the team decides to head to Italy, Bonnie is upset at feeling abandoned, so Ron offers to have her come to Venice with them.

So, Kim offers to help, and then immediately abandons the job, forcing Ron to pick up the slack. Not happy about that.

Also, I don't blame her for harshly rejecting Larry since he was picking his ear when he approached her.

Nor do I blame her for being so upset that Brick dumped her, since he had apparently promised that he'd be back for homecoming.

I do blame her for moving in on someone else's boyfriend. Regardless of my feelings on Ron/Bonnie as a pairing, moving in on Ron when he was already dating Kim was uncool.

What are your thoughts on Bonnie cheating to become the homecoming queen and the fact that she tried to steal Ron from Kim, going so far as to kissing him. Not to mention the audacity of her asking Kim to find her a new boyfriend not caring if she’s bothering her or not.

That was definitely a horrible thing to do. I don't justify that, nor do I condone it. This is one thing I do not excuse. I'm not overly fond of Kim, and I clearly prefer Bonnie, but I do agree that I'm on Kim's side on this one.

That being said, I don't actually recall Bonnie asking Kim to help her find a new boyfriend, I think Kim just did that on her own.

Actually, Ron was the one to set up the "Meet the Queen" event to find Bonnie a new boyfriend.

But, it has been a while since I saw that episode in full, so I could be misremembering things.

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

Bonnie wasn’t supportive of Ron she was enabling his worst traits (traits that were born out of insecurity ) Kim keeps Ron grounded and acts as the voice of reason or as an inspiration to come out of his shell when he lets his fears consume him.

She has moments where she is harsh and even unfair but a few of them are intentional and outright shown how she is decidedly in the wrong and at the end of the episode Kim and Ron always come to a mutual understanding.

I feel like many of your issues aren’t with Kim’s herself, but rather with the way the narrative treated each of the characters.

Ron was stuck with the comedic relief role even though that no longer fit him, Kim had to be written as a role model so her flaws were never taken seriously nor addressed.

I think this is the issue, the way the narrative treated them both. Technically Kim’s character is as muchof a victim to the narrative as Ron was.

So, I guess we have different opinions on this. But if those were Ron's worst traits, then he's a Saint.

Or whatever the Jewish equivalent would be, if there is one.

Because the things Ron's done in "Ron Millionaire" are:

Literally gives money to classmates and Barkin. Not seeing anything wrong with that. Maybe not smart to advertise how much money he has, but not a bad thing to do.

Complains about getting adult lettuce instead of baby lettuce. He definitely could have been nicer, I'll give you that.

Kind of goes over the top with insisting on being called "The Ron" but, again, it's not bad, just a little annoying.

Forgets to put Kim on the guest list, but this was probably unintentional. We don't even know Ron made the list, and he certainly didn't seem like he was trying to avoid Kim.

Tries to buy gaudy jewelry. Maybe not what I'd do, but it's not harming anyone, so I'd keep my mouth shut.

Buys a private jet, with auto-pilot, and a special forces team for missions. At least Kim appreciates that.

So, his "worst traits" are not bad.

And they're still way better than Kim's worst traits.

Kim doesn't need to dismiss Ron's feelings to keep him grounded.

She's not inspiring Ron to step out of his shell by forcing him to do things he's uncomfortable with.

It is entirely possible for someone to keep their friend grounded, inspire them to step out of their shell, and be kind and supportive, even for a high schooler.

Kim and Ron may come to an understanding by the end of some episodes, but it doesn't seem to be enough for her to actually treat him better.

I am perfectly capable of acknowledging Kim as a victim of the narrative and as a horrible person.

From A Writer's POV: Kim is a victim of a narrative that refuses to let her be vulnerable, even if it means she can't be kind, either.

In-Universe: Kim is majorly controlling, hypocritical, possessive, uncaring, condescending, and judgmental.

I can have both POVs at once. They're not actually contradictory.

But my acknowledgement of Kim as a victim of the narrative doesn't negate the fact that, in-universe, she treats Ron horribly.

So, for me at least, it's not just that Ron's a victim of the narrative, it's also that Ron's a victim of Kim.

I am a Huge KimRon shipper, I love them.

Ron clearly loved Kim and Kim very clearly loved Ron.

But don’t you think Kim and Ron relationship could feel one sided at times?

Like we have so many episodes where Ron is able to ponder about his feelings and show in various ways his love for Kim

5 love language: quality time, acts of service, giving gifts, words of affirmation etc. Always being there, always supporting her emotionally, being more emotionally available and open about his feelings. if that makes sense, I hope it does

Kim clearly also loves Ron, she tells him she needs him to save the world, her small moments of jealousy, there’s the Christmas episode where she gifts him an album full of their childhood memories, there are plenty hints that show how Kim could have liked Ron since the very beginning.

But there aren’t really any introspective or truly emotional moments where she thinks about her and Ron’s relationship or where we as the audience get to see how she truly feels about Ron. 1_5

Yes! Their relationship does feel one-sided! I have been saying that for years.

And it's not that I don't think Kim likes Ron on some level - because she does do nice things for him - it's that there are way more examples of Ron putting Kim first than there are of Kim putting Ron first.

And, for all the moments where Ron's feelings are discussed, we don't get that with Kim.

It's really disappointing.

I am going to respond to the rest of your asks.

The most unbelievable thing about Disney's Descendants is that the princes and princesses, people who are known for being kind and compassionate, would be okay with literal children living on The Isle, despite knowing what things are like on The Isle, just because their parents are villains.

Like, I'll believe they decided to put their dangerous villains there to protect everyone.

(Not villains like LeFou and Smee though, because they're just not worth the trouble.)

But you expect me to believe that no one thought it wouldn't be fair to punish the kids for their parents' crimes? That people who are known for being kind thought this was fair?

Sorry, not buying it.

And it's not that they didn't know, because everyone knew the villains had kids, so they just, somehow, honestly thought this was a good idea.

But I don't believe it.

I understand that it has to be that way for plot reasons. My proposed change would be a very simple one:

They didn't know there were kids on The Isle.

They only found out shortly before Ben was going to be coronated, because Belle and Adam wanted to check on The Isle one more time before it became Ben's responsibility.

Thus, Ben immediately decides to invite some VKs to Auradon for a better life, but Belle and Adam are concerned that the VKs might be a lot like their parents. He agrees to only invite a few at first, but he's confident that they're not evil, just in terrible conditions.

What are your thoughts on the Tweebs?

Well, the original pitch bible had them as sociopathic geniuses...

Which is kind of a horrible way to describe ten-year-olds. End of.

Jim and Tim are energetic, hyperactive, rambunctious geniuses with a tendency towards taking apart household appliances to build things.

They don't respect Kim's boundaries and work hard to embarrass her.

James and Ann don't seem to be big on disciplining their kids or regulating their behaviors.

And Kim is constantly commenting on how she wanted a sister, thinks of them as freaks, and doesn't think they're human.

Frankly, I wouldn't blame them for not wanting to be nice to her after dealing with that for a lifetime.

Especially after they went through the trouble of helping her on a mission and she used mind-control chips on them afterwards.

The same ones they had freed her from.

The same ones she said were unethical to just make.

I know that when my older sibling spent my entire life telling me how much she never wanted me, I wasn't exactly inclined to be nice to her either.

(We're doing better now, but it took an acknowledgement and an apology on her part before I was even willing to try. I think it'd be nice if Kim did this, too.)

But even though they had nearly helped embarrass Kim out of existence in "Blush", it's clear that they hadn't known what was going to happen, and thus hadn't intended to cause that much harm to Kim.

So it doesn't seem like Jim and Tim are as "sociopathic" as the creators had originally intended for them to be.

TLDR: They aren't really different from how any other ten-year-old boys would be if they were geniuses, had access to advanced technology, had parents who don't discipline or regulate them, and had an older sister constantly talking about how much she hates them.

So I can't really blame them for how they turned out.

Would you?

This is probably the closest to what the Isle is, but it's worth mentioning that The Isle is still a prison.

And, in real life, when a baby is born in prison, the baby is removed from the prison and either given to relatives of the mother or placed in foster care.

In Descendants, when kids were born on The Isle, which is basically a prison, the kids were left on The Isle, despite the conditions not being good.

No one even checked to make sure the conditions were suitable for children.

No one thought "hey, we should check and see if The Isle has what it needs to take care of kids" or "we should probably not leave kids on The Isle since their parents can't take care of them."

Sure, Adam agreed they were innocent, when they were sixteen. He agreed they were innocent when Ben was making his first proclamation as King.

He had, at least, sixteen years to decide the kids were innocent enough to leave The Isle.

Sixteen years to decide to give them a chance at a better life.

And he didn't choose to do it, Ben decided to invoke his power as King to do it.

Or, in other words, he didn't do it until it was no longer his choice anyways.

I mean, sure, he could've kept arguing, but there was no changing Ben's mind, and in a month, he wouldn't have had the power to do anything anyways.

It's also worth mentioning, everyone knew about the kids.

Ben said that every time he looked out at The Isle, he felt like the kids had been abandoned.

Everyone knew about the kids. No one was surprised they existed.

But no one cared enough to make they had what they needed.

Ben's right; the kids had been abandoned.

And it would've been nice to see them call the people of Auradon out for it.

The most unbelievable thing about Disney's Descendants is that the princes and princesses, people who are known for being kind and compassionate, would be okay with literal children living on The Isle, despite knowing what things are like on The Isle, just because their parents are villains.

Like, I'll believe they decided to put their dangerous villains there to protect everyone.

(Not villains like LeFou and Smee though, because they're just not worth the trouble.)

But you expect me to believe that no one thought it wouldn't be fair to punish the kids for their parents' crimes? That people who are known for being kind thought this was fair?

Sorry, not buying it.

And it's not that they didn't know, because everyone knew the villains had kids, so they just, somehow, honestly thought this was a good idea.

But I don't believe it.

I understand that it has to be that way for plot reasons. My proposed change would be a very simple one:

They didn't know there were kids on The Isle.

They only found out shortly before Ben was going to be coronated, because Belle and Adam wanted to check on The Isle one more time before it became Ben's responsibility.

Thus, Ben immediately decides to invite some VKs to Auradon for a better life, but Belle and Adam are concerned that the VKs might be a lot like their parents. He agrees to only invite a few at first, but he's confident that they're not evil, just in terrible conditions.

I’m always wondering if it was better or worse for BBT and Young Sheldon creators to say that Sheldon is NOT on the spectrum. But then I see how they treat neurodivergence on shows like Miraculous, and go probably better they keep away from stuff they don’t understand.

I suspect what happened with Sheldon’s character is that they probably modeled him after people they either didn’t know or didn’t care were on the spectrum and by the time everyone was like “hey this guy is obviously autistic” they’d made fun of him too many times to suddenly claim being pioneers of sitcom neurodivergent representation without also having to accept responsibility for their past attitudes towards him

I do, however, think the red itchy sweater episode was fantastic in delivering a message regarding some forms of neurosis

As for ML, it is, at its core, a tell don’t show series. These characters are in love, are close friends, are good at X and Y, are passionate about this and that, hate Z, so on and so forth. We rarely learn about characters and happenstances through actions, to the point where very clear irrefutable events are verbally retconned by random characters and we’re supposed to accept what they say as canon over what we saw. It doesn’t matter if characters are noticeably queer, neurodivergent, good/bad at something, biased about certain people/subjects, struggling with XYZ, etc. If someone doesn’t outright state it, it isn’t canon. This is where the crew loves to claim brownie points for representation but doesn’t actually do anything that might upset the Suits and their bigotry. They have an ethnically diverse character lineup but they’re all perfectly assimilated to white french culture and rarely acknowledge their own supposed heritage. They criticize police abuse but have the victims apologize to their assailants. They have queer characters but their relationships are mostly implied off-screen so they have plausible deniability. They have kids whose parents are clearly mistreating them to the point of leaving lifelong scars and affecting their ability to become functional members of society but it’s obviously not abuse.

I swear there’s some kind of disconnect between the dialogue and the action lines on the script, like no one member of the crew knows what the other is doing and everything is just taped together at the end with no revisions

Is surprising how much of the humor was based at Ron’s expense, specially when some of his behaviors like having hyperfixation over things he liked (Bueno nacho, wrestling) or scenes where he had to deals with issues such as dealing with fear, phobias and/or anxiety were oftentimes downplayed of painted in a way to make him look “funny”, “silly” or “dumb”.

Ron more often than not read as being neurodivergent and gender non conforming.

Why make fun of him using the things that could potentially make him relatable towards the audience?

I also agree with you about Kim feeling too perfect at times.

An argument I’ve heard people make was that Ron stole Kim’s spotlight at the end of the show. In that it was supposed to be “The Kim possible show, not Ron stoppable” Do you think this argument has any merit?

Sometimes I wish Ron as a character was convinced as a girl instead of a boy, to show girls could be silly, weird and awkward and still manage be useful in their own ways. (Similar to Luz from the owl house or Lilo from Lilo and Stitch).

This is part of the reason why despite being a girl, I always liked him and related to him more than with Kim. You feel the same way, don’t you?

Yeah, a lot of the things that Ron was made fun of for are things that made him relatable to the audience, so it seems like a terrible idea to make fun of those traits.

And making fun of him for things like being gender nonconforming, being neurodivergent, or having PTSD-induced phobias, is not something that seems funny 20 years later.

(Whether or not Ron was intended to be any of those things, he was coded that way, so it's hurtful to people who relate to him to see him being made fun of for that.)

And Ron was a main character, but he was mostly there to be made fun of.

What's the point of a main character who's sole purpose is to be made fun of?

Kim did feel overly perfect; her parents are too permissive with non-menial jobs, she's relatively popular, and she's rarely shown to not be instantly good at things.

She's known to practice cheerleading, but "A Sitch in Time" shows her doing an impossible routine on her first tryout.

She's never shown receiving any kind of Kung Fu training, but is apparently very skilled anyways.

All in all, Kim's life is perfect, and it makes it hard for people to relate to her.

I do think the focus shifted away from Kim a bit in season 4, especially once Hana was introduced. It definitely felt like there were more Ron-centric episodes in that season than in any of the previous three.

(They hadn't actually planned on continuing the show after "So The Drama", so I guess they didn't have as many plots for Kim as they did for Ron.)

Honestly, Kim having a female friend who's silly, weird, and awkward would have been awesome. Not every female character needs to be serious and focused all the time.

I'm not sure if I'd want it to be a female version of Ron, but I would think it'd be great to introduce a character like that.

Especially if it causes Kim to reflect on her relationship with Ron and how she's treated him at times.

Yes, I do relate to Ron more than I relate to Kim. I am female, but I am also neurodivergent and gender nonconforming, and Ron is a character I relate a lot to.

And I'm not the only one.

So a show indirectly making fun of me isn't something I'm okay with.

In my Unstoppables AU Brick and Tara are siblings, so I thought it'd be fun to edit Tara to have Brick's colors, though I kept her eyes their original color.

I think it's an interesting look, and it helps Tara look more distinct from Jessica, who is also a blue-eyed platinum blonde.

I don't own Tara, but I do own this picture, so please don't use it without my permission.