In 2035,

FAUAP : AR5-ZEE-N959

 This photograph, captured in September 1995, depicts a rural scene in northern Europe. Visible in the distance are several farm buildings. A small forest is present closer to the viewer, while mountains appear on either side of the scene. The picture was taken using a Kodak Ektar 100 film.  What distinguishes this image from a typical landscape photograph is the presence of an unidentified aerial phenomenon (UAP) in the sky above the scene. The UAP appears stationary and is of a discernible, aerodynamic shape. It is set against a clear sky, with an array of light rays extending from or towards it.  Some observers have speculated that the rays could be the result of a trick of the light or some form of photographic manipulation, such as the use of glass plates or paint. However, these theories are questionable given the properties of the photograph.  The Kodak Ektar 100 film used is renowned for its fine grain and high-resolution output. Any form of manipulation would likely have caused inconsistencies in resolution, which are not evident in the image.  Therefore, based on the evidence in the photograph, it appears that neither the UAP nor the mysterious light rays are the result of photographic trickery. This adds a level of mystery and intrigue to the photograph and invites further examination and interpretation.

FARAS : Other Possibilities

 I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.

 Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.

 If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?

 How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.

 If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?

 Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?

 I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.

BioShock The Movie : Big Daddy Fan Poster

 I chose a low angle to portray Big Daddy's menacing look, and a leak in progress to portray Rapture's precarious appearance. The expression of splashing water was added with Photoshop. LoRA seem to have worked and did almost everything. I like this Big Daddy design, which is a little taller than the previous original design, as it seems to be suitable for a live-action film.

 If there was one problem, it was not easy to get the Little Sisters into the right places. I just composited her in photoshop. Composite quality doesn't seem very good. Still, I'll have to be content with this.

 BioShock was a big turning point for me. I started with a surprise about computer graphics, and the twist at the end is really the best I can think of now. I hope this work will be made into a great live-action movie someday.

little 3D effect on it. :D

 It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.

 He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.

 In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.

 I also tried to depict their characters, situations, and symbols in the background of the poster.

FAUAP : AV4-DFUFO6G95

 The image, captured by an aviator at a significant altitude, features a UAP bearing a characteristic flat disk shape. The most notable elements are the two light sources below the UAP, creating an impressive glow against the vast sky. Above the UAP, a spatial distortion manifests as a haze, adding an extra layer of intrigue to the scene.  Under the sunlight's illumination, the UAP exhibits a reflective quality, making it appear as if composed of smooth metal. This feature, along with the overall design, becomes strikingly clear in the high-quality picture, implying the possible existence of advanced technology.  This photograph remained hidden from public view until the data from the promptyper was leaked. The image, originally preserved as film, was printed for digital archiving by the promptyper, before being digitally scanned. The later leak of this data introduced this intriguing photograph into public knowledge, sparking speculation and excitement around its origins and implications.

FAUAP : PH7-MUFO9F97

 The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation.  Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design.  The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance.  Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.

FAUAP : JP3-IRW-UFO9D9

 The picture presents a beach scene in Japan with a metallic UAP hovering close to the waves. The UAP, looks white and of a size comparable to a small vehicle, exhibits intriguing features such as an observation device protruding from its underside and a repossessed structure on top.  There's speculation that this might just be a drone made by some Japanese engineer. The film used is an old model. It's possible that the image was taken recently using an old camera, but this theory is contradicted by the path of the leak and the time recorded at the time of the leak. This discrepancy makes it difficult to precisely determine when the photograph was taken, although it's believed to be from the mid-90s.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 When I remember Goku, the first thing that came to my mind was the disappointment of not being able to use Kamehameha.  The concept of a character that grows over time made Goku come to me as a really vivid being in my childhood.  I remember Goku before the Dragon Ball Z series was pretty funny, but after the Z series the atmosphere changed very scary, 'is this really a children's animation?' I also had this question. Dragon Ball Z was considered very violent, so even my parents thought it was a cautionary animation. But now that I think about it, what Goku has shown in Dragon Ball has had a tremendous impact on each of us growing up. Fighting to protect the Earth and friends, and enjoying the battle in the process, sometimes trying to endure and grow again even if can't enjoying it. And achieving growth and eventually achieving goals. These were things that we couldn't easily learn in school.

Doom : Rip and Tear The Live Action Movie Poster

 I made a live-action movie poster for DOOM.

 It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.

 The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.