OKAY BUT I JUST GOOGLE TRESE AND IT LOOKS SO COOL??? AND IT'S ON NETFLIX?? HOLY FUCK

In Philippine Mythology, Mayari is the one-eyed moon goddess of war, beauty, strength, and revolution. By @porkironandwine on twitter

Character Mannerisms/Behaviors: Bonus Questions

I accidentally made more questions than necessary, so here are some bonus questions!

1. What mannerisms does your character have when they’re nervous?

2. How does your character smile? Are their smiles usually genuine?

3. Are there any mannerisms or “code words” your character must use for their job? If so, what are they, and what do they mean?

4. Does your character generally have “open” or “closed” body language? Is this reflective of their personality?

5. Does your character commonly carry something around, such as a magazine or a cigarette? How do they interact with the thing they carry?

6. How do your character’s mannerisms reflect their personality, past, or desires? (For example, a character could always hover near the door because they’re noncommittal, or because they’ve had to run away from bad situations in their past.)

7. If there is magic in your character’s world, what words or mannerisms must be used to “activate” it?

8. How often does your character touch other people? If often, can they be overly touchy, or are they careful not to make others uncomfortable?

new sengen fic is up lol more gen being a sad boy and senku being awkward because that’s my entire shit. don’t worry it has a good ending:)

philippine myth creatures gothic

they talk of creatures lurking in the night, always reminding you of their ways whenever you do something bad. using your fear as a way for you to obey them.

they talk of the tiyanak, and how they attract travelers by imitating a baby cry and then attack the victim. you walk home late one night from school, you hear the baby crying, not so distant. you stop for a second, the hairs on your arms rising, a shiver running down your spine. you resume walking. you don’t turn back.

you remember the tikbalang one time you got lost with your friends. you drive and drive but you keep returning to that tree with the branches that look like arms and it feels eerie. you had your stereo on full volume and you turn it down. you tell your friends to keep quiet and to turn their shirts inside out. you keep driving and this time you get out. but it’s been five hours when it felt like five minutes.

you think of the manananggal when your mom gets pregnant. you think of it flying to your house and using its long proboscis-like tongue to suck out the heart and blood of your would-be sibling. you think of its severed torso, the upper doing the job while the lower just stands there. you sit up every night waiting for it. you don’t get much sleep, too scared to sleep in case it comes.

you wait for your friend one time. you hear, ek ek ek. it seemed very far so you don’t pay much attention to it. you tell your friend this and they say it was probably an ekek, similar to the manananggal. your friend also says that they fool people into thinking they were far when they were actually very close.

your mom tells you that your maid’s mother is an aswang, a vampire-like witch ghoul. your maid is probably one too. you remember what happened to your neighbor, how he didn’t seem like himself and then he became sick and died. you hear people saying it was your maid and that it was the way of the aswangs to replace their victims with doppelgangers only to become sick and die. you’ve been very nice to you maid ever since. you don’t know who’s real, you don’t know who’s a doppelganger.

these are some of the creatures you’ve been afraid of your whole life. they tell you to let go of it. they tell you it’s not real. but you can’t, you can’t, you can’t.

Vicious Vinyl 🦇

Babaylan Knowledge: A Complete Tutorial About Herbal Medicine in the Philippines

Certain herbs, even some fruits are used as traditional and alternative medicine in the Philippines. This Buzzle article presents information on some popular medicinal plants, which are approved by the Department of Health, Philippines.  […] Source: A Complete Tutorial About Herbal Medicine in the Philippines

Writing advice #?: Have your characters wash the dishes while they talk.

This is one of my favorite tricks, picked up from E.M. Forester and filtered through my own domestic-homebody lens.  Forester says that you should never ever tell us how a character feels; instead, show us what those emotions are doing to a character’s posture and tone and expression.  This makes “I felt sadness” into “my shoulders hunched and I sighed heavily, staring at the ground as my eyes filled with tears.”  Those emotions-as-motions are called objective correlatives.  Honestly, fic writers have gotten the memo on objective correlatives, but sometimes struggle with how to use them.

Objective correlatives can quickly become a) repetitive or b) melodramatic.  On the repetitive end, long scenes of dialogue can quickly turn into “he sighed” and “she nodded” so many times that he starts to feel like a window fan and she like a bobblehead.  On the melodramatic end, a debate about where to eat dinner can start to feel like an episode of Jerry Springer because “he shrieked” while “she clenched her fists” and they both “ground their teeth.”  If you leave the objective correlatives out entirely, then you have what’s known as “floating” dialogue — we get the words themselves but no idea how they’re being said, and feel completely disconnected from the scene.  If you try to get meaning across by telling us the characters’ thoughts instead, this quickly drifts into purple prose.

Instead, have them wash the dishes while they talk.

To be clear: it doesn’t have to be dishes.  They could be folding laundry or sweeping the floor or cooking a meal or making a bed or changing a lightbulb.  The point is to engage your characters in some meaningless, everyday household task that does not directly relate to the subject of the conversation.

This trick gives you a whole wealth of objective correlatives.  If your character is angry, then the way they scrub a bowl will be very different from how they’ll be scrubbing while happy.  If your character is taking a moment to think, then they might splash suds around for a few seconds.  A character who is not that invested in the conversation will be looking at the sink not paying much attention.  A character moderately invested will be looking at the speaker while continuing to scrub a pot.  If the character is suddenly very invested in the conversation, you can convey this by having them set the pot down entirely and give their full attention to the speaker.

A demonstration:

1

“I’m leaving,” Anastasia said.

“What?”  Drizella continued dropping forks into the dishwasher.

2

“I’m leaving,” Anastasia said.

Drizella paused midway through slotting a fork into the dishwasher.  “What?”

3

“I’m leaving,” Anastasia said.

Drizella laughed, not looking up from where she was arranging forks in the dishwasher.  “What?”

4

“I’m leaving,” Anastasia said.

The forks slipped out of Drizella’s hand and clattered onto the floor of the dishwasher.  “What?”

5

“I’m leaving,” Anastasia said.

“What?”  Drizella shoved several forks into the dishwasher with unnecessary force, not seeming to notice when several bounced back out of the silverware rack.

See how cheaply and easily we can get across Drizella’s five different emotions about Anastasia leaving, all by telling the reader how she’s doing the dishes?  And all the while no heads were nodded, no teeth were clenched.

The reason I recommend having it be one of these boring domestic chores instead of, say, scaling a building or picking a lock, is that chores add a sense of realism and are low-stakes enough not to be distracting.  If you add a concurrent task that’s high-stakes, then potentially your readers are going to be so focused on the question of whether your characters will pick the lock in time that they don’t catch the dialogue.  But no one’s going to be on the edge of their seat wondering whether Drizella’s going to have enough clean forks for tomorrow.

And chores are a cheap-n-easy way to add a lot of realism to your story.  So much of the appeal of contemporary superhero stories comes from Spider-Man having to wash his costume in a Queens laundromat or Green Arrow cheating at darts, because those details are fun and interesting and make a story feel “real.”  Actually ask the question of what dishes or clothing or furniture your character owns and how often that stuff gets washed.  That’s how you avoid reality-breaking continuity errors like stating in Chapter 3 that all of your character’s worldly possessions fit in a single backpack and in Chapter 7 having your character find a pair of pants he forgot he owns.  You don’t have to tell the reader what dishes your character owns (please don’t; it’s already bad enough when Tolkien does it) but you should ideally know for yourself.

Anyway: objective correlatives are your friends.  They get emotion across, but for low-energy scenes can become repetitive and for high-energy scenes can become melodramatic.  The solution is to give your characters something relatively mundane to do while the conversation is going on, and domestic chores are not a bad starting place.

I have finally complete reading TGCF, although I feel sad it ended I'm happy the way it ended....

Hualian should always be worshipped together

'His Highness who pleased the gods and his forever most devoted believer'

Trese, as a story that features various mythological creatures from the Philippines, may give the impression that all these beings belong to only one group. That's not how it is. For one, Ibu and Talagbusao are not from the same pantheon.

This book (PDF) is an introduction to Philippine folk spirituality and religion.

Here's an excerpt relevant to the series.

[Edit 6/14/2021] Just checked. Yep, this is definitely one of Budjette Tan's references. From the Trese: Mass Murders (Visprint ed) afterword:

While doing research for Trese's next villain, I read about the Talagbusao, the god of war, in "The Soul Book" and he sounded like a formidable foe. The more I thought about it, the more it made sense to me that the Kambal needed to be more powerful than any aswang or enkanto.

Transcription:

Assistant Deities and Powers

Below the Lord of the Upper Sky is a host of anitos or diwatas, many of whom can do as they please the more distant they are from him. According to Barton, who studied the Ifugao spirit world (1946), these spirits are believed to be immortal, to change form at will, to become invisible, and to transport themselves quickly through space. There are other attributes associated with these powerful spirits. While they can diagnose and cure illness, they can afflict men with misfortune, ill-luck, disease. They can recover a soul if it has been carried off, but they can also coax away a person's soul. Though they prevent the dead from molesting the living, they too cause death. Indeed they can devour parts of the living human body. Men's minds they influence to suggest courses of conduct, such as payment of debt without losing face; passions they dampen so that men will not fight during a celebration; and stomachs they tie to dull the appetite for food and drink. Those who propitiate them know that these invisible presences can increase rice even after it has been stored in the granary, ward off trespassers, make the hunt safe, and bring victory in battle.

Powerful spirits roughly divide into three categories: ancestor spirits, nature spirits, guardian spirits.

Spirits of Ancestral Heroes

Some ancestors, particularly those who were outstanding in farming, hunting, warfare and the arts, acquired more and more powers in the memory of their descendants as time went on. They became fabulous beings. The more illustrious hero-spirits arc remembered in the great epics. Others arc remembered as culture heroes who taught their people new skills.

Some ancestral heroes (Cole 1916; de los Reyes 1909):

Lumabat - first Bagobo mortal to attain the Skyworld (Cole 1916).

Handiong - the hero of the Bikol epic who freed the land from the ravages of wild animals, brought Bikolanos rice, and planted the fruits.

Lumawig - taught the Bontok headhunting, agriculture, the art of building council houses and men's dwellings, and a code of ethics.

Bantugan - the charming, indestructible, much-wedded hero who could repulse any invasion. His cult probably began when the Maranaws were still animist.

Nature Spirits

Not all ancestral spirits become deified. Many remain nameless spirits residing in dark majestic trees and in the deep woods.

Nature Spirits reside in the natural environment, such as trees, rocks, crags, rivers and volcanoes. Humanlike, but much more powerful, these unseen beings are credited with feelings and sensibilities. Accordingly they may be offended and thus cause harm, or they may be propitiated and their friendship gained. Some spirits are represented as being sensitive to a fault as many Filipinos are when confronted with an unfamiliar or unpleasant situation. People do create spirits according to their likeness. On the other hand Frank Lynch, the anthropologist, says that the Filipino's care in handling interpersonal relations may in fact be the result rather than the cause of this belief in an environment filled with sensitive spirits (1970). In moving about, he takes care not to displease the many invisibles who could punish him.

Nature spirits can be either malevolent or beneficent. As in Philippine society as a whole, it all depends on how you deal with them. If you ignore them and hurt their dignity, they can make you sick; however, if you acknowledge them and ask permission to pass by and give them offerings on occasion, then they will reward you.

Some nature spirits:

The Lord of the Mound - spirit of an old man who lives in a termite mound. Throughout prehistoric Southeast Asia, the earth mound was a locus of power probably because of its phallic shape. "Tabi, tabi po baka kayo mabunggo" (Excuse me, please, lest I bump you) is the polite way to pass one of these inhabited hills. Though invisible, the nuno can be grazed and thus retaliate with a fever or skin rashes.

The Tree Dwellers - Spirits reportedly resided in trees. Thus the Mandayas, who are the largest ethnic group in southwestern Mindanao, believe that tagbanuwa and tagamaling are spirits who dwell in caves and balete trees. The belief persists to this day even among Christian Filipinos. The Ilokano pugot and the Tagalog kapre are gigantic, cigar-smoking black spirits who sit in deserted houses and up a balete or banyan tree with feet dangling to the ground. They can, however, assume any size they want including that of an infant. Engkantos also dwell in trees. But the term itself and the description of them as tall, fair-skinned and light-haired beings with high-bridged noses is post-hispanic. Engkantos, male or female, sometimes fall in love with mortals and lavish gifts on them (Ramos 1971).

The Babes in the Woods- probably the souls of foetuses or dead children. They arc called by the Ilokanos kibaan. The creature is a foot high, dwells in the fields, can be scalded with boiling water, and even die. The kibaan gift friends with gold, a cloak that confers invisibility and a large cup of coconut which is inexhaustible. To those who throw hot water at them, the kibaan scatter powder which produces a disagreeable affliction (de los Reyes 1909). Closely related is the Tagalog patianak which wails in the forest, like a baby, but inflicts harm. Common in pre-Christian times was the practice of exposing infirm deformed babies in the fields and forests (Alcina 1960). Their heart-wrenching wailing must have given rise to these beliefs.

The Bloodthirsty and Implacable

Among traditional Filipinos, the embodiment of evil is a being that is neither fully human nor fully animal. It stands upright like human beings and has a face; but it preys on human flesh and makes the living sick so that when they die there is carrion for food. Unlike the devil of the Judaeo-Christian-Moslem tradition, this being does not harm the soul by tempting it to sin. The death it causes is physical rather than spiritual. Other spirits can be negotiated with: offerings and kind words win their toleration if not help. It is not possible to do so with these implacable beings. Thus people fear them the most.

The busaw feared by the Bagobos of Davao, people the air, the mountains and the forest. They are limitless in number. Most malignant is the busaw called tigbanua. One eye gapes in the middle of the forehead; a hooked chin two spans long upturns to catch the drops of blood that drip from the mouth; and coarse black hair bristles on the body (Benedict 1916). It frequents graves, empty houses and solitary mountain trails. Indeed it may make an appearance at any place outside the safety of one's home.

Guardian Spirits

They are believed to preside over specific human activities such as birth, marriage, and death; over hunting, fishing, farming and fighting. Beneficent and powerful, guardian spirits generally rule from the sky; some, however, stay in their areas of responsibility on earth or in the underworld.

SOME GUARDIAN GODS

ON THE FARM

lkapati- Tagalog goddess of fertility. guardian anito of agriculture

Magbangal - Bukidnon planter god who became the constellation that appears to signal the start of the planting season

Damolag - an anito of the early Zambals who protects the fruiting rice from winds and typhoons

Lakan-bakod - Tagalog guardian god of the fruits of the earth who dwells m certam kinds of plants used as fences. Some anitos carry the title "Lakan" or Prince They could have been deified kinglets

Pamahandi - protector of carabaos and horses of the Bukidnon.

WHEN FISHING

Amansinaya - anito of fishermen of the ancient Tagalogs to whom they offer their first catch. Hence the term pa-sinaya ("for Sinaya") still used today. Following the theory of god-making, Amansinaya could be the soul of a maiden who was drowned and became an anito of the water.

Libtakan- god of sunrise. sunset and good weather of the Manobo.

Makabosog - a merciful diwata of the Bisayans who provides food for the hungry. (He was once a chief in the Araut River on the coast of Panay)

IN THE FORESTS

Amani kable - ancient Tagalog anito of hunters.

Makaboteng - Tinggian spirit guardian of deer and wild hogs.

WHEN REARING A FAMILY

Mingan - goddess of the early Pampangos mate of the god Suku (Consorts of the gods fall under the " guardian" category)

Katambay - guardian anito for individuals, a kind of inborn guardian angel of the Bicols.

Malimbung - a kind of Aphrodite of the Bagobos This goddess made man crave for sexual satisfaction

Tagbibi- diwata protector of children of the mountain tribes of Mindanao

WHILE AT WAR

Mandarangan and Darago - Bagobo god and goddess of war Mandarangan is believed to reside in the crater of Apo Volcano on a throne of fire and blood

Talagbusao - the uncontrollable Bukidnon god of war who takes the form of a warrior with big red eyes wearing a red garment. This deity can enter a mortal warnor's body and make him fight fiercely to avenge a wrong. But Talagbusao can also drive him to insanity by incessant demand for the blood of pigs, fowls and humans.

AT DEATH

Masiken - guardian of the underworld of the lgorots, whose followers have tails

lbu - queen of the Manobo underworld whose abode is down below at the pillars of the world.

This information came from the following sources: Jocano 1969; de los Reyes 1909; Garvan 1931; Garvan 1941; Cole 1922; Benedict 1916; Dadole 1989; Mallari-Wilson 1968

--

Demetrio, F. R., Cordero-Fernando, G. and Zialcita, F. N. (1991). The soul book. GCF Books.

Different Ways of Walking

hello, hello! good morning, i woke up early today... for reasons i'm not to crazy about. but i decided to do a post, for ya'll.

let me say a quick thank you before i proceed with today's post. i have 200 followers! in case some of you didn't see my post about me mentioning it. it's not a lot but, as i've said before i didn't think anyone would follow at all because this account was mostly for me.

but thank you to everyone who follows, reblog and likes my posts! it means a lot :)

now, without further ado!

walk: move on one's feet. We walked to town.

limp: walk unevenly because one leg is hurt. That man is hurt, he's limping.

hobble: walk with difficulty. The old man hobbled along the street with the aid of his stick.

stagger: walk unsteadily as if about to fall. He was so drunk that he staggered all the way home.

stumble: stagger. She stumbled upstairs and into bed.

lurch: stagger. The drunken man was lurching along the street.

tiptoe: walk on the tips of one's toes. She tiptoed to the bed so as not to wake the baby.

stroll: walk for pleasure. They strolled around the park.

amble: walk at a slow, leisurely pace. They ambled along for miles.

saunter: stroll. They sauntered around the park.

wander: move without a fixed purpose or destination. They enjoy wandering through the countryside.

roam: wander. They roamed through the streets for hours.

ramble: walk for pleasure with no particular destination. He likes rambling around in the country.

mooch: wander, walk slowly without any purpose. John mooched about the shops.

meander: walk in a slow, relaxed way instead of taking the most direct way possible. (Rivers also meander). As I was sitting in the park, I watched as couples seemed to meander around happily.

stride: walk with long steps. She strode across the fields.

strut: walk in a proud way, with the chest out and trying to look important. He strutted past us, ignoring our greeting.

swagger: walk proudly, strut. After winning the first prize, the player swaggered about proudly.

stalk: walk in a proud or angry way, with long steps. The teacher turned and stalked out of the classroom.

sashay: walk in a confident way, moving the body from side to side, especially so that people look at you. The models sashayed down the aisle showing their clothes.

trudge: walk slowly and with effort because one is tired. We were very tired after trudging through the deep snow for two hours.

shuffle: walk very slowly and noisily, without lifting one's feet off the ground. His legs were aching so much that he shuffled to bed.

stump: walk heavily and stiffly. They stumped up the hill.

plod: walk with heavy steps or with difficulty. Labourers plodded home through the muddy fields.

pace: walk with regular steps. He paced up and down the platform, waiting for the train.

march: walk with regular steps of equal length. Demonstrators marched through the streets of the city.

parade: walk or march together to celebrate or protest. Demonstrators paraded through the streets of the city.

crawl: move slowly with the body close to the ground or on hands and knees. A baby crawls before he can walk.

toddle: walk with short unsteady steps. Her two-year-old son toddled into the room.

edge: move gradually with small movements. Paul decided to edge away from the crowd.

creep: move slowly and quietly with the body close to the ground. The cat crept silently towards the bird.

sneak: go quietly and secretly in order to avoid being seen or heard. The boy sneaked in without paying.

pad: walk softly and quietly. The child padded barefoot down the stairs.

prowl: walk slowly and quietly because you are involved in a criminal activity or because you are looking for something. Street gangs usually prowl this alley.

slide: move smoothly over a surface. I was sliding on the ice.

slip: slide accidentally. She slipped on the ice and broke her leg.

dash: move quickly and suddenly, rush. I must dash or I'll miss the train.

dart: move quickly and suddenly in the specified direction. She darted away when I came in.

scamper: run quickly and playfully. The children were scampering up the steps.

sprint: run very quickly for a short distance. The kids sprinted down the stairs.

jog: run slowly and steadily, as a way of exercising. She goes jogging everyday.

trip over: catch one's foot on something and stumble or fall. He tripped over the step and fell.

scuttle: move quickly with short steps, because you are afraid or do not want to be noticed. The mouse scuttled off when we entered the room.

scurry: move quickly with short steps, because you are in a hurry. He was late so he had to scurry off to work.

skip: move forward with quick steps and jumps. The child skipped with joy towards his father.

lope: run with long steps. The man loped off after the ball.

lollop: run with long awkward steps. The dog came lolloping down the path.

tear: run or move quickly in a dangerous or careless way. When the storm started, they tore back into the house.

rush: hurry, move quickly because you need to get somewhere soon. She was late so she decided to rush off down the hall.

hop: move by jumping on one foot. The man hopped down the road after hurting his foot.

trip: walk with short quick steps, usually as young girls do. The little girl tripped happily up the road.

lunge: make a sudden movement towards somebody or something. The boxer lunged forward and grabbed his opponent by the arm.

scramble: climb up or down, or over something quickly and with difficulty. They had to scramble up to the top of the hill to see the view.

hike: take a long walk in the mountains or countryside, as an adventure. The group hiked up to the top of the hill.

trek: hike; make a long, difficult journey on foot. For ten days she trekked across the mountains of China.

paddle (UK), wade (US): walk for pleasure without shoes or socks in water that is not very deep. The children were paddling in the lake.

waddle: walk with short steps, moving the body from one side to another, used especially to talk about birds or people with fat bodies. The fat man waddled off to the restaurant for lunch.

prance: walk with high steps or large movements, in a confident way. She pranced around her room, pretending to be an actress.

frogmarch: force somebody to walk by holding his arms tightly by his side, usually because of bad behaviour. The prefect frogmarched the boy to the detention room.

there you have it folks! hope everyone has a wonderful day! and if there is one i didn't list feel free to add it when you reblog it!

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