Officiallyluni - Luni

I so want to go up to every person raving about Carrie Coon's monologue in the latest episode of The White Lotus and go, "have you heard about The Leftovers tho? Carrie Coon's really good in the The Leftovers. You should watch The Leftovers. Do you know that feeling you had watching Carrie Coon channeling deep and honest and totally human emotions? You get that during every other episode of The Leftovers. You should watch The Leftovers. You should watch The Leftovers. Have you heard about my close, personal friend Nora Durst? She's one of the main characters of The Leftovers and history's most tragic hero. You should watch The Leftovers."

I'm sorry, but you cannot convince me there is a single heterosexual explanation for this scene.

(This is mainly regarding the part where they're actually watching the show. Timeframe of that clip from the video is 0:59 to 1:32.)

First we get the slow zoom in towards Harry's face where he’s shown peering intently at MJ with a comical grin till he suddenly decides to turn his attention towards Peter's face in the crowd and his gaze hardness on him. (I also want to mention how he wasn't searching for his face and seemed to know exactly where to look, so that might say something.)

There's the romantic music and its lyrics in the background, that sure eventually fade off and morph into a more eerie melody but only for a moment. Because the second it returns back to the original melody it just so conveniently does when Harry looks at Peter.

There's the couple second long side profile shot of just Peter singing along to the music happily, which we know we're seeing through Harry's point of view.

And, I know this is a really small detail that might not even be noticeable and maybe not all that significant because of that. But from the looks of it, when we cut back to Harry he appears to give a small snarl... and then his expression abruptly softens. Right when the music starts to die down. And he just continues staring at Peter, even when the applause starts roaring in for MJ—the supposed girl of both of their dreams.

Like, just all around there’s such heavy subtext (whether intentional or not) provided by the simple framing of this clip.

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a photo taken for my sister wh has been suffering lots of chronic disease, specifically Spinal Muscular Atrophy ( SMA).

please help my family move to safety and peace till these black days end.

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the Palmer thing rips further and another Palmer

The Day the Earth Blew Up was really good. This was something I needed to draw after watching it. Go see it in theaters please!

Also be nice, I've haven't tried drawing Looney Tunes before...

Gabriel's suit design from here! and some extra doodles about the au ʕ⁠·⁠ᴥ⁠·⁠ʔ

"i'm the fuckin thing"

-the thing (john carpenter's the thing, 1982)

Should I make a public drive with PDFs of all the Raimi movie novelizations since they’re arguably even better than the movies? Do yall want that?

I think my love for Raimiverse Harry Osborn stems from the fact that all the core elements of his character are kept intact. James Franco may be conventionally attractive, but Harry isn't a cool eccentric extrovert. He is shy, soft-spoken, sensitive, and dealing with emotional abuse and neglect from his father while also being clearly neurodivergent and VERY queer coded. The identity issues that stem from years of neglect, feelings of worthlessness, and mental issues he has aren't played as a joke nor demonized. I think it's the best live-action portrayal we've gotten so far.