Fill Me With Desire, I've Been Parched These Last Hundred Years, Died Too Young, Left My Heart Out On

Things I look for in history books:

🟩 Green flags - probably solid 🟩

Has the book been published recently? Old books can still be useful, but it's good to have more current scholarship when you can.

The author is either a historian (usually a professor somewhere), or in a closely related field. Or if not, they clearly state that they are not a historian, and encourage you to check out more scholarly sources as well.

The author cites their sources often. Not just in the bibliography, I mean footnotes/endnotes at least a few times per page, so you can tell where specific ideas came from. (Introductions and conclusions don't need so many citations.)

They include both ancient and recent sources.

They talk about archaeology, coins and other physical items, not just book sources.

They talk about the gaps in our knowledge, and where historians disagree.

They talk about how historians' views have evolved over time. Including biases like sexism, Eurocentrism, biased source materials, and how each generation's current events influenced their views of history.

The author clearly distinguishes between what's in the historical record, versus what the author thinks or speculates. You should be able to tell what's evidence, and what's just their opinion.

(I personally like authors who are opinionated, and self-aware enough to acknowledge when they're being biased, more than those who try to be perfectly objective. The book is usually more fun that way. But that's just my personal taste.)

Extra special green flag if the author talks about scholars who disagree with their perspective and shows the reader where they can read those other viewpoints.

There's a "further reading" section where they recommend books and articles to learn more.

🟨 Yellow flags - be cautious, and check the book against more reliable ones 🟨

No citations or references, or references only listed at the end of a chapter or book.

The author is not a historian, classicist or in a related field, and does not make this clear in the text.

When you look up the book, you don't find any other historians recommending or citing it, and it's not because the book is very new.

Ancient sources like Suetonius are taken at face value, without considering those sources' bias or historical context.

You spot errors the author or editor really should've caught.

🟥 Red flags - beware of propaganda or bullshit 🟥

The author has a politically charged career (e.g. controversial radio host, politician or activist) and historical figures in the book seem to fit the same political paradigm the author uses for current events.

Most historians think the book is crap.

Historical figures portrayed as entirely heroic or villainous.

Historical peoples are portrayed as generally stupid, dirty, or uncaring.

The author romanticizes history or argues there has been a "cultural decline" since then. Author may seem weirdly angry or bitter about modern culture considering that this is supposed to be a history book.

The author treats "moral decline" or "degeneracy" as actual cultural forces that shape history. These and the previous point are often reactionary dogwhistles.

The author attributes complex problems to a single bad group of people. This, too, is often a cover for conspiracy theories, xenophobia, antisemitism, or other reactionary thinking. It can happen with both left-wing and right-wing authors. Real history is the product of many interacting forces, even random chance.

The author attempts to justify awful things like genocide, imperialism, slavery, or rape. Explaining why they happened is fine, but trying to present them as good or "not that bad" is a problem.

Stereotypes for an entire nation or culture's personality and values. While some generalizations may be unavoidable when you have limited space to explain something, groups of people should not be treated as monoliths.

The author seems to project modern politics onto much earlier eras. Sometimes, mentioning a few similarities can help illustrate a point, but the author should also point out the limits of those parallels. Assigning historical figures to modern political ideologies is usually misleading, and at worst, it can be outright propaganda.

Extraordinary claims require extraordinary evidence. "Big theory" books like Guns, Germs and Steel often resort to cherry-picking and making errors because it's incredibly hard for one author to understand all the relevant evidence. Others, like 1421, may attempt to overturn the historical consensus but end up misusing some very sparse or ambiguous data. Look up historians' reviews to see if there's anything in books like this, or if they've been discredited.

There are severe factual errors like Roman emperors being placed out of order, Cleopatra building the pyramids, or an army winning a battle it actually lost.

When in doubt, my favorite trick is to try to read two books on the same subject, by two authors with different views. By comparing where they agree and disagree, you can more easily overcome their biases, and get a fuller picture.

(Disclaimer - I'm not a historian or literary analyst; these are just my personal rules of thumb. But I figured they might be handy for others trying to evaluate books. Feel free to add points you think I missed or got wrong.)

0903, O.L. / Tumblr: @3lsahart / Peggy Toney Horton / September Days, In New England Fields and Woods, Rowland E. Robinson / Unknown / Alexander Theroux / Memory of Water, Reina María Rodríguez / September, Helen Hunt Jackson / Wallace Stegner / Instagram: @kjp / H. Stuart / Unknown / Unknown / Henry Rollins / Margaret Atwood / Diario Cuatro, DC de Oliveira / Virginia Woolf / Unknown / September 1st, D. E. / Beginning and ending with my death, Zeina Hashem Beck / The Whole Word and Other Stories, Ali Smith / Turquoise Silence, Sanober Khan / Victoria Erickson

excerpt from a poem you can find exclusively in my poetry book 𝘮𝘦𝘭𝘢𝘯𝘤𝘩𝘰𝘭𝘪𝘢 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘪𝘭𝘬𝘺 𝘸𝘢𝘺, available on Amazon 💫

Waking up to a thousand songs

each hour, they chime and sing,

I knew they would never sing again 

if there was no new day to bring

.

They mark the time with beak and wing

its slow passing now my desire;

forever bound to their floating song, 

forever bound to their charming fire

Melissa Febos, Abandon Me

Dont talk to me OR my gaping wound ever again

Mackenzie Herbert, Chasing Trains // Artwork by @/archbudzar on ig // Vera Nazarian, The Perpetual Calendar of Inspiration // Lana M.H. Wilder

“I hate solitude, but I am afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction.”

— Iris Murdoch, Under the Net  

The days are spent in glory and sun

until rain casts its violent shadow;

a storm to herald a setting moon

and bring life again, glory again --

                                  -- it will be here soon

Some things you don't come back from.