You hurt me with your fragile words;
lonely is the new day's speech
and the quiet beholds a solemn time
filled with empty promises, I hear you speak
of nothing more than darkness folding
consuming all to sit and see
a new day filled with quietly spoken
words now absent
of your cruel mind and damning speech
— Anna Akhmatova, "The Sentence," from The Complete Poems of Anna Akhmatova, translated by Judith Hemschemeyer
[text ID: Today I have so much to do: / I must kill memory once and for all, / I must turn my soul to stone, / I must learn to live again—]
I am half finished, incomplete as the moon in it's phases, yet still I am curved into a crescent smiling at my shadowed half
“I desired always to stretch the night and fill it fuller and fuller with dreams.”
— Virginia Woolf, from ‘The Waves’
'...from the nineteenth century onward, Cinderella conveyed the explicit message that personal goodness and virtue merit reward, and that goodness and virtue are, and will be rewarded. As a generality, it is fair to say that most people believe themselves both good and deserving; thus the message that goodness will be rewarded is well suited to the hopes and needs of the large part of every country’s population that does not live in comfort. Furthermore, stories like Cinderella, in which magical assistance plays a prominent role, foster an existential belief in eventual assistance, whatever the presenting problem may be, and support hope for a happier and better future. For poor girls in the nineteenth century, for whom so few opportunities for social rise from the depths of misfortune to the highest imaginable joys existed, Cinderella could stand for a way out and a way up.'
Ruth B. Bottigheimer, 'Cinderella: The People's Princess' in Cinderella across Cultures, ed. M. H. D. Rochere (Detroit: Wayne State University Press, 2016).
Oscar Wilde, De Profundis // @i-wrotethisforme // Jorge Louis Berges // @smokeinsilence //@viridianmasquerade //Jorge Louis Berges // @honeytuesday // Kaveh Akbar // F. Scott Fitzgerald // AKR //Olivie Blake, from “Alone With You in the Ether” // Kaveh Akbar, Pilgrimage
I know I'm turning ugly
A turpentine tree trunk
Twisted as the shadows
Lengthen and silhouettes
Soften, someone show me
How to make anything but
A fist— I bruise, I burn, I
Hold on to everything
That wants to let me go
I am growing stunted with
The skillet slant of the sun
Playing hide-and-seek
I have lost or I am losing
And the ink in my veins
Falls in splotches insensible
In this eternal, internal rain
I have a mouth made for
Despair, I have learned to
Chew the air before my
Weary lungs can swallow
Hold me over a rainbow
Hold me over the tearful seas
Hear the blackbird calling
Calling through the breeze
Friday, 23rd July 2021
The moon was swallowed in a throbbing light
As the thunder began its climbing flight
And in the dawn of a swelling tide
She saw inside the world dressed in spite
everything just really comes down to how I wasn't a person for most of my life. by which I mean I did not consider myself a person. it made such a profound impact on the way I navigated the world & yet standing on the other side of it I could hardly explain it to you
Historian, writer, and poet | proofreader and tarot card lover | Virgo and INTJ | dyspraxic and hypermobile | You'll find my poetry and other creative outlets stored here. Read my Substack newsletter Hidden Within These Walls. Copyright © 2016 Ruth Karan.
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