Everyone Should Have A Chance At Love Doey Including You

Animation tips

Forgot I had these! These are redlines I did for Mathieu Hains (who animated the beautiful color segment). This was from his first blocking pass

Was a very good lesson in "why turnarounds and expression sheets are important" and "your boards will not always be interpreted by an animator the way you see it in your head"! All Mathieu had to go off of was my boards and the original character sheets (VERY limited reference haha) but he's also a great artist so he created a very solid foundation and my redlines were just to help guide the drawings to what I imagined

Agreed

So the only reason Gabriel made Marinette break up with Adrien is bc he knew he’d get good akuma bait. Ok fuck you. Thanks for the Marichat but still.

Fuck.

You.

The amount of ass Gabriel was to Adrien in this episode is just-

-Beating the ever loving shit out of him without an ounce of remorse

-No sympathy whatsoever after finding out he’s CN

-Uses his loving relationship to target his girlfriend (the amount of awful in this action specifically is just-I can’t even begin to-)

THEY WERE HAPPY GODDAMNIT

AND GORILLA NEEDS TO CALL CPS BC I KNOW NATALIE SURE AS HELL WON’T

Interesting really...

I don't want to even imagine the face Kore would make when she finds out that in the creation of the universe the Aztec gods caused not one, not two, but FOUR genocides 🤣😭 some intentional, some not

First of all, thank you for the ask!

There’s going to be a lot of whiplash between how certain deities behave.

I won’t ramble too much but one thing I want to make clear is that I definitely won’t shy away from making the gods assholes, and in some aspects what most people would consider “evil”.

The mexica gods are pretty much always noted as being very…dual. Duality has always been a focus in the mexica religion, a god can be the god of fertility and the god of death, because life is ultimately a cycle of birth and death. They’re not good people because they aren’t humans, why would they want to conform to morality when they’re the personification of nature, of disaster, of life, of destruction, etc etc? Nature and life aren’t fair, why would deities be any different?

This can also be applied to many other deities not just the mexica ones specifically. But I do want to highlight that they’re pretty much all petty asses in one way or another. It’s one of my major complaints for LO how Persephone and Hades can’t ever be flawed, if Persephone kills 10 trillion people it’s not her fault and if Hades mutilates a guy then he had it coming, etc etc. let gods be gods and be immoral, half(or more tbh) of all myths wouldn’t exist if gods were tied down to the morality of what now most societies consider good.

Im not sure if I explained myself correctly, I usually have more ease explaining these sort of things in Spanish(but only by a bit), but hopefully it was coherent enough. Anyways I’m not going to sugarcoat anything, which other than adding more accuracy and more depth for these characters, adds more possibility for comedy lol. Persephone is in for a ride😭

Animation tips 2

Got any tips for someone who wants to get into storyboarding or animation, or just any career involving drawing? 😂

I can really only speak for (television) storyboarding since that’s what I’m doing. Like I said in my last post, have a social media presence! I was hired because the showrunners liked my art style/the things I was posting on twitter(?)/tumblr(?). Because they liked my drawings, they reached out to me and asked if I was interested in testing for their show. My sense of humor managed to match theirs and my storyboards were easy to read and clear so I got the job.  Again, I got lucky with that and I’m super happy they found me. My last post has a link to a helpful YouTube video~

Some general tips for people wanting to go into TV storyboarding below the cut. 

Keep reading

Sketch help

fat bodies tutorial!

ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them. 

the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.

the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man. 

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together. 

in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

here are a few extra tips i find a lot of people miss!

first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.

the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.

in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue. 

lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!! 

so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!

EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!

Red spider Lily

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