So My Roommate (girl) Bought This Vodka?? And Me (guy) And My Other Roommate (guy) Poured A Glass And

We are here because there is something wrong with society

hypothesis: the salt & pepper diner experiment can no longer be conducted as it stands, because everyone is now fully attuned to the opening bars of tom jones’ “what’s new pussycat?”, classically conditioned into a fight-or-flight response. however, this experience can be replicated using 21 back-to-back plays of lou bega’s 1999 hit song “mambo no. 5″, as the general response to “mambo no. 5″ being played twice in a row is not, “hey someone’s playing “mambo no. 5″ again,” but rather, “hey, lou bega’s 1999 hit song “mambo no. 5″ is a lot longer than i first thought.”

Juice with a big mood

There seems to be this widely perceived notion that authors agree with everything they have their main protagonist say and do. I was just wondering if you knew where how this came about, seeing as you and hazel grace are so obviously the same exact person.

Well, authors invite this—or at least authors like me do, by putting so much of our personal selves online and engaging in conversations outside stories, so it’s a little unfair to be like, “Follow me on tumblr and twitter and youtube and instagram, but NEVER TRY TO FIND MY INSIDE MY NOVELS.” As a reader, I find it impossible to ignore the author when they’re someone I know, whether online or off.

Also, we live in a quote culture: We see quotes all day across the Internet, and those quotes almost never come with real context. Like, the protagonist of Katherines says, “What’s the point of being alive if you don’t at least try to do something remarkable?” Now, I don’t think that’s a problematic approach to life, and I hope during the course of the novel Colin comes around to the idea that there’s great meaning and joy in the so-called unremarkable life. (As if anything on this planet overflowing with life is unremarkable.) But as I get older, I find myself less and less annoyed about the inevitable decontextualization that accompanies quotation. If people find something useful, okay. 

It’s so very hard to separate yourself as a person from your work, no matter what kind of work you do. (e.g.: As a high school student, I was disengaged and sloppy with occasional moments of promise, which to me meant that as a person I was disengaged and sloppy with moments of promise. But really, who you are in your job or education is not exactly who you are.) But I am not my work. It is up to other people, if they are so kind as to read and watch the stuff I make, to judge its quality and/or usefulness. The core things I am—a husband, a father, a brother, a son, a nerdfighter, a friend, etc.—are not dependent on my books being any good. Thank God for that.

I don’t think I answered your question. Sorry. The only answer I have to your question is that I believe books belong to their readers.

When ur like: “this show is very good.  In fact, it is too good.  I want something I can watch with 30% brain and this is a minimum 60% brain show.”

If only I was given a dollar for every time I made myself look stupid in front of a cute person