The Following Tinkers Are All Given 2 Months To Create A Basketball Team Of 5-9 Players. These Teams

To a certain degree, I think it must have been even more traumatic for Mars to return to Aleph than it would have been if she had to stay on Bet.

She spent months watching her best friend slowly - and then very rapidly - turning into a horrific monster and suffering the whole time. She survived the horrors of Leviathan and the Slaughterhouse Nine. She had to kill said best friend in the end after she turned into a mountain of mutated, agonized, homicidal flesh. Her power is considered one of the strongest and potentially deadliest on Earth Bet.

And then immediately after incinerating her bestie, who was screaming for her up to the end, and watching bestie's boyfriend get sent to life in interdimensional super prison, she just goes back home where things are... not like that. Aleph is pretty closed off from Scion and all the other cape fuckery. There's capes but they're nothing like her and they sure as hell aren't anything like the ones she fought on Bet. There's no Endbringers on Aleph except for when the Simurgh pops in. Other than the Khepri draft on Gold Morning (which must have been absolutely horrifying for her oh my god), there's probably a good chance that she never has to deal with any cape-related situations again in her life.

She just has to sit there with the power of the literal sun and all the blood on her hands and there's only three people in the entire world who will ever understand what happened to her. How is she supposed to function. What the fuck.

Number one takeaway I had from worm was... damn these bitches gay

Taylor being paranoid about her passenger is such a fun character trait. Like none of her friends really seemed to give much of a shit when they learned about passengers from Bonesaw, but Taylor consistently notes the times her passenger acted without her consent, she tries to talk with it, communicate with it, just anything to learn what this thing that can control her without her say wants with her. One of my favorite little details is that during the timeskip this was the focus of a lot of her therapy sessions with Yamada, trying methods like hypnosis to communicate. I think part of it is that she's inherently just paranoid about the fact that this thing is helping her sometimes and she doesn't know why and she HAS to figure it out because no one would help out of the kindness of their heart, and another part is just that she can't bear to not be in control and this is something that threatens that in a very ominous way.

Another aspect of her paranoia towards her passenger is that she doesn't want to take blame for her own actions I think. During the Behemoth fight when her ally tried to shoot Phil Sē, she pulled the gun off target with silk and got him killed. She's the one who pulled the string, but because she's genuinely unsure if it was her being wary or her passenger setting up the string she settles on the second option because it absolves her of the possible blame or need to admit she's paranoid and ready to betray people in an instance. When Glenn shows her the video of her being the most terrifying fucker in existence she ignores how horrifying she is and fixated on how her passenger moved her, and then she doesn't have to think about the fact that she'd fit right into the ranks of the Slaughterhouse Nine because well, she can blame her passenger and focus on that instead. This applies to other people too, she sees Lung not using his power and thinks that maybe he's concerned about his passenger like she is. She projects hard onto Sophia in my opinion when she says that she got violent because of her passenger. If this person she doesn't like isn't to blame for everything she inflicted on Taylor, the surely Taylor can't be blamed for the violent steps she took to take over a city. It's another way she rationalizes everything to herself, if something is so bad that she can't justify it immediately there's always the excuse of "my passenger made me do it." But crucially, Taylor ends up being aware of the fact that she's doing this during Gold Morning.

And I think it's really good that this is something she grows and accepts about herself. It's wonderful growth for a character who's so often too stubborn to move herself forward. She's generally more in touch with her passenger during Gold Morning, like the time when she thinks that her and her passenger were in agreement in wanting to hurt Scion on the oil rig. No one else in Worm really seems to accept their passengers, Riley is questioning how much of herself has been subsumed by it, Eidolon is always annoyed it doesn't give what he wants, and most other people don't even know about them. But Taylor forms a bit of a symbiosis with hers after a long time rejecting it at every turn. I think this quote really sums up her feelings towards the end.

And by towards the end I mean like, at the very end, because immediately after this thought she becomes Khepri, and yet another fucking theme and character trait cumulates and reaches its peak with Speck. God damn what a good arc. The blur between Taylor and her passenger that she always feared is finally an actual thing consuming her, and she can finally communicate with her passenger as well. I do wonder what this is like on her passengers end. It's clearly down for the idea of killing its maker, and it's heavily implied that her passenger does care and doesn't want to actually leave Taylor as a husk (too lazy to get the quote because I've been typing for 45 minutes but Contessa remarks upon the administrator claiming everything about her until there's nothing left and she feels fear that she thinks is from both her and her passenger. 30.7 I think, near the end). But there's still so much about Taylor's passenger that's unknown. Was communication something it may have wanted when Taylor kept trying to communicate, but doing so required punching holes in the connection that would lead to more bleed through and functionally destroy its host? Did it slowly grow to care for Taylor more than the cycle, or was it always wanting to fight Scion? Did Taylor's autistic swag convince a multidimensional alien made of crystal to rebel? Is Queen Administrator trans? Idk how to end this post if it's not obvious, sorry.

I'm not actually sure he made her those eggs, I think maybe he had a cult member do it, but this sure was fun to draw.

Cauldron’s funny in this regard, first because all of its members can fit in a minivan and because literally 90% of their capacity relies on Contessa; when she has to fake her death and can’t intervene Cauldron stops existing within a handful of hours.

And their plan is also based on the bus factor; they let the apocalypse happen early because every 2-3 months a bus crashes and every bus maybe contains the person who can kill Scion. And they are vindicated in this; Foil, Tattletale and Weaver all could have died in any of the 8+ Endbringer fights they went to, and very likely would have eventually died in one of the dozens they would have gone through if Cauldron stopped Jack from setting off Scion

This discussion of superhero logistics reminds me of an element of Worm's background worldbuilding that I've always found really interesting, which is that the heroes are running out of teleporters. They had a cloak-style mass teleporter, Strider, who was apparently indispensable for troop deployment at Endbringer fights, but he didn't get the hell out of dodge in time so by the Behemoth fight they mention having to seriously kludge other not-as-good powers to get everyone on-site on time. No one dies forever in comics so the question of "what are the risks of one guy's powers becoming indispensable to our organization" isn't as salient, but here goes Worm, gesturing at the idea that you might just get super fucking unlucky because you became organizationally dependent on a couple golden gooses who you inexplicably keep bringing to live fire situations. If they weren't hard to replace, they wouldn't exactly be superheroes, would they?

The Power Fantasy (2024) #6 and #2

She’s up to Miss Militia’s interlude:

Deadpan: “the Endbringers. They seem bad”

Also deadpan: “What do I think about Dinah?” I’ve only known her for 5 seconds”

I somehow, in what was probably a moment of poor judgement, convinced my mother to read worm.

Highlights so far (shes on 7.10):

thinking Coil was spelt Coli and pronounced Coil-ee (she refuses to wear glasses)

not knowing the names of any characters

thinking Taylor is 'very practical' in reference to her cutting Lung's eyes out

just complete incomprehension at the incompetence of Taylor's teachers and the PRT

saying that she would have attacked the trio if she were Taylor

not catching any of the Wolfspider content (tbf, this is a bi woman who doesn't call herself queer because she has never been in a relationship with a woman, so her ability to detect queerness is hardly the best)

being very mad at me for not telling her why Emma is bullying Taylor

Anyway, shes only a chapter away from the Dinah reveal and a couple of chapters from Leviathan, so I'm quite excited.

Glow-Worm P.4

I really digging the epistolary format of these. A surprising amount of characterisation can be crammed into a search term or a couple of comments. Rain's desperation jumps off the page.

Also of interest is the tidbit about cluster mechanics that wasn't picked up by the fandom; I don't think I've ever seen any fic ever have clustermates with a primary and secondary power of similar strength. This might be because Ward never expands on this idea elsewhere.

Also, we have the first mention of what will likely be a recurring bugbear for me; the classification system. In Worm, power classifications are a useless bureaucratic post-hoc kludge. There is one fight where Taylor is only given ratings instead of power descriptions and it leaves her entirely unprepared. And here we have a hero referring to a cape having a "mover power with the ability to run on walls". What does "mover power" add to "the ability to run on walls"?!?! Its fine here, because its possibly a hero, like Weaver, inflected by the PRT's bureaucratic ticks, but from what I know of Ward and of Weaverdice, it seems that Wildbow forgot that the classifications aren't useful and aren't an intrinsic part of the power system.

Internal Inconsistency Counter: 6 (nc)

Inconsistency with Worm Counter: 1 (nc)

Number of times I've complained about power classifications: 1 (+1)

Thinkin’ about The Siberian

I was sitting on a draft that said something to the effect of “Worm AU where Manton pulls an NBC Hannibal and moonlights as The Siberian on top of being a globally respected parahuman studies researcher. Is this anything.”

Then I thought about this a little more and realized that this might not be far off from what actually happened. There’s a throughline in Manton’s interests, in his trajectory through life, where he’s trying to figure out what you can use powers to get away with doing to people- about identifying constraints and overcoming them. 

He’s the guy who somehow credibly catalogued, and got his name associated with, the fact that powers generally can’t be used to pop people like balloons, and he did so reasonably early in the timeline, in the nineties at the latest. That’s…. an interesting direction to take your research! When people are just coming to terms with the fact that parahumans are real he’s out there taking careful note of whether they can manifest their powers inside people to instantly kill them. How did he test that? What capes did he collaborate with to test that? What did those conversations look like? Did the IRB at a minimum issue any revise-and-resubmits?

And then, of course, he gets picked up by Cauldron (also known as the infinite untraceable victim depot) to work on improving the vials- gaining a sufficiently in-depth understanding of what they are, how they’re made, and what they can do to people that when Cauldron told Legend that Manton had gone rogue and was the one creating C53s, he found this plausible. You’ve got the guy who’d later become the backbone of the Slaughterhouse 9 basically systemically cataloging every conceivable way a power could violate someone’s physiology- first from without, and then, at Cauldron, from within.

Then, when he pulls the trigger and gives himself powers, the resultant ability is essentially a distilled refutation of the Manton Effect- a minion that can obliterate anything, eat anything, delete any material from existence, viscerally dismember people in a unity of conventional and esoteric, power-enabled violence. And he’s insulated from the consequences of his actions on two levels- in terms of Siberian’s invulnerability, but also in the discrepancy between his form and that of his minion. He mixed the vial that gave him that power himself.

Essentially- I don’t think Siberian is something that just happened after a psychological break following a messy divorce. I think Manton basically pre-committed to becoming something like The Siberian, spent most of his career working towards some form of transcendence through superpowers, and the messy divorce was downstream of the cracks starting to show as he got closer and closer to what he’d been chasing.

Now to segue into a complication that’s more directly supported in the text- it’s Worm, it’s always complicated- Master powers spring from loneliness. My theory is that while Manton wanted apotheosis, and while he’d probably been gearing up for a rampage for a while, he genuinely didn’t want to do it alone; he wanted a sidekick. Hence why he bothered pursuing a family in the first place, hence why he fed his daughter a vial, hence why his own projection ended up looking like his daughter after he accidently made her explode or whatever with the bad vial- a monkey’s paw restoration, giving him back a facsimile of the person he wanted to take along for the ride, and making his capacity for violence inseparable from her presence.

This is why he joined up with the Nine rather than remaining a solo act; it’s why he engages in a bad imitation of the Parent/Child relationship with Bonesaw; and it’s why he seeks out Bitch as a candidate. His interest in her candidacy parses to me as genuine- Even moreso than Bonesaw, even moreso than Jack, Bitch has arrived at a no-frills fuck-you-I-do-what-I-want outlook that’s very appealing to Manton. He wants to have a murderer-daughter relationship!

But Rachel got where she is the hard way, by having a life that sucked a lot, by getting near-constantly kicked around! She has a clear reason to be so angry! Even if all my postulations about Manton having a long game are complete bullshit, there are several stages at which Manton had to actively opt in to the same lifestyle and reputation that Bitch was forced to adopt as a basic survival tactic. He didn’t have to start eating people! He’s a tourist! His “freedom” is inseparable from his distance, his disguise. Rachel’s “freedom” is just the freedom of having nothing left to lose.

All of this to say- In an interlude in which Bitch has an extended internal monologue about how people with families have the opportunities to be assholes and monsters to a captive audience, it is absolutely not a coincidence that she’s scouted by a would-be parental figure who proceeds to be an asshole and a monster in front of a captive audience, before trying to buy her affection with a puppy. In rejecting Manton, Rachel dodged an esoterically-packaged but ultimately very familiar bullet.

Thinkin’ About Cauldron

I’m aware of the way it breaks some people’s suspension of disbelief, and I’m aware that it comes across as silly or incompetent to many, but it is deeply, deeply important to me on a thematic level that Cauldron is tiny. The tinyness is what makes them a functional foil to Taylor; you spend the whole book thinking that this is just an escalation of the problems Taylor has with Monolithic authority, and then the curtain is pulled back and you realize that the “Monolithic authority” is actually just six or seven people who are on a first name basis with each other, using their top-tier information-gathering and coordination-based powers as a force multiplier to get around their small numbers as they unilaterally seized control. (Hey, sorta like the Undersiders.)

And, furthermore, their tinyness is a stand-out example of the kind of coordination problems the book has been examining the whole time- Cauldron should be bigger, the inner circle should have more people in it, and the fact that they’ve expanded so slowly, from two to seven-ish full members, with so much of their inner circle not even having the full picture of the threat they’re up against, is deeply indicative of their wagon-circling Atlas Complex. It has to be them, they have to do it alone, or they are going to be found out and crushed. 

And to be fair, they aren’t actually wrong in their assessment that they’ll be found out and crushed if they aren’t extremely careful about who they bring into the loop; overlooking the remaining entity entirely, Legend’s concern that the governments would try and coopt the power-granting process is, like. Correct. That is a thing that would happen, given the number of wormverse groups already trying to do that in some form. Siberian bit them in the ass, The Dealer bit them in the ass, and a big part of Ward is the multi-directional slapfight over the remaining Cauldron infrastructure that starts up as soon as it isn’t in a position to defend itself anymore.

 There’s a real chicken-and-egg thing going on here, where it’s not clear if their paranoia is warranted given how other power players in the setting tend to behave, or if other power players in the setting behave the way they do downstream from Cauldron’s paranoia, manipulation and compartmentalization. A recurring theme with Worm is that keeping secrets and holding back resources is going to lead to terrible things happening even if keeping those secrets was a reasonable decision with the information you had available to you. You see this with Phir Se, with the Echidna fight, with the politicking over Khonsu. Cauldron is just, like, the epitome of that Morton’s Fork- be honest and open, and potentially lose everything, or, you know, be Cauldron, with all that entails.