Bleeding:
Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.
It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.
Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.
blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.
it’s slow. use this to your advantage! more sad writer times hehehe.
Stab wounds:
I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.
also, bleeding takes FOREVER to stop, as mentioned above.
if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)
whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites
Concussion:
despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.
if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.
Fever:
you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.
ACTUAL SYMPTOMS:
sluggishness
seizures (severe)
inability to speak clearly
feeling chilly/shivering
nausea
pain
delirium
symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.
ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.
fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.
keep writing u sadistic nerds xox love you
ALSO I FORGOT LEMME ADD ON:
YOU DIE AT 85F
sorry I forgot. at that point for a sustained period of time you're too cold to survive.
pt 2
also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox
Punching scenes are a staple of action sequences in many genres. Whether it’s an intense brawl, a quick defense, or an emotional outburst, a punch can carry a lot of weight both physically and narratively. As a writer, it’s essential to understand what really happens when a fist meets a face—from the immediate impact to the longer-lasting effects on both the person getting punched and the one throwing the punch.
This guide will help you craft authentic, detailed, and believable punch scenes by exploring different areas of the face, types of punches, and the aftermath of such an impact.
A punch isn’t a one-size-fits-all situation. Depending on where the fist lands, the consequences will vary significantly. Different parts of the face have varying levels of vulnerability, and targeting these areas produces different effects, from knockouts to broken bones.
The jawline is a classic target in many fight scenes, especially when knockout punches are involved. This area is highly vulnerable because a hit here causes the head to snap to the side, leading to a sharp rotational movement of the brain inside the skull. This movement disrupts the brain’s communication and often results in a temporary loss of consciousness—what we commonly refer to as a "knockout."
Common Effects: Dislocation or fracture of the jaw, loss of consciousness, slurred speech, and severe pain.
Visual Aftermath: Swelling around the jawline, bruising, and possible misalignment of the jaw if broken.
The nose is another vulnerable target, known for being easily broken. It’s not just a fragile bone structure, but it’s also connected to many blood vessels, meaning a direct punch to the nose often results in immediate bleeding. The nasal bone can fracture, causing difficulty in breathing, and in some cases, the nose may need surgical intervention to reset.
Common Effects: Intense pain, bleeding, difficulty breathing, potential for a broken nose.
Visual Aftermath: Blood running from the nostrils, swelling, and significant bruising around the nose and eyes.
The cheekbones are one of the more solid structures in the face but are still susceptible to breaks, particularly from a heavy blow. Damage here can lead to not just bruising, but potentially severe injuries that can affect the entire facial structure.
Common Effects: Fractures of the zygomatic bone, swelling, bruising, and pain extending to the eye socket.
Visual Aftermath: Black eyes, noticeable swelling on one side of the face, and a sunken appearance if the bone is fractured.
The forehead is much harder than most parts of the face and is less vulnerable to severe damage. However, punches to the forehead can still cause pain, disorientation, and dazing of the recipient. While it’s less likely to result in a knockout, it’s effective in dazing an opponent, especially if the puncher’s goal is to create an opening for another strike.
Common Effects: Swelling, redness, and potential concussions if hit with enough force.
Visual Aftermath: Redness, minimal bruising, and a dazed expression.
A punch to the eyes is particularly brutal because the area around the eyes is delicate, and the skin is thin. It’s not just about swelling but also potential damage to the orbital bones. The impact can cause "black eyes," characterized by intense bruising and swelling that may close the eye shut for days.
Common Effects: Swelling, black eyes, potential orbital bone fractures, temporary blurred vision.
Visual Aftermath: Discoloration that starts purple and turns yellowish-green as it heals, swollen shut eyes.
Not all punches are created equal. The type of punch thrown can drastically change the outcome of the scene, both in terms of damage and realism. Understanding these different types of punches will allow you to convey more varied and dynamic fight sequences.
A jab is a quick, straight punch, usually thrown with the non-dominant hand. It’s not meant to be a knockout punch but more of a setup punch to create an opening or keep the opponent at a distance. Jabs are fast and can be disorienting, especially if they repeatedly land in quick succession.
Common Effects: Light bruising, potential cuts, and swelling in the area hit.
The cross is a powerful, straight punch delivered with the dominant hand. It’s often aimed at vulnerable spots like the jaw or nose. Unlike a jab, the cross is meant to deliver a significant amount of force, and when landed properly, it can cause serious damage.
Common Effects: Knockouts, broken bones, severe swelling, and bruising.
A hook is a wide, circular punch that targets the side of the head, particularly the jaw or temple. It’s one of the most powerful punches and is often used with the intent of knocking the opponent out.
Common Effects: Knockouts, severe disorientation, potential for concussions, and jaw dislocations.
The uppercut is thrown upward, usually aimed at the chin. It’s a devastating punch that can lift the opponent’s head and jolt their brain, leading to knockouts. Uppercuts are especially dangerous when they land cleanly on the jaw or chin.
Common Effects: Knockouts, broken teeth, jaw fractures, and disorientation.
A haymaker is a wild, swinging punch delivered with as much force as possible. It’s often thrown with reckless abandon and is easy to dodge, but if it connects, it can deal significant damage. Because of its wide arc, it leaves the puncher exposed to counterattacks.
Common Effects: Knockouts, severe bruising, and possible fractures if landed correctly.
Punches to the face leave lasting marks, some immediately visible and others taking days to fully form. Understanding the aftermath of a punch will help you describe the physical toll on your characters more accurately.
Swelling and Redness: Swelling can begin almost instantly, particularly in areas with soft tissue like the eyes and lips.
Bruising: Bruises start off as red, then turn purple, blue, and eventually fade into yellow or green as they heal.
Bleeding: Punches to the nose, lips, and even cheeks can result in bleeding, either from the skin breaking or from internal damage like a broken nose.
Black Eyes: Punches near the eyes can lead to bruising that darkens the skin around the eyes, giving it a purplish hue.
Fractures: Broken bones, such as the nose or jaw, may require weeks to heal, and in severe cases, surgery may be necessary.
Scarring: If the skin is cut open, there’s the potential for scarring, especially if stitches are required.
Bruises: These typically take about a week to two weeks to heal, with the colors shifting as the body absorbs the blood trapped under the skin.
Fractures: Healing from fractures can take several weeks to months, depending on the severity.
Swelling: Swelling can last anywhere from a few hours to a few days, with cold compresses helping to reduce it.
While we often focus on the person receiving the punch, it’s important to remember that throwing a punch can also take a toll on the puncher.
Knuckle Damage: Hitting a hard surface, like a jaw or forehead, can cause damage to the puncher’s knuckles. This is known as a “boxer’s fracture,” where the small bones in the hand break due to impact.
Wrist Injury: If the punch is not aligned correctly, the wrist can absorb too much force, leading to sprains or breaks.
Fatigue: After multiple punches, especially in a drawn-out fight, the puncher can become fatigued, leading to less powerful or accurate strikes.
Adrenaline Rush: For inexperienced fighters, throwing a punch can lead to an adrenaline surge, which can cause tunnel vision or reckless behavior.
Moral Conflict: If the puncher is not used to violence, they may experience guilt or shock at the damage they’ve caused, especially if the recipient is significantly injured.
A punch to the face doesn’t only cause physical damage. For the recipient, it can have a lasting psychological effect, especially if the punch was unexpected or in a vulnerable situation. Writing this aspect adds depth to your characters and shows that a punch is more than just physical pain.
Fight or Flight Response: Getting punched can immediately trigger a fight-or-flight reaction. Some characters might freeze or retreat, especially if they’ve never been in a physical altercation before.
Loss of Confidence: For characters not used to violence, being punched in the face may cause a significant loss of confidence. They may question their own strength, bravery, or ability to defend themselves.
Increased Aggression: Alternatively, the punch may trigger a rage-fueled response, pushing the character into aggressive, reckless action.
Public Fights: If the punch occurs in front of others, there’s often an added layer of humiliation. Characters might feel embarrassed, even if they weren’t at fault.
Internalizing the Event: The recipient of the punch may carry the emotional impact for a long time, replaying the event in their mind, feeling shame, or seeking revenge.
Lingering Anxiety: In extreme cases, receiving a punch can cause anxiety or even post-traumatic stress disorder (PTSD). Characters who’ve experienced significant trauma might relive the event through flashbacks or become hyper-vigilant, avoiding confrontations in the future.
Fear of Future Confrontations: A character who’s been severely beaten might actively avoid scenarios where they could be hit again, making them overly cautious or paranoid.
Writing a punch scene isn't just about describing the physical action. To make the moment believable and impactful, you’ll need to consider various elements—from pacing and sensory details to character psychology and aftermath. Here’s how to make your punch scenes authentic:
Foreshadowing Conflict: Build up the tension before the punch is thrown. Is the character agitated? Are there verbal warnings or body language that suggests things are escalating? By slowly ramping up the tension, the eventual punch feels earned and inevitable.
Use Dialogue: A heated exchange of words can make a punch more meaningful. If the punch follows a particularly cutting remark or threat, it adds weight to the action.
Physical Sensations: Describe not just the punch itself, but how it feels. Does the skin split? Does the puncher’s knuckles scrape against teeth or bone? Is there an immediate sting or delayed throbbing pain?
Sound: The sound of a punch can enhance the realism of the scene. A dull thud as a fist connects with soft tissue, the crack of a bone breaking, or the splatter of blood hitting the floor are all effective auditory details.
Physical Reaction: After being punched, characters rarely shake it off immediately. Staggering, falling, or momentarily losing their vision are realistic reactions. You can also show how the puncher feels—did their hand hurt from the impact?
Emotional Fallout: Punches are often emotional events. Show how your characters feel right after—whether it’s satisfaction, regret, or shock. The emotional weight of a punch can be just as impactful as the physical consequences.
Healing Process: Don’t forget that punches have a lasting impact. A black eye will take days to heal, and a broken nose could require medical attention. Characters might have to deal with soreness, swelling, or difficulty talking and eating.
Ongoing Tension: A punch can dramatically shift relationships. A once-trusting friendship could be shattered, or a bitter rivalry could be born. Make sure to carry the emotional weight of the punch forward in your story.
Many writers fall into the trap of perpetuating unrealistic portrayals of punches. These misconceptions can make your scenes feel less authentic or overly cinematic. Here’s how to avoid them.
Reality: A punch to the jaw might cause a knockout, but it’s not always instant. In real life, knockouts are often messy and unpredictable. The recipient might stagger or struggle before finally losing consciousness, and they could wake up with serious concussions, memory loss, or nausea.
Reality: While a punch to the nose often causes immediate bleeding, not all punches result in visible blood. Even when skin splits, it might take a moment for blood to pool and become visible. Bruising and swelling often take hours to fully appear.
Reality: Throwing a punch doesn’t guarantee victory. The puncher could hurt themselves, miss entirely, or end up escalating a fight they weren’t prepared for. Additionally, punches to the forehead or temple might not have the knockout effect portrayed in movies—they could just make the puncher’s hand hurt more than the opponent.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!
With Shen Yuan's name Yuan being a homophone for 原 yuán as in "original" (example given: the word 原创 yuánchuàng aka "original (creative) work"), and Shen Jiu's name meaning the number nine... It's bringing to mind some interesting questions about the supposed number of Shens separating the two
This came to me in a dream so bare with me people
Bruce gets a boyfriend/girlfriend or whatever just to keep the media at bay or something along those lines. But then… he actually kinda likes them??
And Bruce is confused as everyone else is about it but he isn’t gonna look a gift horse in the mouth (or whatever that saying is) and he starts genuinely going out with him
His kids and everyone who knows his secret identity are rightfully cautious about it. I mean, Bruce doesn’t have the best track record with relationships, but as long as the man is happy. They just hope there won’t be too much push back when Bruce inevitably blows it up 
They love Bruce but literally no one has any faith in him to keep the relationship for long. They’re are very obviously doubting him and it makes Bruce feel discouraged but he tries not to show it
And then one day, Bruce is having a jolly good time at a gala (at least pretending to) and he gets called by his partner. He’s talking to the cameras and suddenly his partner calls him. His face lights up and the press kinda pressure him to put the call on speaker.
Everyone’s seen his partner, in fact, they seem to soak up the media presence like a sponge. Bruce logically doesn’t think they’ll mind, but just in case he wants to tell them immediately
He accepts the call and before he can get a word out, his partner is saying the most vile and ridiculous things to him.
Dude talks about how he’s disappointed that Bruce hasn’t had sex with him yet and how he never expected the Brucie Wayne to be such a prude and stop his advances. He’s says that the only reason why he put up with Bruce was to get into his pants and since they’ve been dating for five months with no action, it wasn’t worth it anymore. Dudes already been getting action from someone else and he hangs up without letting Bruce say a thing
Bruce’s entire face falls and he’s genuinely devastated. The gala goes quiet and Bruce excuses himself, embarrassed and heartbroken.
He’s trying to stop himself from crying but he just experienced his first real heartbreak in a long time that absolutely wasn’t his fault
His family say is not his fault but Bruce doesn’t believe them because he’s conditioned himself to believe that everything is his fault and he knows that didn’t believe in him in the first place
That’s it
Silly SVSSS AU/fic prompt when Shen Jiu is away on mission finds baby Shen Yuan and takes him back, Shen Yuan looks like his previous self similar to Shen Jiu but not identical. So everyone is convinced he is biologically Shen Jiu's child.
The peak lords find out and freak out...only instead of assuming that the child other parent is a concubine they think it's one of the other peak lords.
Shen Jiu: I found that brat on a mission he's not mine
Qi Qingqi: So you just happened to find a abandoned newborn who looks almost just like you while away on a nine month mission
Shen Jiu: Yes
Qi Qingqi:...
Just every single peak lord looking at all the others like 'Which one of you is the other parent?' just constantly looking between Shen Yuan and other peak lords trying to find similarities.
Shen Yuan terrified thinking all the peak lords are onto him when really they're just trying to figure out which of them gets to claim him as the other parent. (Also some of them really want to court Shen Jiu and are ready to propose... they're all been trying to court him for ages 1 look at Shen Jiu being all sweet with baby Shen Yuan and suddenly the wife beam KO'd all of them)
(Apart form Shang Qinghua who when people suspected him raise both hands like
SQH: NO WAY I DIDN'T HAVE SEX WITH HIM I COULDN'T HAVE I'M ENGAGED TO A DEMON...
Peak lords: Your what?
SQH:...oh fuck
Cue Shang Qinghua awkwardly asking Mobei Jun to pretend to be his fiancee please... Mobei Jun thinks his courting has finally worked)
Looking for a dp x dc post where the Justice League mess up and end up believing the GIW nonsense about ghosts.They capture Phantom and they know he’s the king so they make him agree to take all of the undead/non living out of the living realm.Ofcourse this backfires on them and I can’t remember if some of these details were in the reblogs or the original post but Phantom took Jason and a bunch of people like I think hospital patients/comatose people because they somehow counted.
Also Phantom took away the ability to die which originally had everyone rejoicing until they realized that the animals weren’t dying either.Also messed up villains like Joker could literally rip people into pieces and they wouldn’t have the release of death.(I think some people were blown apart by Joker’s bombs or smth)
I also remember the villains were pooling their resources together to fix the JL’s fuck up to make amends with Phantom and fix the food problem.(Like Lex Luther)
The general population were so mad at the JL for dooming them to a fate worse then death that they attacked them.I specifically remember a scene where I think the Flash was like “Did you see what they did to Superman?!”. That post ended with Batman and the remaining members of JL about to enter a portal to the Infinite realms.Most likely trying to make amends with Phantom or trying to force him to.
Also since nobody could die Ra’s whole Lazarus pit giving him immortality thing made him irrelevant since he’s no longer the only immortal.In one of the reblogs/comments dude even left for the Infinite Realms and became some teacher/mentor figure in the Infinite Realms and got redemption.
Update-Y’all someone found it!
I’m like 99% sure the Gotham Elite’s social customs are fucked up because Autism-in-Human-Form Bruce Wayne was just so fucking tired of high society’s weird and incomprehensible (and frankly ableist) social etiquette that he went full Virgin Mary About-to-Invent-a-Major-World-Religion, said “oh haven’t you heard?” and just started making his own random social rules. Like who’s going to stop him? The other elites? The dinosaur CEO’s? He’s richer. He hosts the better parties. He could tank your business in a weekend. So when he says “Weird passive aggressive fork language is out. Having a different utensil for every different food texture is in,” you use a different utensil for every food texture. Now when foreign elites visit Gotham, they have to learn a completely new set of social customs to fit in. It’s like a cult, but the cult is run by the most influential man in the world and Gotham’s personal Jesus. The followers are more likely than not mafia bosses named after a bird. You will be judged. There’s a test. Yes, you do get brownie points for being nice to the servers. For the love of god, stop making so much eye contact. The cloth napkins are folded into little ducks. Welcome to Gotham.
I've never seen a minute of the show but Ever After High AU where Steve is a prince destined to be the Beast/Prince to Nancy's Belle.
Except Nancy breaks up with him after a year of dating, saying that their relationship is bullshit because if they're destined to be together then how do they know their feelings are real? How do they know that they actually care about each other and it's not just because that's what people are expecting from them?
Steve is hurt for a while, mostly because he doesn't really understand. He thought they were happy - he had been happy, at least.
In the aftermath he meets Robin, the next destined Narrator, and soon enough Steve couldn't imagine a life without her. He learns that there's more outside their destined paths, that it's good to have friends outside his fated Story.
And then he meets Eddie. At first he's sure that the boy is destined to be a villain, with his dark clothes and wild personality. It's Robin who tells him the truth; that Eddie is the next Snow White. As soon as she says it, Steve can see it - the dark curls, the pale, porcelain skin.
The three of them start spending time together, and even when Robin can't join, Steve and Eddie still meet up and hang out. It doesn't take long for Steve to fall for Eddie, to be absolutely gone for for the other boy. He finally understands what Nancy meant - because the way he felt for her absolutely pales in comparison to the love he feels for Eddie.
Steve confesses, just needing Eddie to know, his feelings so big that he can't keep them locked inside anymore. He's overjoyed when Eddie feels the same, even when Eddie tells him that he'd been nervous to fall for Steve because he'd been scared to get close to a prince, not having had the best experience with them in the past.
Everything falls apart when Eddie is cursed by his own destined prince, a bully named Jason who is infuriated that he ended up matched with Eddie instead of Chrissy, the next Cinderella. Eddie falls into an eternal sleep, and no one is sure what to do. His prince is the one who cursed him, there's no way Jason would even attempt to wake him.
Steve knows he has to try, so he kisses Eddie, pouring every ounce of his love into it, and everyone is shocked when it works. It proves that Steve is Eddie's prince, not because the universe said so, but because Steve and Eddie forged their own destiny with love.
Danny moves to Gotham, hear him out! There's really good jobs there that pay through the nose and the cost of living is cheap!
Plus, the city is riddled with heroes and vilains! It's so easy to slip under the radar!
Unfortunately, there are so many civilian casualties. Like, all the time. Even in Metropolis!
So Danny, for his first year in Gotham, opens small portals to the Far Frozen and gets schooled on being a field medic. None of his powers can really be used for healing, but they can make people feel better. He just has to be careful to be as far removed from the Phantom moniker as possible, so he can't use any obvious powers.
He gets a bit of a reputation in Gotham; a small time hero of the people, for the people. A hero not invested in fighting, but in dragging civilians away from the danger. He doesn't even have a moniker; people are too busy arguing over the best one for him.
So while aliens are attacking both Metropolis and Gotham, Danny is out in full kit; a gas mask to hide his face, all black, repurposed kevlar from the vests the GCPD did not properly dispose of, no identifying markers.
But one of the clean up crews notices something insanely worrying; the geiger counter they have to point at alien spaceship parts? Yeah. Yeah, it's going off when they point it at the new small-time hero.
That hero's power is radioactivity. Holy shit. It's not at a level that will hurt people, but when he's dodging through fighting the level goes up.
The clean up crew concludes and shares via Twitter that the medic-hero is only a danger to others if he gets too stressed.
Word spreads fast, and pretty soon the absolute second Danny shows up on a scene, all fighting stops.
After all, no one wants to piss off the living Nuclear Bomb.
Basically, Danny's ghost-everything sets off Geiger counters, and now absolutely everyone is convinced that the medic-themed hero only refuses to fight because his meta power is just...being radioactive.
But he isn't.
So now, because it's the perfect cover and completely disassociated from Phantom, he has to play along and pretend like yes; that is his power.
Sound on 🐾🤍
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