Might Just Rewatch Every Earthmix Show Ever Cause Of Ossan's Love, But Atoats Will Always Be The Og I

not so quick pitch 

Light on Me (2021 - Korea) 

Rating: 10/10

Foundational Romance Trope: friends to love triangle

There were some who thought this BL slow, and I get that, but really it’s just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, 

“now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” 

It was great, of course, but very refined and elegant which some found off putting. It made me think of something like this… 

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but… restrained. 

But that doesn’t make it any less gut wrenching to watch. In fact, it makes every subtle tentative movement of care that ShinWoo attempts that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful. 

It’s like that intense moment of focus on the hand flex in an Austen adaptation - we are awaiting every crack in the sugar sculpture with bated breath. 

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there was little visual noise, and the lighting was full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this series as if the show itself were TaeKyung: careful and clear and specific. 

This may come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. Lucky for us those actors served the lens beautifully. 

There is literally NOTHING distracting about this directing style. It’s like the camera was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after Light On Me (and we will get them now) are going to be unfavorably compared to this show. 

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pair they prefer. Korean BL never just throws in a trope without purpose - they calculate its impact on story structure. Basically, LoM used this technique to infect fans with Second Lead Syndrome. It’s SO GOOD.  

So yes, Light on Me was cleverly engineered, but it was also SPECIAL, and here’s why:

This show gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication styles, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too. 

This show felt very fair. Fair to its characters. Fair to its story. And fair to us, the watchers. 

For me this BL was classy, a real winner, not the least of which because they NAILED the landing, including the final kiss. Korea is DOMINATING 2021. Like seriously. What’s going on here?  

Full analysis of the love triangle trope under the context of the second half fo this BL here. 

Bravo, Korea.

(source)

#RUNONWEEK | day two: harold…

Park Mae Yi 

Seongyeom probably thought Mae Yi being asexual meant that she wouldn’t want to be in a romantic relationship. She identifies as asexual but she’s not aromantic. She is comfortable with romance and dating someone. She represents a wide range of the spectrum. Asexuality doesn’t mean just one thing. Sexuality is complex and personal and is different for everyone.

It stuck out to me that when they first met Ji Hyun asked Mae Yi if she was okay with dating men. Even though he fell in love with her at first sight he didn’t automatically assume that she would be straight or that she’d date him. He was considerate of her feelings and made her feel safe before he even knew her.

Nanon’s acting in this scene was breathtaking.

The subtlety and nuanced approach he took to containing Pran’s sorrow and tears was incredible. He sustained Pran’s struggle to keep from crying and maintained his composure until the perfect moment.

The audience could see Pran struggling but Pat couldn’t and that was so believable. The tears are waiting to tumble from Pran’s eyes were there but were small enough for Pat to not notice, something that is amazing to see as a viewer.

There are so many layers to his performance as Pran, whether it’s his approach to the lines, the micro mannerisms and gestures he uses to show the audience how Pran is actually feeling.

This scene made the audience share in Pran’s pain, whether you wanted to or not. It wasn’t a question of feeling what Pran was feeling. Nanons performance immersed you in it and reached beyond the confines of the screen.

yoongi @ amazon music interview 

romeo and juliet (1597) by william shakespeare // bad buddy (2021) dir. backaof noppharnach

also the cutest thing ive ever seen happen in a show fandom is bbs watchers collectively calling pat a "walking green flag". that imagery is so precious to me. so so precious.

BOKURA NO SHOKUTAKU [EP 6 vs CH 3] Manga by Mita Ori  

Softness attacked us today. Along with a bunch of my favourite panels.

can we talk about the casual intimacy of this episode? we don’t need to see kisses or bed scenes to know that sarawat and tine are two people who love and care deeply for each other. the cuddles, the grins, the excitement about moving in together, figuring out each other quirks and learning how to live with each other, opening cans of soda for each other, learning each other’s favourite dishes and ladling them out on the other’s plate, the quick cheek kisses, brushing their teeth together, sleeping in the same bed, the blushes, the fact that sarawat never pressures tine to tell his brother even when type prompts him to tell the truth multiple times… 

it shows, without doubt, that sarawat and tine are two people in their first serious relationship. that they enjoy each other’s company, that they want it to work and so they make it work. the domesticity of this episode illustrates their relationship perfectly. two toothbrushes in a cup by the sink. their posters all over the walls. the bracelets. one bed. a life shared.

honestly, hats off to bright and win and the production team for portraying sarawat and tine as two real people who love each other dearly, for keeping their private moments private, and for showing them as two very different people who want to make their relationship work. this episode showcased how real the both of them are, and it was absolutely heartwarming to see.

“let’s go into the water”