There Is So Much To Break Down Here Holy Shit

There is so much to break down here holy shit

There Is So Much To Break Down Here Holy Shit

First off, I like how Fukuzawa and Mori are the only one fully on different sides here, I think of all the generations of skk they are the ones who simply and truly hate eachother. Everything about them is antithetical, they represent the complete opposite values.

skk here is also interesting, look at chuuyas expression, he has his typical "I hate being here but i have no choice" look that he had as the king of sheep. And Dazai literally leaning over him is pretty spot on for how we see their partnership play out for most of their time in the mafia.

sskk being back to back here I think actually shows their trust in eachother now, Fyodor being a present threat and both of them wathcing eachothers back. There's also the fact that Atsushi is looking up while Akutagawa is looking straight ahead

More Posts from Doyoulikeslimes and Others

5 months ago

Everything about Takauji in this episode was sooooo unsettling and creepy I was gripped in my seat. Would

Everything About Takauji In This Episode Was Sooooo Unsettling And Creepy I Was Gripped In My Seat. Would
5 months ago
Artist By からすまい

Artist By からすまい

7 months ago
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And
All The Little End Credit Paintings From Snufkin: Melody Of The Moominvalley… Such An Adorable And

All the little end credit paintings from Snufkin: Melody of the Moominvalley… such an adorable and fun little game!

5 months ago
WHAT THE FUCK WAS KINGER DOING ON HIS ADVENTURE LMAOOO
WHAT THE FUCK WAS KINGER DOING ON HIS ADVENTURE LMAOOO

WHAT THE FUCK WAS KINGER DOING ON HIS ADVENTURE LMAOOO

11 months ago

What is Buggy's Endgame? A Post-1082 Analysis

Since the release of chapter 1082, we’ve gotten more insight into Buggy’s character than ever before, especially regarding his dreams and thoughts on past events. So, given our new information, I thought I’d revisit Orange Town Arc to see if 1082 re-contextualizes anything. What’s in the cards for Buggy as a character? What direction does Oda plan on taking him in?

To give you my answer, let me begin in a bit of a random place: the relationship between Shanks and Buggy. 

From the moment Oda first introduced their relationship in chapter 19, Shanks and Buggy already solidified themselves as character foils. Their first panel together is literally a fight over whether the North or South Pole is colder, which is pretty on the nose if you ask me (sorry… I had to). Their red-blue color contrast is also pretty self-explanatory; although green is technically red’s complement, red and blue are often used as visual “opposites.”

Manga panel of Shanks and Buggy fighting over which pole is colder. They have each other by the shirts, teeth clenched, sweaty. "It's the North pole!" Buggy says. "No," Shanks says, "it's the South Pole!"

Beyond all that surface level stuff, though, what makes these two foils of each other are their opposing values. As a pirate, Shanks wants to “make time to see the world." He has no sense of urgency and no inherent desire to conquer the world — at least, not right away. Buggy, of course, calls this a “soft way of thinking.” Unlike Shanks, he views treasure as the sole purpose of being a pirate. And not just any treasure, but material wealth, gold and jewels which "make its possessor a king."

Manga panel of Buggy. His head is thrown back, laughing at the mayor for calling the town and its people treasure. "You senile old fool! The only treasure here is for termites! Gold and jewels are treasure! Treasure sparkles and makes its possessor a king!"
Manga panel of young Shanks as a cabin boy, talking to Buggy about the future. "As captain of my own ship! I'll make time to see the world," he says. "I'll do some pirating along the way, of course."

Shanks and Buggy’s contrasting viewpoints also embody the underlying themes of Orange Town Arc. One man's trash is another man's treasure, and Oda takes great care to emphasize this point, from Chouchou to the mayor.

Manga panel. Right panel shows Luffy and Nami, speechless. Left panel shows the mayor of Orange Town shouting, "This town and its people are my treasure!"
One Piece manga panel. Nami asks, "Then why does he still guard the store?" (Referring to Chouchou the dog, who is eating food out of a bowl directly beside a caged-in Luffy.) The mayor responds, "This is his master's store... It's his treasure."

Luffy's hat ends up taking center stage in Orange Town, however, which I think is a great decision. The straw hat is what tethers Luffy and Buggy to Shanks. It's a weighted symbol, one that helped shape both of their characters — albeit in antithetical ways. Thus, when it’s used as a tool to explore their relationships, it works really well.

Take Luffy, for example. In his youth, Shanks was a pillar of support, friendship, and sacrifice; the straw hat is his treasure because it reminds him of Shanks, but also because it symbolizes what Shanks gave up for him. He owes his life to Shanks, but he uses that gratitude to fuel his own ambition, and to hopefully reunite with Shanks one day as a great pirate.

Shanks allowed him to go after his dream. Luffy knows this well.

Manga panel of Luffy looking down at his straw hat. "I treasure this hat because a friend gave it to me a long time ago," he says, happy and seemingly nostalgic as he talks about Shanks. "That's when I swore I'd gather a crew and become a pirate."

Now look at Buggy. He sees the straw hat as worthless, and it’s clear why he does: it’s a painful reminder of the dream that Buggy gave up on, a representation of everything he lacks in comparison to Shanks. And to add insult to injury, Shanks gave that straw hat away to what Buggy sees as an insignificant kid. Of course that would hurt. Seeing Shanks give up Roger’s legacy so easily, abandoning his potential to become Pirate King, when that’s all Buggy ever wanted in life… I mean, wow. It's an amazing role reversal. Buggy gave up on his dream for Shanks, but Shanks gave that dream to Luffy instead.

Manga panel of Buggy. "When I sailed with Shanks... He shone so brightly with potential," he says, beaten and bruised. "I knew I couldn't measure up, so I let go of my real dream...!!" 

Behind him is a flashback of Shanks smiling as he holds a sword. He is likely being praised by Roger, who has a hand on his hat and a matching smile on his partially-obscured face. In the far background, Buggy is peeking around a corner, watching them with a frown.

I think 1082’s context adds some much-needed character depth, and explains a lot of Buggy's rationale. We know Buggy does not value sacrifice or friendship like Luffy does, nor is he the type to go out on a limb for someone. He’s greedy, manipulative when it suits his interests… I could go on forever. So to see that Buggy once sacrificed his own dreams for the sake of Shanks’ — only to have it backfire — makes so much sense. Of course he became a bitter, cynical, and selfish adult. One of the people he believed in most broke his unwavering trust, and he never healed from that experience. (Not to mention that this happened directly after Roger's execution. His faith was already shaken, and it was just one heartbreak after the next.)

The impact of that betrayal only feeds into his greedier tendencies; Buggy is a character who keeps things close to his chest, figuratively and literally. He learned to fear trust, and it shows. All of his adult relationships (Alvida, Galdino, Crocodile, Mihawk) are strictly rooted in business and mutual, self-serving interests. Nothing more.

Just take a look at Buggy and Luffy's reactions to the Bara Bara no Mi story. Buggy can only focus on the things he lost, instead of what he had: a friend who was willing to jump overboard for him in a heartbeat. But Luffy, a character who values the people he loves, obviously has a different perspective. He concludes, “So Shanks saved your life?” Where Luffy sees hidden treasure, Buggy sees nothing but loss.

Manga panel of Buggy and Luffy's fight in Orange Town, after Buggy explains his history with Shanks. "Hmmm.. So Shanks saved your life!" Luffy says, unconcerned, a smile on his face.  Buggy responds with comical anger, yelling, "So what!!? It was all his fault! He foiled all my grandiose plans!"

So why am I bringing this all up? Well, I don’t find it surprising at all that two of Buggy’s most prominent arcs — Orange Town and Impel Down — emphasize his struggle between selfishness and altruism. The internal conflict is played off as a joke in Impel Down, but Buggy has always been simultaneously comedic and complex. He actually parallels Luffy in that sense, but that's another meta for another day.

Manga panel of Buggy in his Impel Down prison uniform, sobbing both excessively and comically. Tears are overflowing, snot is dripping from his clown nose, and sparkles are surrounding him as he thinks to himself: "Don't look at me like that! I'm a scoundrel... A no-good pirate! You shouldn't trust guys like me!"

The position Oda has placed Buggy in is rife with potential. He's now closer than ever to the things which would fulfill his materialistic nature: the One Piece, Captain John’s treasure, and the title of Pirate King. Yet, at the very same time, he's closer to one of his most honest connections in life: Shanks. If there was ever a time for a character to be forced to make a fateful choice, I’d say it’s right about now. People have been wondering why Oda made Buggy a final contender for the One Piece. Why has he “failed upwards” for so long? Comedy aside, I think the answer is a lot simpler than we’re all making it out to be: Buggy’s story just isn’t over yet. 

Oda still has something he wishes to impart to readers, and he clearly believes it will be told best through Buggy’s character. Based on what we know about Buggy — his greed, his guilty conscience, his past with Shanks — I think that story will lead his character to some very interesting places.

Do I think Buggy is going to have a change of heart? Maybe, maybe not. In that regard, he’s already been in a gray area since Impel Down. I wouldn’t be surprised if he accidentally ends up allying himself with Luffy again during One Piece’s conclusion. But with the Cross Guild putting bounties on marines, a (potential) three-emperor interest in going after Blackbeard, and an open-ended Shanks-Buggy plot thread about going to Laugh Tale... Well, there's a lot of places this could go. Would Buggy be willing to give up the greatest treasure in dire circumstances? For Shanks? For the world? Will he become king, and then lose it all? Will he make a sacrifice that parallels Shanks' when they were kids? Who knows!

What do you guys think? Is Buggy going to play a larger role in One Piece’s third act? What is your ideal conclusion for his character in the story? I'd love to hear your thoughts.

7 months ago
@theinkymystery @inkymysteryanimatedpilot

@theinkymystery @inkymysteryanimatedpilot

1 year ago

Certified Zany

Certified Zany
Certified Zany

He has an ACME rewards punch card, and look at how nice that signature is!

Certified Zany
Certified Zany

Tags
1 year ago
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To
Due To The Overwhelming Positive Response For The Original Post, There's Been An Executive Decision To

Due to the overwhelming positive response for the original post, there's been an executive decision to create a sequel to this Wacky Weekend between a boy and his mouse friend!

But nah for real I'm really glad it became one of my more popular posts, I think an idea like this has alot of potential and I think it's neat in general! Sniff was never able to operate on a level similar to Snufkin and it would be fun to see them be leveled out a bit.

7 months ago
A Comic Redraw Of One Of My Favorite Moominvalley Strips. I Love Them Sm ;-;
A Comic Redraw Of One Of My Favorite Moominvalley Strips. I Love Them Sm ;-;

A comic redraw of one of my favorite moominvalley strips. I love them sm ;-;

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I can kinda draw n stuff

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