Artist By からすまい

spiraling about the framing here… the way tsukasa is specifically positioned with these two marks so visibly on display, one so temporary it’s drawn like it’s already fading deeming him guilty and the other so solid and near-permanent deeming him the most important and beloved thing in hanako’s life… the way the guilty mark is on his hand marking what he does (if we take hands to represent actions) as making him guilty but the mark of love, which as we know from sumire could be anywhere on his body, is right on tsukasa’s face... the way love is so much stronger than guilt and blame

it reminds me so much of:

I know we don’t have confirmation that he’s talking about tsukasa here, but even if it’s just thematically, the faded guilty stamp and the permanent yorishiro seal are so reminiscent of amane defending this person unrelentingly, never budging, and paying little to no mind to tsuchigomori’s condemnations of this person’s actions. the faded stamp and bold seal contrasting so heavily to say “actions are so fleeting and always changing but love is unwavering.” amane protects this person despite what they’ve done to him. amane kills tsukasa and tsukasa comes back marked as the pinnacle of hanako’s love. actions and guilt and blame are so complicated in tbhk, but love always endures. and it’s all shown so succinctly in this one image of tsukasa this chapter

This was never made public because it wasn't necessary, not to mention it wasn't a full turn around, but yesterday we posted a design of what kid!bbros would have looked like in the pilot's artstyle.

Two funfacts, one is that Boris is slightly dirtier because it's considering the labyrithn memory of him travelling on the snow, making it so he has a red nose from the cold and the end of his pants are stained with melted snow. The second funfact is that Bendy's height is the exact same as from his adult ref.

Saiki K has this interesting sort of chill atmosphere and monotony about it. It's called "the disastrous life of Saiki K" but the disasters are often like... him not having enough pocket money for something, or having to get through a sports festival. Occasionally the disasters are him having to save the world or his brother being an actual freak, but the show treats these times almost with the same stakes and importance as everything else.

I find this really interesting because what just feels like a "vibe" at first becomes an actual plot-point later on, with Saiki rewinding the Earth every year and repeating the same stage in his life over, and over, and over again... nothing has any real consequences, it's as dull as it is funny, and while it is a comedy I feel like there is this quiet sense of horror underneath it all. The intro with the flower petals falling and then being rewound kind of illustrates this for me - Saiki constantly controls everything around him in an attempt to hold it in some kind of stagnant peace, slowly growing accustomed to the people around them but none of them truly moving forward, like everyone is being held in a dream.

I don't really know where I'm going with this, it's really hard to put into words, but does anyone get what I'm talking about? Is this coherent in any way?

the duality of men

all of the panels with Dazai with a cold from the BSD Anthology 🥰 him being perfectly normal with a 39.8°C fever is so very Dazai of him...

hey (leans on mansion), hope this application is good to join the fandom

holding each other’s hands over their seals

screaming he looks so much like hanako here lmao. the yashiro nene humbling effect

The inky mystery animated pilot(IMA) congratulates all of those who managed to get approved as the official Voice Actors for our characters! You all did amazing and made such a perfect cast!

@theinkymystery

Luffy not telling anyone about himself/his past is so fucking funny to me. He will literally tell anyone about Shanks and his beloved straw hat, but only be like "oh yeah, I have a brother" if said brother is physcially standing in front of him