ok but have you considered: magical girl saiki.
he's got pink hair, powers, and an alternate girl form. it's perfect
I love the adult saiki version of @oceanwithouthermoon where he's basically princess bubblegum but I just had an idea
remember the alternate universe where kusuo died and kusuke started ww3? well, another similar Au but instead of kusuo, the one who dies is kusuke and kusuo its the one who starts the war and bla bla bla
in the canon episode kusuke seems kinda "off"
he doesn't seems like his usual childish self
he looks more serious and centered, similar to his brother's personality (then he changed to his old personality again when the alternate kusuo arrived)
but the thing is that i feel that if the other die, they would switch personalities
even worse If they were the one who killed eachother (its not confirmated the reason of why kusuo died but a lot of people prefer to believe that kusuke killed him and I agree)
so what if in this au kusuke's death changed kusuo's personality to be more like kusuke's?
if you combine kusuo and kusuke's personality you will get something similar to princess bubblegum but even more fucked up so...
I had been writing a fic that it's basically this but the princess bubblegum thing opened my eyes for more ideas, I need to finish that thing aaaa
I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.
Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.
Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.
Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.
Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.
I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.
Seems like only last year
You were teaching
Life can fill you with fear
But it ain't just suffering
And now irony would have it
That I teach it back to you
finished playing Snufkin: Melody of Moominvalley recently, have some fanart đź’–
ACTIOOOOOON!!!
Thread from my twitter about this official art because it’s one of my favorite official anime art. This is actually part 1 because alot of people wanted a soukoku specific/Dazai focused part. So will post that here as well.
Starting off:
They’re gorgeous here but what I really love is the detail of the red thread of fate. More specifically how & where the thread is wrapped for skk & sskk + Kyoka. I’ll start with skk.
When it comes to Soukoku, my loves, Dazai has the thread wrapped around his neck. Chuuya has one end & it’s wrapped around his wrist (the one with the scar that proves he’s human btw), that seems to symbolize he's holding Dazai's life in his hands, at least partially. That's no surprise we all know they're inexplicably linked and fated etc.
Chuuya is always there to save Dazai & Asagiri said he’s the only one who truly understands Dazai. But it's super interesting the other half of Dazai's string that’s wrapped around his neck is first wrapped around his own wrist, before continuing to Aku. This essentially saying Dazai holds his own life in his hands.
Which obviously seems super accurate since we know his is biggest enemy is often his own mind & the hole inside his chest that he has a hard time filling. It’s where his suicidal tendencies come from. But essentially, it seems like Dazai's life is held only by Chuuya & then himself and I love that detail.
This is in contrast to Atsushi, Akutagawa, & Kyoka. The thread is wrapped around Atsushi's throat & Aku & Kyoka both have it around their wrists. Essentially symbolizing *both* Aku & Kyoka have Atsushi’s life in their hands. This seems to showcase both of their importances in Atsushi’s life.
Also other than dead apple, given recent events with Kyoka saving Atsushi in the beginning of the DOA arc & Akutagawa's sacrifice for him later, that red thread being held by them continues making sense.
Also Aku's sacrifice was massive for his development & I hope it is our universes Aku at the end of episode 11 so we can continue exploring that development for himself & his relationship with Atsushi.
The red thread itself is typically to symbolizes those who are destined to be together, regardless of place or time. Which naturally makes sense for soukoku & their “two bodies one soul” situation lol It’s interesting that Atsushi has both Aku & Kyoka linked to him in this sense.
That’s just my take on the art & why it’s one of my favorites.
I’ve said the same thing in a lot more words before. You want the Warners to be in-character?
They are smart but not logical. They are wise but immature. They are refined but chaotic. And they are well-meaning but mischievous.
These are the things that make them extremely flexible characters, as well as interesting, endearing, and cute. They’re kids who aren’t kids and adults who aren’t adults.
Finally, a real adaptation of Moominvalley in November!
There is so much to break down here holy shit
First off, I like how Fukuzawa and Mori are the only one fully on different sides here, I think of all the generations of skk they are the ones who simply and truly hate eachother. Everything about them is antithetical, they represent the complete opposite values.
skk here is also interesting, look at chuuyas expression, he has his typical "I hate being here but i have no choice" look that he had as the king of sheep. And Dazai literally leaning over him is pretty spot on for how we see their partnership play out for most of their time in the mafia.
sskk being back to back here I think actually shows their trust in eachother now, Fyodor being a present threat and both of them wathcing eachothers back. There's also the fact that Atsushi is looking up while Akutagawa is looking straight ahead
Some Moomins and their Snufkins