Revisiting The Scratchansniff-Warners Relationship

Revisiting the Scratchansniff-Warners relationship

Last year I wrote an analysis of the Warner siblings' relationship with their p-sychiatrist, Dr. Scratchansniff. I outlined how their relationship progressed episode-by-episode in the original series and how it all inexplicably went downhill by the end. That post was more of an overview than anything really in-depth, and in the time since I've done some more thinking on this topic, and I think there's more to explore here. (epic Outer Wilds reference)

So, welcome to part 4 of "overanalyzing the Warners". Well, welcome to part 1 of part 4. This writeup became so long that I decided to split it into two parts.

Part 1: Scratchansniff as a character, why he sucks as a psychiatrist, and what he should've done instead

First, I want to really get in deep with the character and concept of Scratchansniff. The first surface-level thing you might notice about him is his really juvenile name. Everyone in the show treats it like a completely normal name, with the Warners nicknaming him "Scratchy", so if you watch the show it also starts to sound normal to you. This doesn't really have any deeper meaning. I just like to mention it because I find it funny reading and writing serious stories with a man named "scratch and sniff" in them.

Well, maybe it's not entirely meaningless. It does give some insight into what his character was initially supposed to be. He is a man who takes himself and his surroundings completely seriously, but he isn't a serious character. He's a normal, mundane person who finds himself trapped in a cartoon world with extremely absurd situations happening to him on a regular basis. I've seen him compared to Squidward in this way, and the comparison is extremely apt. They are both characters who take themselves seriously in a world that is completely non-serious, regularly interacting with other characters that have no regard for rationality or common sense. In doing so, they often find themselves actually acting more childish than the childlike characters around them, making a fool of themselves as they try to project some sense of normalcy on a world that rejects it out of hand. Their appearances are even quite similar, with their thin figures, big bald heads, and big noses. I wouldn't be surprised if Squidward was in some ways directly inspired by Scratchansniff.

Comparison image of Dr. Scratchansniff and Squidward in similar poses on a white background

Now, there's a question I've been throwing around in my head, and I can't come to a solid conclusion one way or the other. Is Scratchansniff meant to be incompetent? The answer that immediately comes to mind is, yes, obviously. He does a terrible job with the Warners, after all. We'll come back to that later.

But I was watching the first episode of the show for this post. Besides the intro, Scratchansniff is the first Animaniacs character ever introduced. The first segment of the first episode starts with him meeting with his own psychiatrist, telling his life story. He says he was "one of the most successful psychoanalysts in all of Hollywood." He tells the story of helping countless stars on the Warner Bros. lot, and he clearly says he loved his job. The question can still be asked, though, are we meant to take him at face value? He's shown talking to Ronald Reagan, in his actor days, who tells him about dreams he's having where he becomes president. Scratchansniff writes in his notes- "Delusions of Grandeur, incurable". It's clearly just a joke, I know. But taking it seriously for a second, it seems like he did a terrible job at helping his patient. To immediately write someone off as incurable at the slightest hint of a strange dream, a dream that isn't even all that strange? If that's all it takes to make him give up on a patient, how can he possibly deal with the more serious cases?

Image of Dr. Scratchansniff holding a notepad that says "Delusions of grandeur, incurable"

He continues, saying that the stars told him all their problems, their secrets, their pain. "It was so much fun!", he says. Ok, hold on. Is a psychiatrist supposed to take pleasure in knowing the secrets and pain of their patients? It seems like Scratchansniff may have been in the business for the wrong reasons. One might even start to think that he deliberately doesn't help his patients as much as he can so he can get more juicy secrets out of them.

Scratchansniff is next shown reacting to the moment the Warners escape the tower. I honestly haven't seen the first episode much, or at least not this part, so what I saw next surprised me. I was always under the impression that Scratchansniff first met the Warners in the 90's, when Plotz made him try to dezanitize them. But what is the first thing the Warners do when they escape the tower? Like, literally the very first thing? They race over to Scratchansniff's office and yell "Did you miss us?" Scratchansniff replies "I hardly even know you." He hardly even knows them. Which means he did know them, at least a little, before the 90's, before they escaped the tower for good. He goes on to ask if they know who he is, and Yakko immediately answers correctly with his full name and title.

GIF of the scene where the Warners escape the tower and run straight to Dr. Scratchansniff's office. They are shown on the top of the tower, blowing kisses to a crowd below, before jumping down and running up to Scratchansniff's already broken office window, popping in to say "Did you miss us?" while he responds "I hardly even know you."

Scratchansniff had been at Warner Brothers for 50 years according to him. Quick math says he started there around 1943. It's known that the Warners did escape briefly on a few occasions between the 1930's, when they were locked up, and the 1990's, when they escaped. So, at some point during one of those escapes, the Warners met Scratchansniff, and they seem to have immediately taken a liking to him, as he's the first one they visit when they escape again. Was it just a chance encounter? Was Scratchansniff their psychiatrist before the 90's? No way to know for sure, but what we do know is that their relationship extends farther back than is generally thought, possibly decades farther back.

Soon they start their first session, which goes disastrously. And this is where Scratchansniff's lack of real psychiatry skills comes into focus. He is vague with his wording, unclear in his demands, and very quick to anger, even when the Warners are only being mild annoyances at worst. At one point he says that he will say a word and he wants Yakko to say the first word that comes to mind in response. And Yakko does it, exactly how he was asked to, but the only problem is he starts a little early. Instead of simply adapting to the situation and starting the exercise while Yakko's being compliant, Scratchansniff becomes furious, calls Yakko a "stupid kid", and throws him out of his office. What a great way to start a healthy, trusting doctor-patient relationship.

Image of an angered Dr. Scratchansniff picking up and squeezing Yakko aggressively. They are in Scratchansniff's office and Yakko is smiling.

He is at one point shown studying child psychology to help him treat the Warners. And I think this shows one of his major shortcomings- he's not a child psychiatrist. He treats the major stars of Hollywood. How many of those are children? He has no experience with children, especially toon children. He tries to approach things like he would with adults, expecting a calm and insightful conversation, when any child psychiatrist would know that doesn't always work with kids.

Image of Dr. Scratchansniff laying belly down on a couch in his office, reading a book titled "Understanding Children"

So, back to the big question. Is Scratchansniff bad at his job? Well, I'm going to hit you with a cop out answer. You can interpret the evidence however you want- take it at face value or dismiss them as the clear jokes they are- but the truth is it doesn't matter how good of a psychiatrist Scratchansniff is for most people. For the Warners, he's an awful fit. He has several shortcomings in this regard:

He's not a child psychiatrist.

He's out of touch. Scratchansniff had been a psychiatrist for 50 years. Do you know how much that field changed from 1943 to 1993? They were still doing lobotomies in 1943. Regardless of how well he's kept up with the times, some of his techniques are surely out of date. Not to mention the fact that, yes, he's still practicing in 2022.

He had become complacent with his work and was extremely overconfident in his own abilities. More on this in a second.

He had too short of a fuse and was too uber-serious to see the Warners' mild annoyances as what they really were: just playful mild annoyances.

Scratchansniff sees himself as a super successful psychiatrist, and so does most of the world. I don't think he ever was- I think those are delusions of grandeur. I think Scratchansniff had an "in" with Warner Bros.- maybe he knew someone high up in the company, or maybe his mentor was the previous psychiatrist there and recommended him for the job. Once he got that job, a job he truly enjoyed for seemingly the wrong reasons, he never looked back. He never dared to challenge himself with any truly difficult cases. He never left his comfort zone. When the Warners showed up, they turned his whole world upside down. Instead of the calm monotony he enjoyed, now he had to deal with constant zaniness and three children who were a bit of a harder nut to crack than all of his previous patients. He resented them for this, at least at the beginning.

The main counter argument to all of this is that the Warners are simply impossible cases. There is no curing them, so how could Scratchansniff be blamed for failing to? I don't see it this way. Yes, the Warners are deliberately annoying and difficult. But they're far from impossible patients.

Image from the reboot of the Warners in a padded room wearing straightjackets

The Warners are extremely intelligent. They are self-aware. Their only big problem is that they're poorly socially adjusted, as would be expected from three orphans who were mistreated from birth and never had a single trustworthy adult figure to guide them in their lives. Frankly, their problems seem to be fairly obvious and self-evident, even to an untrained layperson like me. Any psychiatrist worth their salt would pick up on this immediately and have a field day with patients like this. Scratchansniff doesn't.

The Warners aren't even that hard to make friends with. It's true that they closely guard their emotions with a thick shield of sarcasm and general mistrust toward human adults. On the other hand, it's been repeatedly shown throughout the series, original and reboot, that anyone who gives the Warners the tiniest bit of genuine affection will be instantly accepted by them. Frau Hassenfeffer, Flora Norita, Hello Nurse. They even form an attachment to Mr. Plotz, who never did anything but mistreat them. Scratchansniff has seen this happen right in front of him and he still doesn't realize it.

Image from the reboot of the Warners and a cat being hugged by Flora Norita. All of them are smiling.
Image of the Warners sitting with Frau Hassenfeffer in the car as she smiles kindly at them and Yakko and Wakko smile back.

And it's not like the Warners don't have the motivation to improve. The Warners don't want to be outcasts. They want to be included, as I asserted in more detail in this post. So, if that's the case, why do they act the way they do? Why are they so difficult? I believe they act like outsiders because that's the only way they've ever been treated. It's similar to how I believe that Yakko plays off all affection as cheesy because it protects him from the letdown of genuinely hoping to receive affection and being denied it. The Warners play the part of annoying outsiders because that's the role they've been cast in. If they didn't play that part, they'd have to confront the reality that the reason they're disliked and shunned is simply because of who they are. It's far less painful to believe that people don't like them because they're deliberately annoying. Then it starts to feel like their choice, instead of something forced upon them unfairly (which is what it truly is).

Scratchansniff is completely oblivious to this. He takes their zany charade at face value. There are certain things you have to do as a psychiatrist if you want to solve anything more than the most surface level cases. You have to constantly be trying to dig deeper. You have to be extremely persistent, continuing to attack the problem at different angles even if the patient is being as difficult as they can be. You have to be willing to dispose of your preconceived notions, your natural emotional reactions to things, and try to truly see and understand the patient's real motives for their actions. Yes, the Warners know exactly how to push anyone's buttons to be the most annoying they can possibly be. A good psychiatrist has to rise above petty feelings like annoyance and frustration. Scratchansniff seems incapable of every single one of these things I just listed. It's like he expects every one of his patients to walk into his office as a completely healthy, mentally balanced person with only minor surface-level issues, which is the complete opposite of what he should expect in his position. So, no, the Warners are far from impossible patients. They aren't even really that difficult. There's far, far worse than them. (In terms of difficulty of treatment.)

It might seem like I'm taking this personally. That's true, I am. I care about these funky cartoon children and I do get a little angry thinking about how much they've been mistreated by everyone they've ever known.

Another problem with Scratchansniff's treatment of the Warners is the way he's been forced to approach it, and this is largely not his fault. He was asked by his boss, the CEO of the company, to get the Warners under control. To dezanitize them, make them quiet, "normal", polite, compliant children. In other words, he's asking Scratchansniff to destroy every part of the Warners' unique personality. What Plotz is asking could only be accomplished by a lobotomy.

Image of Mr. Plotz aggressively clutching a scared Dr. Scratchansniff in a conference room.

I'm not saying the Warners don't need treatment. They do have problems and could benefit a lot from competent psychological treatment. That, though, would look a lot different from what Scratchansniff has been ordered to do. Effective treatment for the Warners would not seek to change who they fundamentally are. They would be allowed to remain zany, remain silly, keep the things that set them apart from everyone else. But they would be taught the things they were never told about the world and their role in it. Shown when it's appropriate to be all-out zany and when they might want to consider bringing it down a notch, and, most importantly, they would be told why these distinctions are important. Their self-esteem would be boosted, they would be shown that it's possible for them to exist in society and be accepted by others around them. They would realize that they can be comfortable simply being who they are, that they don't have to act out and amplify their zany traits to protect themselves from judgement and disappointment. All of this can be accomplished through just a few easy steps:

Make the therapy sessions feel like a learning environment. The Warners enjoy learning, they like the feeling of knowing stuff. If you make them feel like they're under a microscope, that there's something wrong with them you're trying to fix, of course they'll become defensive and uncooperative. You have to make it feel like a collaborative effort where you're simply showing them things about the world that they had missed before.

Image of the Warners with angelic halos above their heads smiling widely while seated at desks in a classroom. Ms. Flamiel looks on.

Make them feel accepted, both in the psychiatry office and outside of it. This step is the hardest because you have to get Plotz and WB leadership on board. Make sure the Warners know that you fully accept them, everything about them, and that they can talk about anything without judgement. They might make fun of you if you directly say this to them, but it's important that they know. Even if they don't seem like they're listening, they are. Then, make sure the rest of the studio lot is also an accepting place. Don't make certain areas off limits to them just because you think they'll annoy others. Let them out of the damn tower whenever they please. Teach them certain social norms that will allow them to more easily interact and feel accepted outside of the lot as well.

Gently make them aware of how their own behavior contributes to their marginalization from society. Be very careful not to point the finger at them, lest they become defensive again, and emphasize that none of the abuse they've suffered is in any way their fault. However, somehow they must become aware of how their actions can be off-putting to humans, why some people may find them annoying, and how it doesn't make their situation any easier. They probably already know on some level, but they have to become consciously aware. They also must be reassured that they are completely in control of their own actions. In the past, humans have given them the impression that they're nothing more than zany robots who have preprogrammed comedic reactions to things. Make sure they realize they're more than that, that they are intelligent, thinking people with complete agency over themselves. Allow them to detach their self-worth from their comedic skills, from their status as toons. This is a later-stage step that should only be undertaken once the Warners are comfortable with you and willing to be open and honest about themselves.

Never go back on your word or betray their trust in any way. This is one of Scratchansniff's major mistakes, possibly his biggest single mistake with the Warners. The Warners have simply been betrayed and misled too many times- they will turn their back on you and run away (metaphorically) the second they feel like you haven't been completely honest with them. They don't easily give others their trust. It has to be a slow process, building up trust over time, never taking a step backwards or giving them a reason to doubt that it's all worth it. It's like trying to build a relationship with a skittish wild animal. If you make any sudden movements, they will flee and your chances of befriending them take a major hit.

If everything goes well, the end result will not be three quiet, conformist children. They'll still be the Warners in all the ways that matter. But they'll be self-assured, confident that there is a place for them in society, willing to take social risks and open themselves up to people outside their little familial bubble. And all of this will have the side effect of ending most of their destructive, so-called annoying traits, because they'll simply have no need to do those things. People that feel connected to the world around them, that care about others and have others that care about them, will be much less likely to harm it.

To conclude this first part, I'll bring the focus back to Scratchansniff. If you still have any doubts that the Warners are not an impossible case, here's the strongest proof I have- even for all his many, many faults and missteps, Scratchansniff still managed to make progress with the Warners. He came close to earning their total trust and did form a close relationship with them, despite all the reasons they had to doubt him. But, in the end, Scratchansniff was simply unsuited to help the Warners in a way that would actually benefit them. He didn't have the tools. What Plotz should have done, if he truly cared at all about the Warners, is hire someone who had actual practical experience working with children, preferably even someone with experience working with toons (I assume such people exist in a world where toons live alongside humans in everyday life). The Warners could have been tamed. If you want do that, though, taming them cannot be your primary goal.

The next part will talk about the positive side of Scratchansniff's relationship with the Warners, and how it eventually all went wrong.

UPDATE: Here is a link to part 2.

More Posts from Doyoulikeslimes and Others

9 months ago

"the only reason i didnt turn into an evil mastermind is because of my mom" idk kusuo have you seen your brother

11 months ago

a lengthy breakdown of why ch. 878 is one of the best luffy moments in the entire series (to me)

question: favorite luffy moment?

oooomg it would have to be the scene in ch. 878 immediately after pedro's death--when luffy 1) snaps the crew out of their grief because they're in danger, 2) comes up with an extremely efficient escape plan for his crew 3) comes up with an extremely efficient plan to deal with katakuri 4) snaps the crew out of their grief again 5) gets the crew to execute their escape 6) executes his own plan (+ bonus moment in 880/881 because it's technically the "end" of this scene).

this whole moment on the ship is the Captain Of The Straw Hat Pirates moment for me. hang on, i'm gonna include manga caps because i dont think ive ever talked about the way the dialogue is set up in this scene before and im stealing this opportunity lmao

like, we almost never see luffy really engage with his role as captain and leader in a traditional sense--yes, he's captain, but in most arcs he fits the "The Big Guy" role more than the leader, and often the broader captain-ish duties fall to other characters (e.g. planning and executing strategy outside of battle, mostly). like, half of the entire joke in both dressrosa and wano is that luffy doesn't plan (even though we, the readers, know that he does) and yet in WCI he not only showcases his skills as a leader but does so flawlessly.

(for context, "The Big Guy" is basically the trope of like... the most powerful person, the one you know is always going to win/solve any problem by the end of it--the character who's going to fight the biggest bad in a story and who often can't deal with "little" problems within a story because it would undermine the internal logic of a story's power-scaling. i have many thoughts on The Big Guy and i think one piece is one of the few series that does it well, along with spyxfamily re: yor... but i digress.)

so here's where i think the "moment" starts in ch. 878. for a refresher, in ch. 877 luffy+co reach the sunny, fine chopper/brook encased in candy, katakuri attacks, big mom attacks, the sunny gets stuck in candy, and then pedro sacrifices himself. at this point in time, luffy+co have been on the ship for all of a few seconds--in 877, nami is trying to set up a coup de burst and explain how it works to jinbei at the same time, luffy is holding off katakuri, but nothing is really happening. when pedro sacrifices himself no one knows what his plan is so they don't have time to incorporate it into their escape strategy (which is basically nonexistent at this point). then--wham! pedro is down, the candy breaks, and there's a split-second of decision time that luffy jumps on, which brings us to 878

A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)
A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)

everyone is shocked and grieving, their tentative set-up is completely derailed, and luffy immediately takes charge--starting with "can we fly, nami?!"

he addresses nami as the navigator/in charge of the physical ship itself a this point (+ she set up the coup de burst in 877), then addresses the crew as a whole in "let's set sail, people!!"--like, the way this is phrased sets him apart slightly as someone with the authority to speak to the group as a whole; he's getting everyone's attention. then his declaration!!! "if we waste this moment... then we throw away his sacrifice!!"

he's completely taking charge of the situation and focusing on getting the rest of the crew to safety. it is his job as captain to look out for the whole, so he doesn't waste a second--which is so incredible, because we know luffy is emotional, that's his whole thing. he's incredibly emotionally-driven and emotionally-intelligent, but during this entire scene he is being emotionally driven to protect his crew, which in turn gives time for his (often-overlooked) intelligence and pragmatism to shine.

once he has everyone's attention as a group, he goes back to addressing crew members individually--which i think is really important because that's, like, literally what you do in a crisis when you're taking charge. you get everyone on the same page, then you single people out so no one feels lost or unmoored--everyone has something to do, everyone feels included in the solution in some way.

in these two pages alone, he addresses nami, chopper, and brook individually, and then jinbei responds (so he's also participating individually). i think the fact that carrot is excluded here also kind of supports this whole thing, because carrot isn't technically a straw hat--luffy isn't her captain, even though she's under his protection at this point. here, he's ordering his crew in his capacity as a leader.

and then, of course, there's the moment:

A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)

yes, he's talking to katakuri here, but he's also on the sunny's deck screaming--and his address to the crew doesn't have a distinct "end point" from a dialogue perspective, he just gets cut off when katakuri attacks carrot. here, i think he's declaring this as much to katakuri as the straw hats themselves. i think the "end" of this whole scene in 880/881 when he reassures the crew (after holding the fucking mirror shards in his mouth--god this whole scene is just so good) that everything will be fine supports this, too, because that feels like the end of the crew address to me. but i'll get there.

now that he has the crew on track to execute their own escape (by giving them step by step orders to do so, basically), he tackles the katakuri problem. at this point, he's already figured out what to do, because he's gearing up for the elephant gun grip that he uses to pull katakuri into the mirror world, and he doesn't tell anyone else his plan because it's his responsibility as captain to take care of the crew (as opposed to just his responsibility as The Big Guy to take out the strongest enemy, which--if we were just adhering to The Big Guy trope, i think he would have shouted his plan along with everything else. basically authority [no one needs to know my plan because it's my responsibility to handle it and i know i will] vs. equality [im the strongest but we're all in this together so here's what im going to do], and he's authority.)

A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)
A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)

then we get another crew address, this time starting individually then talking to the group. they see the shadow--they realize pedro has died but perospero has survived--nami is seconds from absolutely spiraling again (just look at that panel of her, oh my god). further proof that luffy is the most emotionally intelligent character in the entire series, luffy immediately redirects everyone's attention a second time, focusing them away from their grief again and onto their own escape again.

since this is, like, a second wave of grief/horror, he starts with the individual address--snapping everyone out of it directly because a whole-crew address might not cut it and he needs to include carrot, here.

then mid-address, he grabs brulee and starts executing his katakuri takedown plan. his focus here is entirely on keeping his crew safe in the most efficient way possible, and in two pages we get: assessing the situation (grief 2) -> solving the immediate problem (the escape plan starts to derail, everyone needs to snap back out of it) -> solving the next problem (katakuri) -> inspiring them to carry on because he's about to leave.

(seriously. i cannot overstate how great the brulee grab mid-dialogue is in the broader context of this scene. seriously.)

(also, the way the group -> individual -> individual -> group address works in this whole scene feels like such a beautiful closed dialogue loop... even on a structural level it's designed to have the biggest possible impact. love u oda.)

A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)

then, of course, we have the culmination of this whole thing--the mirror smash. with ruthless efficiency, he not only isolates the biggest immediate threat (katakuri) but also the character who poses the biggest danger to the crew's escape--brulee. all three of them have been completely separated from his crew, and now he can both keep an eye on brulee and the mirrors (which is most of 880/881), the "intelligence" part of the plan, and confront katakuri directly, the "battle" part of the plan.

also, the decision to isolate katakuri works both ways here--he's not only protecting the crew from katakuri as an enemy, but he's also protecting the crew from their fight. we see in subsequent chapters that the katakuri fight absolutely decimates the mirror world. if they were to face off anywhere near the sunny, people would get hurt. if katakuri were to escape, not only could he harm the crew but luffy would have to give chase and bring the fight back to katakuri, wherever he ends up (attacking the crew). i fully believe the decision to isolate brulee shows that he's aware of this--their fight has to stay in the mirror world, because the only way he'll win is by operating at full power and his full power is destructive.

also--this moment is just really cool, okay? it's so, so cool.

honorable mention to the rest of this "scene" as it's continued in the next few chapters, specifically the way this whole thing culminates--luffy holding the last mirror shards in his mouth to make sure he can communicate his final reassurances to the crew without the risk of those shards falling into enemy hands.

A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)
A Lengthy Breakdown Of Why Ch. 878 Is One Of The Best Luffy Moments In The Entire Series (to Me)

to me, this is as solidly and completely an "i'm the captain of this ship!" moment as the declaration itself, and every time i think about it for more than 0.2 seconds i start to go crazy. but. it it technically a different "moment" (and is also extremely self-explanatory) so i won't go into it here.

also, side note because this didn't fit anywhere--i think this scene not only stands on its own as one of luffy's most badass moments but also works as a really amazing example of his character growth--particularly compared to scenes like the usopp fight in water 7 (different scenario technically because usopp isn't an enemy, but it is one of the premier moments when he struggles with the burden of being captain).

anyway, sorry this got stupid long *jazz hands*

11 months ago
one piece fanart. nika/joyboy (or luffy himself in gear 5th, its up to you to decide) tightly and lovingly embraces luffy, who lays face down in his arms, hugging him back. nika floats on his back as he holds luffy in a dark sky, with brightly colored stars surrounding them. nika dons a small, gentle smile and cradles luffy’s head with one hand. the string from luffy’s straw hat hanging from his back wraps around both of them, reaching from his back to wrap loosely around nika’s neck. the drawing used a pencil like texture and bright, almost “eye-bleeding” colors.   to the left of the poem handwritten in turquoise, “and the universe said everything you need is within you/and the universe said you are stronger than you know.”

and the universe said i love you because you are love

1 year ago

I love how this scene implies that zoro is a self diagnosed luffy enabler. like zoro COULD have gone with him but he specifically chose to stay behind. he took himself out of the equation completely and sent nami n sanji in his place. babygirl knows his strengths and his weaknesses i'll give him that

I Love How This Scene Implies That Zoro Is A Self Diagnosed Luffy Enabler. Like Zoro COULD Have Gone
I Love How This Scene Implies That Zoro Is A Self Diagnosed Luffy Enabler. Like Zoro COULD Have Gone
I Love How This Scene Implies That Zoro Is A Self Diagnosed Luffy Enabler. Like Zoro COULD Have Gone
1 year ago
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Some Moomins and their Snufkins

1 year ago

Rewatching "Dot's Quiet Time" from the original Animaniacs series and just the beginning sequence alone is my favorite part of the song.

Rewatching "Dot's Quiet Time" From The Original Animaniacs Series And Just The Beginning Sequence Alone

Like Yakko and Wakko

Rewatching "Dot's Quiet Time" From The Original Animaniacs Series And Just The Beginning Sequence Alone

Just being brothers

Rewatching "Dot's Quiet Time" From The Original Animaniacs Series And Just The Beginning Sequence Alone

Their little outfits!

Oh yeah, and then Dot just sitting there contemplating whether she's going to murder her brothers or not. (They're being annoying so I wouldn't blame her.)

Rewatching "Dot's Quiet Time" From The Original Animaniacs Series And Just The Beginning Sequence Alone

The song itself is pretty great too! I'm kind of disappointed it never got an updated release like "I'm Cute" did. (There's apparently a soundtrack version but I'm guessing it was released on one of the earlier CDs or someone just created their own version?)

This and the Animaniacs theme that plays on the stereo at the end of the song both deserve their own singles.

2 months ago
14 Dazai From Last Year I Forgot To Post 🤧

14 dazai from last year i forgot to post 🤧

3 months ago

Okay, I gotta dig out my Society of Tinfoil Hattery credentials from the junk drawer for this one piece business, so strap in and get ready for some flow of conscious yapping.

And just to be clear: ELBAF SPOILERS

Okay, I Gotta Dig Out My Society Of Tinfoil Hattery Credentials From The Junk Drawer For This One Piece

Okay. So the triptych(?) mural. I’m gonna be very insufferable about the mural because that feels like THE center point of this arc. Not so much the poems, because as far as I know, the translations are still unofficial and I can give my thoughts on them then.

Okay, so, the first third. The “First World”

Okay, I Gotta Dig Out My Society Of Tinfoil Hattery Credentials From The Junk Drawer For This One Piece

We see people- we can assume slaves- coming out of complexes with machinery beneath and steam billowing from above. Is this a refinery? A power plant? A reactor, maybe?

We see these people go down deep, and come back up carrying something starlike that they bring to a crowned figure on top of the hill. Ore? Precious stones and metals? Some sort of fuel source? It looks the same as the stars depicted, so… nuclear energy?

We also see beneath the ground- perhaps hidden?- a winged figure (sky islander?), next to a very large ship with animals trailing towards it (Noah??) pointing skyward (to the moon???).

Above the crowned figure at the top of the hill, we see a ship in the sky sending a lightning bolt to the feet of the crowned figure and towards the roots of the tree centerpiece (Uranus? Something like the Ark Maxim and Enel?)

And the central piece to the first world portion of the mural… this “Serpent of Hell” coming up from beneath the earth where the slaves are going down into getting into a conflict with the bird-like creature at the top of the second world’s tree (Nidhogg and Hraesvelgr imagery? Who would be the Ratatoskr of that?). It seems from the fire the two are spitting at each other, that the whole world has become enveloped in war and- if the bit about the Earth God becoming enraged is translated correctly- rendering it uninhabitable (the reason why the sky islander is taking the animals to Noah? The reason why the sky islanders went to the moon to begin with? Was the land irradiated?)

Okay, I Gotta Dig Out My Society Of Tinfoil Hattery Credentials From The Junk Drawer For This One Piece

This one is the most dicey for me, but bear with me.

The Second World is a tree with the Hraesvelgr-esque figure perched at the top, warring with the Nidhogg-esque figure going down into the earth beneath the roots. We might assume, though I’m not exactly certain about it, that this tree could be symbolic of this eight hundred year reign of the world government? Its branches don’t stick out very far from the trunk, so this could just be to keep the image from being cluttered, just something that wasn’t thought about, or because the tree is giving shade to only a select few.

This Hraesvelgr looking beast seems to have won the conflict with the Nidhogg one. So the Nidhogg beast might have been symbolic of a rebellion coming up from where the slaves toiled away? (The x marks on the serpent’s sides do make me think of a certain tattooed someone with a certain ophidic moniker with certain unsavory opinions on the Celestial Dragons…)

Okay, I Gotta Dig Out My Society Of Tinfoil Hattery Credentials From The Junk Drawer For This One Piece

And then we see the last portion of the triptych. Nika leading the charge with an army at his back against a winged demon holding the sun.

I see Nika and Imu (or maybe even Teach…) depictions here, obviously. I see a whale with two people on it’s back (Laboon, Crocus, and that one dude who was drinking with him that one cover art (that might be the man marked by flames))? I see a Lunarian (King and/or the Seraphim?). I see Emmet. I see Dogstorm and Catviper. I see Shirahoshi and the Megalodon. I see Leo. I see Loki! We see several ships, too! All of these people fighting against one big demon and one tiny ship with just a handful of people. The world has turned on the powerful few.

In conclusion… I think this is a sort of history-prophecy thing like with Alduin’s Wall in Skyrim. These aren’t “worlds” per se, but Ages. It just gives that illusion because it feels like how humanity speaks of bygone eras as totally different worlds. I think this is the Void Century, Imu’s reign (specifically Imu, because clearly something or someone was calling the shots before them. Perhaps the Nerona were ruling? And Imu formed the alliance of the 20 Kingdoms when the Nerona family was being threatened by this “Serpent of Hell”? Maybe Imu was the only survivor of their line and refused to let go of their power?), and Imu’s downfall respectively.

I… really don’t think Nika brings the end of the world. I think he just brings in a new Age.

I’m going to go on my “Imu is an eternal child” soap box when I say that I think Imu is embodying a sort of foil to Nika (a moon god/dess mythical zoan, maybe?). Both Nika and Imu seem… childish to me. Nika is all the positive things we associate with childhood. Play and laughter and imagination. While Imu… Imu is all the negatives. Selfishness and moodiness and “I’ll break my toy so I don’t have to share it” mentality. You get what I’m saying?

Again, this is by no means a comprehensive thing. This purely just me spitballing things.

Thoughts are absolutely welcome.

2 years ago
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles
Oh Boy, This Is The First Massive Post I’ve Ever Done Hahaaaa (I Think...). Literally All These Doodles

Oh boy, this is the first massive post I’ve ever done hahaaaa (I think...). Literally all these doodles are based off of @hilariouslyedgy ‘s fanfic. I love the story, and I recommend giving it a read. ^_^ (Imma try to make a second part to this) 👀

Some of these doodles are from my favorite scenes in the story lol (like Yakko bursting in, saying “Hellooooooo sibs!” Then just passes out right afterwards slrbshbssv!

The first set of doodles is just what I think the Warners look like in this story as their older ages. Just how I visualize them when I’m reading. I really like how they turned out...

Oh btw, the woman in some of these is their OC, Annalise. Just thought I’d say that. :p

7 months ago
Dads :))

Dads :))

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I can kinda draw n stuff

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