Dads :))

Certified Zany

He has an ACME rewards punch card, and look at how nice that signature is!

I love the adult saiki version of @oceanwithouthermoon where he's basically princess bubblegum but I just had an idea

remember the alternate universe where kusuo died and kusuke started ww3? well, another similar Au but instead of kusuo, the one who dies is kusuke and kusuo its the one who starts the war and bla bla bla

in the canon episode kusuke seems kinda "off"

he doesn't seems like his usual childish self

he looks more serious and centered, similar to his brother's personality (then he changed to his old personality again when the alternate kusuo arrived)

but the thing is that i feel that if the other die, they would switch personalities

even worse If they were the one who killed eachother (its not confirmated the reason of why kusuo died but a lot of people prefer to believe that kusuke killed him and I agree)

so what if in this au kusuke's death changed kusuo's personality to be more like kusuke's?

if you combine kusuo and kusuke's personality you will get something similar to princess bubblegum but even more fucked up so...

I had been writing a fic that it's basically this but the princess bubblegum thing opened my eyes for more ideas, I need to finish that thing aaaa

luffy 🙂 / the cooler luffy 😎

Revisiting the Scratchansniff-Warners relationship, Part 2: The positives, where it all went wrong, and what it all means

Welcome to part 2 of part 4 of Overanalyzing the Warners. Here's a link to part 1.

In the first part, I focused on Scratchansniff as a character and why he was a terrible fit as the Warners' psychiatrist. In this part, I'll look at the other side of it: the almost fatherly relationship he developed with them over time, and how it all suddenly came crashing down.

Warning: This post is extremely long. I've said previous posts of mine were long, but this is several times longer than those- it's 4576 words. You may want to set aside some time for this or break it up into parts to read at different times.

I've talked about this topic in great length, and this post is meant to be the culmination of all of it. So, in addition to reading part 1 of this 2 part analysis, I would encourage you to read my other two important posts about Scratchansniff and his relationship with the Warners:

In this post, I did an episode-by-episode analysis of Scratchansniff's relationship with the Warners and marveled about how it all went wrong.

In this post, I went in-depth in analyzing Episode 5 of the original series, "Taming of the Screwy", taking a look at a pivotal point in the Warners' character development and their relationship with their p-sychiatrist.

In general, Scratchansniff's relationship with the Warners can be broken down into three phases.

Phase 1: Episodes 1-53 of the original series. Scratchansniff first establishes a relationship with the Warners and they get to know each other better in an up-and-down process where they sometimes act as allies and sometimes as foes.

Phase 2: Episodes 65-82 of the original series. Having warmed up greatly to the Warners, Scratchansniff becomes somewhat of a father figure to them, taking them out on trips and having almost entirely positive encounters with them overall.

Phase 3: Episode 87 of the original series and everything since. The relationship suddenly and inexplicably goes downhill, with the Warners and Scratchansniff mutually seeming to not like each other much at all. This continues into the reboot, with Scratchansniff acting antagonistic to the Warners and the Warners seeming unenthusiastic in their helping of him in season 1. In season 2, the Warners seem to trust him as a father figure again, but he's only pretending to like them in what is actually part of a scheme to get his stuff back.

Phase 1 is what I've already covered most extensively, so I won't talk about it as much in this post. Besides the two episodes that I already covered in-depth, Episodes 1 and 5, there isn't much of great impact to discuss here. The Warners have their usual hijinks. Sometimes they interact positively with Scratchansniff, such as when they get him a present for his birthday seemingly unprompted, and other times they pester him unnecessarily, such as when they ruin his date in Episode 53, "Drive Insane".

It can't really be said that Scratchansniff is the bad guy in any of these interactions. I mean, the guy was just trying to have a good date, and, even though the Warners arguably improved it, never really did anything to deserve them showing up and deliberately trying to ruin everything. Well, he didn't do anything in that episode to deserve it. This still does take place after he betrayed their trust in Taming of the Screwy, so it makes sense why the Warners would be antagonistic to him sometimes. I would describe this phase overall as the "rebuilding trust" phase. Scratchansniff blew his chance to meaningfully help the Warners in a therapeutic sense, but that doesn't mean his relationship with them is forever dead. Quite the opposite.

Phase 2 begins in Episode 65, the Warners' 65th Anniversary Special. While that episode is packed with Warners lore items, the only thing relevant to this topic is how Scratchansniff chaperones them at the event. This is the first instance of him acting fatherly to them.

Episodes 69, 71, 79, and 82 show the same. In 69, he takes them out to the carnival. In 71, Wakko approaches him because he wants to participate in his bingo game, which no one else attended. It could be argued either that Wakko just really wanted to spend time with Scratchansniff or that this was his subtle way of making the doctor feel better about no one attending his bingo game, or both. In any case, it's clear that Wakko genuinely likes being around Scratchansniff by this point. In 79, the Warners invite Scratchansniff to their party, and he both shows up and has a decent time. In 82, he takes them out for another trip and has a great time singing Wakko's two-note song.

Now, hold on a minute. Where did all of this come from? Why are the Warners and Scratchansniff suddenly all buddy-buddy, after spending half the series antagonizing each other? How did Scratchansniff regain their trust even after betraying them? I think it might be rather simple. The Warners took a liking to Scratchansniff simply because they were able to spend a lot of time with him, and he didn't always completely hate their guts while they did so.

That's sad, isn't it? It's a really low bar to friendship. By all normal metrics of trust, Scratchansniff never did a single thing to deserve the Warners' admiration. But you have to look at what the Warners have been through. From the moment of their creation, everyone around them hated them with a burning passion. Their creator went crazy in the process. Their main director, Weed Memlo, despised them from the start. Plotz and other studio leadership always saw them as a nuisance at best and a cataclysmic, terrifying force of nature at worst. Their co-star Buddy hated them so much he tried to kill them 65 years later. People literally screamed and fled at the mere sight of them on the lot. This was years before the creation of other famous toons like Bugs Bunny and Daffy Duck who might have been their allies. They had literally not one person to trust or like or have any sort of positive relationship with, except each other.

All the while, they seem somewhat oblivious to this total mistreatment, because it's the only thing they've ever known. In their childlike naivety, they thought this was just how it was supposed to go. They thought that the people who clearly hated and feared them actually liked them, because they never saw any example of a person who truly did. This explains a lot of their behavior then and later on. They pester everyone, including those they like, because they think it's an expression of fondness. If the Warners truly dislike someone, they just avoid them. And it takes a lot to get the Warners to truly dislike someone. Even people who they legitimately should dislike, who were never anything but mean to them like Plotz, they still eventually take a liking to.

So then they meet someone like Scratchansniff, who still dislikes them but doesn't outright hate them or flee when he sees them, because his job forces him to interact with them. Compared to everyone else the Warners have ever met, well, he's a saint! Of course they would take a liking to him. A similar process happened to Scratchansniff on the other end. Forced to interact with them often because of his job, he eventually became familiar with them. Scratchansniff is quite a lonely guy as well. He doesn't seem to have any family or friends, and even his dates dislike him. By being around the Warners, he came to realize that they were good kids at heart, as much as he didn't want to admit it to himself. This is when he embraced them on his end of things, and that's when he became a father figure. He couldn't commit completely, though. Deep down, he became aware of the inequities that molded the Warners into what they were. However, surrounded by people who didn't, and still being a stubborn old man, he knew that if he admitted to himself the awful treatment the Warners had always received, he would come to despise himself for his part in it. So, he didn't admit it fully. But he still felt bad for them, and that's why I believe he did things such as take them out to the carnival, for no reason other than to make them happy. It can also be noted that Scratchansniff takes them out for his own enjoyment- he takes them to a wrestling show, something that he is very passionate about but the Warners don't like. They're so embarrassed to be there that they put bags over their heads, but they still went. The Warners are Scratchansniff's only real friends that he can take with him to events he enjoys.

On that note, this is another important reason I believe the Warners formed such a bond with Scratchansniff. In all the phase 2 episodes, you can see one thing being consistently implied: the only time the Warners are officially allowed off the lot is when they're accompanied by Scratchansniff.

In other words, Scratchansniff is their only legitimate ticket to freedom. Now, why would it matter to them whether they can get off the lot legitimately or not? They do it all the time regardless. That's exactly the point, and how I inferred something critical about the Warners' characters: they want to be officially included. During the events of the series, they are able to consistently escape the tower and go absolutely anywhere they want whenever they want. Despite this, every single time there's an opportunity afforded to them to do things the right way and be included without breaking the rules, they take it. The only way this would make sense is if they have a personal desire to be able to do things without breaking the rules, and the only reason they do break the rules so often is because there are almost no situations where they're included within the rules. All that to say- being able to go off the lot without being relentlessly chased is important to them, and the only way they can do that is if they go with Scratchansniff.

The point is, the relationship between Scratchansniff and the Warners was forged from unwilling familiarity. The Warners have almost no friends, Scratchansniff has almost no friends, and so, when they're forced to spend a lot of time around each other, they naturally become fond. Wow, that was a much more concise way of stating everything I wrote in the massive block of text above.

What is the relationship actually, really like at this point? Do the Warners regard Scratchansniff as a true father figure? Does he look at them almost like his kids? I've always hesitated to call him a true father figure to the Warners because of how large a part he played in their unfair treatment by the studio, even during Phase 2. How can a man who truly loves them not do more to break them out of that horrible cycle of abuse?

On a meta level, though, that is the part Scratchansniff is meant to play. He's inserted as a parental figure in episodes where either the Warners need to be placed in a situation more relatable to the normal kids watching the show, or when they need to show more traditional childlike traits than they usually do when they're on their own. "I'm Mad" is a great example of this. The Warners need to go on a roadtrip for the plot to work. It's a very relatable plotline for the kids watching, but the Warners would never end up in that situation without an adult father figure to take them somewhere. That's Scratchansniff.

Also in that segment, the Warners can be seen acting much more like regular siblings to each other than they usually do. Basically, when the Warners need to be portrayed more like actual kids, that's when Scratchansniff is inserted as their parental figure. But I don't think that was initially meant to imply the existence of a strong father-child bond between Scratchansniff and the Warners. When writing, the creators of the show may have been just as surprised as the characters themselves that this relationship seemed to be forming so naturally. Just like in-universe, it may truly have been a relationship formed out of circumstance.

I'd be remiss if I didn't spend at least one paragraph highlighting Wakko's especially close relationship with Scratchansniff. From the segment "Ups and Downs", which is actually in Phase 1, he seems to regard Scratchansniff as a really close friend, despite the doctor's lack of reciprocation. I think this is just due to Wakko's nature. Unlike his siblings, he isn't really out to cause any trouble or mischief. He's just kind of flowing along with the current of life. And because of his status as the wacky one, he tends to see crazy things as normal while being very fascinated with the mundane. Scratchansniff is very mundane. Wakko seemingly goes out of his way to spend alone time with Scratchansniff, such as at the bingo game. In that situation, with Wakko as the only patron at the event, Scratchansniff could have very easily closed up shop and said no to letting Wakko play. He decided to go through with it anyway. It's possible that Wakko becoming close with Scratchansniff first was the opening needed for all three Warners becoming close with him.

By the events of Episode 82, "Wakko's Two-Note Song", everything seems to be going swimmingly. The Warners like Scratchansniff and he clearly likes them. Going out on trips with each other seems to have become routine. There are no hints at any cracks in their relationship at all- if anything, it seems like it's just becoming stronger and stronger. Oh, how I wish it had just ended with this episode. Then, maybe, by the time of the reboot we'd see that the Warners have embraced Scratchansniff as their true father figure, he's officially adopted them, and they live a nice family life in a real home. It didn't end there.

Phase 3 starts with Episode 87. I'll be honest, it's a little weird to call this a "phase" at all. That's because, instead of following the logical progression it had been to this point, this is where it completely goes off the rails. It goes from a strong relationship to almost no relationship. Imagine if Wreck-it Ralph 2 had started with Ralph and Felix being at odds again, with absolutely no explanation given as to why. Imagine if Star Wars Episode 5 had started with Luke back on Tatooine living as a regular farmboy. That's what happened here. You have a very consistently followed, logical development of a relationship over 80+ episodes of a TV show, but then in Episode 87 it just all goes away.

As with all the segments and episodes I'm mentioning, I'd suggest you just go watch "Anchors-a-Warners" yourself to get what I mean. But if you need a summary, Scratchansniff tries to go on a cruise to get away from the Warners, but is horrified and legitimately terrified to see that they've followed him on board.

They do everything they can to harass him and ruin his life in the meanest ways possible, for no reason that was ever shown. Scratchansniff did nothing to deserve it. It's the Warners at their worst, written so poorly that they just straight-up seem like the antagonists. Usually they seem like kids just out to have some harmless fun. In this episode they feel malicious. There's a few poorly written episodes like that in the original series, but this one is so much worse because of who they do it to. Because of how it tanked what was previously a thriving relationship with no reason given, reversing all character development both Scratchansniff and the Warners had received over the many episodes of Animaniacs before this. It feels like a bad episode from season 1 that they inserted into season 4. In fact, it's my theory that this is exactly what it is. By this point Animaniacs was nearing the end of production, and it's known that they used some scrapped scripts from the earlier seasons to fill out the last. I think they took this one, which was rightfully rejected years earlier, and made it into an episode for season 4 without much thought.

It wouldn't be so bad if it was followed up by... well, anything. This is the last major interaction the Warners have with Scratchansniff in the original series. Wakko's Wish isn't canon, but even there they don't seem to be close with him at all. Let me reiterate that the building of the Scratchansniff-Warners relationship isn't just a piece of crazy fan headcanon. It's very obviously and deliberately built up. In Phase 1, you kind of alternate between episodes where the Warners antagonize Scratchansniff and episodes where they're more friendly with each other. In Phase 2, though, there isn't a single negative interaction between them. That's why Anchors-a-Warners is so jarring.

Fans were disappointed by Scratchansniff's portrayal in the reboot, as they wanted to see a resumption of the wholesome relationship they had been building before and not see the doctor brought back as your run-of-the-mill cartoon antagonist. I certainly share those desires, but is it really hard to understand why the reboot writers wrote it the way they did? If you watch the original series and assume that every episode happens in chronological order, that is where the relationship left off. Not as family, but as enemies. We can only hope that they redevelop it in the future to leave it on a good note in the end.

So, why do I think it was left off like that? I think it can be attributed to the rocky end of Animaniacs. The network was dissatisfied with their product, which was attracting too many adults, and was relatively expensive to produce. The number of Animaniacs staff working on the show was cut significantly in the later seasons. I think, being slowly forced out like that, Tom Ruegger and other writers probably lost passion for the story they had been trying to tell. It's a huge shame that we never got to see a real conclusion, with Scratchansniff embracing the Warners as true family. I think that's the way it was intended to end up.

In-universe, though, what happened? Are there any hints that might tell us how the relationship went sour? I think there might be one. At the end of "Wakko's Two-Note Song", Scratchansniff has embraced Wakko's way of making music and is trying to make a song by honking his car horn. Mr. Plotz hears this and remarks that "the poor guy's finally lost his noodle."

Perhaps Plotz believes that the psychiatrist spending so much time with the Warners has, instead of taming the Warners, actually made Scratchansniff insane. So, the next time he sees him, Plotz chews him out for failing to do his job and orders him to go see a psychiatrist of his own to bring him back up to level. In the midst of this humiliation, Scratchansniff became paranoid that Plotz was actually right, remembering how he used to be and believing that the Warners made him insane. This caused him to try to cut off close contact with the Warners, becoming cold to them the next time they met. The Warners, hurt and confused by the sudden rejection, became angry and got their revenge by picking on Scratchansniff like the old days, only increasing Scratchansniff's bitterness towards them and sending the relationship plummeting back to how it was before. This is why they're so hostile to him in Anchors-a-Warners. None of that is rooted in canon besides the one moment I showed above. It's all speculation, but it's the best answer I can come up with.

That's the end of my in-universe speculation. I'd like to touch upon the greater societal impact that Scratchansniff may have had. Before Dr. Scratchansniff, there were no or almost no reoccurring, seriously taken psychiatrist characters in cartoons. You wouldn't see Bugs Bunny sitting on a therapy couch for anything other than a quick gag. I won't pretend like Scratchansniff's character is meant to be taken very seriously or that any of his therapeutic interactions with the Warners were much more than jokes. However, it was a long-lasting, mostly positive relationship between doctor and patient that was thoroughly explored. Imagine being a kid in the 90's who has to go to psychotherapy. You probably feel ostracized, probably bullied if anyone knows about it. Then a new super popular cartoon comes on the scene where the main characters regularly go to therapy and have a long-lasting relationship with their psychiatrist. Maybe it made it a little better.

And maybe that's what this is all about. If I were to distill Animaniacs down to one statement, I'd say it's meant to show the perspective of the little guy. It shows the world from the perspective of kids, from the perspective of pets, lab mice, the neurodivergent, the flame on a candle.

Before I started writing this post, I was under the impression I usually am with these kinds of things- everything I'm talking about is fan theory, and the creators probably didn't intend more than half of it. Fans, especially fans who look as deeply into things as I do, tend to go way overboard, finding meaning where none was ever meant to exist. I very much do not think the English teacher overanalysis of every little detail in every creative work is generally the most correct way to look at things, from the point of view of what the creator intended. I do it for fun, of course, but as an author I know that most of the most profound symbolism and hidden meanings in my works are things that were completely unintentional, that I only find after I reread them several times. That's especially true in a silly comedy cartoon like Animaniacs, right?

As I got deeper into writing this, though, I realized that there might be more there than I first thought. Mental illness, or "insanity", is a consistently reoccurring theme in this show. The first segment in the first episode starts with the Warners getting acquainted with their psychiatrist. Their psychiatrist is their closest ally and favorite enemy, the one that around 10% of the episodes in the series focus on. A psychiatry office is one of the default settings for the show.

Insanity is mentioned in the intro to every episode (totally insaney!). Before most episodes, the Warners' backstory is shown in Newsreel of the Stars. In their expanded backstory shown in certain episodes, it's revealed that their animator went insane creating them.

Everyone else, at least the adults, around the Warners call them destructive and insane, ostracizing them from society. To anyone with half a brain watching, though, it's immensely clear that the Warners aren't anything more than hyperactive children with no strong adult guidance, using the god powers they never asked for to act out for extremely understandable reasons. The show consistently shows instead that the adults around them, the stuffy business types calling them insane, are the true unstable ones. They're blinded by prejudice, trying the same thing over and over, banging their heads against the wall trying everything to solve the "issue" of the Warners, except the solution that was extremely obvious the entire time. The Warners just need someone to care for them. Even the one who's supposed to be the expert in the field of mental health can't figure out this very basic idea.

Think back on the history of how we as a society have treated mental health issues. First, hundreds of years ago, we tried to lock the crazies away in asylums. Get them away from society so they can't harm us and we don't have to think of them. Then things progressed to aggressively trying to treat these mental disorders, with lobotomies and shock therapy and every horrible thing in between. We became obsessed with trying to take the neurodivergent and make them "normal."

What happened to the Warners? First, they were locked away, separated from society. Then, they were aggressively treated with the explicit aim of making them "normal." Their psychiatrist, as I covered in part 1, probably got his degree around the 1930's or 40's, using extremely outdated tactics that inevitably would fail to give the Warners any real help. You can see the parallels.

The Warners live in a world where it's extremely clear how everyone mistreats them, yet they're always made out to be the crazy ones. Animaniacs shows it for what it really is, from the perspective of the marginalized, from the perspective of those who were driven mad by the environment they were born into. Even though the truth is extremely obvious to them, no one can ever see their side. Animaniacs is meant to show how treating mental illness with the intent of making the patient normal is nothing more than banging your head against the wall. It will never help them or you. If you truly want to get them help, then help them. Help them exist in society the best they can, and only then will you start to see some of the improvement you hoped for in the first place. Like I said in the last part- the Warners could have been tamed, but if you want to do that, taming them cannot be your primary goal.

This is one of the few things I've spoken on in my overanalysis series that I believe has a strong chance to be fully intentional. In fact, now that I've laid it out for myself, the symbolism of Animaniacs seems kind of obvious. We've grown as a society recently, getting on the path to accepting mental illness and neurodivergency for what it is instead of jumping right to ostracizing it (though there's still a ways to go). Animaniacs, on the other hand, was trying to get this in our heads 30 years ago.

Bringing this back around to the main topic, I'll say something I've said many times before- I hope the Warners get a happy ending. I hope they embrace Scratchansniff truly and he embraces them. I hope they get out of the tower for good and can live the lives they want. It doesn't have to be the focus of an episode or anything. Just, to end the reboot off, show a 30 second scene of them being happy and free. That's all I want.

And so, finally, mercifully, that's all I have to say on this topic. At least until I think of more in a year from now. The next installment in Overanalyzing the Warners will focus on the Warners themselves, specifically their sibling relationship. That won't be out for a long while, though.

If you have anything you want to add, comment on, correct, or say about this post, don't hesitate to leave a reply or send in an ask. In any case, thank you for reading all of that. It continues to surprise me how much support I receive for these insane lore ramblings about this children's comedy cartoon. Thank you.

New part of IM comic tomorrow at 2:00PM EST…..

Just find it a little interesting that Dazai’s farewell speech in ch.101 was focused on the past, he was reminiscing on what his and Chuuya’s time was together, and in ch.109 his moving words are of the future, of their fates still being intertwined and not being done with each other yet. Circumstance plays a part in this, the first being Dazai drowning Chuuya and the second being Dazai trying to bargain for his life, but still.

Also, in 101 Dazai’s eyes are mostly hidden or even closed during it. In fact, we really don’t see Dazai’s eyes much at all in most of the prison segment when it comes to Chuuya being brought up. Except for in ch.109 where we see both his eyes clearly like the entire time, despite the fact he’s so hurt right now. Especially during his little speeches, Dazai in 101 we see one eye or closed eyes, and in 109 we clearly see both of his eyes, and they’re drawn with light in them. 

But honestly, like what fucking time you connected and what are you fucking destined for together?!?!!! Or, according to official translations, what were the tender moments you shared exactly and what are you indelibly fated to do?!

some luffy father figure appreciation

Dazai Osamu (BSD): a case study of a nihilist turned absurdist

I've talked a bit before about the themes of absurdism within BSD, and I think this plays heavily into Dazai and the personal journey he's gone on throughout the series (light novels included). From my perspective, his character development has followed a shift in ideology, from nihilism to absurdism.

First, I'd like to define how these two philosophies are similar yet different. Nihilism is the belief that life is intrinsically meaningless, and that there's no value to seeking meaning. Absurdism also believes that life has no intrinsic meaning, but states that revolting against the absurdity of existence is the way to create meaning.

While I don't think Dazai 100% fits either category fully at any given point in his life as we've seen it thus far, I think in his PM days he leans more towards a nihilist perspective, and following Oda's death he leans more towards an absurdist perspective.

Dazai's reasoning for joining the PM was because he thought that perhaps being around violence and raw emotions would help him understand humanity, giving him a reason to live. This doesn't sound quite like nihilism, but honestly, I think he gains a more nihilist point of view as time progresses and he realizes that he can't find meaning in the PM. I'm not even sure he believed that there was meaning to find in the first place, he was just desperate to prove himself wrong, and then failed, which really cemented this nihilistic mindset for him.

Friedrich Nietzsche, often regarded as the founding father of nihilism, claimed that nihilism "not only the belief that everything deserves to perish; but one actually puts one shoulder to the plough; one destroys.”

If life doesn't have meaning, then it doesn't matter to Dazai if he destroys. So, he fills a corpse with bullets, he horrifically abuses his subordinate, he actively tries to take his own life.

Nihilism is right in line with his suicidal nature. This isn't to say that all nihilists are inherently suicidal, but when one believes that life has no meaning, it's quite easy to come to the conclusion to kill oneself. I think this mindset really lends to his general depression and suicidal ideation, on top of the fact that he feels generally disconnected from humanity. It's so easy for him to consider himself inhuman because he has this nihilistic point of view that nothing matters and everyone else in society seems so dead set on opposing that worldview.

And then you have Oda. He is the closest thing Dazai gets to finding meaning within the PM. Like Chuuya, this is a person that fascinates Dazai, although his reason for fascination is much different. To Dazai, Oda represents what is good in the world, he thinks that he is a good man, and struggles to reconcile how a good person can come out of an existence so seemingly pointless and horrific.

Then, Oda dies.

It's an absurd occurrence, and to Dazai it only proves that life has no meaning. This is exemplified when Dazai speaks to Fyodor about God in Meursault: "[God] is known for is famous for his coincidences and absurdism, I've seen it countless times," and a flashback to Oda's death is shown. A good man died for seemingly no good reason, and to Dazai, this only proves life's meaningless, because to the universe it didn't matter who Oda was, he died, regardless.

(I quoted the dialogue from the BSD anime English dub because I feel it better suited my argument, but you can see that he's essentially saying the same thing).

This event should have only further cemented Dazai as a hardcore nihilist, but fortunately for him, Oda was able to get a word in before he passed. He told Dazai that as long as he believes the sides of good and bad are the same to him, he should be on the side that helps people. Oda suggests fighting against life's inherent absurdity -- and that's absurdism in a nutshell, revolting against a meaningless universe.

Dazai takes his advice, and within a few years, he's working for the ADA, he's on the side that helps people.

In that same conversation with Fyodor, Dazai speaks further about life's meaning:

"Those who scream within the storm of uncertainty and run with flowing blood." That's absurdism, the rebellion against uncertainty, meaninglessness, absurdity.

While I don't think Dazai is a bona-fide absurdist due to his suicidality (absurdism basically sees suicide as giving into meaninglessness), I think he's on his way there because of moments like this.

I don't think he's totally convinced that life is completely and utterly meaningless anymore. He, at the very least, has a respect for those who forge their own meaning through the act of revolt.

"Man stands face to face with the irrational. He feels within him his longing for happiness and for reason. The absurd is born of this confrontation between the human need and the unreasonable silence of the world." - Albert Camus

THEY WERE SO FREAKING CUTE IN THIS SCENE *SCREAMS*