Now I'm entirely into Attack on Titan, have a Annie from the OVA Manga
someone on twitter proposed this question, specifically referencing this scene*:
this scene is so interesting because Dazai is pretending he doesn’t care about what Shibusawa is doing. he’s pretending he does care about reaching executive. he’s pretending he doesn’t have a plan.
everything he does in this scene is intentional, to set Chuuya on track for his plan to take down Shibusawa… which includes riling him up.
yes, Chuuya believes Dazai is human— that’s precisely why it’s such a sensitive subject for Chuuya. he projects onto Dazai what he’s scared of becoming because Dazai is a mirror for Chuuya. when Chuuya looks at Dazai, he sees parts of himself that he tries to ignore staring back at him. (the same is true for Dazai— Chuuya is his mirror)
so Dazai sees this topic as an easy way to get Chuuya mad— to storm off & leave him alone for a few days so that Dazai can go get himself captured (so that Chuuya will have to come save him, putting him in the perfect position to use Corruption & end the conflict once and for all).
but when Chuuya realizes Dazai’s plan (like he always does), he sees through Dazai’s front. honestly part of the reason he’s always so annoyed when he gets to Dazai is probably in part because Dazai keeps pretending to be heartless when he’s really not. Chuuya doesn’t understand why Dazai lets people think he’s “bad” when, in reality, he’s doing something good.
so actually, Chuuya is one of the few people who sees and knows that Dazai isn’t heartless.
he does care.
he is human.
Chuuya’s own projection just gets in the way of him remembering that most of the time (which is totally understandable considering his backstory & the fact that he’s only a kid).
*just for reference, the official translation’s version of those panels reads:
“Well, that was mean of you. I’m human too, you know?”
“Like anyone believes that. Just be glad I didn’t kill you.”
on that day, humanity recieved a grim reminder...
Eren Jaeger’s Final Words
So there are many people unimpressed with the final statement given by Eren’s character, either finding it inconsistent with the build up to this point, or too ambiguous a motivation for trampling all over the world. I’m not really here to talk about the quality of the story, whether it was good or bad, because I don’t really care. However, I think it’s fascinating what the text is trying to say about Eren’s character and his motivation.
This is why, “I don’t know, shrug” is both an answer and not an answer to why Eren did what he did in the end. For making my point in this analysis, I’ll be talking about Eren’s character from Marley on showing both the Eren that appeared before Reiner, the one that talked to Zeke, and finally the one Armin saw are all the same person.
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“You know you’re good when you can even do it with a broken heart.”
SNK S4, EP 11 : FAVORITE SCENE
“There are humans outside the walls and they call us the race of devils, right? But I couldn’t understand why the world despises us like that.
Mia. Ben. Tell me.”
[spoilers up to chapter 220ish]
So I’ve been working on a future post and have been rereading my personal chapter summaries and notes. As I refreshed my memory and even reread some specific chapters, I ended up asking google a question that sent me to an interesting Reddit post.
Basically someone said they didn’t understand why Shen Zechuan initiated intercourse in chapters 40-41. Someone else gave a very thoughtful reply which you can read here, but the part I’m focusing on for this post is Shen Zechuan’s relationship with control. The replier shared, amongst other things, that Shen Zechuan gave Xiao Chiye control in that situation.
I actually just reread chapter 40 today and noticed that on page 413 of vol. 1 it says “Shen Zechuan allowed Xiao Chiye to gather his wrists into one hand”. I never really thought much of that phrase in my previous readings of volume 1, but I feel like that it only really sunk in for me after getting better acquainted with their relationship as it developed.
Throughout the story it’s repeated over and over how both leads HATE having their lives out of their hands. Xiao Chiye despises that he was forced away from his family and home. And Shen Zechuan hates how he was held at the mercy of others for years as well; vowing to never be in such a position again. Both of these individuals crave freedom. And yet, Shen Zechuan allowed Xiao Chiye to do as he pleased with him.
Now, their first time being intimate has a lot of nuance to it. They both used that moment to escape reality for a time. And this particular instance of relinquished autonomy literally had Shen Zechuan expecting to be handled roughly. But once their relationship developed into a mutual romance, time and time again, Shen Zechuan surrenders control, letting Xiao Chiye take the lead, and following his whims.
I’m currently at chapter 220 and while some of their unions still have escapist undertones, there are still pure romantic moments where Shen Zechuan completely gives himself up to Xiao Chiye. And I think it shows a key difference in these two’s desire for control: Xiao Chiye likes to dominate by nature while Shen Zechuan feels like he has to for survival. Not to call Xiao Chiye a freak, but bro is literally described as enjoying fights, likes the struggle of taming wild animals, and is possessive as hell! While Shen Zechuan’s need for control stemmed from being abused by others throughout his life. When he’s not in control, he gets hurt. So that told him when he’s in control, he can protect himself.
I have taken mental note of a few scenes during Shen Zechuan’s conquering Zhongbo era where he’s tired or even annoyed by the work that goes into running essentially a country. But why doesn’t he delegate those tasks to others? Because unless he is genuinely incapable of getting the job done himself, he doesn’t trust anyone else to do it. He’s also stated several times that he doesn’t desire to be at the top: two examples that immediately came to mind being in chapter 70 when Xiao Chiye asks “Don’t you want a turn at the top?” and in Shen Zechuan’s conversation with Yao Wenyu in chapter 146. While in both of these instances he was bluffing, part of me thinks there is at least a semblance of truth to the statement.
When he lived with the Jis in Duanzhou, he was content with his simple life. He wanted to be like his brother and become a squad commander one day, but that’s nowhere near as ambitious as taking over and bringing peace to several prefectures. He was happy. And then his world was flipped upside down.
While I don’t think he necessarily regrets the path he is on now, he definitely misses simpler times. In chapter 209 Shen Zechuan says he forced himself to stop thinking about his days in Duanzhou because remembering those times make him cry. He was forcefully removed from a life he loved, and thrusted into the middle of a violent political struggle.
All of this to say, while Shen Zechuan is implied to be a natural leader and has a domineering nature, it isn’t really a position he chose to be in. Every action he takes is deeply calculated from multiple angles for the best possible outcome. Even carefully crafting his persona to attempt to control how he’s perceived. And living your life like that is DRAINING!
Oh man, Shen Zechuan is tired 😩
But when he’s with Xiao Chiye, he can turn his brain off. He can forget about his meetings. Forget about trying to watch everything the other enemy factions are doing. Forget about trying to put up a front as to not scare those around him with his true self. He can melt into Xiao Chiye and think of nothing but him.
I think the real turning point in their relationship was in the Public Ditches arc. Shen Zechuan is literally out of commission for several days due to illness and Xiao Chiye came to watch him every single night. Shen Zechuan had no choice but to let Xiao Chiye take care of him… but the tenderness Xiao Chiye showed him? The genuine concern? The comforting whispers and cuddles? It left an impression on Shen Zechuan.
I think Xiao Chiye’s sincerity truly shined through to him in those moments. None of those actions were necessary, and yet Xiao Chiye ran himself ragged handling his professional work and his silly little guy.
Shen Zechuan being cherished in such a vulnerable moment showed him that he could really trust Xiao Chiye. Half a decade before, people in power took advantage of Shen Zechuan and pinned the deaths of tens of thousands on a confused and delirious teenaged boy, while this big love struck dummy showed Shen Zechuan an intimacy he had never experienced before. And that’s so beautiful I could cry.
Shen Zechuan doesn’t need to be on his guard around Xiao Chiye, and Xiao Chiye likes being a leader. Shen Zechuan has his trusted confidant and Xiao Chiye tamed his falcon. …well, work in progress. His falcon still gets himself hurt carelessly.
Shen Zechuan needed stability and someone to lean on. And he found that in Xiao Chiye.
I have so many thoughts. OMG I’m so unwell about these two. I started writing this at 3am and forced myself to go to bed and finish it upon waking up. They drive me crazy. All the worm in my brain are Shen Zechuan and Xiao Chiye shaped!!!
In my next essay I shall explore why they rolepla—
I definitely read Mo Xuanyu’s “bad” make-up as being intentional. He wasn’t out here trying to look like a pretty, delicate flower. He wanted his appearance to be confronting. He wanted to externalise his feelings. WWX looks at that face and thinks he looks like a corpse and that’s exactly what MXY was going for.
We don’t get a direct look at MXY’s state of mind at all, and other characters think he’s just ~bad at make-up~ because he’s ~crazy~ but actually he independantly invented being a goth. I love that boy.
Or, why I am pretty optimistic about the fates of Jean, Connie, Gabi, and all titanized people this chapter, which is also an excuse for me to talk about SnK’s allusions to Russian literature.
There are strikingly parallel ideas The Brothers Karamazov and Attack on Titan, as well as parallel plot points and imagery to the point where if it isn’t deliberate, it’s uncanny. (NB: before people yell at me about comparing a Japanese and Russian work, Isayama has used Russian names since the start of SnK–Shiganshina is a Russian name.) In particular, there are narrative allusions to a portion of the novel known as “The Grand Inquisitor,” which is a short story within a novel. The central thesis of “The Grand Inquisitor” is as follows:
nothing has ever been more insupportable for a man and a human society than freedom.
This parable is told within the story by Ivan Karamazov, a character whose intellectuality is his gift and his curse. He tells his brother Alyosha that the motivation for creating this parable is precisely the evils done to children (oh look, a major SnK theme) and specifically cites an example which was unfortunately taken from real life in Russia and which Isayama has an uncanny parallel:
I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when every one suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That’s a question I can’t answer… If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? … if it is really true that they must share responsibility for all their fathers’ crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn’t grow up, he was torn to pieces by the dogs, at eight years old…
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the latest episode made me so excited... especially the conversation between gabi and kaya in the end. it was awesome. and i can’t help but think again about how deeply gabi actually hates herself. the saddest thing is that she doesn’t even understand it. may i just cry about this lost, misguided child?..
when kaya asks gabi why her mom must be eaten alive, all that gabi has in answer is racist marleyan bullshit. and when kaya calls her out on that bullshit, there’s nothing left but shock and panic.
because there’s no reason why kaya’s mom has to die. and why gabi and other eldians have to suffer, carrying the burden of their ancestors, too.
it’s that simple.
but as kaya struggles to understand why people of paradis have to be eaten by titans, gabi and marleyan eldians struggle to understand why they have to live in an awful ghetto, bear countless acts of violence, and be turned into these goddamn titans. sadly and ironically, marleyan propaganda is the only thing that helps gabi not to sink in the despair her life is. it gives her simple reasoning of why she has to live like that and be hated, as well as the faith in a better future.
if only she will be the good eldian, of course.