I Love This Scene So Much. And We Often Talk About How He Saw Her Speaking To Us And Asking Where She

I love this scene so much. And we often talk about how he saw her speaking to us and asking where she was going off to in that moment later on in the season, but I think he saw her doing that here and was bringing her back into the present. Priest is the only person who noticed this, noticed her, asked about her, and wanted to get to know her. It still hasn’t passed. 💔

Franz Kafka & love

1K notes View Post

bellsofysa

3 years ago

39K notes View Post

bellsofysa

6 months ago

Mahmoud Darwish, In The Presence Of Absence // Ada Limón, "Lies About Sea Creatures" // Sherita Walker

Mahmoud Darwish, In the Presence of Absence // Ada Limón, "Lies About Sea Creatures" // Sherita Walker // @itsbaditsgood // Richard Siken, "I Had a Dream About You" // Richard Siken, "You Are Jeff" (8) // Richard Siken, "Litany in Which Certain Things Are Crossed Out" // @_demarmol on Instagram // Anne Sexton, "The Touch"

7K notes View Post

bellsofysa

4 years ago

I get it now. I get it. The things that you hope for the most are the things that destroy you in the end.

— John Green

8K notes View Post

bellsofysa

7 months ago

"You held me the whole way through / But I couldn't say the words like you / I was scared, Indigo, but I wanted to / I was scared, Indigo, but I wanted to"

Film still from "Portrait of a Lady of Fire."
Héloïse (left) and Marianne (right) stand on the shore of a beach. Marianne holds Héloïse's face in her hands. Héloïse rests one hand on Marianne's chest and the other on her back. They press their foreheads together as they cry.
Héloïse has long, blonde hair tied into a bun. She wears an emerald green dress.
Marianne had shorter, brunette hair tied into a ponytail. She wears a dusty red dress.

"We make each other alive. Does it matter if it hurts?"

"-I miss you like a knife in my throat."

"I crush her against me. I want to be part of her. Not just inside her but all around her. I want our rib cages to crack open and our hearts to migrate and merge. I want our cells to braid together like living thread."

Film still from "Portrait of a Lady on Fire."
Marianne (left) stands slightly in front of Héloïse (right) in a dark room. Héloïse rests one of her hands on Marianne's chin. Marianne's eyes are closed. Héloïse watches her expression.
The caption reads: "Do all lovers feel like they're inventing something?"

"You're trying not to tell him you love him, and you're trying to choke down the feeling, and you're trembling, but he reaches over and touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you've discovered something you don't even have a name for."

"You'll never recover / from that kind of devotion."

Film still from "Portrait of a Lady on Fire."
Marianne (left) and Héloïse (right) stand side by side. Héloïse reaches back to hold Marianne's hand.

"5. 'Am I in love? - Yes, since I'm waiting.' The other never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game: whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's identity is precisely: I am the one who waits."

"The seeds of love have taken hold, and if we won't burn together, I'll burn alone."

"1 / 'This homosexual dream of perfect metaphysical union is not so much a reflected heterosexual ideal as it is the compensation for having wept in the darkness.' / 2 / You were always born a crime."

Film still from "Portrait of a Lady on Fire."
Héloïse (left) and Marianne (right) lay side by side in a bed. They both lay on their hands as they face each other, smiling.

"I don't wanna talk about anyone / I don't wanna talk about anyone / I wanna sleep in your car while you're driving / Lay in your lap while I'm crying"

"the voice in my head said // LOVE IS THE DISTANCE / BETWEEN YOU AND WHAT YOU LOVE // WHAT YOU LOVE IS YOUR FATE"

Film still from "Portrait of a Lady on Fire."
A painting of Héloïse's hand. She holds a purple book and uses her index finger to pull the cover back just enough to expose the page number 28. She wears a white dress.

"Should I touch / you, I will suffer and you will suffer"

"I THOUGHT OF YOU." // CLOSE, BUT NOT CLOSE ENOUGH

Adrianne Lenker anything // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Ingmar Bergman from a letter to Liv Ullmann // Sonya Vatomsky Salt Is For Curing // Isaac Marion Warm Bodies // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Richard Siken Crush // Leah Horlick For Your Own Good // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Roland Barthes A Lover's Discourse: Fragments // Bret Easton Ellis The Rules of Attraction // Thomas E. Yingling "My Way Home is Through You," Hart Crane and the Homosexual Text: New Thresholds, New Anatomies // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Adrianne Lenker anything // Frank Bidart "Guilty of Dust," Half-light: Collected Poems 1965-2016 // Portrait de la jeune fille en feu (2019) dir. Céline Sciamma // Yrsa Daley-Ward Bone

1K notes View Post

bellsofysa

4 years ago

Day 82 06.07.20

Ever since I met you, no one else has been worth thinking about

I am attracted to you in ways I can’t explain. You put my insecurities to sleep. You challenge my fears and bring my dreams alive. You remind me that I can do anything. Your confidence in me is addicting and contagious. You are like no other person I have met in my life. If I have you, I have no reason to think about anyone else. You are all I need.

177 notes View Post