TO BE LOVED IS TO TURN AROUND

"Marianne: He chooses the memory of her. That's why he turns. He doesn't make the lover's choice, but the poet's. // Héloïse: She spoke a last farewell that scarcely reached his ears and fell back into the abyss. Perhaps she was the one who said, 'Turn around.'"
Two manga panels taken from Gege Akutami's "Jujutsu Kaisen."
The first one shows two men standing in a busy subway station. Suguru (left) is a young man wearing a gold-colored kāṣāya over black yukata robes. He has long black hair tied into a half-bun. He smiles brightly and waves as he calls, "Yo! Satoru!"
Satoru (right) is a young man wearing a black jacket. There is a bloodstain on his right cheek beneath his eye. He has short, white hair and has a startled expression. 
The second panel is smaller and only shows Satoru. The angle is much closer. He looks backwards with wide eyes as he says, "Huh?"
"I'd be the voice that urged Orpheus / When her body was found (Hey, yeah) / I'd be the choiceless hope in grief / That drove him underground (Hey, yeah) / I'd be the dreadful need in the devotee / That made him turn around (Hey, yeah) / And I'd be the immediate forgiveness in Eurydice / Imagine being loved by me"

TO BE LOVED IS TO TURN AROUND

Portrait de la jeune fille en feu Portrait of a Lady on Fire (2019) dir. Céline Sciamma // 呪術廻戦 Jujutsu Kaisen (2018-) cr. Gege Akutami // Hozier Talk

More Posts from Bellsofysa and Others

6 months ago

when trista mateer said 'I still wake up with things to tell you.' and when richard siken said ‘what more do you want? I make you pancakes, I take you hunting, I talk to you as if you’re really there.' and when joan didion said 'I remember thinking that I needed to discuss this with John.' [the nature of his death] and 'I am dropping my keys on the table inside the door before I fully remember. There is no one to hear this news..There is no one to agree, disagree, talk back.' and when C.S. Lewis said 'i think i am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had [them] for their object. Now their target is gone.' and when fleabag said 'i don't know what to do with it, with all the love i have for her, i don't know where to put it now' and then Jamie Anderson tied it all up by saying 'Grief is just love with no place to go.' i think i need a moment.

3 years ago

“It hurts, but not as much as it used to be.”

— k.b. // kwamie liv - sweet like brandy (via whendidmythoughtsgocrazy)

3 years ago

“You kiss me with your mouth wide open like you’re not afraid of swallowing poison. I taste the good and bad in you and want them both. We call this bravery.”

— Anita Ofokansi, Literary Sexts

7 months ago

It was her, Grace.

The glow on the bank.

The pull from the trees.

She's not of this place.

- My First Summer (2020)

3 years ago
From The New York Time’s Modern Love Stories (to Bypass The Paywall, Block All Cookies In Your Search
From The New York Time’s Modern Love Stories (to Bypass The Paywall, Block All Cookies In Your Search
From The New York Time’s Modern Love Stories (to Bypass The Paywall, Block All Cookies In Your Search
From The New York Time’s Modern Love Stories (to Bypass The Paywall, Block All Cookies In Your Search

from the New York Time’s modern love stories (to bypass the paywall, block all cookies in your search settings)

7 months ago
Excerpt from "Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus" by Henry Miller.
"I need you like sin."
Lyrics from "We're In Love" by boygenius.
"Will you still love me if it turns out I'm insane?"
"Agnus Dei" (1631) oil painting by Francisco de Zurbarán. A lamb lays on a gray background with all four of its legs tied in front of it with a rope. It has short, off white fur and horns that extend below its jaw and curve around its head.
Excerpt from Katie Maria's "I used to be a hole in the ground."
"It's winter. You ask me about / love / and I tell you about / violence. // I'm sorry. // I thought that's what love was."
Excerpt from Rafael Nicolás's "Angels Before Man."
"'We could have had eternity, we could have had forever with one another, we could have counted every ripple in the sea.' / Michael cried, still saying stop, stop. / 'Together-we could have done it. We-We-It could have been us on that Throne. We could have been happy. We could have rebuilt Heaven. We could have had everything-"
Film still from "Portrait of a Lady on Fire" (2019) directed by Céline Sciamma.
Marianne (right; played by Noémie Merlant) holds Héloïse's (left; played by Adèle Haenel) face in her hands. She leans her forehead against Héloïse's as they both cry. They are standing on the shore of a beach. There is a rocky cliff visible on the right side of the screen. 
Marianne is a young woman wearing a red dress with white accents around the collar. She has long, brunette hair that has been tied into a messy bun. She stands on the right side of the screen.
Héloïse is a young woman wearing a green dress with white accents around the collar. She has curly, blonde hair that has been tied into a bun. She stands on the left side of the screen.
A text message from Kate Moss to Pete Doherty.
Written in messy, black pen ink on a white wall above a set of white tiles reads, "YOU'RE IN MY VEINS, / YOU FUCK"
Excerpt from "Antigone" by Sophocles.
"Ismene. Oh, forgive me, Antigone. I've come back. I'll be brave. I'll go with you now. / Antigone. Where will you go with me? / Ismene [to CREON]. Creon! If you kill her, you'll have to kill me too. / Antigone. Oh, no, Ismene. Not a bit of it. I die alone. You don't think I'm going to let you die with me after what I've been through? You don't deserve it. / Ismene. If you die, I don't want to live. I don't want to be left behind, alone."
Excerpt from Joan Didion in "South and West."
[...] "years, and I think we most fully understood each other when once I tried to kill him with a kitchen knife. I remember spending the whole" [...]
Excerpt from "Editors Pages: The Long and Short of It" by Richard Siken.
"I've been rereading your story. I think it's about me in a way that might not be flattering, but that's okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them."
Lyrics from "Boyish" by Japanese Breakfast.
"[Chorus] / I can't get you off my mind / You can't get yours off the hostess / Watched her lips reserving tables / As my ugly mouth kept running // [Outro] / Love me / Love me"
Still from Alien Stage, "ROUND 6" by VIVINOS.
Ivan (left) holds Till's (right) head with one hand as he leans in to kiss him. They stand on a back lit stage with raindrops falling around them. 
Ivan is a young man with black hair. He wears a white turtleneck shirt and a white jacket. His eyes are closed as he kisses Till. 
Till is a young man with gray hair. His outfit is not visible. He has a thick, metal collar around his neck and small piercings in his ear. He looks at Ivan with wide eyes.
Excerpt from "I Loved You Before I Was Born" by Li-Young Lee.
"I loved you before I was born. / It doesn't make sense, I know. // I saw your eyes before I had eyes to see. / And I've lived longing for your look ever since. / That longing entered time as this body. / And the longing grew as this body waxed. / And the longing grows as the body wanes. / The longing will outlive this body."
Dialogue from Hannibal episode "Secondo" directed by Vincenzo Natali.
"JACK CRAWFORD / Will understands Hannibal. He accepts him. They accept each other. Who among us doesn't want understanding and acceptance?"
Excerpt from "Francesca" by Hozier.
"I would not change it each time / Heaven is not fit to house a love like you and I / I would not change it each time / Heaven is not fit to house a love like you and I"

YOU'RE IN MY VEINS, YOU FUCK

Henry Miller from a letter to Brenda Venus Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus // boygenius We're In Love // Francisco de Zurbarán Agnus Dei // Katie Maria I used to be a hole in the ground (via @heavensghost) // Rafael Nicolás Angels Before Man // Céline Sciamma Portrait de la jeune fille en feu // Kate Moss in a text message to Pete Doherty // Sophocles Antigone // Joan Didion South and West // Richard Siken Editors Pages: The Long and Short of It // Japanese Breakfast Boyish // VIVINOS Alien Stage; "ROUND 6" // Li-Young Lee I Loved You Before I Was Born // Hannibal; "Secondo" dir. Vincenzo Natali // Hozier Francesca

4 months ago
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.
I Can Turn You Into Poetry But I Cannot Make You Love Me.

i can turn you into poetry but i cannot make you love me.

(creds will be added in a hot sec! my bad y'all ;p)

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my life is a perfect graveyard of buried hopes | 23 | a clown

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