I just realized that I NEED Crowley to wear black sweatpants and a simple black Tee in season 3.
Like he's so devastated he has lost his style for a short moment.
Just Crowley in comfy cloathing bc he needs the comfort - now that Aziraphale can't give him that anymore.
Struggle as always
me as a writer
You turned my crying into laughing
Hey guys, do you know if in the Spanish dub Aziraphale stays with Crowley?
I made some drawings for art class and I thought I can bundle this with my for-now-obsession.
Can you imagine what kind of belated fear Hastur must have had, after realizing "Crowley" was in fact immune to holy water and the spray bottle could have actually killed him?
Just saying, I would be sick to my stomach
Sure thing but y'all know that characters are supposed to be flawed in general AND they're in literal Hell where everything is more violent and sexual as on earth?
I love Stolas as a character BECAUSE he is an insufferable and selfish dick who thinks he can never be in the wrong. It's a really common personality trait and I like seeing it in Media. Today's "Assholes" can't be "assholes" anymore, because they all need to be "misunderstood" and I like that despite the tragic backstory you can still clearly tell he's in the wrong more often than not and that his backstory isn't an excuse but a reason - which everyone has.
Blitz is my favorite character BECAUSE he is absolutely incapable of overcoming his bad traits but he tries sometimes and when he does he fails and fails and fails and becomes more annoying to other people. He's hurting everyone - sometimes even accidentally and he doesn't realize it. He wants to overcome his trauma in all the wrong ways which heavily backfires and is stopping him from forming proper relationships. The two people who really owe him something (outside of adoption) just tolerate his bad behavior and are now - after the last episode - finally getting some growth of blitz in return.
I don't really care for Loona but for a traumatized, abandoned, literal DOG who just got adopted last second and having her entire life living in misery AND with a father figure with a character like Blitz it is understanding for me why she portraits her "love" to him in such a Stonewall-Way and treats him rather awful. She lived in the streets and her new family are mentally ill assassins, where was she supposed to get a healthy way to cope and communicate with people from? She still cares for him tho - both literally and figuratively.
And the phrase "no one wants to see characters doing their job" is literally just an opinion. Not a fact. Just because they think it's boring doesn't mean it really is. Different tastes exist for a reason.
I just love Helluva Boss' Warp that aesop page because it sums up everything wrong with this series, especially on Stolas' end. Seriously, this hits the nail on the head about the messages of the show and how much they dick suck Stolas and his shittiness.
Guess I also have feminine urges then
*Azi and Crowley discussing/ fighting after all the stuff that happened and they can talk in peace*
*crowley expecting an apology etc and nearly screamed at azi*
Azi: "but.. It was my First"
Crowley: "Wot -" (are you talking about now again?!)
Azi: "It was my first kiss, Crowley"
*silence*
Azi: "And you pressed it on me. Without- (asking me?) Without love. Just.. just fear.
Crowley looks at him with an untitled expression, not sure what to say. In his eyes, he gave him all the love he could ever give.
Azi: "Fear of being abandoned. Of being alone. Like you felt you always were."
Crowley wants to say something and his mouth opens, behind his glasses building up a small tear-
Azi: "But I was there. You were never completely alone. And you know that. *He gets quiet* I did not deserve that.
I- *voice shaking* forgave you for kissing me.. like this - (in a hurry, without content and with nearly only desperation).
Crowley: "You didn't even listen to me back then, huh?"
*He takes off the sunglasses, first time in presence of the angel since the kiss. But he doesn't look at him. He's cleaning them with a small peace of fabric - looking down, eyebrows raised*
Crowley: "I wanted you to be with me. You didn't quite listen, did ya? I had already lost you! In your angel head you were already decorating your new Office in Heaven! I-"
*fastly puts sunglasses back on to look at Azi. Sees him there - finally listening. He seems to be able to understand it this time.
He takes them off again. Eye meets eye*
Crowley: "Maybe I was desperate. I mean- who wouldn't, if.. ugh.. if maybe the. The love of your life, perhaps - I couldn't let you go. After all I knew, heaven didn't want to treat you right! - you didn't know what happened in heaven, what happened to Gabriel!"
And then my dream faded, I am sorry.
But I feel like this was an healing experience after the ending of Season 2.
This is my last straw for real
A little hopeful moment which I missed on the first watch, but which I think is so important. Nina and Maggie come to have their talk with Crowley. Now, we all know that Crowley is Maggie—yes, sure, Nina is sarcastic and suave and cool and calls Maggie angel—but it’s obvious that Crowley is Maggie and Nina is Aziraphale. Crowley even admits it himself in the very beginning of this conversation when he tries to justify meddling to get Maggie and Nina together:
“Nina needed rescuing.” Yeah, you know who else always “needs rescuing”? Anyway, moving on.
Nina says she just got out of a relationship and it would be a disaster to get into another one right away. And then this happens:
Nina says she hopes Maggie will still be around, but she knows she can’t ask Maggie to just wait while she figures out her own baggage. There's no guarantee. And then Maggie interjects—
The parallel between Maggie/Nina and Crowley/Aziraphale is so intentional as to feel heavy handed. So what does it mean that we get this exchange in at this particular moment in the script—buried within the conversation which is the catalyst for Crowley confessing his feelings, occurring in the lull immediately before the spectacular dissolution of everything the first two seasons were building towards?
“We could have been us,” Crowley says. Crowley walks out of the bookshop. Crowley turns off their song in his car. Whatever tentative blooming thing has been building between him and Aziraphale for six thousand years appears to be very clearly over. Aziraphale presses the kiss to his lips and knows there is no guarantee they will ever have a chance to be together. There's no guarantee that Crowley will ever want to forgive him, that he will keep on waiting for him.
But.
There is.
Okay so I've seen multiple posts about how Logan wanted to save Wade bc of Love and I really appreciate it but I have to be the bad guy and at least bring another option in the ring:
Logan is completely depressed for ages, haunted by voices of his family and closest friends he "let die". He hasn't slept well in ages and is an absolute alcoholic to be able to just get through the day. He has no friends or even a single soul who is simply friendly to him.
Logan wants to die.
But Logan can't die.
So of course Wade is the person to change all that and bring light and hope into his life and he definitely did want to save him for Wades family - bc he still believes he has nothing to go back for and if Wade dies he is back where he started and he just doesn't want that. Nobody wants that.
So he has two options, since both of them believe this is the end either way:
Let Wade die alone (with the risk he may not be able to stop it, despite the fact he didn't even reach it alone but let's be honest he hammered against the door before he could even see that)
OR
Die with him - bc he wants to swap places with him / he has to be the one who dies / he'd rather tried than do nothing or run away like always /
This is his only chance.
Seriously. He's been alive for so so long. He's through so much and he knows if it goes bad he HAS to live forever and most people know that's more like a curse than a blessing. He has the chance to end all that. To choose right then and there. And he made that decision.