(this Is Ugly As Shit Since I Fucked Up The Line Art So Bad, So Im Gonna Go Over It On Ibispaint)

so embarrassing to get obsessed with your own oc but it doesn't fuel you creatively or motivate you at all you just sort of sit there. like yeah I've been thinking a lot about blorbo from my mind. no images of them exist in the world and they have maybe 3 personality traits so far. I would rather die than attempt to write about them. I've spent the last 48 hours rotating them in my brain though

So... how's outpatient therapy at the mystery shack going?? :')

Really can't get over the CAN WE TALK? stickynotes. And I mean I think part of it really kinda clicked when I've seen some fanart about it. We really see in TBOB that Ford after beginning to hear voices slipping through the cracks and questions Bill, to learn what Bill really intended, ENTIRELY shuts down his communication with Bill. And you see Bill when he gets questioned in that moment responds with a heavily implied dialogue along the lines of "haha, yeah I tricked you, I'm here to overtake your dimension". But Bill still expects Ford to respond to him in some way, and it's very clear that Bill is shocked when Ford REFUSES to talk to him. And what's interesting is Bill doesn't just IMMEDIATELY begin with threats; he actually leaves stickynotes first, before Bill realizes he's FUCKED UP big time and gets really nasty. There's something pleading with the CAN WE TALK? sticky note. There's a point where Bill does realize he's not getting what he expected, that he's missing Ford, and that he's willing to possibly even smooth some things over, explain things better (maybe even the part that the nightmare dimension is unraveling perhaps) or persuade Ford into Bill's plans. But Ford refuses, and it's already too late for Bill because just like with Stan, Ford feels betrayed and when Ford feels betrayed he'll mercilessly cut the person out of his life. Ford deeply, deeply holds hurt and betrayal and as a result he has zero desire to speak with Bill again (and also uhhh big red flag to take over the world, so also. Yeah).

And it's interesting because it's a slower ramp up until Bill is desperate and threatens, uses violence, because that's what he's always used when it comes down to it, and an ultimatum is given. It wasn't just threats out of the gate; Bill DID try to speak to Ford (btw this is not me being like Ford should have spoken to Bill and it would be magically healthy, cause no matter how you slice it it's just a toxic mess tbh). Threats out of the gate would have been faster; there's over three weeks in the timeline, before Ford goes through the portal (althought we don't get too much context around exactly when everything occurs). That's a lot of time! But Bill didn't threaten Ford immediately. And I think part of that reason is because Bill expected Ford to speak to him, expected their relationship or at least their project to mean enough to Ford that Ford would speak to him and then continue their work, once his anger cooled off. And I think also part of it is because Bill cared about Ford, not that he'd admit it in the moment; but he'd rather Ford willingly be alongside him, then have to force him through threats to do the work on the portal. You see that, even after Ford spends 30 years trying to kill him and nearly even does, when he offers him during wierdmageddon to be a henchmaniac. Bill cares about Ford, wants Ford beside him. But then Ford continues to refuse to engage with him at all, and Bill realizes he's lost Ford, and progressively gets more desperate and angrier as he's still refused, and falls into the violence he usually uses, to get Ford to cooperate.

Anyhow it's one of those things that you wonder what would've happened if they DID speak, but that would ultimately be defying a big part of who Ford is... So in a way it's a juicy juicy tidbit to chew on, the implications beyond the writing on the sticky note.

something i find funny is that TDDWP’s billcheal dynamic is literally just:

> person A having a bad day and like talking about it and shit

> person A starts crying

> person A looks up during a pause, and person B’s just fucking standing there like

and they just fucking keep crying back and forth cause “if you cry im gonna cry” but they’re both already bawling their eyes out.

WTF??? NO FUCKING WAY THIS IS REAL LMAO

BRO IM SO BUSY I HAVE SHIT TO DO WHY’RE YOU MAKING ME DROP EVERY TO WATCH THIS 😭

I'm gonna throw up

yall want me to drop a bunch of storyboards (i use that term VERY LOOSELY) that i made about the goobers?

lmao just realising that this whole blog is dedicated to my gf au and yet i haven’t posted a single thing about the main guy it’s about 😭

hiii phy-phy. good morning…

((ooc it is 10pm for me LMAO))

- Blanket (@live-laf-lov-fukmyocs)

phy-phy???? Who the fuck are you and why are you calling me PHY-PHY??

Ooc here i have no idea who you are but go to sleep its a school night))

yeah no, this is what bill looks like. 1000%

he is a gross greasy acne ridden nerd.

this is fucking canon

changed my human bill design a little

tried to make him appear annoying and gross to fit his voice!

(the hc about burnt hands is not mine! saw it on tiktok maybe a month ago?? cant remember whos it was)

I want to write an essay on how the Book of Bill expertly subverts the "villain with a tragic backstory/antisocial protagonist" narrative by portraying its main character as evil, trying really hard to look cool, and failing pathetically. The book is making fun of him, and that is actually kind of revolutionary, because most stories with evil, pathetic main characters tend to take themselves, and by extension, their protagonist, way too seriously, with way too much dignity, which leads to people misinterpreting them as heroes or idealize them in some way, and then replicating these harmful attitudes. They follow life coaches that will teach them how to be "alpha males."

Bill presents himself as one of these "life coaches," he will teach you the secrets of the universe, he will help you to game the system in your favor, to manipulate people to get what you want, he will free you from the shackles of society and reality itself-- but he is lying. The success rate of Bill's evil schemes is laughably small. He's a manipulator, to be sure, an incompetent one. His dimension rejected him, his friends don't actually like him, throughout the ages humans have found him insufferable, and to top it all off he ruins the relationship with the only being in the history of the universe he has ever truly felt understood by.

And instead of going "gee, maybe there *is* something wrong with me, after all" he doubles down on his harmful ideas. He doesn't have a problem, everyone else is the problem. Nobody gets his vision. They are all small-minded creatures of no value. His failures are always somebody else's fault. He didn't want to hurt anyone, he was forced to. It's not that bad, he's just being silly, he's having a laugh.

And we, as readers, we are horrified at all the bad things he does, but we also laugh. Not with him, but *at him.* He is being constantly ridiculed by himself, and the funniest part is that he doesn't even realize. He thinks he is absolutely acing this.

He isn't.

Eventually, it is revealed that Bill has no idea what he is talking about. That he has been defeated, rendered powerless, stuck forever in interdimensional therapy. The book tells us, "This is what happens to people like Bill if they don't change. They end up with nothing. No riches, no fame, no loved ones. They will be unhappy forever unless they realize there is something about them worth changing and decide to act on it."

This is in contrast to Stanford, someone who, just like Bill, was deeply hurt and rejected by society, struggled to feel understood, and took refuge in a narcissistic (bear with me-) view of the world. Diagnostic labels aside, Ford genuinely thinks he is better than everyone else for being smarter. He is a textbook Aspie Supremacist that swears by IQ tests because it's the only thing that has ever validated him. That's why he gets along with Bill, I think, they really *have* compatible mindsets. Ford really thought Rudolph should've killed the other reindeer. He constantly dismisses Fiddleford in what feels a very classist way (even if he grew up working class himself). Ford isn't manipulative and malicious in the same way Bill is, and I don't want anyone coming at me for saying Ford is evil. He isn't. He might be a bit of an ass, but he has a moral code, he knows that what Bill wants to do is A BAD THING and dedicates his life to trying to stop him. Stanford's biggest flaw is not appreciating the people around him more for their inherent value (not that he doesn't love them! he does!), but he learns, and he changes. He is more considerate of other people's needs and their perspectives.

And by the end, he is happy. He is free from Bill, he has his family, people who will support him unconditionally and will put up with his nonsense because they love him.

Stanford will never find someone who is as smart as him, who has been ostracized the same way he has. But that's okay. He has an inherent value as a person that has nothing to do with how smart he is in comparison to other people. He doesn't need other people's approval to be happy.

That is, I think, what the book wants you to take away. Don't be like Bill. Don't fall for the Alpha Male scam, or eugenics, some new age cult or multilevel marketing scheme, reject the ideas at the base. Talk to your family and friends, touch grass, find a group that shares your interests, but don't dwell endlessly on resentment, and don't follow people that tell you that the only way to be valuable is to be "superior" in some abstract metric, and that they can teach you how.

(As a kid, I almost fell down the alt-right pipeline-- and I am Mexican, transgender, and autistic. I fantasized about blowing up the school every day. I know what the fuck I am talking about when I tell you this.)

They are lying. You don't want to be like them.

You don't want to be like Bill.