The following poems appeared in the episode broadcast on Tuesday:
1. The 21-st century time-traveling heroine, Hae Su, is mesmerized by a Goryeo prince’s beautiful calligraphy. What the family-loving and genteel man writes is a piece of prose titled “Home Again” by Six Dynasties Chinese poet Tao Yuanming, which describes the poet giving up his governmental post for a peaceful, simple life at his countryside home. (Original text | Translation)
2. As a confession, the prince gifts her “Bamboo Stalk Song,” a poem by Tang author Liu Yuxi that uses inconstant weather as an analogy for ambiguous love. (Original text | Translation – be sure to read the footnote)
3. Since modern-day Koreans are generally not as well-versed in classical Chinese, Su has to depend on his brother and wife (also her cousin) for the interpretation. This, of course, leads to some awkwardness and fury, which Su fails to notice. Then, ignoring the romantic undertones of the poem, she hilariously attempts to copy Goryeo official Kim Ji-dae’s poem on majestic and serene scenery, “Yugasa Temple,” as her response to the prince. Since no translation is available online, The Chair is supplying its own below:
瑜伽寺 유가사 (note that the Korean alphabet has not been invented then)
寺在煙霞無事中 (사재연하무사중)
亂山滴翠秋光濃 (난산적취추광농)
A mist surrounds the tranquil temple in the evening light
A jumble of green mountains and the marvelous sights of autumn beckon
雲間絶磴六七里 (운간절등육칠리)
天末遙岑千萬重 (천말요잠천만중)
Steep stone steps rise for six to seven miles into the clouds
Numerous layers of hills lie at the faraway horizon
茶罷松簷掛微月 (다파송첨괘미월)
講闌風榻搖殘鍾 (강란풍탑요잔종)
After sipping tea, one sees a new crescent hanging at the pine canopy
After a lecture, one hears lingering bell notes from the sleep chambers
溪流應笑玉腰客 (계류응소옥요객)
欲洗未洗紅塵踨 (욕세미세홍진종)
The streams must be laughing at the government official,
Who tries to but cannot wash away his worldly marks
(References: Naver, Apple Daily)
Su eventually settles on this reply: \^0^/
According to Apple Daily, the netizen who identified this poem noted that the current name for a temple which used to be called Yugasa is Donghwasa / 桐華寺. 桐華 is the name of the Chinese novelist who penned the book the show is based on. Readers may like to know that there is another Yugasa Temple, which retains its name to this date and has been associated with the poem. All the same, we are free to regard the coincidence as a cross-cultural tribute.
Similar plots can be found in Scarlet Heart, the 2011 Chinese drama adaptation of the novel. Most poignantly, the quick-witted, Chinese time-traveling heroine there struggles to pronounce the exquisite vocabulary used in letter writing in Qing China, finding herself as good as illiterate despite her education and white-collar background. In both cases, too, it may be one thing to read about polygamy and marriage between closely related individuals as a side note in history books, but another to see it simulated three-dimensionally, with actors viewers emotionally identify with. Time slip shows, clearly, provide excellent opportunities for examining how robust people’s connection to their ancestral past can or should be. On one side, there are the issues of lost heritage and pardoning historical figures for being products of their times. On the other, we have arguments for cultural pride in using language entirely of your own (for Koreans), heightened literacy rates brought about by simplified languages, and support for modern ethical sensibilities.
For more Sino-Korean and Chinese poetry, you are welcome to explore this site category or search for Kuiwon’s very informative WordPress blog, which The Chair has long wanted to introduce here. Kuiwon has also written at length about his thoughts on the issue of Chinese character usage in South Korea. His view, however, neither reflects nor contradicts this site’s.
One mistake in the Korean adaptation warrants notice. As the netizen reported, the story takes place in the AD 900s, but Kim Ji-dae lived from 1190 to 1266, so the writing Su copied from could not have been lying around. At least it is a romantic notion that a book traveled back in time with you—theoretically more romantic, perhaps, than being wooed by the husband of your sick cousin.
We're alien globes to each other remote-nursing other alien globes, so we don't really miss out that much stuck here in our seemingly little lives instead of roaming the globe.
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Athletic / Aesthetic Passions
Athletic and aesthetic passions normally won't feed you, they say. What they don't say is how these sides of yourself can funnel into you vibrant, imaginative energy that powers you through all the drudgery, provided that late-stage capitalist and chronobiological logics spare these tiny selves breathing space.
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“Banks used to be places for number crunching with this dry and boring image in my mind. After playing the role of the banker Hanzawa Naoki, I realized that they are really about interpersonal stories. In the sense that one can handle financial transactions in the hope of helping people, banking is a job that ...” [Read more at The A-Philosopher’s Chair: https://aphilosopherchair.wordpress.com/2016/01/18/simoleon-physiology/]
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Check out the previously inspired sculptures here if you've missed them.
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No sight is more acute than that which can see a real tomorrow where a beggar's child and a president's child have the same odds of receiving a maximally uplifting and productive education."
—Her Excellency Ilera, non-hearing founder of the Extratemporal Serenetics Habitat
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The most boorish and mercenary character in Hong Kong drama War and Beauty is also its greatest romantic. Eager to leave poverty behind and make a name for himself in the dog-eat-cat world of 19th-century Qing China, delivery agent Kong Wu has no qualms leaving a group of defenseless girls to the mercy of ruthless thugs so that he can complete his job. Yet when he discovers a silk handkerchief…
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An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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