This Is Not Mine! Saw This On Pinterest The Other Day And Died Of Laughter. If You Know The Artist Please

Auror Harry and Healer Draco fics

✨ The Ordeal of Being Known / 146k / When Auror Potter is anonymously cursed with silence by being forced to hide his own voice inside his mind, there's unfortunately only one person in the country with the qualifications to fix it: Certified and Licensed Healer Legilimens, Draco Malfoy, specialist in Mind Curses and Afflictions. It's obviously a terrible idea, a disaster waiting to happen, but Draco's never been able to back down from a challenge... especially from Potter.

Features fuzzy cartoon slippers, devious house elves, 90s music, and lots—LOTS—of memories. Ron is annoyingly hot, Hermione sees right through you, Harry is a powerful idiot, and Draco is a reclusive masochist that would buy an entire city if it would make a kid happy. (And Pansy is "5'2, I wanna dance with you, and I'm sophisticated fun.")

✨ A Wolfs Song / 52k / At 30, Draco Malfoy had worked hard to become a respectable citizen. He’d gotten his life together, however small it may be, and Draco was happy with its mundanity.

Except, that is, on Tuesdays.

On Tuesdays, Harry Potter visited his shop.

What begins as a budding friendship between an Auror and his healer turns into so much more after an attack changes the course of Harry’s life.

✨ Five Weddings and a Potions Accident / 19k / In which Harry thinks he’s a playboy, everyone else knows better, and Hermione will kill Seamus if Ron tries to collect on that bet.

✨ freely, as men strive for right / 17k / How can Harry love a man like Draco Malfoy?

If only Draco would let him count the ways.

(Sometimes, a happily-ever-after takes a bit longer than you expect.)

✨ The Four Doors / 48k / It’s been four months since Harry lost his memory. Four months of dead ends and no answers. With time running out until his memories are gone for good, Harry agrees to a course of Legilimency therapy with a renowned specialist: Mind Healer Draco Malfoy.

✨ And Back Again (Where You Belong) / 15k / He thought back on their previous handshakes, and smiled faintly at the fact they always seemed to mean so much more to him than they did to Potter.

✨ Tell Me the End at the Beginning / 36k / St Mungo’s is the last place anyone wants to spend the festive season. Harry finds himself there anyway.

Or: Harry's an Auror suspended from duty, Malfoy's wearing the hell out of three-piece suits, Hermione is entirely over everything, and Kreacher just wants to be left alone to decorate for Christmas.

A 25 Days of Draco and Harry story.

✨ If Memory Serves / 17k / What do you do when your schoolboy nemesis, who conveniently (or not) has no memory of the last two and a half decades of his life, is handed into your care?

You fall in love with him, of course.

✨ the space between (what you want and what you need) / 13k / As a specialist Healer in dark magic, Draco has had his fair share of difficult cases and awkward patients. Still, nothing has prepared him for a curse-paralysed Harry Potter.

✨ A Half Life, A Cursed Life / 48k / Harry Potter has decided to die. Draco Malfoy may be the only one who has noticed.

Not Sirius and Crookshanks being besties in PoA lmao—

My girl has her loyalties straight.

We're super excited to announce The Tortured Poets Fest, a Harry Potter themed fest centered around Taylor Swift's newest album! ✨

Calling all writers, artists, and video editors! Below are important dates, rules, and information you'll need to know if you'd like to join in with us. This fest is focused on The Tortured Poets Department — Taylor Swift's newest full-length album released on April 19, 2024.

This fest is open to ALL Harry Potter generations including Marauders, Golden Era, and Next Gen. All pairings are welcome!

We've also created a little community of participants on Discord to help with round tabling and creativity. We'd love if you joined us! This is an 18+ only fest.

⚡️ Timeline

Sign-Ups Open: April 22, 2024

Sign-Ups Close: May 20, 2024

Submissions Due: June 24, 2024

Posting Begins: July 1, 2024

🌙 Sign-Ups & Claiming

You must complete the Google Form for your sign-up as well as claim your choice of prompt on the AO3 collection.

You may only claim one prompt at a time. If you finish your prompt, you may claim an additional prompt, but you must submit your first prompt as per submission guidelines.

One song prompt can be claimed by multiple people (it's not first come, first serve). You can use a song in any way you like for inspiration — title, lyrics, vibes… You do not need to title your work after the song or use lyrics in any way if you don’t want to.

Collaborations are welcome! Collabs can be illustrated fics, multi-writer fics, multi-artist artworks, etc.

✨ Creating

All ships from all generations are welcome (Marauders, Golden Era, and Next Gen). This is not a ship-specific or generation-specific fest.

There is a minimum word count of 1,000 words for all submitted fics. For podfics, the recorded story should be a minimum of 1,000 words. There is no maximum for either fics or podfics.

Multi-chapter fics are allowed, but you must finish the first chapter of the fic by the submission deadline.

All works must be tagged appropriately! In light of the mental health topics alive and real in this album, please consider yourself, your fellow participants, and your readers when discussing any themes on mental health in your works.

🏛️ Posting

Posting will begin on July 1, 2024, and the schedule will not be publicly released.

If you have any questions, please feel free to drop us an ask!

—

From your Tortured Poets Mods — @imdamagecontrol @wolfpadx @lemonlans @heartsoncover @multiimoments @abz-coralsunset and it's many helpful and incredible organizers who managed to put this whole fest together in a few days' time 🖤

not me saying I dislike wolfstar and then reposting this hahaha

the art is just too pretty!

wolfstar

Older Drarry recs (In their 20s/30s)

Part l

✨ Seeker’s High / 40k / Harry Potter doesn’t expect to take up running years after the war ends; it just sort of happens.

He also doesn’t expect that — as he fights tooth and nail to climb out of a post-war depression he didn’t realize he’d fallen into — he’ll end up running right into the arms of Draco Malfoy.

A half angsty drama, half romcom of Harry working on himself, learning how to accept help from his friends, and falling in love with his childhood nemesis.

I love a fic that handles mental health topics, specially Harry’s depression post war. Using running as a coping mechanism was wonderful, as I could see Harry falling in love with the sport and getting better and better as the story progressed. Also, Ginny’s and Harry’s relationship is one of the best I’ve read in a fic.

✨ He Who Must Not Be Normal / 40k / Potter has fame and fortune and posh clothes and all he wants is a simple life. Draco has a flat and a cat and a steady job and all he wants is a complicated life. Which makes you think this story has something exciting like body-swapping, but it doesn’t. Instead it has Indian takeaway and a blue jumper and people wanting a whole lot of what they can’t have, discovering themselves as they discover each other.

A really different take on Draco’s and Harry’s life post war. It was both tender and incredibly sad. Loved it.

✨ All Our Secrets Laid Bare / 149k / Over the six years Draco Malfoy has been an Auror, four of his partners have turned up dead. Harry Potter is assigned as his newest partner to investigate just what is going on.

A classic! If you haven’t read it already, please give it a go!

✨ Dwelling on Dreams / 135k / Draco thought he could avoid Potter for the duration of his brief return to England. He’d stick to his schedule and be back home in Paris, where he belonged, in a few short months. No trouble at all. He had plenty to occupy him, what with the opening of the London branch of his successful apothecary, his innovative research, drinks with Pansy, a backlog of unread potions periodicals.

Except Head Auror Potter is everywhere — in Draco's chair, at his door, in his dreams. All six feet of motorbike-riding, combat-boot-wearing, sex-hair-sporting Saviour of the World packed into one unfairly fetching uniform. Potter won’t leave Draco the bloody hell alone, won’t let him breathe, let him forget, let him sleep.

Because no matter how fast Draco Malfoy runs, Harry Potter is always hot on his heels.

My kink is Harry Potter in leather and a motorcycle

✨ The Claiming of Grimmauld Place / 74k / When Grimmauld Place begins fighting against Harry’s ownership of it, he decides he needs help to train the historic home — but little does he expect that it’ll be Malfoy who’s most suitable for the challenge. However, as Malfoy and Harry get closer, Harry comes to understand that expectations aren’t always the best path by which to guide his heart — and in the process learns just what is needed to make a house a home.

✨ Never Mind the Bollocks / 118k / If someone told Harry six months ago that by autumn he would be single, living on whisky and toast, and dancing the night away with Draco Malfoy, he would have told them to get their head checked.

And yet, here he was.

This author is SO good. I never fail to laugh when reading any of their stories. This one in particular is my favorite of them. So messy and chaotic and real.

✨ Jasmine in Bloom / 41k / This is not something Draco can have in his life… Potter overturning all that he’s carefully cultivated. They’re not compatible and never will be. Draco’s been playing with fire. It just so happens that he likes how Potter smoulders before being allowed close enough to burn.

✨ Too Good At Raising Hell / 87k / When Harry Potter walks into Draco’s nightclub looking like trouble, Draco can’t stop staring. He really ought to train his dick not to react so enthusiastically to red flags, but where would be the fun in that?

no because harry and ginny during their little ministry balls and quidditch parties are so call it what you want coded

mr. harry james "i want to wear her initial on a chain 'round my neck" potter wearing his slim, silver necklace with a 'G' pendant thats placed outside of his robes

and

mrs. ginevra molly "my baby's fit like a daydream, walking with his head down, i'm the one he's walking to" potter who can't keep her eyes off of him for one second

Prongsfoot. An illustration for this microfic.

He was my North, my South, my East and West,

My working week and my Sunday rest,

My noon, my midnight, my talk, my song;

I thought that love would last for ever: I was wrong.

W H Auden

A Deep Dive into JKR's Terrible, Amateur Writing - Part Two

Welcome to my ballsy series where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.

And when I say ‘poor writer,’ I’m talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the overall plot of the books. 

This is all about the nitty gritty in the craft of writing itself.

Part One Link.

Disclaimer for all readers of this series: 

I’m going to sound very confident in my posts where I work under the assumption I’m a better writer than JKR; because I am. My apologies if this rubs you the wrong way. You’re simply witnessing the culmination of over two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn’t just learn how to create stories; I learned the craft of writing to a minutia of details.

I’m not a perfect writer. No one is. I’m not a talented writer either. I’m experienced and skilled through years of study and practice.

I don’t care about J.K. Rowling. At all.

If you’re triggered by the concept and fact that JKR is a terrible crafter of writing, then you might want to take a step back and self reflect on that personal issue.

I still very much love and adore Harry Potter; you’re still allowed to love Harry Potter.

This is not a series to bitch or bash. This isn’t a shitpost. This isn’t an attack on JKR, no matter the disgusting bullshit she spews forth on Twitter. However, my hope is people awaken to the fact that JKR isn’t the goddess of writing we’ve all been led to believe.

This is a place of study and learning, where the purpose is to help students gain critical thinking skills and writing analysis tools to become better in their craft.

And, sorry, one more disclaimer for this specific post: 

Fanfiction is written for fun and is posted for free. I put most of my effort into my main fanfic, Terrible, But Great. (Yes, I intend to update Moon Rite soon, too) However, I also have two fanfics that are cowritten with another author; thus, the style of Shall I Stay and Badger Prey are understandably different. I spend three to four times the hours to edit a chapter versus drafting it. My process for fanfiction: I draft. I do one expansion edit. I do one proofread edit. I post.

However, if I were to publish a novel where people are expected to drop money on said book, my work flow would be vastly more extensive. To be clear, I’d do all of the following myself. I would not outsource. My process for published novels: I would draft. I would do three to four expansion edits. I would do two to three cutting edits. I would do three proofread edits. 

See the difference?

Because I don’t go through a cutting edit for my fanfiction, I’ll often come back later and see things I think are weak. I’m constantly seeing where I can tighten my work. There’s always room for improvement.

Remember: Harry Potter and the Order of the Phoenix is a paperback book that costs $10. My fanfics are free. If I, someone who writes for free and puts what she considers the bare minimum of effort into them, have a higher standard in the quality of my writing than a paid traditionally published novelist, there’s a problem here. 

All right, with that nonsense out of the way, buckle up, my writing friends. Grab a snack. Hydrate. Remember to take what resonates and leave what doesn’t. Let’s begin.

Class is in session.

In this post, we’re going to discuss these five pages from HP5 and dissect one paragraph and a line from page 731. All dialogue is highlighted in blue.

(My favorite book in the series, btw. I fucking love fifth year the most. JKR did a damn good job with Umbridge.)

Since a certain anon lacked the skill to comprehend the difference between too much dialogue and stories driven by a high saturation of dialogue, let's go into further depth about dialogue.

What did I mean last week when I said: "Too much fucking dialogue!"

Today’s lesson will focus on the overall issue in JKR’s dialogue and in the prose surrounding those dialogue lines.

And since, apparently, I “lack the self awareness” to know most of my fics are “oversaturated with dialogue,” I’m going to use weaker examples of my own writing. Chapter 24 of TBG is heavily driven by dialogue with twenty-one named characters to juggle, something that's very difficult for me to manage. Though the chapter is lovely, I do feel it's some of my weaker work. In the end, I just didn’t have the energy to edit it a second time nor go through cutting edit.

Here are three different pages (some connected, some not) from Chapter 24 of Terrible, But Great. All dialogue is highlighted in blue.

You can already see the difference, I'm sure.

So, what’s the difference between a scene that has 'too much fucking dialogue' versus a scene that is highly saturated with dialogue?

Because there is one.

Let's set the scene for HP5. In the middle of an OWL exam, Harry received a vision from Voldemort, showing him that Sirius has been captured. He's being tortured to get something from a shelf, but Sirius refuses. Harry believes the vision is real. He tells Ron and Hermione, then asks for their advice on how to rescue Sirius. Ron and Hermione are both like, pardon, wtf, sir? (As they should be.)

We have five pages of this fight between them. These five pages are mostly dialogue with very little else surrounding it.

Also, note the final page where it has the worst sins of adverb usage. That page is what triggered me to begin writing this series in the first place, btw.

There's too much dialogue here. There's no description. I'm being told stuff, but I'm not being shown anything. There are no emotional anchors to Harry either. The more I reread this scene, the more I realized what was wrong.

There’s an emotional disconnect from Harry in the prose.

Do not misunderstand me: it is NOT to say that Harry isn’t emotional here. It's that the prose doesn’t grip me, the reader, by the chest and twist my heart with his overwhelming emotions. The prose doesn't prove anything, doesn't show me anything. This is an intense, terrifying moment for Harry. It should feel visceral. It should feel tangible. I should be able to taste his fear.

We also don’t get too much information about the emotional states of Ron and Hermione. We have hints, of course. But we can’t feel them. The emotions of the scene are dampened, muffled, dull even.

With an untrained eye, you might disagree. It's okay. You'll see what I mean soon.

Page 731 exact quote:

"I dunno how," said Harry. "But I know exactly where. There's a room in the Department of Mysteries full of shelves covered in these little glass balls, and they're at the end of row ninety-seven...He's trying to use Sirius to get whatever it is he wants from in there....He's torturing him....Says he'll end by killing him..." Harry found his voice shaking, as were his knees. He moved over to a desk and sat down on it, trying to master himself.

(Btw, punctuation issue: you do not use an ellipsis and a period together and there should be a space after the ellipsis.)

This is the only instance in the five pages where we get any information about Harry's physical state.

And it's written in such a weak 'telling' instead of 'showing' way, too.

How and where was his voice shaking? How are his knees shaking? Are they knocking together in a weird way that's kind of physically improbable? Or was it actually his legs were shaking? Isn't he leaning against the door? If his weight was resting against the door, then there'd be less shaking in his knees or legs because his knees would be locked to brace his body against the door. His arms and hands would be shaking, though.

How does Harry master himself? What does that look like? Slow breaths? Running a hand through his hair? Rubbing his face and eyes? How is Harry mastering himself? Is it mentally? Then, where are those mastering thoughts? What are they and why do those thoughts in particular help Harry 'master' himself?

What's Harry's tone as he talking about Voldemort threatening to kill Sirius? How is Harry feeling about this? Give me MORE!

The dialogue is presented to the reader in a bland, empty fashion. Harry is relating something to Ron and Hermione. I could switch the dialogue out with anything and it'd still make sense.

There is little surrounding the dialogue to anchor it.

So, let's rewrite this, shall we?

"I dunno how," said Harry, letting out a shaky breath. His hands clenched into fists against the door of the classroom. "But I know where—they're in a room in the Department of Mysteries that's filled with rows of shelves holding these... weird little glass balls. They're in row ninety-seven. Voldemort, he's—" Harry's voice broke. His breath caught in his throat. The memory of the vision returned full force into his mind, the image of Sirius on the floor at Voldemort's feet stark in his mind. He ducked his chin; his chest inhaled in a desperate breath and the edges of his eyes burned. He's torturing Sirius—I can't just wait around. I can't lose him. Harry looked up at Ron, whose face had grown pale, while Hermione stared at him with wide, terrified eyes. The strength in Harry's legs weakened. "He needs Sirius to get whatever it is he wants and he's—" Harry sucked in a gasp, his voice trembling like an autumn leaf in a thunderstorm. "—he's torturing Sirius... says he'll kill him in the end." His knees buckled. Harry stumbled to the nearest desk; Ron reached out with a steadying hand on Harry's upper arm and silent gratitude filled Harry's heart. With shaky arms, Harry lifted himself onto the desk to sit and twisted around to face Ron and Hermione. He licked his dry lips, rubbed his eyes with a hand, and took slow, deep breaths to master his fraying emotions.

The original canon text has 57 words of dialogue with a total of 83 words.

My rewritten version uses 56 words of dialogue with a total of 247 words.

I'm going to drill this concept into your heads, my lovely students: this is what I mean when I keep saying JKR's writing is both bloated and underwritten.

I only rewrote a single paragraph and its following line. The five pages I've provided are filled with this kind of empty dialogue.

So, what have I done here? Can you see the difference? Can you feel the difference?

Let's analyze what I focused on in this scene to show Harry's body language and his thoughts. I upped the physical effects on Harry's body. His fear causes his voice to break in the middle of explaining what's going on. He's terrified of losing Sirius, the only father figure he's ever known. Voldemort might take another parental figure from him. 

And now the prose reflects these feelings, not just in his thoughts, but also in how he speaks and reacts to what is around him. He is not just speaking at the reader.

Harry exists in his world. 

And you can feel it.

When he stumbles to the desk, Ron is there for him. Hermione reacting could also be added here. There is a lot that can be added to this scene, if one wanted to expand this further. 

Yes, what I've done has increased the word count, yet it strengthens this short moment—and I'd do this for the entire scene.

What I did to the scene is merely one version of its potential. It could be rewritten in a multitude of ways and go in various directions. I spent 10mins to 20mins on it. I haven't edited it or refined it.

Can you finally see what I mean now?

If you compare the highlighted pages of HP5 to the highlighted pages of Chp 24 of TBG, you can visually see the difference in the density of the dialogue. JKR is the one whose writing is oversaturated with dialogue. My writing will always be highly saturated with dialogue because my stories are character driven. I prefer stories like that. But I also need the dialogue to be interesting and engaging, where the character feels alive in their world.

When I say there's too much dialogue, this scene is such a good example of this because Harry, Ron, and Hermione are all over the place in their interactions with each other. Yes, you want your characters to sound realistic, but you're also the author curating an experience for the reader.

There's a balancing tightrope act between having realistic dialogue and unnecessary dialogue.

There's a thin line between showing too much and telling too little.

Lastly, if I were to improve the overall scene, I would center the focus on Harry's desperation to rescue Sirius. As Ron and Hermione try to talk him out of it, where Hermione delivers that iconic line of 'you have a people saving thing,' I'd have Harry explode with something like this:

"You don't know what's it like! You both have your parents—I-I don't... You'd feel the same as me if it were either of your parents being tortured by Voldemort, yeah? I can't lose him—I can't lose Sirius."

I'm not bothering with description around it right now. I just wanted to give the baseline dialogue to show you the theme I'd carry through this scene. It's all about Sirius. It's all about the fear of losing him. It's about showing the emotion of the character and making the reader feel that deeply.

And that's what matters the most.

All right then.

We have come to an end of Part Two in this series. We have discussed fives pages in JKR's Harry Potter and the Order of the Phoenix. The pages in question are 731 - 735 should you wish to look it up and study the scene yourself.

And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.

Until next time.

Isa

exactly how I picture Auror Harry though, ten years down the line

redraw of this piece that’s been going around again,, had to redeem myself 🚶

Harry, blushing in the background: Bloody fucking Malfoy

It's That Time of Year 🎄