It Starts Like This...and Then You Grow Attached To The Fucker.

Please have 8.5 minutes of (some of) my favorite Martin moments because I!! Love him with My Whole Being!!! jonny sims could not have more custom tailored a character for me if i had asked

Normal People : Ew, they are so scary. How do people like these movies ?

Me : Stabby Men Pretty

Netflix’s Death Note: pro and con

Pro: Willem Dafoe as Ryuk

Con: Everything Else about the movie

I love Stan's relationship with the kids so much.

GF emphasizes a lot of very real trauma in Stan's past. Everything from child abuse, homelessness, drug abuse, and survival sex work. And the way that meshes with Mabel being this truly genuine depiction of a weird little girl creates something that is very unique to the series.

It's really touching how Mabel just being Mabel heals Stan's inner child and the way he naturally clicks with her. The weird and creative little boy he used to be, before his father's abuse and toxic masculinity beat that joy and optimism out of him.

It's just damn good. It's a really beautiful depiction of an intergenerational relationship. And I haven’t really seen anything else quite like it. Because there’s also Dipper.

There’s this wall between Stan and Dipper that goes beyond his similarities with Ford and its gender.

Dipper is a boy and Stan clearly doesn’t really know how to handle that. He was taught that boys are raised in a very specific way. And like we see how Stan really struggles with his past, the way he talks about the boxing lessons in particular.

Masculinity is so deeply entwined with Stan's pain and it’s something he can’t easily unravel. How is he supposed to be able to criticize his father for 'toughing him up' when he feels like punching things is one of the only things he’s good at? It's fucking sad.

As a would-be avatar of the Vast I feel this in a spiritual way.

ever think about how vast avatars are just like. really short. just so fucking small in every way. imagine walking into a fairchild family gathering and absolutely everyone’s 5′0 or under. these seriously tinyass people just love flying through the air because they like to feel tall. like weenie dogs on the kitchen counter of the universe. they take the “how’s the weather up there” joke and just make it into a threat. they look at somebody who clears 6′ ft and feel the need to fling them into an unforgiving void because tall people don’t have the chops to get out of it. do you want to know what the weather is like up here. fuck with me and find out.

Me: Had a long week, I'm now rewarding myself with more emotional turmoil.

Me: Let's go The Magnus Archives, a podcast distributed by Rusty Quill-

tainted love but scout

Parallels and contrasts between Stan and Bill in the new book and website

Aka miscellaneous thoughts that I'm too lazy to condense into something comprehensible– what you see is what you get folks! (Book stuff, DVD commentaries! The website that came out when I was trying to write this out and is now making me pull my hair out! But in like a good way? That god damn poem!)

not necessarily same coin stuff but I sure am thinking about it.

It’s been said that a large part of Ford’s relationships with Bill, Fiddleford and Dipper was him trying to fill a hole that his estrangement with Stan had left, with none of them clicking in that same way. Dipper was directly compared to Fiddleford as someone who was completely charmed by Ford but is ultimately too anxious of a person to properly deal with the life he's offering nor pull him back when starts going too far. Meanwhile, Bill is more analogous to Stan but to the extreme with all the doubts that Ford had been fed about Stan (that he was using him, he never grew up, he betrayed him, sabotaged the machine on purpose) turning out to be exactly true with Bill.

The book has Bill saying flat out that Ford wanted the charisma Bill had and then shows that at the peak of Ford's loneliness he was being envious of Stan's charisma, social skills and hands.

[STANLEY COULD HAVE MADE HER LAUGH]

(There’s an irony that Stan always thought that Ford was the popular twin even after doing embarrassing stuff like the kissing machine – if you haven’t seen the Swine Before Time Stan commentary get going, it’s great)

Then Bill swoops in with jokes and endless encouragement and the nickname only Stan used for him, all this in a way tailored for Ford to immediately like him while also reminding him of Stan but "better."

(The show rarely used it but Bill’s use of Sixer is extremely frequent in Journal 3 alone but the comics solidify it as being a pretty personal childhood nickname that kid!Stan used as his default way to call Ford.)

And then you see all of this working because Ford straight up writes Bill’s words using Stan's handwriting (and it turns out that Ford’s capital letter ‘for emphasis/angry’ font in general is the same as Stan’s handwriting too)

(It’s important to note that this is different from all the fonts that Bill uses for himself!)

All of this leads to the deja vu of Ford getting stabbed in the back by someone he was codependent on over a machine he thought was going to change his life for the better

Other things in the book that I’ve seen others point out and noticed myself:

Bill trying to reinforce that Ford would be alone without him, and threatening to tell Stan that Ford never loved him but the first thing Stan does in his letter is tell Ford that he loves him with their childhood code

Stan also only uses ‘Sixer’ in his letter when he normally tends to use a mix of nicknames post-Weirdmaggedon (sure it’s only twice but idk I find it noticeable)

Stan ripped a dollar in half when Bill taunted the reader earlier about how they wouldn’t do that

The promo photo vs the one in the book, Ford’s face being untouched vs Stan’s. While I initially interpreted this as “Bill’s book being a way to torment Ford” and then “him ending up having a meltdown at the thought of Stan”, the new poem kinda gives off an ominous vibe of "him moving on to focus on Stan instead whether he wants to or not"

Ford writing “miss you” in the bro code soon after arriving at Backupsmore which is shown in the Fiddleford photo, then Bill taunting Ford that he misses him

Bill and Stan now have another parallel of losing everything because of a genuine mistake but only Stan was willing to work to make up for it while Bill doubled down and became far far worse

The utter hatred Bill has for Stan being able to win in the end and get back his family

Both of them being institutionalized, with Stan’s mentioned in Guide to Mystery and Nonstop Fun (which has references to Bill liking Mabel for her chaos, silly straws, etc. Also Dipper basically came up with the Author theory but slightly wrong from theorising about the ink blot like a year before the Ford reveal)

(saturn devouring his son perfectly depicts my emotions when reaching this part of the book)

And now for the stuff we know from the website:

Bill having severe family issues with daddy issues implied since only his mum is mentioned directly with her trying to comfort him as a kid vs Stan having severe family issues with a definite focus on his dad while his mum was the only one to ask about Stan during that meeting with the principal and her being the only one to show up to his funeral

Both of them wear their dad’s hat despite of all of this

Bill starting a billion cults and has a lawyer called Multilevel Mark, Stan having his Scientology-esque cult being shot down by irl Disney and as a kid having his “technically a pyramid scheme” comic being shot down by a publisher

(I doubt that Stanentology would’ve gotten far but also you can see that a trend that the main way Bill gathers followers is by reading minds and revealing secrets only the victim would know, so let's hope that Disney-let-him-start-a-cult AU Stan never gets mind reading abilities)

Despite how we know how Stan is traumatised as hell from losing Ford, it’s noticeably isn’t referred directly in the Wheel of Shame (like you can’t tell me that the time between pushing Ford into the portal and starting the Shack isn’t as rock bottom as it gets, Bill literally recognises Stan in the first place by thinking about his brand). This probably is because Bill knows that they managed to repair their relationship and he’s fucking pissed about it.

There's further parallels between Stanley and Bill in poem; with lies and redemption and home, and further association with fire for the both of them

“Saw his own dimension burn.

Misses home and can't return.”

“Always dragged his family down.

One mistake, disowned, denied,

Only thing to do was hide.”

“One way out: the open road.

Reinvent, retry, reload.

A girdle, eyepatch, fathers fez,

"I'm a new man!" so he says”

“One way to absolve his crime.

A different form, a different time”

“His big break, it finally came,

Redemption from a life of shame.”

“Says he's happy. He's a liar.”

“Truth is just whatever sells.

When you've lost track of your lies,”

“Lie until you aren’t lying anymore”

Bill in a rotting corpse of a snake oil salesman

This triangle can fit so much self-loathing projection while being a hater

(Also it's funny that Bill is so insistent that Ford had to be the one who came up with the plan

Like look at this

See ‘em cogs turning in Stan’s head while Ford has clearly given up hope)

“How dare he dress up fancy when his jokes suck!!”

There's a parallel of Ford projecting onto Dipper in a way that makes him feel like kindred spirits with his nephew but Stan projects on Dipper in a way that causes him to be more harsh even if he has good intentions. Meanwhile Bill projects onto Ford in a more positive light in comparison to Stan, who in this case Bill wants to rip him and himself into shreds whenever he thinks of the guy. Bill’s shared love for fun/chaos with Mabel (despite them being so different at their core) is why he likes her the most out of all the Pines but that doesn’t stop him from trying to murder her (although I think most folks don’t know about that interview where Alex was like “yeah, I think Bill would’ve burnt Ford alive the moment he got the equation, he’s done playing with his toys at that point”)

Other tidbits:

I find it interesting that the full version of the Wheel of Shame has blue sparks and fades to grey scale (which automatically reminded me of his mindscape)

Stan signing off as Stanley in the book – this ain’t anything huge to chew on I'm just very over emotional about this… but also there’s Bill being called Billy by his family/in the codes

Ford thinking of Stan as childish/someone who never grew up and then we get hit by “yeah Ford always had some part of himself stuck at 18” oof

Ford underestimating Stan’s control over the mindscape, not knowing that he’s able to hide memories in Dreamscaperers, manipulate the layout of his mindscape enough to trick Bill and memory!Stan telling Dipper how to use the mindscape which Bill was genuinely surprised by

I'm headcanoning that Stan doing so bad at that history test is due to some latent bs from what Bill knows which is all crazy conspiracy level stuff

I think it's also intensely funny that all of the Pines promise that they'll murder Bill if they ever see him again and then they immediately turn to Stan and go “now it's your turn to write a letter! :D!!”

(I feel like the main requirement that the Theraprism has for Bill before he can reincarnate is mainly acknowledging his family idk which honestly would fit even better if his soul becomes Stan’s)

Mike Crew: No more than 5′ tall. 

Simon Fairchild: “Tiny, pink skeleton of a man.”

So what I’m saying is all Vast avatars are tiny and are compensating by having their huge endless patron. 

SOMEWHERE IN JONNY’S MIND IS A 17 EPISODE MAGNUS ARCHIVES OFFICE ROMCOM AND GODDAMMIT IVE NEVER WANTED MIND READING POWERS MORE