Speculation - Blog Posts

DBS Manga Return + New Arc Announced! Here's My Speculation:

Just yesterday, we were informed of the return of the Dragon Ball Super manga and the reveal of its next arc being an adaptation of Dragon Ball Super: Super Hero set to start on December 20th. It’s speculated to start with prequel events that will lead up into the events we see take place in the film. While I don’t think anything that happens in the movie will change drastically in the manga, I think starting the arc with these prequel events is a fun way to adapt the arc!

The arc will feature Goten and Trunks becoming super heroes, and it’s nice seeing the two of them get something to do! I’m hoping we get to see other characters that appear in the movie like Android 18 and Krillin during these prequel events as well, as the Granolah arc really didn’t feature a whole lot of characters and it’s been a while since we’ve seen everyone else in the manga. I just wanted to take a second to theorize about what may happen during the “prequel” section of the arc as I think there’s a lot they could do there.

Videl

Videl hasn’t had very many moments to shine in DBS compared to other characters, so I think this could be a very good opportunity to show us more of her character. I’m not expecting her to fight Cell Max or anything, obviously something like that wouldn’t happen, I just think it’d be cool (and also pretty likely) that we’ll get to see a bit of her in this arc’s prequel events. We learn that she teaches martial arts at a school now during the movie, so maybe we’ll get a glimpse at the school? Who knows, I just think it’d be a neat addition to add in there.

Marron

Marron, like Videl, is another character who we haven’t seen a ton of in DBS, and I think we’ll see at least a brief appearance of her. If we do, it’s also very likely that she’ll have a new design similar to Goten and Trunks, as the last time we saw her was during the Tournament of Power if my memory serves me correctly, and at least 2 years have passed since then. If she does get a new design, it’s likely she’ll look similar to how she did during the End of Z, as the time when EoZ takes place is approaching in universe.

Gohan’s Makankosappo Training

Gohan states during the movie that he spent some of his spare time practicing the Makankosoppo in order to surprise Piccolo, but we never got to see him practice the technique. If the prequel events turn out to be more relaxed compared to the Granolah arc, it’s possible we could see him practicing the technique.

Gotenks

While Gotenks making an appearance in an arc that puts focus on Goten and Trunks makes sense, I doubt we’ll see him during the prequel events. The two of them messing up and merging into fat Gotenks during the movie tells me that the duo haven’t been practicing the technique much and have gotten rusty, so for them to pull it out during the prequel section, fuse into Gotenks perfectly, and then proceed to botch the technique during Cell Max would just be weird, at least in my opinion. The possibility of him appearing before the main events of Super Hero is still there though, so I figured I’d just bring it up. I’d definitely be nice to see a properly formed teenage Gotenks in action, though!

Final Thoughts

While I don’t think this arc is going to be anything mind blowing, I think doing a Super Hero arc instead of immediately diving into a “Black Frieza” arc is for the best. I’m hoping it’ll be a good mix of action and slice of life content without stretching on for too long like the Granolah arc did. Ultimately we’ll just have to wait until December when the arc starts to see how it goes, but regardless like I said originally, it’s nice to see Goten and Trunks getting something to do in the manga, it feels like it’s been way too long since they’ve been relevant.

If you read all this, thank you! I just wanted to spend some time speculating on this as I’m very excited to see the DBS manga finally return. I’m still planning on doing a Sonic Frontiers review like I stated previously and I’m still working on writing other Dragon Ball related things, I’m hoping to have at least one of those out soon!

I noticed that Caradoc’s and Arthur’s arms are similar: both feature crowns on an azure field, though Arthur has multiple crowns or and Caradoc just has one crown argent. Caradoc is married to one of Igraine’s daughters in the Vulgate Merlin, and he is the son of Arthur’s niece (but referred to as his nephew) in The Story of Caradoc. It’s quite possible that whoever designed Caradoc’s arms meant them to look like a humbler version of Arthur’s.

Coats of Arms of (some) Knights of the Round Table from a 16th century French manuscript, including most of our favourite Merlin knights.

From left to right:

Galahad, Percival, Lancelot du Lac, Bors

King Arthur, Gawain, Tristan, Lionel

(H)elyan the White, King Bagdemagus, King Edern, King Rience, 

King Carados, King Clariance, Duke Chaliens of Clarence and (H)ector de Maris.

A short analysis of the Chapter 3 culprit

I’m not going to fact check what I’m saying and this is mainly just speculation, but I noticed something’s that could make things more interesting.

spoilers for Chapter 3 of course

I think Dr. Yonekura was a neglectful mother towards her daughter Okazaki, and didn’t care about her and only worried about how Okazaki’s behavior reflected onto herself.

One thing that the video Regulation Review made clear about their relationship is that Yonekura doesn’t care about Okazaki. I think this is also shown in how Okazaki viewed her ‘rival’ Tsuno.

Okazaki stated that she wanted to kill Tsuno because Tsuno refused to acknowledge Okazaki and acted like she didn’t know her. She was dismissive and acted like she didn’t care about Okazaki until Okazaki started hurting Wada.

I think Okazaki was neglected by her mother, and now hates when people ignore her. Yonekura only cared about Okazaki when she said that Okazaki made a fool of herself.

Okazaki probably started to act out so her mother would acknowledge her and would give her attention, even if that attention was negative. When Tsuno, someone she thought she had a twisted connection with ignored Okazaki like how Yonekura did? Well Okazaki couldn’t just take this injustice.

I’m not saying this excuses Okazaki of all her actions. She’s a horrible person who doesn’t care about others unless it involves herself. But she is so interesting to me and I want to know why she acts like this. Or well, acted like that.

TLDR: Yonekura was a neglectful mother and ignored Okazaki. She would only give her daughter attention when Okazaki did something that made her look bad. Okazaki started doing bad stuff to get her mother’s attention, and then somehow got tangled up with Tsuno and got the idea that they were “rivals”. (Still don’t know about that). When Tsuno ignored Okazaki, she saw that as a personal attack and started acting out in a way that would get Tsuno’s attention, just like she did with her mother Yonekura.

I wonder if, after Azeroth's Second War, some of the humans running the internment camps for the orcs were frustrated by how placid the orcs had suddenly become... if, perhaps, their lack of aggression or hostility deprived them of their justification for keeping sapient beings in prison camps, and subjecting them to enslavement and abuse.

With the kamikou fes thing, I could see them pulling a Resonant Town where Toya is the focus for the event and the stuff with Mizuki and Ena happens kinda in the background, and that then leads into Mizuki5. So like i'm imagining Mafuyu5 = Kick it up a notch, Kamikou fes2 = resotown, and Mizuki5 = whip the wimp girl. So possibly something where you could skip reading the mixed event in the middle and still get the plot, but to REALLY get the plot you have to read the mixed event

Oh that’s true actually. Come to think of it Toya doesn’t know Mizuki’s secret yet, but it’s kind of an inevitability that he will find out with them being in the same class and all, like how An found out. And Toya’s much more honest and honestly is the type of person who would just take the information and just immediately accept it, like An in some ways even if they’re totally different. He’d be a very good support imo, and could probably give Mizuki some advice on opening up to Ena, like he did with An in wimp girl.

Honestly a kamikou fes event probably could work to bridge the gap. An and Rui already know Mizuki’s secret, Toya will find out eventually, and Akito might know through rumors (he mentions knowing about rumors going around in the original Kamikou fes). Maybe you could do something like Ena maybe hearing things from Mizuki’s classmates and then the other characters helping her out 🤔

Or what if- wait a minute-

...long nose...long hair...seems crazy...wear a crown-like-obejct on her hair-

WHAT IF, this is a universe, where someone used the magical crown that Urgence Evergreen created or some similar crown-wish-object, to wish, not to be Evergreen, a Ice wizard, but instead wishes to be a CANDY WIZARD?

CANDY HAIR????? PB'S CROWN???? FANGS????????

BUBBLINE CHILD??????

The Mysteries of Elunite Ore

- Headcanon Speculations -

Elunite Ore, a rare mineral considered blessed by Elune Herself, is one often sought after; and yet shrouded in mystery. As many priests, priestesses, templars, and other devotees of the Goddess may strive to incorporate Elunite into their armaments and regalia, the quest for obtaining and fashioning this material is one that has spanned many lands and generations. This is a compendium on the nature of Elunite from various geologists, theorists, and researchers across Azeroth.

Earthly Origins

The origin of Elunite’s terrestrial formation is not entirely understood by Sisterhood scholars, nor by lithic experts of the world. One of the oldest proposed ideas is rooted in the ancient legend of Elune and the Well of Eternity: that she once dwelled in its depths during the day, and rose into the sky as the moon each night. Due to her strong former connection to this font of arcane power, it is surmised that Elunite may actually be crystallized remnants of the great well; whose leyline rivers once nourished the planet. One theorist believes that because all modern moonwells contain traces of the Well of Eternity, and are damaging to demons and scourgeblight, this could explain the similar holy properties of Elunite. However, others claim that it finds its beginnings as a simple, mundane ore embedded within the earth, which is eventually augmented with Elune’s blessings once it is exposed to the surface and directly shone upon by moonlight. More mythical sentiments say that any ore can become Elunite if the goddess wills it, and that finding it is an extremely rare and divine auspice. It is believed that processed Elunite is a multi-faceted metal whose properties can change depending on imbuement from various moon phases and other major lunar events, such as eclipses. While some think it is ever-shifting, varied accounts of miners and blacksmiths with the remarkable ability to shape Elunite describe that its qualities are determined by the state of the moon on the exact night that the ore is extracted from the earth. Either way, this is a succinct list of their observations:

Full Moon Properties: Bolsters the wearer/wielder’s healing capabilities, and is often inlaid into staves and suturing needles. Full Moon Elunite is also highly damaging to demons and the undead; therefore anyone on a demonic or undead purgation mission may seek out a weapon of this influence to aid in expunging corruption. 

Waxing Moon Properties: Becomes a material which houses additional mana, that can then be tapped into for a small increase in magical reserves until recharged beneath the next waxing moon. Those who carry moonwater or the liquid fire of Elune may opt for this particular metal to house these sacred substances.

Quarter Moon Properties: Contains a natural abjurative energy which is typically used in the creation of Elunite shields, talismans, librams, wards, and armor for those who exercise a more defensive combat style, or wish to protect themselves magically against unholy forces.

Waning Moon Properties: Often the choice for Elunite accessories and other ephemera, which are usually crafted with the eventual intent of Elunarian sacrifice. When an item of waning moon Elunite is offered up, its physical form is completely consumed in exchange for a singular blessing, protection, or spell. Lunar liturgical glyphs or words of power are typically engraved on these accessories with particular spellwork in mind, although a priest/priestess may sacrifice a blank slate piece and incant one spell of choice with a greater potency.

New Moon Properties: It is said that New Moon Elunite is magically similar to the blessing of shadowmeld, allowing for easier camouflage into surrounding environments and quieter movements. Those who wish to make use of the protection offered by chainlinks or armor plates, while still retaining obscurity, may seek to have their regalia crafted with this semi-noise-dampening material. This offshoot of Elunite is additionally often sought after for the creation of arrowheads, shurikens, and other projectiles; as its magick may be utilized for brief invisibility before it dissipates and its physical counterparts reappear.

Solar Eclipse: Solar-eclipsed Elunite is often chosen in the creation of rings (such as archery thumb-rings) that are usually beset with moonstones and other blessed gems, whose imbuements can strengthen one's physical or magickal attacks.

Lunar Eclipse: Lunar-eclipsed Elunite is typically the choice material for divination tools: such as pendulums, scrying mirrors, and spirit-speaking quills. Some also craft ritual daggers with this material for the purpose of collecting flesh to be offered in Elunarian flame sacrifices.

Artisanal Knowledge

Another unknown characteristic of Elunite is how an artisan attains the ability to gather and shape the ore. It seems that precious few across Azeroth have this exceptional privilege, the two most prominent having once resided in the boughs of Darnassus. Elanaria and Mathiel have not been seen since the Burning of Teldrassil, but much can be gleaned from the stories of those who once worked with them. Many miners and blacksmiths are incapable of grasping the techniques surrounding Elunite, which poses some intriguing theories. The simplest is that the secrets of this ore are strongly protected, and seldom taught to others. Another that some have posited, is that the way to gain the privilege of crafting with this mineral requires proving oneself by performing an act of protection or preservation in defense of the goddess’s domain. She then assumedly rewards this deed with the artisanal knowledge of Elunite, or it then becomes malleable to that specific person. Elanaria supposedly tasked her trade partners and trainees with sacred missions such as slaying satyrs actively corrupting moonwells, and ending the suffering of oathbound shades. The late, self-cursed Captain Elura was said to wear a precious medallion, though we do not know if it was of Elunite make. Some theorize it was simply requested as a physical token of proof for the task; while others believe it was Elunite indeed, which is why Elanaria wanted it retrieved. If the medallion was shaped of this hallowed ore, the fact that Elura still wore it even in death may speak to its deep reverence, a spiritual binding property, or a partial immateriality.

Because of its sanctity, and the profound cultural respect for it among Kaldorei, crafting with Elunite may be more common among the Sisterhood of Elune; but still heavily guarded from the rest of the world. It could be that there is a sect of the Sisterhood devoted to sacred artisanry such as this; or, the Sisterhood may commission lay craftsmen who possess the means to Elunite. This material is also said to be utilized in profession tools such as sewing needles for mooncloth tailoring, quill nibs for lunar inscription, and rune rods for Elunarian enchanting. Hippogryph riders of the Sentinel Army, as well as individual riders, may commission blessed Elunite hoofshoes for fortified hind leg attacks, periods of extended wear on the back legs, when the creatures grow old, or are unable to fly; as some claim that they ease pain. Additionally, some equip saber, owl, and chimera companions with Elunite armor, claw/talon caps, and adornments just as they would wear regalia themselves.

In regards to metalworking with Elunite, some theorize that cold working (shaping metal at or below room temperature) may be the superior method as opposed to the extreme heats used with common minerals. Byproducts of Elunite smithing, such as the coal that is left behind from this process, may be used within braziers. It is said that Elunite coals, and the flames that burn from them, are resistant to water quenching; and as such are often used in settlements or outposts with heavy rain and snowfall. The most prevalent theory as to how these fires continue to burn posits that the coals themselves must be open to the skies, as the flames are “kindled,” so to speak, by the energies of the moon each night. Members of the Sisterhood are said to carefully wrap and gift Elunite coals to patrons on various holidays for people to place within the hearths of their home as tokens of spiritual protection and good will. Communal events organized by the order additionally use Elunite coals in cooking fires as an added method of blessing food stores; which some claim temporarily defends against illness, strengthens the body, and fortifies the spirit.

As of today, it is unclear whether or not Elunite can be alloyed. It could be that those who are able to work with the ore simply refuse to do so for fear of dampening its sacred properties; or, its inherent magick may be rendered useless or significantly weaker when alloyed with other common metals. In matters of corrosion, Elunite proves particularly mysterious. It would stand to reason that the goddess’s ties to water might strengthen the ore against rusting and deteriorating over time; although, there have not been any ancient Elunite artifacts recovered as of yet, perhaps implying that the material cannot withstand the elemental ravages of the eons. One possible argument against this is that because the ore is tremendously sacred, there may be ways to reshape or reuse the material; and that is why no timelost Elunite relics have been recovered.

Lore and Legend

Ancient, yet unsupported stories, say that Luminarian was one of the first to uncover the mysteries of Elunite; his name supposedly a pseudonym of sorts to commemorate his luminary works, and the ability to shape this luminous ore. While Elunite was fabled to be the reason for his rise to prominence, many speculate that he eventually abandoned the craft in favor of arcane creations; hence his lasting fame as a magesmith, and as the creator of mythical weapons like Felo’melorn and the Prismatic Blades. It is also rumored that the legendary Ta’Kierthan Songblades may have been forged of Elunite, considering they were crafted by a renowned Kaldorei priest: many of whom employ music and singing in their devotions and spellwork. The art of bardic weaponry seems to be an elusive one, perhaps completely lost to the ages, but nonetheless a technique that Elunarian scholars still seek in the ruins scattered across the lands of Azeroth. Those who traveled through the Dark Portal nearly forty years ago, as well as Draenei refugees, have noted a striking similarity between Elunite and some regalia found on Draenor, as well as others bequeathed directly by the naaru. No one is certain where these pieces are originally from: some claim that they once belonged to adventurers and were merely traded through many hands, while others are convinced that Elune and her blessed ore could have connections to the naaru, and that the ore may be on other planets throughout the cosmos. Elunite-imbued leggings were also recovered from the forest troll stronghold of Zul’aman; though how they got there is anyone’s guess. A commonality between all of these items is an increased critical strike chance, as well as greater potency for both damage and healing via magical spells. Two of the three also provide a passive mana restoration over time (much like moonwells), perhaps owing to the nature of Elunite’s inherent power.

Myths of the High Priestesses

- Headcanon Speculations -

The lore and legend of High Priestesses past have largely been lost to the ages; although scattered findings and enduring myths sweep away some of the dust from the buried tales of Elune’s chosen.

Haidene - Bearer of the Basin

Haidene was the first known chosen of Elune in all of the Kaldorei’s recorded history. It is said that she heard the Goddess’s true voice, and as a child no less.

An unsubstantiated legend tells that Haidene heard the will of the Goddess to make pilgrimage across Kalimdor and create the very first independent moonwell for the burgeoning Kaldorei to thrive across the continent, and that Haidene used the iconic basin as a vessel of safekeeping for the blessed waters of the Well of Eternity. Haidene supposedly experienced dire straits on this pilgrimage; she and her kin on the brink of fatal thirst. Haidene gathered what little of their water remained, enough to sustain her for far longer if she chose to drink from it alone. The others pleaded with Haidene to drink deep and preserve herself, for she was the very incarnation of the Goddess. In a selfless act of faith, she cast the basin skyward and beseeched Elune, that she would give herself in body and soul if only it were filled, so her people could live to see another moon, and press on to the bountiful lands ahead. It is said that for her benevolence, Haidene was granted the title of High Priestess by goddess and kin alike. It was on this night that Elune taught Haidene the sacred artisanry of the ever-flowing moonwell, the very same that still persists in her statues today. It is only rumored, but this moonwell could have been the one nestled in the heart of ancient Moonglade, having since flourished into Lake Elune’ara.

Tales that have only endured by way of oral tradition say that Haidene's blessed waters were shared in the first feast of Lahassa during the earliest epoch of the Kaldorei. There are even theories that the sacred Chalice of Elune may have belonged to Haidene, the relic permanently blessed from this momentous celebration made possible by Elune and the land’s combined bounty.

Elunarian archaeologists claim that Haidene may have established the temple in Desolace, known today as the Palace or Sanctuary of Elune. A place so ancient that its real name has been lost and blotted out by demonic desecration. Many of the relics recovered here are thematically linked to Haidene: The Cup of Elune as a relic of physical and spiritual cleansing, and Elune's Handmaiden as a relic of celebrating victory and sacrificial offering. The embers recovered here from Elune’s Brazier may have indeed been borne from an actual flame, or they could be remnants of Elune’s liquid fire; an apt medium for High Priestess Haidene.

Kalo'thera - Ascended of the Stars

Kalo’thera was the next known chosen of Elune, following Haidene. Her name evokes meanings along the lines of “stellar warrior.” Unfortunately, there are no known depictions of Kalo’thera's true likeness; although some choose to stylize her in darkling garbs and armor reminiscent of the new moon, due to purported ties to Elune’s Night Warrior aspect.

It is said that Kalo'thera “ascended to the stars” at the temple of old Hajiri, though these ancient words have not been elucidated further. None now live who remember seeing Kalo’thera’s ascension ritual with their own eyes, but there are a myriad proposed theories as to what this could have meant.

She may have fulfilled all of her earthly duties as wished by Elune, or proved herself an exemplar through astounding feats; and was rewarded with the status of demigoddess for her service as high priestess. Some believe that Kalo’thera now exists as a constellation in the realm of midnight from this divine act, perhaps other demigods and demigoddesses represented in this form as well.

She may have been slain in battle, “ascending to the stars” perhaps referring to her joining the Night Warrior’s embrace along with the other souls of the valiant dead riding across the night sky. The story of this ascension ritual might then be a widespread coverup by those who witnessed Kalo’thera’s true end.

She may have invoked the ritual of the Night Warrior, subsequently being torn apart in body by the wrath of the new moon. Ancient legends speak of the Night Warrior’s power being used as the driving force for carving out the Kaldorei Empire, Kalo’thera perhaps spearheading the expansion with this dark boon to wrest lands from the myriad world powers of the Pre-Sundering age.

Old myths describe a rare and lost regalia, called nightcloth, almost as if an opposing material to mooncloth. This was supposedly worn during the expansion era to better blend into the shadows of nightfall for battle, some claiming by Kalo’thera and the other Night Warrior witnesses. The exact origins and techniques of crafting nightcloth seem to have faded along with history; however, there are speculations that this fell out of favor within the Sisterhood due to the dangerous associated ritual that ended up slaying the invoking avatars, and even onlookers. Kalo’thera may have been the one to engrave the tablets of Bashal'aran describing the Night Warrior and the other aspects of Elune. There is a deep blue, nearly black, flame in the heart of the Ameth’aran ruins as well. Some Elunarian scholars theorize that perhaps its color owes to the Night Warrior’s midnight powers. This flame was later twisted by Athrikus Narassin using a moonstone seal to bind souls in a spiritual prison; curiously still, souls thought to be under the purview of the Night Warrior. Some say that Kalo’thera was the first to be granted knowledge of the Starshards spell by the Goddess, its namesake partially deriving from Kalo’thera. A superstition of the Sisterhood claims that it is Kalo’thera herself who now grants moonpriests this power, crystallizing pieces of starlight and raining them down from the midnight heavens to her earthbound descendants who call upon the aid of the stars.

Dejahna - Zenith of Conviction

Dejahna was the third known chosen of Elune, following Kalo’thera. She was the mentor and predecessor to Tyrande Whisperwind.

Those who braved the Tomb of Sargeras, once Dejahna’s primary temple in life, claim to have seen her incorporeal form. If her spirit is at all reflective of her appearance in life, then Dejahna preferred dark robes, with silver accents and blue gemstones. It may have been customary for a High Priestess to don specific garbs, as Tyrande replies to the news of her appointment to this position with, “I’ll become high priestess—at least until this war is over—but I will keep my present garments—” (Demon Soul, Ch. 17) Dejahna’s darkling robes could also be due to her presiding over the burial site in the depths of the temple, perhaps a ceremonial garb for rites involving the dead.

Some say that Dejahna’s harshness and austerity arose from Kalo’thera as her assumed mentor; others say that an influx of unfaithful Highborne attempting to join the Sisterhood as a last resort was seen as a mockery of the order. Dejahna supposedly then raised the standards of entry to rigorous heights, some dubbing her the Zenith of Conviction for her high expectations from novices.

Given Azshara’s growing distance from the faith, and attempts to eclipse Elune with devotion from her subjects, old rumors claim that Dejahna held a particular bitterness for the queen by the outbreak of the War of the Ancients. This may have been in part due to Azshara’s appointment of her own High Priestess: Siralen of Vashj’ir.

Dejahna’s temple hosted a handful of templars, perhaps this ancient version of a lunar paladin having once been a prestigious rank within the faith.

An ornate vial was recovered from the Cathedral of Eternal Night, whose glass was said to “bear the mark of Dejahna.” It is unclear what this mark truly is, but it could be that each High Priestess, or even priestesses as a whole, have personal sigils rooted in the Elunarian language similar to a common signature. This vial could have been her personal vessel of moonwater, or one of many that she bestowed blessings upon by way of this mark. Considering its name of "Eternal Moon,” this may refer to the blessing or enchantment on the vial lasting eternally or having a resilient quality to its magick; as it did survive the temple sinking to the bottom of the ocean, being raised again by Gul'dan, and being pillaged by demonic forces and adventurers alike.

The upper levels of Dejahna's temple contained the "Hanging Gardens," which were actually tended to by an ancient named Agronox before he fell to corruption. It could be that because this temple was the heart of night elven worship in the empire, an ancient's service in a temple was a rare sight; or, Agronox's existence here could mean that others of his kind served alongside Kaldorei priestesses in other parts of the Pre-Sundering world as well.

Dejahna fell in battle during the War of the Ancients, and named Tyrande as her successor to take the mantle. This is an interesting development, as it would seem like such a position is granted directly by Elune, as seen with Haidene. However, in Demon Soul, Marinda is sent to deliver the message of Tyrande’s succession: “‘Before her death, she named a successor…’ Tyrande nodded. This was to be expected. The new high priestess had, of course, immediately sent out messengers like Marinda to spread the word of her ascension.” This being “expected” implies that naming a successor was a traditional practice in passing on the mantle. Supposedly as Dejahna was dying, she “insisted that only her attendants would know.” (Ch. 17) This could just be referring to healers seeing to her wounds, or it could be that within the Sisterhood at this time, there may have been a specific rank for tending to the High Priestess; an interesting parallel to the handmaidens of Queen Azshara. Marinda also reveals “…that, normally, there would be a ceremony, a long entailed one that as many worshippers as possible would be invited to see.” Elunarian faithful from all over Kalimdor likely traveled great distances to see such a monumental event. This role in general also seemed heavily involved at the time, “leading this chant and that. The temple also held a blessing each evening for the rising of the moon and the good will of the gods. In addition, the leading nobles always had to have some sort of recognition ceremony for various anniversaries and other events…” (Ch. 17)

A final piece of High Priestess lore we learn from Marinda comes from the reasoning behind Dejahna’s choice: “She was of clear mind, sister. And you should understand, she had made mention of you before this. The senior sisters all understood that you were the one…and no one among them argued the decision.” (Ch. 17) This uncovers an interesting dynamic in the old Sisterhood then, that there was at least a dialogue among the senior sisters, if not a democratic process settled through debate around the next chosen High Priestess.

Siralen - The Contended

“Let this statue stand as an everlasting testament to High Priestess Siralen in the name of all she has done to nurture Quel'Dormir Temple into a glowing beacon of faith. May her newfound service under Queen Azshara herself shine as a testament to the potential of the noble birth nurtured in our beloved, Vashj'ir.”

The case of Siralen is a strange one, as she was not passed this mantle from a High Priestess within the Sisterhood – as was tradition. She was instead granted this title by Queen Azshara, supposedly for strengthening the faith of Quel’dormir Temple in the royal city of Vashj’ir. It is interesting to speculate how priestesses across Kalimdor reacted to this decision: whether they saw it to be just as divine an act as being appointed by Elune herself or a current High Priestess, or if they disagreed with a bestowal that strayed so far from the role’s sacred history. Many of Azshara’s epithets insinuate that she was viewed favorably in tandem with the goddess, such as Daughter of the Moon, Flower of the Moon, and Radiance of the Moon. Although, others lean towards eclipsing Elune’s worship, like Light of a Thousand Moons, for example. In any case, the appointment of Siralen then introduces the question of authority, and whether the High Priestess of the Sisterhood was considered of higher, lower, or equal status.

Noteworthy still that her service is “under Queen Azshara herself,” and it could be that this nurtured faith was actually to the Queen, as Elune is conspicuously not mentioned anywhere in this engraving. It also reads, “a testament to the potential of the noble birth nurtured in our beloved, Vashj’ir,” perhaps alluding to a growing and more obvious class divide between the highborne and common Kaldorei; or at least the boundless arrogance of the highborne caste.

Other Notes:

The ancient high priestesses may have each worn a traditional headpiece depicting the Elunian cycle that was passed on through the ages. Tyrande Whisperwind still has this in her possession, and it was noted to have been entrusted to her during the War of the Ancients. -Headpiece of the Elunian Cycle, a quest reward from [Full Might of the Elves]

Delving into Blackfathom Deeps

An excerpt from Glory to the Queen Born of Stars:

"Of the wonders our queen brought to this world, perhaps none was so great as Lathar'Lazal. As masons constructed the temple, Azshara shaped the waters around it with the Scepter of Tides. She spoke the names of the rivers and the seas, and they moved at her command. Salt water from the roaring ocean and fresh water from the mountain streams trickled to Azshara's side. With the flick of her wrist, the queen partitioned them into great lakes that hugged Lathar'Lazal's sturdy foundation."

Architecture:

Blackfathom Deeps, as we know it today, was once called "Lathar'Lazal," or "Seat of the Sky" in Darnassian. Long ago, this was a temple to Elune built by Queen Azshara with the aid of Sharas'dal (her tide-scepter) in the ages before the Sundering. Pelagic imagery still endures in the architecture of these sunken ruins, described at one point to have contained "gem-encrusted bridges and effervescent lakes." Motifs of fish-head fountains, wave-inspired stonework, scale-like patterns, and ionic columns are repeated in the masonry and pottery of the forlorn halls. It is unclear what the seafoam-colored stone the temple is made of, though it is interesting to note that it almost bears a resemblance to a body of water's surface: like the way a pool shifts and shimmers with the light. Some kind of material borne of the sea, melded together with the queen's Sharas'dal, or a common mineral of the region? They could also simply bear cracks and signs of weathering considering the age of the temple, but watery stone would be fitting symbolically.

Azshara's Influence:

"Whenever she [Azshara] walked the bridges of Lathar'Lazal, nearby schools of exotic fish would array themselves in colorful patterns. She even kept a colossal sea giant bound to one of the lakes. She used her scepter to make him perform tricks and feats of strength, much to the delight of the watching Highborne. Curious night elves from the far corners of the empire journeyed to Lathar'Lazal to study the mythical creature and his habits."

Perhaps Lathar'Lazal was a bustling tourist attraction then in the days of the empire, both for education and entertainment. With such tourism drawn to the temple, I wonder if the nearby land/city of Zoram benefited from this economically.

The passage above seems to imply that the Highborne rather enjoyed the spectacle of the imprisoned sea giant, and this poses an interesting dichotomy to the original purpose of the temple: a house of Elune, simultaneously hosting a creature trapped against its will. Such an exhibition created by Azshara here speaks to her penchant for show and amusement, and possible disregard for the faith. If only a historical record existed of a priestess's personal journal or the like; and whether she would be disappointed with such behavior, or complacent in the suffering of other races/creatures as night elves often were during this era.

Tideweaver:

Queen Azshara, even before her naga transformation, always had a fascinating dominion over water, both with her scepter Sharas'dal and the Well of Eternity. Supposedly Xavius was the one who actually gifted the queen with this ornate weapon that later shaped the temple:

"A night elf named Lord Xavius presented the queen with a jeweled scepter, etched with delicate magical sigils. He promised Azshara that so long as she kept it close, it would bring her prosperity and great power. Azshara held the scepter aloft, and the jewels shimmered in the light of the moons like brilliant stars. The sight of the queen and her gift was so beautiful that it brought many of the attendant Highborne to tears."

An enigmatic man of terrifying skill and power, I do wonder where Xavius procured this weapon in the first place; as its design does not appear to be of Kaldorei craftsmanship. Perhaps it hails from the ancient jinyu culture, the primordial titans, or some other past world power. Examining its details, what do you think of Sharas'dal's origins?

"Queen Azshara's enchanted scepter afforded her great power. Imbued with the Well of Eternity's potent waters, it held sway over the rivers and the seas, aquatic creatures of all kinds, and the life energies that stirred within Azshara herself."

In the Tablet of Balancing Tides, it is stated that:

"The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their power."

I find it interesting that Azshara utilized a form of magic half-intrinsic to the moon goddess. Did she derive some of her aquatic power from Elune, or use a different magick entirely? The descriptions of Azshara wielding the scepter use language that speaks to a command over water, rather than a unity with the elementals, spirits, and goddess.

This item's flavor text also mentions Neptulon--Elemental Lord of Waters--interestingly now a sworn enemy of Queen Azshara and her naga forces in the present day.

The Moonshrine Ruins:

This place supposedly once hosted a moonwell, with an area known as the Moonshrine. The foundations here might suggest that before the Sundering, Lathar'Lazal could have been built just upon the shores, or expanded out into the sea itself with the tides embracing the temple all around. Swimming beneath the waters of the Moonshrine, there appear to be large pillars supporting the walkways here; much like a pier.

The Inner Sanctum:

Crescent imagery is prevalent inside of the sanctum, as well as sets of 3 seats, perhaps symbolism of the triple moon (waxing, full, and waning or the maiden, mother, and crone archetypes) holding some importance in the rituals carried out here. These could also represent a large meeting space, high-ranking priestesses for ritual, a council of leadership, divisions of the temple, seating for observers, or something else entirely. They face partitioned rooms with crescent moon symbols.

If we look at the central dais of the sanctum, (Azshari statue and cultist altar notwithstanding) there is a raised platform with a pyramid-like structure carved into the ceiling. Perhaps a skylight once existed here to let in moonlight for lunar rites, or this area hosted something of great importance to be kept safe inside the sanctum.

The Moondoors:

The moondoors are an especially interesting piece, and the last apparent threshold of the Seat of the Sky. Upon passing through, there are only a handful of pillars flanking the sides of the cavern. They seem to accompany each other in pairs on each side - marking a possible entrance, exit, or some other pathway to the temple. While I am unsure of their true purpose or the mechanism to unlock them, the various square pieces are almost akin to a puzzle. This model is used in other Kaldorei architecture and I've long been intrigued by their possible uses. These moondoors are typically used as entrances to the tall, thin ivory towers of Kaldorei ruins. Perhaps Elunarian priests or arcanists weave (or wove) intricate spellwork rooted in the arcane, or the moon cycle in order to lock these types of barriers. What was intended to lie beyond them is anyone's guess: powerful artifacts, sacred relics, enshrined lore, or even concealed secrets.

"The Great Sundering shattered the glorious temple, sinking it beneath the waves of the Veiled Sea."

I hope you enjoyed these musings! There's something equally fascinating and solemn looking back at the remnants of the Kaldorei Empire - in the shadows of glory that once eclipsed the continent.

What do you think Subaru being the final villain entails? Is he still with the camps but just refusing to listen, or is he off by himself, ala that feral/homeless Subaru au I've seen? Sorry if this prys too much, I'm just very curious.

How many people do you think are going to be involved in the RBD reveal

Ideally? Everyone. And that’s…that’s kind of my guess anyway.

Because okay: RBD is great as a dramatic reveal for those who love Subaru anyway. But it’s ALSO a REALLY BIG DEAL for anyone who gives half a shit about the integrity of the Royal Selection — or geopolitics in general (Vollachia), because the knight of one of Lugunica’s factions aiming to lead the kingdom is a FUCKING TIME TRAVELER. AND NOBODY NOTICED.

This also leads into my theory that Subaru is gonna be the final villain of the story lol: I have a feeling that final arc is gonna be about everyone banning together to free him of his curse once and for all.

I'm calling it...

I just read BNHA's manga chapter 193.5

SPOILER ALERT!!

Avoid this now if you don't want spoilers! Especially to the upcoming BNHA movie.

Anyways, to those who stayed:

In Chapter 193.5, it showed that after All Might graduated, he went abroad to train. Because he was still no match against All for One and his Master already died by then.

For me, this smells alot like foreshadowing for Deku's Story and the future of the BNHA.

I hypothesize 3 possible story lines.

1.) After Deku graduates, he too will go abroad to train his powers. I am not sure with whom yet. I imagine it could be Gran Torino IF he is still alive then. After all, he IS old.

And then the story continues after (n) years. There is a time skip and everyone is older.

It will be called, BNHA Shippuden. xD

2.) After Deku graduates, he goes abroad to train.

And then the story continues to follow Deku abroad. Meaning, we won't see the rest of UA for a long time. And at the same time, we will be introduced to a whole new cast of foreign heroes.

Eventually, when he gets stronger, he will return home. He may or may not bring someone home with him. Maybe a pet or a sidekick or maybe a love interest.

3.) After Deku graduates, he still trains but is not going abroad. Maybe just go travel up on some mountain or something.

Personally, I think the last one is the most boring, so I hope it's not that.

And I really hope it's the first one.

I guess, I just really want to see the time skipped versions of every hero in BNHA.

I wanna see Bakugou controlling his emotions and being balanced and humble but self confident. And I want to see him working with other heroes too. Not just Kirishima and the Bakusquad. Also, I wanna see him end up with Uraraka. xD

I wanna see Shouto with experience in using both of his quirks at the same time. I also, want to see Shouto realizing that he is the Avatar, destined to control all four elements XD. Also also, todomomo FTW.

I could be wrong after all. I just thought that this would be an interesting discussion. What do you guys wanna see if BNHA does go through a time skip? What do you guys think will happen in future BNHA chapters?