Reblog if you support Maggie Smith becoming immortal.
You don’t know what street you’re on. Every intersection, there’s a street sign, but it only tells you the name of the other street. Perhaps your street has no name. Perhaps it doesn’t exist.
The road has two lanes. You thought it had three, but suddenly there are two. Now three again. Now one.
Construction workers close down a street. They work for years. No one says what they’re doing, but machinery moves back and forth and great clouds of smoke go up into the sky. When they finally leave, the street looks as if they were never there.
Roads were named, back in the old times, by the city they went to. A road that went to Boston was Boston Road. But many roads lead to Boston. So there are many Boston Roads. They do not connect to each other. They are all Boston Road.
You have forgotten what a parking space looks like. You have forgotten what it means to park. You simply drive forever, in circles. It feels natural enough.
Blue lights flash in front of you, the street swarms with police; an accident? A crime? Some kind of disaster? But at the heart of the blue-clad swarm there is nothing but a single man in a yellow vest, digging a small hole by the side of the road.
You have to be in the left lane to turn right, the sign says. You have to be in the right lane to turn left. The sign that explains this is hung directly over the intersection.
The pedestrians lurch out in front of your car, heedless of the danger, of their own soft bodies and the hardness of steel. They may think your car would simply pass through them. They may be right.
You are on I-93, at rush hour, going one mile an hour. You have always been, and will always be, on I-93, at rush hour, going one mile an hour. In the neighboring cars, babies are born, old people are dying, small tribes are forming.
You are on Storrow Drive. Somehow, you do not die.
Wait, you mean they don't just bundle up a billion dollar bills, stuff them in the rocket, and shoot them into space?
I’m in an English lesson, and this ignoramus I’m talking to has just told me that people should stop going to Mars. He says the money that went into the project would have been better spent here on planet Earth, specifically in creating jobs.
And I have just been seething here for the past five...
for science
There is a thin, semantic line separating weird and beautiful. And that line is covered in jellyfish.
Welcome to Night Vale
Episode 22 - The Whispering Forest
(via nightvalequotes)
Beasts of Burden by Jill Thompson and Evan Dorkin. Epic creepy coolness!
Anyway I miss Peggy Carter violently beating the absolute everloving fuck out of dudes with any object within her reach while upbeat jazz music is playing in the background
I didn't know that GothTwink/English-Lit Professor was a trope I needed but apparently it is and I would like to personally thank Neil Gaiman for giving me two.
I’ve seen a lot of posts commenting on how there is no fake Star Trek fan or Trekkie, and how which series or movies you like do not determine if you can call yourself a Trek fan. They’re right, it doesn’t matter which Star Trek you like.
However, if you are the sort of Trekkie that comments on a photo of Sulu with homophobic and racist remarks, or the sort of Trekkie that makes violent threats in the general chat on Star Trek Online, or the type that writes an angry homophobic letter to an author of a licensed Star Trek book or even the type who comments on a photo of Captain Janeway with gendered slurs… You are no “real” Trekkie. Be it racism, misogyny, sexism, homophobia, transphobia or ableism, if those are the sort of values you espouse, your interests in Star Trek are superficial at best. You have missed the core values of Star Trek, from the IDIC to Starfleet’s credo. When Star Trek came on the air it instilled hope of a better future, so why are you so eager to drag us into the past?